Search
Matthew Krueger (10051 KP) rated Gwen (2018) in Movies
Aug 15, 2020
Eleanor Worthington Fox (1 more)
Maxine Peake
Growing Darkness
Gwen- is a really good period folk horror drama that has elements of gothic, supernatural and psycholoigcal horror. Eleanor Worthington Fox and Maxine Peake are really good in this film.
The plot: Desperately trying to hold everything together, young Gwen struggles with her mother's mysterious illness, her father's absence and a ruthless mining company that's encroaching on their land. As a growing darkness begins to take grip, the local community grows suspicious and slowly turns on the beleaguered family.
Its a slow pace film but it does get intresting, intense, supernatural, gothic and psychological overtime. Its a good horror film.
The plot: Desperately trying to hold everything together, young Gwen struggles with her mother's mysterious illness, her father's absence and a ruthless mining company that's encroaching on their land. As a growing darkness begins to take grip, the local community grows suspicious and slowly turns on the beleaguered family.
Its a slow pace film but it does get intresting, intense, supernatural, gothic and psychological overtime. Its a good horror film.
Witchfinder General (1968)
8.5
Rate It
Movie
Classic British folk-horror movie. During the chaos of the English civil war, the unscrupulous...
Devil's Day
8.5
Rate It
Book
Every autumn, John Pentecost returns to the Lancashire farm where he grew up to help gather the...
Andrew Michael Hurley Folk horror Horror Devils day British horror
The Grand Grimoire of Cthulhu Mythos Magic
8.0
Rate It
Tabletop Game
Sourcebook for the 7th edition of Chaosium's legendary horror-fantasy RPG Call of Cthulhu. A...
cthulhu fthagn
Dean (6925 KP) rated Antlers (2021) in Movies
Oct 29, 2021
Different approach (2 more)
Cinematography
Locations
Decent Horror
A slow burner but enjoyable creature, myth Horror. In a remote rundown town in Oregon a strange creature appears to be attacking local residents. It's very nicely shot and the locations add to the feel of the film. Quite a grim, run down, poor town that has long seen better days. Combined with large areas of remote woodland and mountains adding to the isolated feel. The main story takes the form of an old folk tale about a spirit taking the form of an animal and needing to feed.
The creature effects are good along with the gory makeup effects are both good. If you after a slow burner, errie horror that's a bit different to the norm check this out.
The creature effects are good along with the gory makeup effects are both good. If you after a slow burner, errie horror that's a bit different to the norm check this out.
Macbeth
Book
Why write about Roman Polanski's Macbeth (1971) as part of a series of books dedicated to the...
Matthew Krueger (10051 KP) rated The Hills Have Eyes (1977) in Movies
Sep 4, 2020
Cannibal Savages
The Hills Have Eyes- is a disturbing psychological survival horror film. Wes did it again.
The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.
Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.
Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.
The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.
Its a excellent movie.
The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.
Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.
Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.
The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.
Its a excellent movie.
Scott Tostik (389 KP) rated A Nightmare on Elm Street (2010) in Movies
Sep 5, 2017
Most of the cast (1 more)
Jackie Earl Haley
Reimaging folk, not remake
I know I'm probably going to catch heat for this from self proclaimed horror movie God's. But, I enjoyed this movie.
With a few exceptions. ROONEY MARA WHAT THE HELL ARE YOU EVEN DOING IN THIS FILM!!!! Her dry and unimpressive portrayal of Nancy, a role made iconic by Heather Langenkamp, nearly destroyed this movie for me.
But along came Jackie Earl Haley. An amazing character actor who attacked the role of Freddy Krueger and honestly made him dark, destructive and truly demonic again. While he may not be Robert Englund, Haley made Freddy scary again. No more with the cracking jokes, no more fun. Just rage, destruction and murder.
And that's what you want in an iconic horror character.
Who cares if he's not 6ft 4.
Who cares if he's not funny.
That's the point of a reimagining.
Platinum Dunes did it well with Texas Chainsaw Massacre. As far as I'm concerned they did it fairly well with Friday the 13th.
And IMHO, they did it well with this movie.
Everything needs an update to evolve these days. And that includes even the most iconic horror movie characters.
With a few exceptions. ROONEY MARA WHAT THE HELL ARE YOU EVEN DOING IN THIS FILM!!!! Her dry and unimpressive portrayal of Nancy, a role made iconic by Heather Langenkamp, nearly destroyed this movie for me.
But along came Jackie Earl Haley. An amazing character actor who attacked the role of Freddy Krueger and honestly made him dark, destructive and truly demonic again. While he may not be Robert Englund, Haley made Freddy scary again. No more with the cracking jokes, no more fun. Just rage, destruction and murder.
And that's what you want in an iconic horror character.
Who cares if he's not 6ft 4.
Who cares if he's not funny.
That's the point of a reimagining.
Platinum Dunes did it well with Texas Chainsaw Massacre. As far as I'm concerned they did it fairly well with Friday the 13th.
And IMHO, they did it well with this movie.
Everything needs an update to evolve these days. And that includes even the most iconic horror movie characters.
Robert Eggers recommended Nosferatu (Eine Symphonie Des Grauens) (1922) in Movies (curated)
Awix (3310 KP) rated Midsommar (2019) in Movies
Jul 10, 2019
American attempt at folk horror retains most of the strengths of the same director's Hereditary but also manages to come up with a more coherent plot. A young couple in a moribund relationship head off to a nine-day community festival in rural Sweden with several friends. It goes without saying that there is more on the festival's schedule than they have been told about - given the Swedish background, this is not so much the Wicker Man as the IKEA Man.
It is very easy to see where this is going from near the start, but the various grisly sights and ideas that Aster has come up with are much more difficult to predict. The slowly building atmosphere of unsettling, creeping wrongness is probably at least as effective as any of the film's more shocking moments. In these terms the film is undeniably successful, but the central metaphor of the film remains unclear, and while a slow build is all very well, the film arguably outstays its welcome at nearly two and a half hours long. Nevertheless, an extremely disturbing and powerful film, the simple label 'horror' doesn't do it justice.
It is very easy to see where this is going from near the start, but the various grisly sights and ideas that Aster has come up with are much more difficult to predict. The slowly building atmosphere of unsettling, creeping wrongness is probably at least as effective as any of the film's more shocking moments. In these terms the film is undeniably successful, but the central metaphor of the film remains unclear, and while a slow build is all very well, the film arguably outstays its welcome at nearly two and a half hours long. Nevertheless, an extremely disturbing and powerful film, the simple label 'horror' doesn't do it justice.