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Liege & Lief by Fairport Convention
Liege & Lief by Fairport Convention
1969 | Rock
9.0 (1 Ratings)
Album Favorite

"My favourite song is 'Farewell, Farewell' which is this beautiful arrangement, awesome songwriting and then Sandy Denny's voice is just so haunting. But that album is masterfully arranged, masterfully recorded and I love the drum sounds. We were always trying to get the drum sounds to be more Fairport - it's so economical but really funky at the same time and they just have a lot of crazy meters that you don't even notice are shifting from 7/8 to 4/4 because it's carried by these strong folk song lyrics and melodies. But that was a big touchstone for us, especially some of the fiddle style parts. I think Richard Thompson is one of the coolest guitarists out there and there's a Richard & Linda Thompson album, I Want To See The Bright Lights Tonight, the title song of which is featured on this HBO show [Enlightened]. I thought. ""Is this a Liz Phair song from 1993, what is this?"" and then you discover it and think this song's fucking awesome. Her voice is definitely not as good as Sandy Denny's but it's probably more suited for that kind of 70s pop rock. But there's also this really great song on that album called 'The Calvary Cross', which could be a Lungfish song. He's just a dude who was way ahead of his time and more interesting than someone like Jimmy Page, who's been played to death and is such a rip-off artist!"

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    Home Video by Lucy Dacus

    Home Video by Lucy Dacus

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    This new gift from Dacus, her third album, was built on an interrogation of her coming-of-age years...

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Rachel Unthank recommended Nevermind by Nirvana in Music (curated)

 
Nevermind by Nirvana
Nevermind by Nirvana
1991 | Alternative, Rock

"Grunge was the first kind of music I discovered for myself without my parents. They were not very keen [laughs]. I was fifteen, the perfect age, when Nirvana broke, and I still listen to this record. I still listen to Pearl Jam, Alice in Chains and Soundgarden too, but this still feels fresh to me, and has a real power. They captured that anarchy and rebelliousness of youth, but had songs that were like sing-a-longs, which really spoke to me. Plus the rhythms were incredible, like in ‘Breed'. I love the aggression of ‘Breed'. The rhythms of lots of metal, grunge and rock all really get me, actually. Adrian and I quite often used to come out of folk festivals and get into the car and stick Faith No More on. Like a cleanse!

Nirvana were different to the other bands around then because there was such a sad reflectiveness to them. ‘Something In The Way' particularly – Kurt's voice, and the way the song moves. Nirvana also remind me of being at the school disco. I had a friend that DJd at them, and me and my friends would be sitting down at the side, not interested, but he'd let us pick three songs to play. We'd always pick something off this album, get on the dancefloor for three minutes of headbanging, then sit down again [laughs]. I think the songs you loved as a teenager are songs you'll always have an emotional attachment to, as well. You're formed along with them."

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