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Coming Home (The Toki-Girl and the Sparrow-Boy #1)
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Her only choice is to run away. But if she can't return in time, she'll be an outcast for life! ...
The God Gene Chronicles: The Secrets of the Gods
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What would you do if you found out that everything you knew about your life was a lie? What if all...
Hazel (1853 KP) rated Stork Mountain in Books
May 25, 2017
Captivating
I received this book for free through Goodreads First Reads.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Gareth von Kallenbach (977 KP) rated The Witch (2015) in Movies
Aug 6, 2019
Based on New England folklore, Robert Eggers brings us his debut film The With.
William (Ralph Ineson) and Katherine (Kate Dickie) are the parents of five children living in 1630 New England. This God-fearing family has become dissatisfied with how their town chose to live by the word of God. William hopes to promote change in the town, instead he causes his family to be banished left only to find a patch of land bordered by dark dense woods to call home. Luckily they have Thomasin (Anya Taylor-Joy) the eldest daughter who is in charge of looking after her younger siblings. A pre teen Caleb, unruly twins Mercy and Jonas and baby Samuel along with all of the household chores. Newborn Samuel has fate working against him when he suddenly disappears during an afternoon round of peekaboo.
The family is left heartbroken. With no sign of Samuel’s return William declares that this must have been the act of a wolf. Thomasin’s siblings soon become suspicious that this was not the work of a wolf, that she has to have succumbed to the malevolent forces of witchcraft. Mercy has also claimed that she and her twin brother have been conversing with their goat Black Phillip one would assume only jokingly from children. There might just be something darker going on. As the days progress and their crops continue to fail, tensions between the family grow. Things start to go bump in the night making the situation more oppressive each day.
This film is described as a horror genre film, after screening it though I felt it lean more towards a psychological thriller. When asked what films inspired The Witch Robert Eggers mentioned Stephen King’s The Shinning which to me really shines through the film. Most importantly the film is based on actual historical accounts of witchcraft in a time where men feared a woman’s power and sexuality. In my opinion the horror in it is the unknown, because even though you don’t see it doesn’t mean it doesn’t exist. I suppose it can be viewed as both horror and psychological.
Paying close attention to detail Eggers’ immerses the audience into 1630 New England. It’s hard to believe that it was filmed in Canada and not New England because of how accurate every little detail is from the hand stitched costumes to the intricacies of the dialogue. Perhaps this can be credited to his former career as a production designer and costume designer. The music alone adds the perfect amount of horror to make those hairs on the back of your neck stand up. This film is an excellent portrait of amazing filmmaking and horrific historical folklore.
William (Ralph Ineson) and Katherine (Kate Dickie) are the parents of five children living in 1630 New England. This God-fearing family has become dissatisfied with how their town chose to live by the word of God. William hopes to promote change in the town, instead he causes his family to be banished left only to find a patch of land bordered by dark dense woods to call home. Luckily they have Thomasin (Anya Taylor-Joy) the eldest daughter who is in charge of looking after her younger siblings. A pre teen Caleb, unruly twins Mercy and Jonas and baby Samuel along with all of the household chores. Newborn Samuel has fate working against him when he suddenly disappears during an afternoon round of peekaboo.
The family is left heartbroken. With no sign of Samuel’s return William declares that this must have been the act of a wolf. Thomasin’s siblings soon become suspicious that this was not the work of a wolf, that she has to have succumbed to the malevolent forces of witchcraft. Mercy has also claimed that she and her twin brother have been conversing with their goat Black Phillip one would assume only jokingly from children. There might just be something darker going on. As the days progress and their crops continue to fail, tensions between the family grow. Things start to go bump in the night making the situation more oppressive each day.
This film is described as a horror genre film, after screening it though I felt it lean more towards a psychological thriller. When asked what films inspired The Witch Robert Eggers mentioned Stephen King’s The Shinning which to me really shines through the film. Most importantly the film is based on actual historical accounts of witchcraft in a time where men feared a woman’s power and sexuality. In my opinion the horror in it is the unknown, because even though you don’t see it doesn’t mean it doesn’t exist. I suppose it can be viewed as both horror and psychological.
Paying close attention to detail Eggers’ immerses the audience into 1630 New England. It’s hard to believe that it was filmed in Canada and not New England because of how accurate every little detail is from the hand stitched costumes to the intricacies of the dialogue. Perhaps this can be credited to his former career as a production designer and costume designer. The music alone adds the perfect amount of horror to make those hairs on the back of your neck stand up. This film is an excellent portrait of amazing filmmaking and horrific historical folklore.
LucyB (47 KP) rated The Essex Serpent in Books
Jul 23, 2017
Expertly written, but I struggled to get into it.
Sarah Perry definitely has a way with words. There was much about this book that I found very evocative, on occasion lyrical. Also, what a great backdrop for a story - the wilder parts of Essex, not to mention ancient folklore! As an Essex-born gal myself (and a sucker for anything mythical / legendary), this was music to my ears.
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.
JT (287 KP) rated The Highwaymen (2019) in Movies
Mar 10, 2020
The legend of Bonnie and Clyde is cemented in criminal folklore. The murderous couple were idolised by the public for their robin hood style capers. They left a trail of destruction during their crime spree that was eventually ended in a spectacular ambush.
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
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