Gareth von Kallenbach (980 KP) rated The Witch (2015) in Movies
Aug 6, 2019
William (Ralph Ineson) and Katherine (Kate Dickie) are the parents of five children living in 1630 New England. This God-fearing family has become dissatisfied with how their town chose to live by the word of God. William hopes to promote change in the town, instead he causes his family to be banished left only to find a patch of land bordered by dark dense woods to call home. Luckily they have Thomasin (Anya Taylor-Joy) the eldest daughter who is in charge of looking after her younger siblings. A pre teen Caleb, unruly twins Mercy and Jonas and baby Samuel along with all of the household chores. Newborn Samuel has fate working against him when he suddenly disappears during an afternoon round of peekaboo.
The family is left heartbroken. With no sign of Samuel’s return William declares that this must have been the act of a wolf. Thomasin’s siblings soon become suspicious that this was not the work of a wolf, that she has to have succumbed to the malevolent forces of witchcraft. Mercy has also claimed that she and her twin brother have been conversing with their goat Black Phillip one would assume only jokingly from children. There might just be something darker going on. As the days progress and their crops continue to fail, tensions between the family grow. Things start to go bump in the night making the situation more oppressive each day.
This film is described as a horror genre film, after screening it though I felt it lean more towards a psychological thriller. When asked what films inspired The Witch Robert Eggers mentioned Stephen King’s The Shinning which to me really shines through the film. Most importantly the film is based on actual historical accounts of witchcraft in a time where men feared a woman’s power and sexuality. In my opinion the horror in it is the unknown, because even though you don’t see it doesn’t mean it doesn’t exist. I suppose it can be viewed as both horror and psychological.
Paying close attention to detail Eggers’ immerses the audience into 1630 New England. It’s hard to believe that it was filmed in Canada and not New England because of how accurate every little detail is from the hand stitched costumes to the intricacies of the dialogue. Perhaps this can be credited to his former career as a production designer and costume designer. The music alone adds the perfect amount of horror to make those hairs on the back of your neck stand up. This film is an excellent portrait of amazing filmmaking and horrific historical folklore.
LucyB (47 KP) rated The Essex Serpent in Books
Jul 23, 2017
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.
JT (287 KP) rated The Highwaymen (2019) in Movies
Mar 10, 2020
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
The Great Train Robbery: Crime of the Century: The Definitive Account
Nick Russell-Pavier and Stewart Richards
Book
Definitive account of the famous 1963 Great Train Robbery - and its aftermath. In the early hours of...
I am Duran: The Autobiography of Roberto Duran
Book
They called him 'Hands of Stone'. In his own words, and for the first time, Roberto Duran tells his...
Geek in Thailand: Discovering the Land of Golden Buddhas, Pad Thai and Kickboxing
Book
A Geek in Thailand is a light-hearted but perceptive look at one of the world's most visited...
Water Lilies: And Bory Latour-Marliac, the Genius Behind Monet's Water Lilies
Book
Water lilies are inextricably linked to the ancient cultures of Greece and Rome, Egypt and the Far...
Skunk
Book
Although the skunk generally waddles through life in a peaceful and solitary way, the animal is...
Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba
Book
Derived from the nationalist writings of Jose Marti, the concept of Cubanidad (Cubanness) has always...
The Star-Touched Queen (The Star-Touched Queen, #1)
Book
FATE AND FORTUNE. POWER AND PASSION. WHAT DOES IT TAKE TO BE THE QUEEN OF A KINGDOM WHEN YOU'RE ONLY...


