The Ghost Bride
7.7
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Publisher's Summary A startlingly original voice makes her literary debut with this wondrous...
LoganCrews (2861 KP) rated Lesson of the Evil (2012) in Movies
Nov 15, 2021
Takashi Miike's 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichéd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Suswatibasu (1701 KP) rated The Nix in Books
Dec 4, 2017
It spans nearly fifty years, with flashbacks to student protests during 1968, from the present day, and the travails of an academic, struggling to engage with lazy and disaffected students, and playing ‘Elfscape’, an online role-playing game that works along the lines of World of Warcraft. The narrative perspective moves around quite a bit in the first few chapters, but a strong theme quickly emerges.
Samuel Andresen-Anderson is the principal protagonist, and is a genuinely empathetic character. Far from perfect, he is beset with irritations, ranging from the cheating and ignorance of many of his students to the family upheaval suffered during his childhood, which still troubles him more than twenty years later.
Behind all this is the story of Faye, Samuel’s mother, who walked out on her family more than twenty years earlier, and who is catapulted into the public consciousness following a sudden impulsive act. This offered Hill the opportunity for some acute observations about the motives and actions of the student rebels from the late 1960s, while also exposing the hypocrisies of the establishment and the cruelties of some of the police during those troubles. In between, the author even delves into Norwegian folklore.
The writing is fine – clear and accessible - and Hill manages the complex storylines admirably. Moving backwards and forwards between the late 1960s, late 1980s and 2011, the plot never flags. This was a long novel, but very entertaining throughout.
Sophia (Bookwyrming Thoughts) (530 KP) rated Xander and the Lost Island of Monsters (Momotaro, #1) in Books
Jan 23, 2020
I think I've grown out of reading middle grade books now. I find that a little sad - the first book in Dilloways Momotaro series isn't even a bad book, aside from the fact I kept expecting a Percy Jackson vibe (which, in a way, it kind of does).
Xander and the Lost Island of Monsters - if we're going down the Percy Jackson vibe (I'm pretty sure the synopsis makes the comparison .) - is basically Japanese folklore set in modern day, with plenty of Japanese mythological creatures making an appearance. Unfortunately, Xander definitely resembles a Japanese version of Percy Jackson - blue eyes, black hair, twelve years old, and the only difference? Xander has a bit of silver streak in his hair (oh wait ) and he's mixed (Asian and Irish).
It's no wonder I expected a lot of humor out of Dilloway's book (comparisons = high expectations). The first Momotaro book does have the occasional funny moment, but it just isn't as funny as I hoped it would be. (That might just be the fact I'm nineteen.)
Xander and the Lost Island of Monsters is set in a comic book like format with illustrations featured throughout the book, and it will definitely appeal more to younger audiences than the older ones. (And hopefully, it'll be more funny to them than to me.)
<a href="https://bookwyrmingthoughts.com/arc-review-xander-and-lost-island-of-monsters-by-margaret-dilloway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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