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The Final Day
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A major release in the New York Times bestselling One Second After series, set in an alternate...
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Foresee: Your Personal Activity Forecast
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WEATHER-POWERED ACTIVITY PLANNER... Foresee intelligently predicts the ideal times for your...
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Sarah (7798 KP) rated Dead Man's Shoes (2006) in Movies
Feb 3, 2019
Brilliantly savage
Finally managed to get a hold of this after borrowing it on DVD from my brother, I’ve been wanting to watch it again for a long time and it’s still a fantastic hard hitting film.
This is a darkly savage and fairly brutal story of revenge that makes for a powerful watch. The plot is straight forward and simple, but it just goes to show that you don’t need a massive budget or fancy Hollywood effects to make an outstanding film. From the effective story telling (colour current day scenes vs black and white flashbacks), to a clever script, bleak, creepy and almost gruesome scenes and some great performances. Paddy Considine is a fantastic actor, and probably deserves a lot more accolades, and Toby Kebbell has an outstanding yet fairly small and moving breakthrough performance as Anthony. The final twist at the end too is one of the few film endings that has always stuck with me. And I will admit to having a bit of a soft spot for films that are set in or around my local area, and Derbyshire isn’t too far away....
This is a darkly savage and fairly brutal story of revenge that makes for a powerful watch. The plot is straight forward and simple, but it just goes to show that you don’t need a massive budget or fancy Hollywood effects to make an outstanding film. From the effective story telling (colour current day scenes vs black and white flashbacks), to a clever script, bleak, creepy and almost gruesome scenes and some great performances. Paddy Considine is a fantastic actor, and probably deserves a lot more accolades, and Toby Kebbell has an outstanding yet fairly small and moving breakthrough performance as Anthony. The final twist at the end too is one of the few film endings that has always stuck with me. And I will admit to having a bit of a soft spot for films that are set in or around my local area, and Derbyshire isn’t too far away....
AT (1676 KP) rated When We Were Vikings in Books
Apr 13, 2020
I enjoyed When we were Vikings, but I had to take breaks from reading it, so it wasn't the fastest read for me on a personal level. I'm a parent of a special needs child, and personally, after dealing with my son all day, sometimes I could only read a couple of pages before needing a break. Like I said, that's just a personal thing. I did enjoy the story, and once I hit the major part of the story about halfway in, I didn't have to take as many breaks. Then there were more things going on in the story, rather than only focusing on Zelda's way of seeing things. I did not like the character of Marxy's mother at all, though. For me, I was almost ready to stop reading at one point because of her. Thankfully, she's wasn't a main character, that takes up a lot of time in the book. To me, what she was doing felt borderline abusive, if not fully abusive, considering the situation. I could've done without her part in the book, though I know it lays groundwork for other things down the road.
TD
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