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The Final Day
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A major release in the New York Times bestselling One Second After series, set in an alternate...
Science fiction
BankofMarquis (1832 KP) rated Father Stu (2022) in Movies
Sep 25, 2022
One Note Performance In The Lead Sinks Film
When one creates a film that is based on the real life exploits of a person, the Writer/Director of the film will be sorely tempted to include that character in every scene. Which is fine if that character is written in an interesting enough way to keep our attention. When it is NOT written well, then the film is poorer because of it.
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Britt Daniel recommended It Takes a Nation of Millions to Hold Us Back by Public Enemy in Music (curated)
Destination Solitaire
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If you like classic solitaire, then you will love Destination Solitaire! Simple to play and...
Lyndsey Gollogly (2893 KP) rated Witness in Books
Feb 10, 2024
25 of 220
Kindle
Witness
By Caroline Mitchell
⭐️⭐️⭐️
To Rebecca it was a brave decision that led to her freedom from domestic abuse. To Solomon it was the ultimate betrayal.
It’s been ten years since Rebecca’s testimony saw Solomon locked away. Enough time for the nightmares to recede, the nerves to relax; enough time to rebuild her life and put the past behind her.
Then one day a phone rings in her bedroom—but it’s not her phone. Solomon has been in her home, and has a very simple message for her: for each of the ten years he has spent in jail, Rebecca must witness a crime. And, to make matters worse, she has to choose the victims.
Fail to respond and you get hurt. Talk to the police and you die. Ready to play? You have sixty seconds to decide…
As the crimes grow more severe, the victims closer to home, Rebecca is forced to confront a past she had hoped was gone forever.
This was good. Well written and an interesting story that kept you reading. Didn’t get me overly excited but I did enjoy the read. A new author for me. Does contain Domestic abuse and controlling behaviour.
Kindle
Witness
By Caroline Mitchell
⭐️⭐️⭐️
To Rebecca it was a brave decision that led to her freedom from domestic abuse. To Solomon it was the ultimate betrayal.
It’s been ten years since Rebecca’s testimony saw Solomon locked away. Enough time for the nightmares to recede, the nerves to relax; enough time to rebuild her life and put the past behind her.
Then one day a phone rings in her bedroom—but it’s not her phone. Solomon has been in her home, and has a very simple message for her: for each of the ten years he has spent in jail, Rebecca must witness a crime. And, to make matters worse, she has to choose the victims.
Fail to respond and you get hurt. Talk to the police and you die. Ready to play? You have sixty seconds to decide…
As the crimes grow more severe, the victims closer to home, Rebecca is forced to confront a past she had hoped was gone forever.
This was good. Well written and an interesting story that kept you reading. Didn’t get me overly excited but I did enjoy the read. A new author for me. Does contain Domestic abuse and controlling behaviour.
Foresee: Your Personal Activity Forecast
Weather and Productivity
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WEATHER-POWERED ACTIVITY PLANNER... Foresee intelligently predicts the ideal times for your...
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Sarah (7799 KP) rated Dead Man's Shoes (2006) in Movies
Feb 3, 2019
Brilliantly savage
Finally managed to get a hold of this after borrowing it on DVD from my brother, I’ve been wanting to watch it again for a long time and it’s still a fantastic hard hitting film.
This is a darkly savage and fairly brutal story of revenge that makes for a powerful watch. The plot is straight forward and simple, but it just goes to show that you don’t need a massive budget or fancy Hollywood effects to make an outstanding film. From the effective story telling (colour current day scenes vs black and white flashbacks), to a clever script, bleak, creepy and almost gruesome scenes and some great performances. Paddy Considine is a fantastic actor, and probably deserves a lot more accolades, and Toby Kebbell has an outstanding yet fairly small and moving breakthrough performance as Anthony. The final twist at the end too is one of the few film endings that has always stuck with me. And I will admit to having a bit of a soft spot for films that are set in or around my local area, and Derbyshire isn’t too far away....
This is a darkly savage and fairly brutal story of revenge that makes for a powerful watch. The plot is straight forward and simple, but it just goes to show that you don’t need a massive budget or fancy Hollywood effects to make an outstanding film. From the effective story telling (colour current day scenes vs black and white flashbacks), to a clever script, bleak, creepy and almost gruesome scenes and some great performances. Paddy Considine is a fantastic actor, and probably deserves a lot more accolades, and Toby Kebbell has an outstanding yet fairly small and moving breakthrough performance as Anthony. The final twist at the end too is one of the few film endings that has always stuck with me. And I will admit to having a bit of a soft spot for films that are set in or around my local area, and Derbyshire isn’t too far away....
AT (1676 KP) rated When We Were Vikings in Books
Apr 13, 2020
I enjoyed When we were Vikings, but I had to take breaks from reading it, so it wasn't the fastest read for me on a personal level. I'm a parent of a special needs child, and personally, after dealing with my son all day, sometimes I could only read a couple of pages before needing a break. Like I said, that's just a personal thing. I did enjoy the story, and once I hit the major part of the story about halfway in, I didn't have to take as many breaks. Then there were more things going on in the story, rather than only focusing on Zelda's way of seeing things. I did not like the character of Marxy's mother at all, though. For me, I was almost ready to stop reading at one point because of her. Thankfully, she's wasn't a main character, that takes up a lot of time in the book. To me, what she was doing felt borderline abusive, if not fully abusive, considering the situation. I could've done without her part in the book, though I know it lays groundwork for other things down the road.
