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Gareth von Kallenbach (980 KP) rated The Shallows (2016) in Movies
Aug 6, 2019
The Shallows is simple, suspenseful and satisfying. Everything you want it to be.
The story is simple. Nancy (Blake Lively) is a young woman on a journey to find herself after her mother passes away. She has finally found the “perfect secret” beach her mother always told her about. Nancy surfs the day away in paradise with two other local surfers who eventually leave for the evening. When trying to catch one last wave of the day, she unexpectedly is attacked by a great white shark. Trapped 200 yards off shore on a rock island in low tide, the film becomes a battle of wits and wills between Nancy and one of nature’s most vicious predators.
No doubt, the twiterverse will dismiss this movie as nothing more than a pretty girl in a bikini stuck on a rock in the ocean. But I want to praise Blake Lively’s performance in the film as she is both likeable and believable. We feel her joy, pain, confusion and fear throughout the film. She does a fantastic job keeping our interest in her survival, which is a fine line to walk when the focus is mostly on her and a shark.
I would actually recommend seeing this film in the theater. Not only to get the visual duality of beauty and danger of the ocean, but more importantly, to get that same experience through fantastic sound. There is no thematic score warning you of danger like “Jaws,” In fact, as I write this I cannot remember there being any kind of score at all. If there was, it was minimal. But the sound design set in realism makes you feel the intimate and intense nature of this experience. This creates a satisfying payoff during those suspenseful moments where you want to look away, but cannot bring yourself to do so.
The Shallows is thoroughly enjoyable as it delivers everything it suggests from the trailer and more. At 83 minutes it does not feel long or forced but rather it delivers a simple story with the precision of timing in suspenseful moments that will keep you on the edge of your seat.
The story is simple. Nancy (Blake Lively) is a young woman on a journey to find herself after her mother passes away. She has finally found the “perfect secret” beach her mother always told her about. Nancy surfs the day away in paradise with two other local surfers who eventually leave for the evening. When trying to catch one last wave of the day, she unexpectedly is attacked by a great white shark. Trapped 200 yards off shore on a rock island in low tide, the film becomes a battle of wits and wills between Nancy and one of nature’s most vicious predators.
No doubt, the twiterverse will dismiss this movie as nothing more than a pretty girl in a bikini stuck on a rock in the ocean. But I want to praise Blake Lively’s performance in the film as she is both likeable and believable. We feel her joy, pain, confusion and fear throughout the film. She does a fantastic job keeping our interest in her survival, which is a fine line to walk when the focus is mostly on her and a shark.
I would actually recommend seeing this film in the theater. Not only to get the visual duality of beauty and danger of the ocean, but more importantly, to get that same experience through fantastic sound. There is no thematic score warning you of danger like “Jaws,” In fact, as I write this I cannot remember there being any kind of score at all. If there was, it was minimal. But the sound design set in realism makes you feel the intimate and intense nature of this experience. This creates a satisfying payoff during those suspenseful moments where you want to look away, but cannot bring yourself to do so.
The Shallows is thoroughly enjoyable as it delivers everything it suggests from the trailer and more. At 83 minutes it does not feel long or forced but rather it delivers a simple story with the precision of timing in suspenseful moments that will keep you on the edge of your seat.
Her Pretty Face
9.0
Rate It
Book
The author of the bestselling novel The Party—lauded as “tense and riveting” by New York Times...
mystery thriller
Goddess in the Stacks (553 KP) rated Unmarriageable: A Novel in Books
May 7, 2019
One of these days I really need to read Austen. I enjoy so many retellings - Pride and Prejudice and Zombies, The Lizzie Bennet Diaries, Bridget Jones' Diary, and I know I have a copy of Mr. Darcy, Vampyre around here somewhere! (And now that I pulled up The Lizzie Bennet Diaries to link it here, I'm sorely tempted to sit down and watch the whole thing again but I have books to read!)
Anyway. Austen. I've read a bunch of retellings but believe it or not, I haven't read the original. I really need to get on that, but instead, I read Unmarriageable, which is Pride and Prejudice set in modern-day Pakistan! It's SO GOOD. The themes of family honor, class structure, and rumors damaging reputations translates incredibly easily into Pakistani society, which is why Soniah Kamal wrote it. In her Afterword, she writes:
"Was there any worry more Pakistani than the concern about what might bring a family honor or dishonor? .... Was there anything more Pakistani than [Charlotte's] calculated, 'arranged' marriage? ... Was there anything more apropos to Pakistan than class issues, snootiness, and double standards?"
She goes on to say she was already reading the book as if it was set in Pakistan, so why not write it that way for other Pakistanis? Kamal explains that Pakistan is very much a mix of Pakistan and English culture, and that the emphasis on learning English and English culture comes at the expense of their own indigenous culture, something forced upon them by colonizers. Unmarriageable is her way of melding the two cultures.
I really enjoyed this version of the classic, and it has me even more interested in other versions, such as Ibi Zoboi's Pride and Sonali Dev's Pride, Prejudice, and Other Flavors. Book Riot actually ran a short list recently on diverse Austen retellings, and I've added every one of them to my To-Read list!
You can find all my reviews (and links to the things mentioned above) on my blog, http://goddessinthestacks.com
Anyway. Austen. I've read a bunch of retellings but believe it or not, I haven't read the original. I really need to get on that, but instead, I read Unmarriageable, which is Pride and Prejudice set in modern-day Pakistan! It's SO GOOD. The themes of family honor, class structure, and rumors damaging reputations translates incredibly easily into Pakistani society, which is why Soniah Kamal wrote it. In her Afterword, she writes:
"Was there any worry more Pakistani than the concern about what might bring a family honor or dishonor? .... Was there anything more Pakistani than [Charlotte's] calculated, 'arranged' marriage? ... Was there anything more apropos to Pakistan than class issues, snootiness, and double standards?"
She goes on to say she was already reading the book as if it was set in Pakistan, so why not write it that way for other Pakistanis? Kamal explains that Pakistan is very much a mix of Pakistan and English culture, and that the emphasis on learning English and English culture comes at the expense of their own indigenous culture, something forced upon them by colonizers. Unmarriageable is her way of melding the two cultures.
I really enjoyed this version of the classic, and it has me even more interested in other versions, such as Ibi Zoboi's Pride and Sonali Dev's Pride, Prejudice, and Other Flavors. Book Riot actually ran a short list recently on diverse Austen retellings, and I've added every one of them to my To-Read list!
You can find all my reviews (and links to the things mentioned above) on my blog, http://goddessinthestacks.com
A More Beautiful Question: The Power of Inquiry to Spark Breakthrough Ideas
Book
To get a great answer, you need to ask the perfect question. Warren Berger revives the lost art of...
Mark @ Carstairs Considers (2196 KP) rated From Beer to Eternity in Books
Jul 29, 2020
Cheers to a New Series
When Chloe Jackson promised her friend Boone she would help his grandmother, Vivi, if something happened to him, she never expected she’s have to follow through. But after his untimely death, she heads to Emerald Cove, Florida, to help her with her beach side bar. Things get complicated when Chloe finds one of the regulars dead behind the bar one morning. With the police looking at Vivi as a suspect, Chloe has to figure out what really happened. Can she do it?
Picking up this book, I was immediately transported to the beach, a place I love. The setting was fantastic, and I would love to visit in person. The mystery was a little slow to get going as we were introduced to the characters and setting, but once it did, I was fully engaged. There were plenty of twists along the way. The climax was a bit rushed, but it still answered all of my questions. There are several times where Chloe seemed to have more time in her day than normal, and one chapter with a wonky timeline, but none of this impacted the plot in a meaningful way. Chloe had been working as a children’s librarian before this story started, so I loved the occasional references to children’s books. She leads a group of fantastic characters, some of whom already feel like friends. I will definitely be back for the next round.
Picking up this book, I was immediately transported to the beach, a place I love. The setting was fantastic, and I would love to visit in person. The mystery was a little slow to get going as we were introduced to the characters and setting, but once it did, I was fully engaged. There were plenty of twists along the way. The climax was a bit rushed, but it still answered all of my questions. There are several times where Chloe seemed to have more time in her day than normal, and one chapter with a wonky timeline, but none of this impacted the plot in a meaningful way. Chloe had been working as a children’s librarian before this story started, so I loved the occasional references to children’s books. She leads a group of fantastic characters, some of whom already feel like friends. I will definitely be back for the next round.
Foundations of Economics
Book
Is there more the government could do to help the UK economy grow faster? What will happen to house...
iCycleBeads Lite - Plan or Prevent Pregnancy
Health & Fitness and Medical
App
The iCycleBeads Lite app enables you to plan or prevent pregnancy easily and effectively by simply...
Gareth von Kallenbach (980 KP) rated Take Me Home Tonight (2011) in Movies
Aug 7, 2019
If you’re planning an 80’s party anytime soon, make sure to download the soundtrack to Take Me Home Tonight. The opening montage alone reminded me of everything I loved about the 80’s. It also gave us a glimpse of Matt Franklin’s high school years. Matt, played by Topher Grace, was the kid voted as “Smartest” in his class, one who existed on the outer fringes of high school popularity, who always had his eye on the most popular girl in school, Tori Fredreking, but could never muster up the courage or find that “in” to catch her attention.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Good for Enterprise
Business and Productivity
App
Good for Enterprise App Store Description IMPORTANT NOTE: Good for Enterprise® is a comprehensive...
Sarah (7798 KP) rated Doctor Who - Series 12 (New Season 12) in TV
Apr 4, 2020
Getting stale
When Doctor Who first came back into our screens, I loved it and loved it for quite a few series however the longer the show has been running for, the more tired of it I become. Like with any tv show, I think there comes a time when you should call it a day before it starts to become stale and people lose interest. I’m afraid to say that Doctor Who has gone past that point for me.
Don’t get me wrong, this was still a fairly enjoyable series. I adore Jodie Whittaker as the Doctor, I think she’s rather wonderful and I’m surprised at how many people don’t really rate her. I also find all of her companions quite bearable and probably the most bearable out of all of those that have come before - most likely because they haven’t tried to shoe horn in some cringey romantic aspects with the Doctor. Although I can only think of The Chase when I look at Bradley Walsh.
The problem is that the storylines are all getting a bit old and rather samey, whether they’re new enemies or old ones returning. Especially with the old foes returning, how many more times can we see the return of the Daleks or the Cybermen? It’s been done too many times. It was nice in this series to see the return of a familiar friendly face and it was nice in a way to see the return of a familiar and much loved enemy, however without spoilers I will say that this returning face isn’t quite as good as the one that came before it.
Overall this was an enjoyable series but not particularly memorable, and I really think they should consider giving this show a rest for a while.
Don’t get me wrong, this was still a fairly enjoyable series. I adore Jodie Whittaker as the Doctor, I think she’s rather wonderful and I’m surprised at how many people don’t really rate her. I also find all of her companions quite bearable and probably the most bearable out of all of those that have come before - most likely because they haven’t tried to shoe horn in some cringey romantic aspects with the Doctor. Although I can only think of The Chase when I look at Bradley Walsh.
The problem is that the storylines are all getting a bit old and rather samey, whether they’re new enemies or old ones returning. Especially with the old foes returning, how many more times can we see the return of the Daleks or the Cybermen? It’s been done too many times. It was nice in this series to see the return of a familiar friendly face and it was nice in a way to see the return of a familiar and much loved enemy, however without spoilers I will say that this returning face isn’t quite as good as the one that came before it.
Overall this was an enjoyable series but not particularly memorable, and I really think they should consider giving this show a rest for a while.