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Hazel (1853 KP) rated Castle of Blue Stones in Books
Mar 29, 2019
I received a digital copy from the author in exchange for an honest review.
With a Philip Pullman-esque storyline, Jordan Elizabeth has got another genre under her belt. Set in a fictional world, Castle of Blue Stones tells the story of the survivors of an apocalyptic volcano... Or so the protagonist thinks.
Led to believe she has lived in the castle since a volcanic eruption killed 90% of the population, Jaisy lives in a colourless world with no memory of what life was like before. Unable to leave due to the ice age conditions outside, Jaisy is forced to obey the impossible instructions set by the Guardians who seem to distrust her more than any other castle inhabitant.
As the story progresses, Jaisy begins to remember her past and realise the danger she and her friends are in. With rescue not an option, Jaisy must take her life and future into her own hands and save everyone from certain doom.
The author sucks readers into the storyline from the very beginning. Learning the truth at the same pace as Jaisy, Castle of Blue Stones is a gripping tale of fantasy, danger and untruths that are certain to keep readers wanting to know more.
Having raced through the book in one day, I was a little disappointed with the ending, which, although a satisfying conclusion, happened so quickly in comparison with the steady build up. Nonetheless, it was an enjoyable read and one of Jordan Elizabeth's better novels.
With a Philip Pullman-esque storyline, Jordan Elizabeth has got another genre under her belt. Set in a fictional world, Castle of Blue Stones tells the story of the survivors of an apocalyptic volcano... Or so the protagonist thinks.
Led to believe she has lived in the castle since a volcanic eruption killed 90% of the population, Jaisy lives in a colourless world with no memory of what life was like before. Unable to leave due to the ice age conditions outside, Jaisy is forced to obey the impossible instructions set by the Guardians who seem to distrust her more than any other castle inhabitant.
As the story progresses, Jaisy begins to remember her past and realise the danger she and her friends are in. With rescue not an option, Jaisy must take her life and future into her own hands and save everyone from certain doom.
The author sucks readers into the storyline from the very beginning. Learning the truth at the same pace as Jaisy, Castle of Blue Stones is a gripping tale of fantasy, danger and untruths that are certain to keep readers wanting to know more.
Having raced through the book in one day, I was a little disappointed with the ending, which, although a satisfying conclusion, happened so quickly in comparison with the steady build up. Nonetheless, it was an enjoyable read and one of Jordan Elizabeth's better novels.
TA
The Art of People: The 11 Simple People Skills That Will Get You Everything You Want
Book
What does it take to win success and influence? In a world where we are constantly connected, it's...
Merissa (14030 KP) rated Something Unavoidable (Split Rock Ranch, #6) in Books
Feb 6, 2026
SOMETHING UNAVOIDABLE is the sixth book in the Split Rock Ranch series, and the second I have read. You don't have to have read the others, but you might want to. I definitely do!
Izzy is a brat, pure and simple. He has his reasons, which come out in the book, but to say he was a troubled character to begin with is, I think, putting it mildly. Keegan is the vet who rubs Izzy the wrong way simply by existing. Keegan isn't a doormat though, and there's only so much he will take before pushing back.
This was not just snark, sass, and s3x, there was so much more to it, including grooming, gaslighting, and abused animals. And no, it's not all doom and gloom either. I loved the relationship Izzy and Keegan had, with all the banter and arguments that came with. At the end of the day, though, Keegan is the one Izzy ran to, and the one who helped put Izzy back together again.
I'm not usually a fan of bratty characters, but Izzy grew on me. And I loved how Keegan was with him. Tender and caring when needed, dominant when they both needed. I thought this was a great addition to the series, and look forward to reading more. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 6, 2026
Izzy is a brat, pure and simple. He has his reasons, which come out in the book, but to say he was a troubled character to begin with is, I think, putting it mildly. Keegan is the vet who rubs Izzy the wrong way simply by existing. Keegan isn't a doormat though, and there's only so much he will take before pushing back.
This was not just snark, sass, and s3x, there was so much more to it, including grooming, gaslighting, and abused animals. And no, it's not all doom and gloom either. I loved the relationship Izzy and Keegan had, with all the banter and arguments that came with. At the end of the day, though, Keegan is the one Izzy ran to, and the one who helped put Izzy back together again.
I'm not usually a fan of bratty characters, but Izzy grew on me. And I loved how Keegan was with him. Tender and caring when needed, dominant when they both needed. I thought this was a great addition to the series, and look forward to reading more. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 6, 2026
Andy K (10826 KP) rated First Reformed (2018) in Movies
Jul 6, 2019
Emotionless emotion takes its toll
Father Toller is a troubled man. Every day his convictions are being tested in the world all around him. His marriage failed due to the death of a child. A couple comes to him for help only to have that end in tragedy. The 250th anniversary of his home base church is coming up bringing with it all sorts of planning and the forced inclusion of one of the sponsors; a large company who is a leading contributor of pollution to the Earth. Then, his health deteriorates and he won't let others in to help or console him.
How can he stand by and let these things happen? He sits in on group therapy sessions at the church and is confronted by those who don't believe or are conflicted by what they see happening around them as well.
He is approached by a grieving woman and is torn by his own emotional reactions to her and her needs.
First Reformed is a character study of this troubled, religious man and his actions and reactions to his crumbling encounters with the world. He wants to say more, but feels he can't while staying true to his convictions.
Ethan Hawke has a great resume and is performance here is breathtaking and should've received at least an Oscar nomination. It seems he is often overlooked and has given great performances for years in films like Training Day, Dead Poets Society and Alive. His role here is complex and I would imagine difficult to portray someone who has to lead a muffled existence.
I am still digesting the ending of the film, so I am not sure how I feel about that yet.
Ask me again in a couple days. Unique for sure.
How can he stand by and let these things happen? He sits in on group therapy sessions at the church and is confronted by those who don't believe or are conflicted by what they see happening around them as well.
He is approached by a grieving woman and is torn by his own emotional reactions to her and her needs.
First Reformed is a character study of this troubled, religious man and his actions and reactions to his crumbling encounters with the world. He wants to say more, but feels he can't while staying true to his convictions.
Ethan Hawke has a great resume and is performance here is breathtaking and should've received at least an Oscar nomination. It seems he is often overlooked and has given great performances for years in films like Training Day, Dead Poets Society and Alive. His role here is complex and I would imagine difficult to portray someone who has to lead a muffled existence.
I am still digesting the ending of the film, so I am not sure how I feel about that yet.
Ask me again in a couple days. Unique for sure.
Merely for Money'?: Business Culture in the British Atlantic, 1750-1815
Book
In 1780 Richard Sheridan noted that merchants worked 'merely for money'. However, rather than being...
ClareR (6241 KP) rated Medusa: The Girl Behind The Myth in Books
Sep 28, 2021
Now THIS is the side of the story I have always wanted to hear about! Medusa’s OWN story from her OWN mouth. In mythology, she is always portrayed as ugly, dangerous and unpredictable - lethal. In this story, we see a young girl, afraid and alone, forced to live away from others in case she hurts them - or they harm her. Her only companions, a dog and her sisters, the Gorgons, who fly out to hunt during the day, returning to their sister at night with food.
One day, a boy lands his boat on the island - it’s Perseus.
We see the side of Medusa that the original myth writers would never have imagined: a young girl who is taken advantage of, vulnerable, used by men for their own pleasure, and then blamed for something that she has no control over.
In the original stories, she gets her just desserts. Medusa is ugly and not to be trusted. It gives an insight into how men regarded women at this time. Be subservient. Be a virgin. Don’t get raped, and if you do, it’s your own fault - you brought it on yourself (I can feel my blood pressure rising just thinking about this). Women don’t come out of myth and legend terribly well.
I absolutely loved this. Medusa isn’t a meek, mild victim, but neither is she evil. She knows, or has some idea anyway, her glance can cause a lot of damage - so she hides herself away.
And in this story, not a single head is lost.
The illustrations are gorgeous as well.
I wonder if Jessie Burton will write more Greek myths in this way? Because I’m all in!
Many thanks to Bloomsbury Children’s Books for my copy of this gorgeous book through NetGalley.
One day, a boy lands his boat on the island - it’s Perseus.
We see the side of Medusa that the original myth writers would never have imagined: a young girl who is taken advantage of, vulnerable, used by men for their own pleasure, and then blamed for something that she has no control over.
In the original stories, she gets her just desserts. Medusa is ugly and not to be trusted. It gives an insight into how men regarded women at this time. Be subservient. Be a virgin. Don’t get raped, and if you do, it’s your own fault - you brought it on yourself (I can feel my blood pressure rising just thinking about this). Women don’t come out of myth and legend terribly well.
I absolutely loved this. Medusa isn’t a meek, mild victim, but neither is she evil. She knows, or has some idea anyway, her glance can cause a lot of damage - so she hides herself away.
And in this story, not a single head is lost.
The illustrations are gorgeous as well.
I wonder if Jessie Burton will write more Greek myths in this way? Because I’m all in!
Many thanks to Bloomsbury Children’s Books for my copy of this gorgeous book through NetGalley.
Gareth von Kallenbach (980 KP) rated Sinister (2012) in Movies
Aug 7, 2019
Sinister is a movie that surprised me. I love scary movies, but most of the time it is the pure humor that I find in what people think is scary these days that makes me love them. I figured I would walk into this movie and leave in the same mood I always do. Laughing about how many people jumped in the theater because of what happened on screen. But, this time, I was one of those people. For the first time in over a decade I found a scary movie that downright creeped me out and made me jump. Not just once, more several times.
Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.
Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.
I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.
Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.
Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.
I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.
Phillip McSween (751 KP) rated Up (2009) in Movies
May 30, 2019
A Movie That Never Stumbles Towards its End Goal.
After the death of his wife (tear), Carl Fredericksen (Edward Asner) decides to tie a bunch of balloons to his house and fly off on a great adventure. He gets more than what he bargained for when he realizes he won’t be alone on this adventure.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Phil Leader (619 KP) rated IA: Initiate in Books
Nov 15, 2019
Naz seems like a normal boy. Both his parents have died and the only family he has is his younger sister Meri. Moving from foster home to foster home in the ghetto for the disadvantaged called the Exclave, earning spare money running errands for local shopkeepers.
But Naz is not a normal boy. He can remember nothing before waking up in hospital three years previously following the car crash in which his father died. And he hears voices in his head, or rather one voice which seems familiar although he does not recognise it.
Following an apparently random act of gang violence on the way to his his first day at high school, his life begins to change and he starts to question exactly who he is and what makes him the way he is.
Told from Naz's point of view the reader is drawn into his tale of discovery as he goes about is every day life of school and afterwards in the Exclave. Naz is a very likeable character, concerned for the safety of his sister above all else and suspicious of strangers. He is clever and quick witted but doesn't really use his talents, drifting through school and life in general with the minimum of effort, generally happy with his lot until he is forced to re-evaluate his life as events unfold around him.
The story is paced well with periods of Naz leading his life and going to school, which is made interesting by his observations on everything around him, interspersed with things that Naz does or sees, or that other people say and do, that really make the reader realise that there is 'something else' going on, a bigger picture that Naz is unable to put together, although he gets glimpses. There are also chapters at the start of each section describing a lecture given by Naz's father which adds some more clues.
The ideas here are certainly interesting - this is science fiction of a subtle kind, where only the edges of Naz's life are visible to both him and us, with outsiders often recognising that there is more to him, more that he can achieve. The supporting cast works well, from the hard-pressed merchants fighting the big multiple chain stores to the menacing gang members and other more eccentric inhabitants of the Exclave.
Overall a fascinating and thought provoking read, with plenty of questions left to draw the reader to the next in the series.
But Naz is not a normal boy. He can remember nothing before waking up in hospital three years previously following the car crash in which his father died. And he hears voices in his head, or rather one voice which seems familiar although he does not recognise it.
Following an apparently random act of gang violence on the way to his his first day at high school, his life begins to change and he starts to question exactly who he is and what makes him the way he is.
Told from Naz's point of view the reader is drawn into his tale of discovery as he goes about is every day life of school and afterwards in the Exclave. Naz is a very likeable character, concerned for the safety of his sister above all else and suspicious of strangers. He is clever and quick witted but doesn't really use his talents, drifting through school and life in general with the minimum of effort, generally happy with his lot until he is forced to re-evaluate his life as events unfold around him.
The story is paced well with periods of Naz leading his life and going to school, which is made interesting by his observations on everything around him, interspersed with things that Naz does or sees, or that other people say and do, that really make the reader realise that there is 'something else' going on, a bigger picture that Naz is unable to put together, although he gets glimpses. There are also chapters at the start of each section describing a lecture given by Naz's father which adds some more clues.
The ideas here are certainly interesting - this is science fiction of a subtle kind, where only the edges of Naz's life are visible to both him and us, with outsiders often recognising that there is more to him, more that he can achieve. The supporting cast works well, from the hard-pressed merchants fighting the big multiple chain stores to the menacing gang members and other more eccentric inhabitants of the Exclave.
Overall a fascinating and thought provoking read, with plenty of questions left to draw the reader to the next in the series.
