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Die Like an Eagle (Meg Langslow, #20)
10
10.0 (1 Ratings)
Book Rating
Meg’s twins have joined the local youth baseball league, and Meg is quickly learning what a tyrant Biff Brown, the head of the league, can be. While most of the parents hate him, he hasn’t damped the enthusiasm any, and most of the town turns out for opening day. However, there is a major delay when Meg finds a dead body in the field’s only porta potty.

The politics of local baseball seemed to be more of the focus than the mystery this time, although Meg still spends plenty of time investigating. I’m not complaining, however, since there were so many great scenes and so much conflict I couldn’t put the book down. We get some nice twists before the logical conclusion as well. It’s always wonderful to spend time with these characters, and one I’d been wanting to see showed up again here, which I loved. This may be book 20, but the series is still going strong.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-die-like-eagle-by-donna.html">Carstairs Considers</a>.
  
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Awix (3310 KP) rated Blade Runner (1982) in Movies

Nov 25, 2019 (Updated Nov 26, 2019)  
Blade Runner (1982)
Blade Runner (1982)
1982 | Sci-Fi
8
8.5 (75 Ratings)
Movie Rating
Cult thriller from Ridley Scott. In present-day Los Angeles, investigator Harrison Ford finds himself obliged to hunt down and destroy four androids who have illegally returned to Earth from colonies in outer space. Yes, yes: I know it's a timeless classic and a visionary piece of science fiction (if not a particularly accurate piece of prognostication), but it's not a film I've ever found myself able to particularly warm to.

One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.
  
Terror Train (1980)
Terror Train (1980)
1980 | International, Horror, Mystery
7
6.4 (5 Ratings)
Movie Rating
The Terror Train
This movie is actually good, its scary, horrorfying, terrorfying, has comedy, is thrilling, and of course Jamie Lee Curtis is in it, the scream queen of all scream queens.

The Plot: During a hazing, a fraternity of pre-med students has a particularly sinister prank in store for one their more timid pledges (Derek MacKinnon). With the help of a coed, Alana Maxwell (Jamie Lee Curtis), they pull off the prank so well that the pledge needs to be institutionalized as a result. After several years pass and people forget the incident, those involved with the prank are ready to celebrate their graduation by having a costume party on a train, but they haven't escaped their past yet.

It also takes place on New Years Eve, so its a horror movie that takes place on holiday. A horror movie that is surrounding around a holiday. Its also director by Roger Spottiswoode. He directed "Under Fire", "The Best of Times", "Turner & Hooch", "Stop! Or My Mom Will Shoot", "Tomorrow Never Dies" and "The 6th Day".

A good horror movie to watch.
  
Stranger from Venus (1954)
Stranger from Venus (1954)
1954 | Sci-Fi
5
5.5 (2 Ratings)
Movie Rating
Yet another low-budget British knock-off of The Day the Earth Stood Still, distinguished (sort of) by the fact it's managed to secure the services of one of the stars of the original film, Patricia Neal (the movie never got an American release as it might have drawn a plagiarism suit from Fox). Bloke from Venus arrives in the home counties to deliver a grave message about the dangers of atomic weapons, engages in chaste sort-of romance with a woman who lives locally (Neal), is messed about by the government.

At least it's a little easier to take seriously than Devil Girl from Mars, but the production is even more primitive and it's a lot less fun. Helmut Dantine does the best he can, dispensing cosmic wisdom in a gravelly Austrian monotone, but the punishingly low budget really shows. The purest kind of rip-off - there's nothing here that isn't in the original movie, and everything that is here is less accomplished and less interesting. Not awful, though, nor is it without a certain historical curiosity value for SF aficionados.