
David McK (3562 KP) rated Blue Moon Rising (Forest Kingdom #1) in Books
Jun 24, 2022
this was my favourite book.
That was back in the early 90s, back when I was in my tweens and back before I had discovered the likes of Terry Pratchett or Bernard Cornwell.
I then lost track of the author for a good two decades or so, only recently re-discovering him when I happened to chance across the 'GraphicAudio' version of the novel on Audible.
I did wonder what a GraphicAudio meant: simply that it was fully dramatized with a full cast, background music, sound effects etc etc - basically, everything but the actual visual aspect! - instead of only one, maybe two, no more than a handful of people reading the story.
As for that story? Firmly in the fantasy genre - Princes, dragons, unicorns, Princesses, magic, royal politics et al - however I do remember when I first read it all those years ago thinking that I had never come across anything quite like it before. That still holds true to this day: yes, it does have all those familiar elements of a classic Good vs Evil story, but the real delight is in the subverting of expectations, and in the story of Rupert and Julia and the DarkWood / Blue Moon.

Mark @ Carstairs Considers (2346 KP) rated Murder Lo Mein in Books
Jan 7, 2022 (Updated Jan 7, 2022)
The book does a good job of quickly setting up the suspects and getting the story moving. I did feel like the pacing lagged a bit as the suspects just gave Lana the run around, but she was frustrated by that as well, so I was in good company. I do wish the minor characters were given a bit more context when they popped up again, but that was a minor issue. I appreciated the character development we got here, although I did feel like some of it was cliched. Still, I do love Lana and enjoy seeing how her life is progressing. Overall, I did enjoy this book and look forward to visiting Lana again in the future.

JT (287 KP) rated The Hunter (2012) in Movies
Mar 10, 2020
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.

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Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.

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Christina Haynes (148 KP) rated The Hazel Wood in Books
Feb 24, 2018 (Updated Feb 24, 2018)
By Melissa Albert
Review: Christina Haynes
Have you ever wanted to go into the world of fairytales. To see their stories unfold, to learn more about them and not just through the pages of a book?
Alice used to want to know more about them. When your Grandmother is the famous author of the ‘Hinterland’. A world where Fairytales are dark like the story of ‘Alice three times’ of course you would want to know more. Especially when you haven’t met the woman and your mother never talks about her.
But when you do finally enter the Hinderland you see that it’s not all it’s cracked up to be.
Alice and her mother Ella have been on the run all of Alice’s life. Ella grew up on fairytales and Alice grew up on highways. They have both been running from this bad luck that always seems to follow them wherever they go. Which Ella believes comes from her mother, Althea.
Althea Properpine was traveling with a man and when their affair ended she vanished. Alike with Agatha Christie, she returned and no one knew where she had been. Unlike Agatha she remembered – she was in the Hinterland. A place where her stories began.
Althea’s books cannot be found anywhere, she has a huge fan base who never reveal the pages of her book. Everything about her is a mystery, even her home, The Hazel Wood.
Her only known interview was with Vanity Fair and even then no one could say where she lived. Her first husband Ella’s father died when she was young, she then married Greek royalty and then vanished to her home at The Hazel Wood. At eighteen Ella left home with her baby Alice and never stopped running.
One day Ella receives a letter in the post informing her of Althea’s death. To which Ella believes is a miracle, because now her bad luck won’t exist. So she marries and settles down, creates a home they both longed for. Until one day, the bad luck finds them and Ella is taken away, by the Hinterland. Ella leaves Alice a message “STAY AWAY FROM THE HAZEL WOOD” This is the start of the Fairytale that Alice joins.
Alice seeks the help of a boy at school, Ellery Finch who is a super fan of Althea and her stories. Together they travel to where The Hazel Wood is. But is Ellery a friend or just a super fan.
“Look until the leaves turn red, sew the worlds up with thread. If your journey’s left undone, fear the rising of the sun.”
4 ☕ – I REALLY LIKED IT
Love, Christina ?

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