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Little Fox Animated Stories & Songs for Kids
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Download the Little Fox app, and enjoy 300 animated stories and songs that are available for FREE....
The Reject and the Rebound (Leighton #3)
8.0
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Sometimes salvation comes from the person you’d least expect. Owen: The day I came home and...
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Sarah (7799 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 12, 2019
Completely unnecessary and forgettable
I had little hope for this film. After the brilliance that was Days of Future Past, we were faced with the truly poor Apocalypse and I’m afraid to say that Dark Phoenix really follows in Apocalypse’s footsteps. Whilst it isn’t any worse, it isn’t any better either.
For starters, did we really need them to redo the Dark Phoenix storyline? Admittedly it has at least been done better than The Last Stand, but it’s still a very predictable and dull storyline. Even more so because we’ve seen it all before. And it isn’t helped by a terrible script and a very pointless villain that made the plot even worse. Writing Jessica Chastain’s character and that entire plot line out of the film would actually have made it slightly better. Only slightly mind.
I’m not convinced about Sophie Turner either. Like the film itself, she isn’t terrible but I don’t think she’s particularly good either. I liked the scenes with Jean showcasing her new powers, but it’s obvious that the majority of the CGI budget has gone on this and the rest of the scenes look a little poor in comparison. For me what this film is missing is the camaraderie of the X-Men being together and fighting together. Whilst this is featured in the final part (and by far one of the best scenes), it comes far too late. They’ve also relegated some of the more light hearted and funny characters like Quiksilver to bit parts, when this film is in dire need of some humour. And even Magneto is rather sidelined and the pairing of Fassbender and McAvoy was by far the best thing about these X-Men films. Yes we get a great scene with them towards the end which was marvellous, but it was too little too late.
Quite honestly I think they should’ve called it a day with the X-Men films and ended on a high with Days of Future Past. I just really hope they don’t make any more!
For starters, did we really need them to redo the Dark Phoenix storyline? Admittedly it has at least been done better than The Last Stand, but it’s still a very predictable and dull storyline. Even more so because we’ve seen it all before. And it isn’t helped by a terrible script and a very pointless villain that made the plot even worse. Writing Jessica Chastain’s character and that entire plot line out of the film would actually have made it slightly better. Only slightly mind.
I’m not convinced about Sophie Turner either. Like the film itself, she isn’t terrible but I don’t think she’s particularly good either. I liked the scenes with Jean showcasing her new powers, but it’s obvious that the majority of the CGI budget has gone on this and the rest of the scenes look a little poor in comparison. For me what this film is missing is the camaraderie of the X-Men being together and fighting together. Whilst this is featured in the final part (and by far one of the best scenes), it comes far too late. They’ve also relegated some of the more light hearted and funny characters like Quiksilver to bit parts, when this film is in dire need of some humour. And even Magneto is rather sidelined and the pairing of Fassbender and McAvoy was by far the best thing about these X-Men films. Yes we get a great scene with them towards the end which was marvellous, but it was too little too late.
Quite honestly I think they should’ve called it a day with the X-Men films and ended on a high with Days of Future Past. I just really hope they don’t make any more!
Kristy H (1252 KP) rated Coming of Age at the End of Days in Books
Feb 13, 2018
Anna is a depressed teenager living with her parents in a conventional California suburb. One day, she finds herself pulled out of her "melancholia" by meeting Lars, another teen who moves into her neighborhood, and his parents. Lars and his family introduce Anna to the world of his "church," which is more of religious cult that has a forceful prophecy about the upcoming end of days.
As Anna becomes more and more drawn into this religious world, she finds herself beset by visions and otherwise withdrawing from life around her, including her parents, who are confused and upset by her religious fervor. Anna's only other real contacts are her neighbor, Jim, a mid-20-something who has returned home to live with his parents after a string of disgraces, and Jim's crush/sweetheart, Clara, who also teaches chemistry at Anna's high school.
I'll be honest - I just didn't like this book. It wasn't what I was expecting from this author, or even the description of the novel. I loved LaPlante's "Turn of Mind," but this was nothing like that novel. The plot was odd, disjointed, and really seemed to make no sense. Anna is not a sympathetic character to me -- I completely empathized with her bewildered parents. There really seems to be no reason why Anna would become so drawn into this religion (which perhaps may be the point, but if so, it's not really made well). There are odd plot twists and turns that seem just to pop up out of nowhere, for no reason, including the oddly inserted ending and epilogue. Even's Anna's visions aren't really explained well.
I don't know; I was disappointed by this read. Perhaps I just missed a greater point this book was trying to make, but it didn't do it for me.
(Note I received an ARC of this book from Negalley in return for an unbiased review.)
As Anna becomes more and more drawn into this religious world, she finds herself beset by visions and otherwise withdrawing from life around her, including her parents, who are confused and upset by her religious fervor. Anna's only other real contacts are her neighbor, Jim, a mid-20-something who has returned home to live with his parents after a string of disgraces, and Jim's crush/sweetheart, Clara, who also teaches chemistry at Anna's high school.
I'll be honest - I just didn't like this book. It wasn't what I was expecting from this author, or even the description of the novel. I loved LaPlante's "Turn of Mind," but this was nothing like that novel. The plot was odd, disjointed, and really seemed to make no sense. Anna is not a sympathetic character to me -- I completely empathized with her bewildered parents. There really seems to be no reason why Anna would become so drawn into this religion (which perhaps may be the point, but if so, it's not really made well). There are odd plot twists and turns that seem just to pop up out of nowhere, for no reason, including the oddly inserted ending and epilogue. Even's Anna's visions aren't really explained well.
I don't know; I was disappointed by this read. Perhaps I just missed a greater point this book was trying to make, but it didn't do it for me.
(Note I received an ARC of this book from Negalley in return for an unbiased review.)
Empty Mansions: The Mysterious Story of Huguette Clark and the Loss of One of the World's Greatest Fortunes
Bill Dedman and Paul Clark Newell
Book
Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of...
Nike Training Club
Health & Fitness and Lifestyle
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Welcome to Nike Training Club, your Ultimate Personal Trainer. Get fit with 160+ free workouts in...
Chris Sawin (602 KP) rated Jennifer's Body (2009) in Movies
Jun 22, 2019
Devil's Kettle is a small town where everyone knows everybody. The story revolves around the relationship between Needy (Amanda Seyfried) and Jennifer (Megan Fox) and other than having similar interests, the two are polar opposites. Needy is more of the quiet, girl next door type that is a bit of a bookworm with a heart of gold whereas Jennifer is more spontaneous, mean spirited, and the stuck-up, hot cheerleader type that every high school boy seems to dream about being with. One night, Jennifer drags Needy to Melody Lane, the one bar in town, to see a new flavor of the week indie band called Low Shoulder. When the bar catches on fire and most of the people inside are crushed or burned in the destruction, Needy thinks that's where this horrible night gone wrong would end. That is until Jennifer decides to go off with the band in their van and Needy has to make her way back home alone. After that night, a demon is transferred into Jennifer's body with an unquenchable hunger for high school guys. As Needy begins to accept what's happened to her BFF, she realizes that she's the only one that has a chance of stopping Jennifer once and for all.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.