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Sophia (Bookwyrming Thoughts) (530 KP) rated Dreamstrider in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Every time the concept body invasion appears in a book, I regard it with absolute awe and creepiness (an odd combination, methinks).
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/supernatural_dudeyes.gif"; width="320" height="179" border="0" /></div>
Have I mentioned I feel really disturbed over the idea of someone a dreamstrider having the ability to take control of your body and access to your thoughts while unconscious, even for a short period of time?
The concept, however, is uber-cool. Smith brings us to a fantasy world where using dreams in the form of espionage is completely acceptable as a dreamstrider, Livia works for the ministry, and she inhabits another persons body while they are asleep.
If I placed Livia in a character category, she would be right next to Alina Starkov from Leigh Bardugos <i>Grisha</i> trilogy. Over the course of the book, shes on the downside; on the plus side, it fits so well with Livias character and past. Livia lived her entire life as a tunneler, trying to survive day by day until she meets Professor Hesse, where she is introduced to her potential as a dreamstrider and the good she can do for the empire for her citizenship and freedom.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/freedom.gif"; width="320" height="128" border="0" /></div>
Unlike Alina Starkov (Alina is too mopey over Mal, okay?), Livias mope is more realistic. She has big dreams and strives to achieve them, crushes over her best friend (its harder for males to be one of my best friends that circle is <em>elite</em>), secretly sweet, and insecure/cautious about many things.
But enough about Livia and how shes secretly awesome even though she will never <i>ever</i> admit it. I didnt feel very into <em>Dreamstrider</em> the passphrases in the Land of the Iron Winds are written in a very rhythmic style, but I didnt care too much aside from the fact it sounds poetic. But poetry and I dont get along, and this is why I will never read Ellen Hopkins. I have nothing against the author, though.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/I-Know-Nothing-Apparently-On-Game-Of-Thrones.gif"; width="320" height="179" border="0" /></div>
Ellen Hopkins aside, dreaming is a big deal it plays a part in almost everything in the Barstadt Empire, but it felt more like a cultural thing (like Greek myths are to Greeks). Im taking it all in, but the whole dreaming thing? Its just there, and the only big deal seemed to be using dreaming in detective work and finding out information. The whole point of the book is really just Livia becoming more confident in not just herself, but her abilities. By the end of the book, I felt satisfied, but I just wanted more from the book.
<a href="https://bookwyrmingthoughts.com/arc-review-dreamstrider-by-lindsay-smi/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Every time the concept body invasion appears in a book, I regard it with absolute awe and creepiness (an odd combination, methinks).
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/supernatural_dudeyes.gif"; width="320" height="179" border="0" /></div>
Have I mentioned I feel really disturbed over the idea of someone a dreamstrider having the ability to take control of your body and access to your thoughts while unconscious, even for a short period of time?
The concept, however, is uber-cool. Smith brings us to a fantasy world where using dreams in the form of espionage is completely acceptable as a dreamstrider, Livia works for the ministry, and she inhabits another persons body while they are asleep.
If I placed Livia in a character category, she would be right next to Alina Starkov from Leigh Bardugos <i>Grisha</i> trilogy. Over the course of the book, shes on the downside; on the plus side, it fits so well with Livias character and past. Livia lived her entire life as a tunneler, trying to survive day by day until she meets Professor Hesse, where she is introduced to her potential as a dreamstrider and the good she can do for the empire for her citizenship and freedom.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/freedom.gif"; width="320" height="128" border="0" /></div>
Unlike Alina Starkov (Alina is too mopey over Mal, okay?), Livias mope is more realistic. She has big dreams and strives to achieve them, crushes over her best friend (its harder for males to be one of my best friends that circle is <em>elite</em>), secretly sweet, and insecure/cautious about many things.
But enough about Livia and how shes secretly awesome even though she will never <i>ever</i> admit it. I didnt feel very into <em>Dreamstrider</em> the passphrases in the Land of the Iron Winds are written in a very rhythmic style, but I didnt care too much aside from the fact it sounds poetic. But poetry and I dont get along, and this is why I will never read Ellen Hopkins. I have nothing against the author, though.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/I-Know-Nothing-Apparently-On-Game-Of-Thrones.gif"; width="320" height="179" border="0" /></div>
Ellen Hopkins aside, dreaming is a big deal it plays a part in almost everything in the Barstadt Empire, but it felt more like a cultural thing (like Greek myths are to Greeks). Im taking it all in, but the whole dreaming thing? Its just there, and the only big deal seemed to be using dreaming in detective work and finding out information. The whole point of the book is really just Livia becoming more confident in not just herself, but her abilities. By the end of the book, I felt satisfied, but I just wanted more from the book.
<a href="https://bookwyrmingthoughts.com/arc-review-dreamstrider-by-lindsay-smi/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The Limits of Resolution
Book
"This beautiful book can be read as a novel presenting carefully our quest to get more and more...
Christina Haynes (148 KP) rated The Fandom in Books
Mar 26, 2018
The Fandom
The Fandom
By Anna Day
Review: Christina Haynes
Ever loved a story so much that you wanted to jump inside the book and be apart of it. Imagine going to 'comic con' dressed up as your favourite character. Then actually becoming them in their world. Violet her two best friends; Alice and Katie. And her little brother Nate. Arrive at 'comic con' dressed up as their favourite characters from a book/film called 'The Gallows Dance'
Whilst meeting their favourite actors who play the lead characters in the movie, something happened and they get transported into the real Gallows Dance. Only they don't know this until the main character Rose gets killed and Violet who's dressed up as Rose has to take over her role.
So a little information about the Gallows Dance. The Gallows Dance is a book within this book, written by an author called Sally King. The characters in the book are called 'The Imps or the Gems'
The Imps are lower class citizens they live on the streets or in small houses, sealed in the old cities whilst the Gems have the countryside. The Imps don't have much, they are rife with disease and crime, they all look different and not 'what the gems like'
The Gems, however, are PERFECT. They are genetically enhanced to have the perfect body, the perfect mind and life. They live in these perfect houses and have taken over the stately homes and castles all for themselves. They have servants and go to balls almost every day, they stick to only Gems and marry only Gems.
The Gallows Dance is set in a dystopian London but in a very backwards way, for example, the Gallows is where they hang the Imps like they hung people back in the Elizabethan era in Tyburn, where they would hang 'Witches' The clothing is similar to this (well this is how I imaged it anyway) of course things are more like now, with the landmarks, but its all very backwards.
In the 'Gallows Dance' Rose is a rebel Imp who wants to with the rebels help, stop all Gems from being 'THE RULERS' and treating Imps like they are the lowest of all humans and that the Gems are the best. She heads into the Gem's world and tries to find out secrets to destroy the Gem government. She does this by working for the Gems as a servant in the Pastures, to gain the secrets about a powerful Gem, Jeremy Harper. She does this by befriending his son Willow Harper. However, Willow falls for Rose and in return, she falls for him. As the story goes on they both run away to which Rose is caught and hanged at the 'Gallows Dance' but not before Willow confesses his love for her. Which puts an end to the 'Gallows Dance' once and for all and everyone will live as one again, no more Imps and Gems. They will simply just be Humans.
But all this won't happen if Violet doesn't complete the story how Rose would of. If Violet does not get Willow to fall for her and follow her to the Gallows. Then they will all be stuck in the book forever and never be able to go home.
So time is ticking for Violet and her friends, they have exactly one week before Rose who's now Violet is due to hang. So Violet had better start learning her lines.
3 ½ – NOT A BAD BOOK / BUT I REALLY LIKED IT
By Anna Day
Review: Christina Haynes
Ever loved a story so much that you wanted to jump inside the book and be apart of it. Imagine going to 'comic con' dressed up as your favourite character. Then actually becoming them in their world. Violet her two best friends; Alice and Katie. And her little brother Nate. Arrive at 'comic con' dressed up as their favourite characters from a book/film called 'The Gallows Dance'
Whilst meeting their favourite actors who play the lead characters in the movie, something happened and they get transported into the real Gallows Dance. Only they don't know this until the main character Rose gets killed and Violet who's dressed up as Rose has to take over her role.
So a little information about the Gallows Dance. The Gallows Dance is a book within this book, written by an author called Sally King. The characters in the book are called 'The Imps or the Gems'
The Imps are lower class citizens they live on the streets or in small houses, sealed in the old cities whilst the Gems have the countryside. The Imps don't have much, they are rife with disease and crime, they all look different and not 'what the gems like'
The Gems, however, are PERFECT. They are genetically enhanced to have the perfect body, the perfect mind and life. They live in these perfect houses and have taken over the stately homes and castles all for themselves. They have servants and go to balls almost every day, they stick to only Gems and marry only Gems.
The Gallows Dance is set in a dystopian London but in a very backwards way, for example, the Gallows is where they hang the Imps like they hung people back in the Elizabethan era in Tyburn, where they would hang 'Witches' The clothing is similar to this (well this is how I imaged it anyway) of course things are more like now, with the landmarks, but its all very backwards.
In the 'Gallows Dance' Rose is a rebel Imp who wants to with the rebels help, stop all Gems from being 'THE RULERS' and treating Imps like they are the lowest of all humans and that the Gems are the best. She heads into the Gem's world and tries to find out secrets to destroy the Gem government. She does this by working for the Gems as a servant in the Pastures, to gain the secrets about a powerful Gem, Jeremy Harper. She does this by befriending his son Willow Harper. However, Willow falls for Rose and in return, she falls for him. As the story goes on they both run away to which Rose is caught and hanged at the 'Gallows Dance' but not before Willow confesses his love for her. Which puts an end to the 'Gallows Dance' once and for all and everyone will live as one again, no more Imps and Gems. They will simply just be Humans.
But all this won't happen if Violet doesn't complete the story how Rose would of. If Violet does not get Willow to fall for her and follow her to the Gallows. Then they will all be stuck in the book forever and never be able to go home.
So time is ticking for Violet and her friends, they have exactly one week before Rose who's now Violet is due to hang. So Violet had better start learning her lines.
3 ½ – NOT A BAD BOOK / BUT I REALLY LIKED IT
Goddess in the Stacks (553 KP) rated With the Fire on High in Books
Jul 25, 2019
With this book, Elizabeth Acevedo has solidified her position as one of my must-read authors. The Poet X was EXCELLENT, and this one is every bit as good, which is awesome, considering the wildly different formats of the two books. The Poet X was a novel in poem form, being the collected poems of a teenage girl. This book is a more traditional novel, written in prose. It loses none of the lyrical, enchanting quality of Acevedo's writing, however.
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
Amy Norman (1048 KP) rated The Flash - Season 3 in TV
Jul 9, 2020
Contains spoilers, click to show
This season was painfully predictable. It had so much potential but with clumsy wording, all of the surprise twists were almost immediately obvious.
I am not a huge fan of shows that take a couple of seasons to build a world and characters, and then in some small twist of fate completely change the characters, and their lives. I think Fringe was one I hated the most but it made it so much more poignant and upsetting, which is why I stuck around was completely absorbed by that show - The Flash doesn't achieve this love.
I understand that they would want to tackle the Flashpoint story arc at some point but the way they handled the fallout of this was somewhat straightforward in this season.
The introduction of a single new character, and a single new villain in the first half of the season, made it hard to ignore who it would be 🤷🏼♀️
For the latter half of the season they quite literally told you who it was, a few times at that, and plainly showed you how easy it would be for that character to become the main villain.
The dreaded musical episode (and usual loose Supergirl crossover) was included in this season. It is rare enough that a show can achieve a truly plausible storyline that you want to follow with musical numbers, and this one was a non-start for me, honestly you could probably skip it, as there is hardly any story progression, and you'll catch up soon enough in the next episode.
Musical episodes I've enjoyed previously: Buffy (the OG, and mother of so many genre specific episodes) or Scrubs.
****Real spoilers from here****
By the last episode I was just watching to get to the end of the season, and am hoping that the team will get back to doing what they do best, which is adapting to new metas and dealing with these.
There is so much potential for alternate Earth storylines, and I would love to see Cisco and Wally have some more complex stories, and character layering.
As I had kind of stopped caring by the end of the last episode I actually wanted Iris to die, and was genuinely shocked and seriously annoyed that she didn't.
So bravo to the team for making me care so little I didn't see the obvious final twist, as again they gave you all the clues, shown in a quick series of flashbacks, just to show you how little you cared that you missed it.
But I also have to commend them, as it was more heartbreaking than what we assumed was the inevitable.
Fingers crossed that the writers will break their usual Flash formula, and come up with some more original content in the coming seasons.
The Flash formula:
Work as a team >> secrets/lies >> mistrust, can't possible forgive >> someone does something stupid on their own >> big impassioned speech >> team comes together >> side character (which deserves more) gets killed, or worse >> kinda saved the day >> rinse and repeat until the end of time!!
I am not a huge fan of shows that take a couple of seasons to build a world and characters, and then in some small twist of fate completely change the characters, and their lives. I think Fringe was one I hated the most but it made it so much more poignant and upsetting, which is why I stuck around was completely absorbed by that show - The Flash doesn't achieve this love.
I understand that they would want to tackle the Flashpoint story arc at some point but the way they handled the fallout of this was somewhat straightforward in this season.
The introduction of a single new character, and a single new villain in the first half of the season, made it hard to ignore who it would be 🤷🏼♀️
For the latter half of the season they quite literally told you who it was, a few times at that, and plainly showed you how easy it would be for that character to become the main villain.
The dreaded musical episode (and usual loose Supergirl crossover) was included in this season. It is rare enough that a show can achieve a truly plausible storyline that you want to follow with musical numbers, and this one was a non-start for me, honestly you could probably skip it, as there is hardly any story progression, and you'll catch up soon enough in the next episode.
Musical episodes I've enjoyed previously: Buffy (the OG, and mother of so many genre specific episodes) or Scrubs.
****Real spoilers from here****
By the last episode I was just watching to get to the end of the season, and am hoping that the team will get back to doing what they do best, which is adapting to new metas and dealing with these.
There is so much potential for alternate Earth storylines, and I would love to see Cisco and Wally have some more complex stories, and character layering.
As I had kind of stopped caring by the end of the last episode I actually wanted Iris to die, and was genuinely shocked and seriously annoyed that she didn't.
So bravo to the team for making me care so little I didn't see the obvious final twist, as again they gave you all the clues, shown in a quick series of flashbacks, just to show you how little you cared that you missed it.
But I also have to commend them, as it was more heartbreaking than what we assumed was the inevitable.
Fingers crossed that the writers will break their usual Flash formula, and come up with some more original content in the coming seasons.
The Flash formula:
Work as a team >> secrets/lies >> mistrust, can't possible forgive >> someone does something stupid on their own >> big impassioned speech >> team comes together >> side character (which deserves more) gets killed, or worse >> kinda saved the day >> rinse and repeat until the end of time!!
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Gareth von Kallenbach (980 KP) rated Wedding Crashers (2005) in Movies
Aug 14, 2019
In the tricky world of arbitration, John Beckwith (Owen Wilson) and Jeremy Grey (Vince Vaughn), are two of the best in their field. Day after day, John and Jeremy negotiate divorce settlements between many bitter and hostile clients in an attempt to avoid long and drawn out court cases.
As good as John and Jeremy are at mediation, this pales to their real talents as professional wedding crashers. John and Jeremy revel in their ability to crash weddings and in the process scoring all the food, drink and women they can handle as they move from one event to another with ease.
The actions of the two are based on a strict set of rules for crashing weddings that was passed down to Jeremy and have lead to many moments of merriment and debauchery for the duo. The rules are so detailed that everything from cover stories, ways to gain sympathy, and clues for gaining points with the guests are included.
After a very successful wedding season, John and Jeremy are set to take it easy for a while to recover from the barrage of seduction and partying they have subjected themselves to.
Alas, things do not go as planned as Jeremy convinces John to help him crash the wedding event of the year that will have a prominent political figure in attendance. Despite much reluctance, John goes along an in no time, the duo are at the social event of the year.
Eager to slip into their seduction modes, John and Jeremy have concocted their alibis and set their sites a pair of young ladies, Claire and Gloria Cleary (Rachael McAdams) and (Isla fisher). The two are the daughters of rising political figure Secretary Claire (Christopher Walken), who many think may be on the fast track to the Oval Office.
Things take a turn when John agrees to accompany Claire to an island retreat. Seeing the danger and eager to get away from the bizarre Gloria, Jeremy attempts to extricate himself from the situation.
Of course there would not be much of a film if this were to happen, and before long, John and Jeremy are surrounded by vicious boyfriends, over amorous suitors, and enough mayhem to keep the audience laughing.
The laughs come frequently and each situation becomes even more outrageous than the one that preceded it making for some of the most hilarious moments ever committed to film.
Sure the plot is very thing, but Wilson and Vaughn are enjoyable and if you do not mind some crude humor, you are likely to find yourself laughing along at one of the most pleasant comedic surprises of the year.
As good as John and Jeremy are at mediation, this pales to their real talents as professional wedding crashers. John and Jeremy revel in their ability to crash weddings and in the process scoring all the food, drink and women they can handle as they move from one event to another with ease.
The actions of the two are based on a strict set of rules for crashing weddings that was passed down to Jeremy and have lead to many moments of merriment and debauchery for the duo. The rules are so detailed that everything from cover stories, ways to gain sympathy, and clues for gaining points with the guests are included.
After a very successful wedding season, John and Jeremy are set to take it easy for a while to recover from the barrage of seduction and partying they have subjected themselves to.
Alas, things do not go as planned as Jeremy convinces John to help him crash the wedding event of the year that will have a prominent political figure in attendance. Despite much reluctance, John goes along an in no time, the duo are at the social event of the year.
Eager to slip into their seduction modes, John and Jeremy have concocted their alibis and set their sites a pair of young ladies, Claire and Gloria Cleary (Rachael McAdams) and (Isla fisher). The two are the daughters of rising political figure Secretary Claire (Christopher Walken), who many think may be on the fast track to the Oval Office.
Things take a turn when John agrees to accompany Claire to an island retreat. Seeing the danger and eager to get away from the bizarre Gloria, Jeremy attempts to extricate himself from the situation.
Of course there would not be much of a film if this were to happen, and before long, John and Jeremy are surrounded by vicious boyfriends, over amorous suitors, and enough mayhem to keep the audience laughing.
The laughs come frequently and each situation becomes even more outrageous than the one that preceded it making for some of the most hilarious moments ever committed to film.
Sure the plot is very thing, but Wilson and Vaughn are enjoyable and if you do not mind some crude humor, you are likely to find yourself laughing along at one of the most pleasant comedic surprises of the year.
T.N. Nova (30 KP) rated What's In A Name? in Books
Jun 22, 2018
What’s in a name? by Pat Henshaw is a short novella about a Barista by the name of Jimmy Patterson who gets dumped at a bar on his birthday by his boyfriend Alex. The burly bartender who we first know as Alex 2 then later as “Guy”, comes in to save the day when Jimmy gets drunk off his backside and finds himself in the bathroom with his head over the toilet bowl. All Jimmy wants is to know the bartender’s first name. The story starts unfolding when “Guy” makes a deal with Jimmy. He has seven days to guess “Guy”’s first name; one guess each day.
While each day for the next week, Jimmy and Guy’s relationship becomes deeper to the point where they end up falling in love and do find their HEA, there is so much more to this story than just your typical boy meets boy, boy falls in love with boy, they live happily ever after type scenario. Jimmy and his co-owner of Penny’s coffee shop learn that not everything is going to be a bed of roses as thriving business owners when someone ends up trashing their mall branch shop. Jimmy and Guy have their own issues that they need to work out through the week that they’re together as well.
What I found interesting as well as refreshing about What’s in a Name? is that right from the very beginning the book had a fairytale feel to it. First there was the feel of a Rumpelstiltskin story in so far as having to guess Guy’s name and getting seven guess’s to figure out out. I’m not going to give away the ending of the book or the answer in this regards but the fairytale overlays continue throughout the book.
There were quite a few twists and turns to What’s in a Name along with unexpected surprises that pop up throughout the read such as Jimmy’s ex boyfriend Alex, who we meet at the beginning of the book, showing up later. There was some mystery to this story as well and the person we thought was the culprit wasn’t the one “Who done it” after all.
The one big downfall that I found while reading the story was that “Guy’s” first name became predictable by at least the middle of the story for me. Luckily that wasn’t the main plot otherwise there was a good chance I would have lost interest in the book. There were quite a few underlying and overlying aspects to What’s in a name that it kept me coming back to see what happened between the two men. What’s in a name is a quick read that I got through in a day and it took me that long only because it was during the weekend when I had other things going on. I would definitely recommend this to my friends.
While each day for the next week, Jimmy and Guy’s relationship becomes deeper to the point where they end up falling in love and do find their HEA, there is so much more to this story than just your typical boy meets boy, boy falls in love with boy, they live happily ever after type scenario. Jimmy and his co-owner of Penny’s coffee shop learn that not everything is going to be a bed of roses as thriving business owners when someone ends up trashing their mall branch shop. Jimmy and Guy have their own issues that they need to work out through the week that they’re together as well.
What I found interesting as well as refreshing about What’s in a Name? is that right from the very beginning the book had a fairytale feel to it. First there was the feel of a Rumpelstiltskin story in so far as having to guess Guy’s name and getting seven guess’s to figure out out. I’m not going to give away the ending of the book or the answer in this regards but the fairytale overlays continue throughout the book.
There were quite a few twists and turns to What’s in a Name along with unexpected surprises that pop up throughout the read such as Jimmy’s ex boyfriend Alex, who we meet at the beginning of the book, showing up later. There was some mystery to this story as well and the person we thought was the culprit wasn’t the one “Who done it” after all.
The one big downfall that I found while reading the story was that “Guy’s” first name became predictable by at least the middle of the story for me. Luckily that wasn’t the main plot otherwise there was a good chance I would have lost interest in the book. There were quite a few underlying and overlying aspects to What’s in a name that it kept me coming back to see what happened between the two men. What’s in a name is a quick read that I got through in a day and it took me that long only because it was during the weekend when I had other things going on. I would definitely recommend this to my friends.
Chris Sawin (602 KP) rated Drag Me to Hell (2009) in Movies
Jun 20, 2019
Christine Brown seems to have everything going well for her at this point in her life. She has a boyfriend who cares about her and loves her unconditionally, a great job at the bank as a loan officer with more than enough room for advancement in the company, and speaking of, it's between her and one other employee for the vacant assistant manager position. One day though, a strange looking gypsy shows up at Christine's bank asking for another extension before they foreclose on her home. After talking it over with her boss, it's up to Christine to decide on approving the loan and she comes to the conclusion of denying it. Mrs. Ganush begs and pleads with Christine, but Christine won't budge on her decision. After feeling like Christine wronged her by denying her pleas, Mrs. Ganush puts a curse on her and unless Christine can find some sort of loophole, she'll be going to hell in three days.
This is Sam Raimi's return to the horror genre, in case you hadn't heard that in the trailer or anything else promoting the film. Drag Me To Hell has already had such an overwhelmingly positive response when it comes to feedback and the truth of the matter is that the film is genuinely that entertaining. Not only did Sam Raimi return to the horror genre, but he did it so flawlessly and without missing a beat. He's on top of his game and, dare I say, the best he's ever been. The film only seemed to get better as it progressed. It's somehow capable of combining comedy, suspense, romance, and horror all into one amazing final product. A film that can do something like make you laugh out loud one minute, scare you the next, gross you out after that, and tear at your heartstrings is something special. And it's not like the film does that one time and calls it quits. It goes through that cycle (laugh, scare, gross, heartwarming) over and over again throughout the film. Sam Raimi has struck cinematic gold.
Drag Me To Hell is a hell of a lot of fun. It truly has something to offer anyone looking for a good time at the movies. Not only is the film based on an original story, but it's an original story that is worth being told, worth listening to, and incredibly entertaining. Originality seems to be extinct when it comes to horror these days. It's just so refreshing to see a film that not only isn't a remake, but drenches itself in the fact that it offers something new. Sam Raimi has delivered a cinematic feature that has rejuvenated what we once referred to as "the horror film." Let's hope that other filmmakers can tread the same path that he has paved the way with.
This is Sam Raimi's return to the horror genre, in case you hadn't heard that in the trailer or anything else promoting the film. Drag Me To Hell has already had such an overwhelmingly positive response when it comes to feedback and the truth of the matter is that the film is genuinely that entertaining. Not only did Sam Raimi return to the horror genre, but he did it so flawlessly and without missing a beat. He's on top of his game and, dare I say, the best he's ever been. The film only seemed to get better as it progressed. It's somehow capable of combining comedy, suspense, romance, and horror all into one amazing final product. A film that can do something like make you laugh out loud one minute, scare you the next, gross you out after that, and tear at your heartstrings is something special. And it's not like the film does that one time and calls it quits. It goes through that cycle (laugh, scare, gross, heartwarming) over and over again throughout the film. Sam Raimi has struck cinematic gold.
Drag Me To Hell is a hell of a lot of fun. It truly has something to offer anyone looking for a good time at the movies. Not only is the film based on an original story, but it's an original story that is worth being told, worth listening to, and incredibly entertaining. Originality seems to be extinct when it comes to horror these days. It's just so refreshing to see a film that not only isn't a remake, but drenches itself in the fact that it offers something new. Sam Raimi has delivered a cinematic feature that has rejuvenated what we once referred to as "the horror film." Let's hope that other filmmakers can tread the same path that he has paved the way with.