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Jesters_folly (230 KP) rated Psycho (1960) in Movies
Jan 6, 2021
Contains spoilers, click to show
Ah Psycho, the granddaddy of slashers and a film that I find somehow modern and dated at the same time.
Psycho is a slow burn, at the beginning even the dialogue is sparse as the film builds up to the confrontations with Norman Bates (argued by most as the first modern slasher) and this is part of what makes it dated (and modern), the lack of action and the main character driving around gives Psycho the feel of something that Tarantino might make but it lacks 'something' . It's hard to explain but, by todays standards, parts of Psycho are a bit bland, not necessarily boring but bland. The best example I can think would be the scenes in the car, Psycho has just one character in the car who is imagining what others are saying about her and lots of silence which are filled with dramatic music, where as something like Pulp Fiction you get two characters who are just talking, the music seems to take you out of the situation because, in a modern film it would just be in the background.
As the film progresses we start to pick up on some of the slasher tropes, Norman is strange, again we can't quite explain why but that is sometimes the same in a modern film, we see him spy, once, on Marion and, in a more modern film this would probably be stretched out a bit more.
The kills aren't actually as graphic as most modern day slashers but this doesn't matter as Hitchcock has a talent for making the viewer see what he wants and not just what is happening.
The character of Norman is quite interesting but a lot of 'fleshing out' is just told to the viewer in exposition near the end, however you can see how Norman/Mother could easily be an inspiration for the Jason/Pamela dynamic in the first 'Friday 13th'
Psycho has a lot to answer for, sighted by many as the first modern 'Slasher' movie it caused an uproar for other reasons, the first time a toilet was seen flushing on screen, the first time a 'Leading Lady' was killed off halfway through the film (still a slight oddity now as we normally have one 'final girl') and the fact that the stolen money is just thrown away when it is no longer needed to push the plot along. It is these firsts that help to make the film feel dated, we are used to more graphic kills, toilets are almost irrelevant and there is normally more nudity/sex in a modern slasher.
Apart from being a little dated Psycho is a pretty good and entertain film which has put some thought into it's story and characters
Psycho is a slow burn, at the beginning even the dialogue is sparse as the film builds up to the confrontations with Norman Bates (argued by most as the first modern slasher) and this is part of what makes it dated (and modern), the lack of action and the main character driving around gives Psycho the feel of something that Tarantino might make but it lacks 'something' . It's hard to explain but, by todays standards, parts of Psycho are a bit bland, not necessarily boring but bland. The best example I can think would be the scenes in the car, Psycho has just one character in the car who is imagining what others are saying about her and lots of silence which are filled with dramatic music, where as something like Pulp Fiction you get two characters who are just talking, the music seems to take you out of the situation because, in a modern film it would just be in the background.
As the film progresses we start to pick up on some of the slasher tropes, Norman is strange, again we can't quite explain why but that is sometimes the same in a modern film, we see him spy, once, on Marion and, in a more modern film this would probably be stretched out a bit more.
The kills aren't actually as graphic as most modern day slashers but this doesn't matter as Hitchcock has a talent for making the viewer see what he wants and not just what is happening.
The character of Norman is quite interesting but a lot of 'fleshing out' is just told to the viewer in exposition near the end, however you can see how Norman/Mother could easily be an inspiration for the Jason/Pamela dynamic in the first 'Friday 13th'
Psycho has a lot to answer for, sighted by many as the first modern 'Slasher' movie it caused an uproar for other reasons, the first time a toilet was seen flushing on screen, the first time a 'Leading Lady' was killed off halfway through the film (still a slight oddity now as we normally have one 'final girl') and the fact that the stolen money is just thrown away when it is no longer needed to push the plot along. It is these firsts that help to make the film feel dated, we are used to more graphic kills, toilets are almost irrelevant and there is normally more nudity/sex in a modern slasher.
Apart from being a little dated Psycho is a pretty good and entertain film which has put some thought into it's story and characters
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Lee (2222 KP) rated Toy Story 4 (2019) in Movies
Jun 24, 2019 (Updated Jun 24, 2019)
I really can't believe it's been 9 years since Toy Story 3! It's even more unbelievable to think that the first Toy Story came out in 1995, meaning these beloved characters have now been with us for nearly a quarter of a century! I don't think anybody really expected, or even thought we needed, yet another sequel to these movies, as Toy Story 3 seemed to give us a natural, and highly emotional conclusion to the series. And yet here we are with number 4. Interestingly, I felt the trailers for this Toy Story didn't really highlight anything new and exciting for the series, possibly only existing as a bit of a cash grab. Thankfully, there's a lot here that's new and exciting, and I'm sure it will make a tonne of money too!
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
I’ll be honest, and my best friend Cheyenne is going to kill me for this, but when I first started reading this at college, I absolutely hated it. Now I can put that just down to the fact that I naturally expected to hate any book we had to learn about in English. Because I love Rebecca and wouldn’t be able to cope without it.
Essentially, it’s an adaptation of Jane Eyre (which I LOVE). I always joke that it’s fanfiction that has become a classic (if only). I didn’t actually read Jane Eyre until after I had read this for the first time, but the book made so much more sense to me then.
The nameless narrator is brilliant, if a little bit childish. I can remember the first time I read it, it really annoyed me that she whined like a child a lot. But then again, when your new husband is still obsessed with his dead wife, who wouldn’t complain?
I fell in love with Maxim in the same way that I fell in love with Mr Rochester. They are so similar – all dark, mysterious, and brooding… what every girl wants in a book! Even through the whole plot, I found it impossible to ever dislike him, despite some of the events. I’m not sure why.
I love that there’s so many different meanings of the book. Spending one year analysing it in college was never enough for me – I’m still constantly digging out new meanings, especially now I’ve got a friend who loves this even more than I do.
I almost always take this to Cornwall with me to re-read on a miserable day. It’s the perfect place to read this book and I can always snuggle down with it.
This is something everyone should read at least once in their life.
Essentially, it’s an adaptation of Jane Eyre (which I LOVE). I always joke that it’s fanfiction that has become a classic (if only). I didn’t actually read Jane Eyre until after I had read this for the first time, but the book made so much more sense to me then.
The nameless narrator is brilliant, if a little bit childish. I can remember the first time I read it, it really annoyed me that she whined like a child a lot. But then again, when your new husband is still obsessed with his dead wife, who wouldn’t complain?
I fell in love with Maxim in the same way that I fell in love with Mr Rochester. They are so similar – all dark, mysterious, and brooding… what every girl wants in a book! Even through the whole plot, I found it impossible to ever dislike him, despite some of the events. I’m not sure why.
I love that there’s so many different meanings of the book. Spending one year analysing it in college was never enough for me – I’m still constantly digging out new meanings, especially now I’ve got a friend who loves this even more than I do.
I almost always take this to Cornwall with me to re-read on a miserable day. It’s the perfect place to read this book and I can always snuggle down with it.
This is something everyone should read at least once in their life.
BookwormMama14 (18 KP) rated Angels Watching Over Me (Shenandoah Sisters, #1) in Books
Jan 2, 2019
Set during the Civil War, Angels Watching Over Me, is a story about two young women overcoming their differences and working together to survive.
Mayme is a slave girl and Katie is the daughter of a plantation owner. When they are faced with tragedy, they must rely on each other to make it through each day.
I was very excited to read this book, unfortunately, I was quite disappointed. The story line is good. However, there are a lot of inconsistencies and it jumps around more than I would like. The story is narrated by a much older Mayme. She goes back and forth between her story and Katie's. In the beginning of chapter 11 she even says "I know how it is when you’re trying to keep track of what’s going on, and the storyteller jumps about till you get so confused you can’t tell what happened when." I feel that the book could have started at chapter 11 and it would have worked just fine. There is also quite a bit of dialogue and thoughts being repeated.
*Spoilers*
I did not particularly enjoy the portrayal of Katie's character. We are led to believe that she is not very intelligent. On more than one occasion she is put down for not being able to think for herself. But then she magically delivers a baby for a colored girl without any thought or question. And we are given no explanation.
Again, I will say that the main idea of the book is good and I did enjoy the storyline overall. But this is not the style of book that I prefer. I will not be reading the rest of the series.
Mayme is a slave girl and Katie is the daughter of a plantation owner. When they are faced with tragedy, they must rely on each other to make it through each day.
I was very excited to read this book, unfortunately, I was quite disappointed. The story line is good. However, there are a lot of inconsistencies and it jumps around more than I would like. The story is narrated by a much older Mayme. She goes back and forth between her story and Katie's. In the beginning of chapter 11 she even says "I know how it is when you’re trying to keep track of what’s going on, and the storyteller jumps about till you get so confused you can’t tell what happened when." I feel that the book could have started at chapter 11 and it would have worked just fine. There is also quite a bit of dialogue and thoughts being repeated.
*Spoilers*
I did not particularly enjoy the portrayal of Katie's character. We are led to believe that she is not very intelligent. On more than one occasion she is put down for not being able to think for herself. But then she magically delivers a baby for a colored girl without any thought or question. And we are given no explanation.
Again, I will say that the main idea of the book is good and I did enjoy the storyline overall. But this is not the style of book that I prefer. I will not be reading the rest of the series.
Merissa (12374 KP) rated Midnight Exposure (Midnight, #1) in Books
Dec 17, 2018
Don't you just love it when you read a book and it is so much more than what you expected? This is what happened to me when I read Midnight Exposure. I thought it would the usual story of hero meets heroine, they don't get on, big calamity, insta-love, everything's fine. That is so NOT what you get with this. You get a well thought out, full of plot, suspenseful story. Yes, there are overtures of romance to the book but they are brilliantly done.
Our main female and male leads both come with baggage and flaws. Jayne is no weeping wallflower mind you. One of my favourite parts of the book was when she used her black belt karate on someone. She is not just going to sit there and be a victim. The supporting characters are all well rounded and develop really well throughout the book.
As for the 'occult' side of things - I thought this was remarkably well written and that's coming from a pagan. Too often in books, knowledge is mis-used or only given in part and the result can be something that makes me cringe as it dumps every earth and nature based religion in with satanism. The parts of this book that were revealing more about the villain and his motives etc, never painted the actual symbolism as black, instead just showing how it was being used for his purposes. I know I haven't explained it very well but trust me, Melinda Leigh did a great job. As for the reviewer who said "we get no clue what kind of religion this is", I suggest you take a re-read as it is written plain as day.
Loved this book and have started on book 2, Midnight Sacrifice. Recommended!
Our main female and male leads both come with baggage and flaws. Jayne is no weeping wallflower mind you. One of my favourite parts of the book was when she used her black belt karate on someone. She is not just going to sit there and be a victim. The supporting characters are all well rounded and develop really well throughout the book.
As for the 'occult' side of things - I thought this was remarkably well written and that's coming from a pagan. Too often in books, knowledge is mis-used or only given in part and the result can be something that makes me cringe as it dumps every earth and nature based religion in with satanism. The parts of this book that were revealing more about the villain and his motives etc, never painted the actual symbolism as black, instead just showing how it was being used for his purposes. I know I haven't explained it very well but trust me, Melinda Leigh did a great job. As for the reviewer who said "we get no clue what kind of religion this is", I suggest you take a re-read as it is written plain as day.
Loved this book and have started on book 2, Midnight Sacrifice. Recommended!
Andy K (10823 KP) rated Overlord (2018) in Movies
Dec 1, 2019
Saving Private Ryan meets Resident Evil!
Had heard mixed reviews on this, but saw it for 4 bucks for Black Friday so I figured I couldn't lose!
Basically, to prevent the Allied forces being massacred on D-Day, US troops are ordered to detonate a Nazi communication tower. A small band of brothers actually makes it to the ground and finds a small French town equipped with a cute French girl and her brother. When a Nazi commander comes calling for more than an interrogation, the surviving troops must decide whether t reveal themselves to save her.
I actually really got into this movie and thought the action mixed with horror was pretty cool. Some of the fight/shootout sequences were cleverly done along with some of the secrets and experiments the Nazis are hiding deep within their stronghold. There are tough decisions and ultimate sacrifices to be made and the film threads the needle between genres successfully. I could see how if you were thinking this was going to be a full out horror film you would be disappointed; however, I had kind of heard a little about it ahead of time so my expectations were redirected.
The SFX held well throughout and didn't stick out as being bad or taking you out of the action. When some of the more extreme elements are revealed, I went along with it like I was watching my son play one of his weird FPS games. A lot of the film did feel like I was watching Call of Duty or something like that. Boy do I wish I could have those yeas of my life watching my son play that crap back!
Colossally entertaining!
Basically, to prevent the Allied forces being massacred on D-Day, US troops are ordered to detonate a Nazi communication tower. A small band of brothers actually makes it to the ground and finds a small French town equipped with a cute French girl and her brother. When a Nazi commander comes calling for more than an interrogation, the surviving troops must decide whether t reveal themselves to save her.
I actually really got into this movie and thought the action mixed with horror was pretty cool. Some of the fight/shootout sequences were cleverly done along with some of the secrets and experiments the Nazis are hiding deep within their stronghold. There are tough decisions and ultimate sacrifices to be made and the film threads the needle between genres successfully. I could see how if you were thinking this was going to be a full out horror film you would be disappointed; however, I had kind of heard a little about it ahead of time so my expectations were redirected.
The SFX held well throughout and didn't stick out as being bad or taking you out of the action. When some of the more extreme elements are revealed, I went along with it like I was watching my son play one of his weird FPS games. A lot of the film did feel like I was watching Call of Duty or something like that. Boy do I wish I could have those yeas of my life watching my son play that crap back!
Colossally entertaining!
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