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Dana (24 KP) rated Sabriel (Abhorsen, #1) in Books
Mar 23, 2018
This was an interesting read for me. I would not say it was my favorite high fantasy novel in the world. That't mainly because this is one of my favorite genres to read, so I have read quite a few as of late.
This book took me a while to get into. There was a lot going on in the beginning, and it being a relatively short beginning of a story, it was hard to follow along. I am not saying I didn't like it, not by a long shot. Overall, it was a generally interesting and fun read. It just took a little longer than I had hoped to get into.
This book has been on my to be read list for over two years now, ever since a classmate of mine told me about it after our French class one day. I thought I would finally give it a read.
I do like Sabriel. She is pretty cool. I think I started liking her more in the second half of the book because she was growing into her role of the Abhorsen. She didn't shy away from her duties or try and get rid of them as she had more in the first half of the book. I like that she started taking charge of the situation.
Touchstone is interesting because I don't know how I feel about him. Honestly, I have no opinion of him at all, which is weird. We spend almost three hundred pages with him, and I can't find a connection with him. I do love the cat though. He's a demon, in cat form. So, a cat. (Don't get me wrong, cats are one of my favorite animals.) I am just not sure about Touchstone.
I still don't quite know what happened at the end of the book. It felt like it was wrapped up really fast and I didn't have time to process it.
I hope that if I get the next book, I will have a better understanding of how I feel about the characters and the story than I do right now.
This book took me a while to get into. There was a lot going on in the beginning, and it being a relatively short beginning of a story, it was hard to follow along. I am not saying I didn't like it, not by a long shot. Overall, it was a generally interesting and fun read. It just took a little longer than I had hoped to get into.
This book has been on my to be read list for over two years now, ever since a classmate of mine told me about it after our French class one day. I thought I would finally give it a read.
I do like Sabriel. She is pretty cool. I think I started liking her more in the second half of the book because she was growing into her role of the Abhorsen. She didn't shy away from her duties or try and get rid of them as she had more in the first half of the book. I like that she started taking charge of the situation.
Touchstone is interesting because I don't know how I feel about him. Honestly, I have no opinion of him at all, which is weird. We spend almost three hundred pages with him, and I can't find a connection with him. I do love the cat though. He's a demon, in cat form. So, a cat. (Don't get me wrong, cats are one of my favorite animals.) I am just not sure about Touchstone.
I still don't quite know what happened at the end of the book. It felt like it was wrapped up really fast and I didn't have time to process it.
I hope that if I get the next book, I will have a better understanding of how I feel about the characters and the story than I do right now.
Chinagram - Chinese Writing
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Solitaire by MobilityWare
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Kristy H (1252 KP) rated Hold Still in Books
Feb 13, 2018
Maya is an English professor (her specialty is Woolf) dealing with her daughter Ellie's drug addiction and general disinterest with life. The daughter of two college professors, Ellie has never lived up to her familial expectations. Instead, she's drifting, experimenting, and causing her mother great angst. So Maya sends Ellie to Florida, to stay with her friend, Annie and her family: husband Stephen and five-year-old son, Jack. Annie is having her own issues with Jack and looking for some help. But Maya doesn't tell her friend all of Ellie's woes. Then one day, disaster strikes on Ellie's watch, and things will never be the same again. Now, both Ellie and Maya must confront the aftermath of their actions.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Bob Mann (459 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 16, 2021
Relationship between Shaun and Katy (1 more)
Great Shakespearean level of story
Ten rings to rule them all
Positives:
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
Gareth von Kallenbach (980 KP) rated Dear John (2010) in Movies
Aug 8, 2019
John is a soldier in the US Army on leave at a beach in South Carolina when he meets and instantly bonds with a local girl named Savannah. The two quickly develop a connection and fall in love, yet John, stationed overseas, must return to his post. The new lovebirds continue their relationship through letters, eagerly waiting for the day that John will come home and they can be together again.
For a film that exposes some of the challenges faced by love and military life, “Dear John” is truly telling. However, the lack of plot points has a slowing effect on the pace of the film. At times I felt that “Dear John” was trying to maintain the same tone as Spark’s other films, purposely slowing down and drawing out the emotional moments, even when it seemed to harm the film’s overall pacing.
However, “Dear John” was less of a tearjerker than past films based on Nicholas Spark’s novels. Maybe it is this lack of strong emotional response that also left “Dear John” less than engrossing especially when considering Spark’s other and better-done adaptations like “A Walk to Remember” or “Nights in Rodanthe”. This film seemed less like a journey or story and more like an advertisement for the oiled abdominal muscles of leading male, John (Channing Tatum).
If you do manage to sit through the entire film, the story is quite good. And for anyone who is not a book reader this is one way to learn that tale and to better understand some of the challenges faced by long term, long distance relationships. For those who do avidly read, I am sure the book is the best way to experience this particular story although it won’t provide the muscled men.
For a film that exposes some of the challenges faced by love and military life, “Dear John” is truly telling. However, the lack of plot points has a slowing effect on the pace of the film. At times I felt that “Dear John” was trying to maintain the same tone as Spark’s other films, purposely slowing down and drawing out the emotional moments, even when it seemed to harm the film’s overall pacing.
However, “Dear John” was less of a tearjerker than past films based on Nicholas Spark’s novels. Maybe it is this lack of strong emotional response that also left “Dear John” less than engrossing especially when considering Spark’s other and better-done adaptations like “A Walk to Remember” or “Nights in Rodanthe”. This film seemed less like a journey or story and more like an advertisement for the oiled abdominal muscles of leading male, John (Channing Tatum).
If you do manage to sit through the entire film, the story is quite good. And for anyone who is not a book reader this is one way to learn that tale and to better understand some of the challenges faced by long term, long distance relationships. For those who do avidly read, I am sure the book is the best way to experience this particular story although it won’t provide the muscled men.
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