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Re-Animator (1985)
Re-Animator (1985)
1985 | Comedy, Horror, Sci-Fi
Jeffrey Combs (2 more)
Bruce Abbott
Stuart Gordan
Mad Man
Re-Animator- is frankenstien. But alot more gorer. So much gory, so much viloence, so much horror. Its different than frankenstein, but has a lot in common.

The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.

Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.

The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.

The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.

Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.

Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."

Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.

The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.

Its excellent gory film
  
40x40

Suswatibasu (1703 KP) rated Shot in the Dark in TV

Nov 25, 2017 (Updated Nov 26, 2017)  
Shot in the Dark
Shot in the Dark
2017 | Crime, Documentary
Great for the first few episodes
For fans of @Nightcrawler (2014), this is the real-life version following the journeys of three stringers, competing to out-shoot each other. From fires, crashes to shootings and industrial accidents, it's life and death on a daily basis, but at what cost?

Howard Raishbrook of RMG News attempts to ward off competition from his more successful counterparts Scott Lane of LoudLabs and Zak Holman of OnScene, in this cutthroat industry where morals seem sparse. While not as completely corrupt as Jake Gyllenhaal's character in Nightcrawler, Scott and Zak seem closer to his personality, with nothing off the table. In between are internal battles with Raishbrook's twin brother becoming a news story himself, the monopoly of the industry squeezing out smaller companies such as RMG, and how close each of them get to sudden death every night.

It's a great series, but after four episodes it begins to wear you down quite quickly and the images end up appearing no different to one another (I should know, we used to use stringers in the newsroom every day). As a result, it has a desensitising effect, and the series' initial lure begins to wear thin. The show could have been cut down by four episodes to remain interesting.