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Mark @ Carstairs Considers (2355 KP) rated Going Nowhere Fast in Books
May 16, 2020
Corpse in the Airstream Bathroom
When Joe Loudermilk took his retirement from the Los Angeles police department, he and his wife, Dottie, bought an Airstream trailer and hit the road, enjoying the sights and sounds of wherever they decide to visit. They also left their grown kids behind, so returning to their trailer one day, they are surprised to find their youngest son inside. Even more surprising is their son’s announcement that there is a dead body in the bathroom. None of them recognize the corpse. Who is he? Why is their son there?
I grew up camping, so this is one of several series I’ve wanted to try that involve camping. The plot is fun, with plenty of twists and turns that kept me guessing until the end. I did find a couple of the characters – Joe especially – annoying. I’m sure he was supposed to be funny, but the fact that he seemed to always be mad at others didn’t make me laugh. Still, this is a minor complaint, and I loved Dottie, our main character. The book was originally released in the mid-90’s, so it provides a fun reminder of just how much our life has changed since then. At least the physical book I read does; I don’t know if anything was updated before the ebook was released. This book has been sitting on my to be read pile for years, and I’m glad I finally pulled it out and read it.
I grew up camping, so this is one of several series I’ve wanted to try that involve camping. The plot is fun, with plenty of twists and turns that kept me guessing until the end. I did find a couple of the characters – Joe especially – annoying. I’m sure he was supposed to be funny, but the fact that he seemed to always be mad at others didn’t make me laugh. Still, this is a minor complaint, and I loved Dottie, our main character. The book was originally released in the mid-90’s, so it provides a fun reminder of just how much our life has changed since then. At least the physical book I read does; I don’t know if anything was updated before the ebook was released. This book has been sitting on my to be read pile for years, and I’m glad I finally pulled it out and read it.
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JT (287 KP) rated Sleep Tight (2011) in Movies
Mar 10, 2020
Jaume Balagueró brought terror to our screens with [Rec] in 2007, a tightly filmed horror set inside the walls of an apartment block over run with flesh eating zombies.
In Sleep Tight Balagueró again goes back inside an apartment block, this time the zombies are replaced by normal residents and a concierge with a sinister secret. César (Luis Tosar) is unhappy, and has been pretty much all his life, from the opening shot we see him standing on a ledge high above the streets preparing himself to drop to the concrete below.
He goes about his daily business with meticulous routine greeting the residents with a wry smile and engaging them in conversation day to day, but deep down he loathes it.It seems that his quest is to make others just as unhappy as he is, with main target being the gorgeous Clara (Marta Etura). Initially César seems pleasant enough, he’s polite and courteous and is always making himself available to those who need his help, whether it’s from feeding dogs to fumigating apartments.
It’s when we finally see him under Clara’s bed lying in wait that you realize that Balagueró is about to deliver us a 21st century boogieman. The lengths that César will go to to put Clara in harm’s way will leave you with your jaw open. The idea being that he wants to break her, “we’ll wipe that smile off her face,” he tells his bed ridden mother in hospital.
This almost nods right away to a Hitchcockian feel to the film, think of César as the Spanish version of Norman Bates without the dress, although at one point he does toy with the idea of using a large kitchen knife. During his torment of poor Clara he infests her house with bugs, injects things into her moisturizing products and even goes so far as to sleep in the same bed, with a little help from chloroform.
It would be unfair to explain anything more as it would give too much of the story away, and when Clara’s boyfriend Marcos arrives on the scene things only get worse. During the film you almost feel sorry for César and you’d be guilty for feeling anything but admiration towards him, at his dedication the very least.
It’s a voyeuristic nightmare, more so for the audience as Clara doesn’t really have much of a clue what is going on. Even when César is caught in the apartment during one of the films more gripping scenes he has an embarrassed excuse.
Balagueró proves to critics that he can capture as much tension and suspense through conventional cameras as opposed to the point of view of a hand held camcorder, which he used so effectively throughout [Rec] and its sequel.
Sleep Tight is an edgy slow burning thriller, a different take on the horror genre that will leave you gasping after the final act.
In Sleep Tight Balagueró again goes back inside an apartment block, this time the zombies are replaced by normal residents and a concierge with a sinister secret. César (Luis Tosar) is unhappy, and has been pretty much all his life, from the opening shot we see him standing on a ledge high above the streets preparing himself to drop to the concrete below.
He goes about his daily business with meticulous routine greeting the residents with a wry smile and engaging them in conversation day to day, but deep down he loathes it.It seems that his quest is to make others just as unhappy as he is, with main target being the gorgeous Clara (Marta Etura). Initially César seems pleasant enough, he’s polite and courteous and is always making himself available to those who need his help, whether it’s from feeding dogs to fumigating apartments.
It’s when we finally see him under Clara’s bed lying in wait that you realize that Balagueró is about to deliver us a 21st century boogieman. The lengths that César will go to to put Clara in harm’s way will leave you with your jaw open. The idea being that he wants to break her, “we’ll wipe that smile off her face,” he tells his bed ridden mother in hospital.
This almost nods right away to a Hitchcockian feel to the film, think of César as the Spanish version of Norman Bates without the dress, although at one point he does toy with the idea of using a large kitchen knife. During his torment of poor Clara he infests her house with bugs, injects things into her moisturizing products and even goes so far as to sleep in the same bed, with a little help from chloroform.
It would be unfair to explain anything more as it would give too much of the story away, and when Clara’s boyfriend Marcos arrives on the scene things only get worse. During the film you almost feel sorry for César and you’d be guilty for feeling anything but admiration towards him, at his dedication the very least.
It’s a voyeuristic nightmare, more so for the audience as Clara doesn’t really have much of a clue what is going on. Even when César is caught in the apartment during one of the films more gripping scenes he has an embarrassed excuse.
Balagueró proves to critics that he can capture as much tension and suspense through conventional cameras as opposed to the point of view of a hand held camcorder, which he used so effectively throughout [Rec] and its sequel.
Sleep Tight is an edgy slow burning thriller, a different take on the horror genre that will leave you gasping after the final act.
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Laetitia Sadier recommended A Tábua de Esmeralda by Jorge Ben in Music (curated)
Phillip McSween (751 KP) rated Citizen Kane (1941) in Movies
Sep 30, 2019
Beautiful Cinematic Treat
Citizen Kane follows the life of a newspaper tycoon. I saw this movie months ago, but have been dreading the review due to my scoring. Granted, I LOVED this movie, I just know there will be those that say I should have scored the movie higher and I’m ok with that. Here goes nothing…
Acting: 10
Orson Welles delivers a powerful performance as Charles Foster Kane. In my eyes, I see him as the original Tony Stark: Powerful, suave, and undeniably lovable. His presence takes over making it hard for me to remember the impact of other performances. There is no doubt that this is a classic, iconic role.
Beginning: 10
Characters: 10
Again, I could watch a movie made up of just Charles Foster Kane and no one else and still enjoy it. Yes, there were other characters that contributed to the film’s overall impactfulness, but the character of Kane is one you remember for a long time. He is a well-layered powerful man that has a lot brewing beneath the surface. He is compensating for something missing in his life and it doesn’t take us long to see this. His journey is definitely one worth watching.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 10
The entire movie revolves around a mystery: What exactly is rosebud? It takes us all the way to the end to truly find out what that means. I don’t know about you, but I spent much of my time while watching the film trying to find hints to what the mystery could mean. This made the movie all the more interesting and it was a clever way to keep me engaged. This movie doesn’t need a full two hours to pack a powerful punch.
Memorability: 10
Pace: 8
Plot: 10
Resolution: 6
Here’s where i get crucified: I think the ending to Citizen Kane is a bit overrated. When I found out what it all meant, I kind of rolled my eyes a bit. I didn’t hate it, but also didn’t see what the big deal was.
Overall: 92
Citizen Kane definitely deserves its classic status and I agree that, even to this day, it is still one of the best movies ever made. I won’t go as far as to say the greatest movie of all time (as of today it sits at 87 on my list), but it is truly a movie to remember.
Acting: 10
Orson Welles delivers a powerful performance as Charles Foster Kane. In my eyes, I see him as the original Tony Stark: Powerful, suave, and undeniably lovable. His presence takes over making it hard for me to remember the impact of other performances. There is no doubt that this is a classic, iconic role.
Beginning: 10
Characters: 10
Again, I could watch a movie made up of just Charles Foster Kane and no one else and still enjoy it. Yes, there were other characters that contributed to the film’s overall impactfulness, but the character of Kane is one you remember for a long time. He is a well-layered powerful man that has a lot brewing beneath the surface. He is compensating for something missing in his life and it doesn’t take us long to see this. His journey is definitely one worth watching.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 10
The entire movie revolves around a mystery: What exactly is rosebud? It takes us all the way to the end to truly find out what that means. I don’t know about you, but I spent much of my time while watching the film trying to find hints to what the mystery could mean. This made the movie all the more interesting and it was a clever way to keep me engaged. This movie doesn’t need a full two hours to pack a powerful punch.
Memorability: 10
Pace: 8
Plot: 10
Resolution: 6
Here’s where i get crucified: I think the ending to Citizen Kane is a bit overrated. When I found out what it all meant, I kind of rolled my eyes a bit. I didn’t hate it, but also didn’t see what the big deal was.
Overall: 92
Citizen Kane definitely deserves its classic status and I agree that, even to this day, it is still one of the best movies ever made. I won’t go as far as to say the greatest movie of all time (as of today it sits at 87 on my list), but it is truly a movie to remember.
Charlie Cobra Reviews (1840 KP) rated Maggie (2015) in Movies
Nov 1, 2020
Maggie: More Drama Then Zombies In This Zombie Film (4/10)
Contains spoilers, click to show
Maggie is a 2015 Horror/Drama film directed by Henry Hobson and written by John Scott 3. It was produced by Grindstone Entertainment Group, Gold Star Films, Lotus Entertainment, Silver Reel, Matt Baer Films and Sly Predator and distributed by Lionsgate Films and Roadside Attractions. The movie stars Arnold Schwarzenegger, Abigail Breslin, and Joely Richardson.
Society struggles to function in the aftermath of a zombie pandemic (Necroambulism) barely under control in the present-day Midwestern United States. Maggie's father Wade (Arnold Schwarzenegger) has searched two weeks for her, finally finding her in a hospital for the infected. Maggie Vogel (Abigail Breslin) had left a voicemail urging that he not seek her and that she loved him. Her arm was bitten and knowing she has only weeks before the "Necroambulist virus" turns her cannibalistic, she left home to protect her family. He brings Maggie home to care for her until she must eventually be quarantined.
As far as zombie movies go, this was a big let down. At first I thought the title was a red flag because what zombie movie would be called "Maggie" right? Well, I was right, not much of a zombie movie. And I was excited going into it too because Arnold was the most serious I've seen him in a role, like possibly ever. He did a great job and actually all the actors did a decent job, it's just the movie turned into a complete drama film and not a zombie movie at all. It was more of a coming to terms of the death of a person then about survival horror or anything close to it. If your looking for a really tame zombie movie then this is your jam. For me I was so disappointed because it's an ok movie on it's own and pretty emotional but just not for me. I give it a 4/10. And suggest if your are looking for a good zombie movie to watch, you skip this one.
Spoiler Section Review:
Man, I was so hyped for this movie. Arnold Schwarzenegger in a zombie movie, hell yeah. And that other girl Abigail Breslin from Zombieland, I was like this is going to be cool. From the trailer, I already knew that this looked like it was going to be a more serious tone kind of movie and very emotional but what a let down. I mean I was so disappointed in this movie. I was hoping it would be an "Arnold" kind of movie but it was more of an "indie" film. It was very emotional as it would be because the character's are dealing with death in a very surreal way and having a long time to contemplate everything about it. Very different from most zombie movies and really somber. Not a bad movie but not what I look for in a good zombie movie. That first zombie scene with Arnold and the zombie in the restroom was probably the best part of the movie and it sucked. Arnold kills the zombie by choking it or breaking it's neck from choking it. I mean c'mon, you can't kill zombies that way. Anyways I gave this movie a 4/10 and suggest watching a different zombie movie if you want to see something entertaining.
Society struggles to function in the aftermath of a zombie pandemic (Necroambulism) barely under control in the present-day Midwestern United States. Maggie's father Wade (Arnold Schwarzenegger) has searched two weeks for her, finally finding her in a hospital for the infected. Maggie Vogel (Abigail Breslin) had left a voicemail urging that he not seek her and that she loved him. Her arm was bitten and knowing she has only weeks before the "Necroambulist virus" turns her cannibalistic, she left home to protect her family. He brings Maggie home to care for her until she must eventually be quarantined.
As far as zombie movies go, this was a big let down. At first I thought the title was a red flag because what zombie movie would be called "Maggie" right? Well, I was right, not much of a zombie movie. And I was excited going into it too because Arnold was the most serious I've seen him in a role, like possibly ever. He did a great job and actually all the actors did a decent job, it's just the movie turned into a complete drama film and not a zombie movie at all. It was more of a coming to terms of the death of a person then about survival horror or anything close to it. If your looking for a really tame zombie movie then this is your jam. For me I was so disappointed because it's an ok movie on it's own and pretty emotional but just not for me. I give it a 4/10. And suggest if your are looking for a good zombie movie to watch, you skip this one.
Spoiler Section Review:
Man, I was so hyped for this movie. Arnold Schwarzenegger in a zombie movie, hell yeah. And that other girl Abigail Breslin from Zombieland, I was like this is going to be cool. From the trailer, I already knew that this looked like it was going to be a more serious tone kind of movie and very emotional but what a let down. I mean I was so disappointed in this movie. I was hoping it would be an "Arnold" kind of movie but it was more of an "indie" film. It was very emotional as it would be because the character's are dealing with death in a very surreal way and having a long time to contemplate everything about it. Very different from most zombie movies and really somber. Not a bad movie but not what I look for in a good zombie movie. That first zombie scene with Arnold and the zombie in the restroom was probably the best part of the movie and it sucked. Arnold kills the zombie by choking it or breaking it's neck from choking it. I mean c'mon, you can't kill zombies that way. Anyways I gave this movie a 4/10 and suggest watching a different zombie movie if you want to see something entertaining.
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Mandy and G.D. Burkhead (26 KP) rated Flightless Falcon in Books
May 20, 2018
Shelf Life – Flightless Falcon Still Glides Pretty Well
Flightless Falcon is a light DAW fantasy by Mickey Zucker Reichert that first came out in paperback in July of 2001. Set in your typical fantasy land – lightly coated in magic but sans any fantastical creatures such as dragons, elves, dwarves, and the like – it follows the sad, luckless exploits of an ex-miner named Tamison made useless after a cave in kills his father and brother and leaves him trapped deep in the mine for a few days.
Afterwards, with a debilitating fear of both the dark and being underground, he’s unable to continue as a miner, yet too unskilled to get any other job. As such, he and his family live in dirt poverty for a decade or so until he finally decides to try stealing what they need instead of earning the money to buy it. Unfortunately he’s just as horrible at this as anything else he tries and ends up in jail for two years.
When he finally gets out, his family’s disappeared, so he adopts a stray dog and lives on the streets for a while. Then one day a guard finds him and tells him, “Hey, I know where your family is, and it’s bad, man, we should go save ’em.” So Tamison saves a fortune teller from some different guards, just for good measure, and the three of them go off to get his family back.
The plot evolves from there – I won’t go into much greater detail because I don’t want to give anything away. And while it’s an entertaining read, it does have its share of snags, though not often or strong enough to derail the overall experience. Still, might was well talk about ’em.
The majority of these moments occur due to the protagonist himself; Tamison’s constant suffering and depression and worthlessness gets a bit irritating after a while (and not a very long while). But you do end up genuinely sympathizing with him, at least for the most part – his self-pitying and constant sobbing are offset, personality-wise, by his intense love and devotion to his family’s welfare (though apparently it still isn’t strong enough for him to suck up his phobia and go back to working in the mines). The end result is a character that, while whiny enough that you want to reach into the pages and smack him, is still believable. The fact that a lot of his misfortune is brought on by bad luck and the overwhelming apathy of the world around him, instead of just his own sad uselessness, also helps save what might have been an otherwise excruciatingly sad-sack protagonist.
But ignore what Miss Reichert and the back cover of the book say – the real star of this story isn’t Tamison, the guard (Dallan), or the fortune teller (Rifkah). It’s the weasely bastard of a con man that Tamison can’t stop running into, the aptly-named Con. This guy’s selfish lack of a moral compass and unwillingness to sugarcoat anything for anyone is a breath of fresh air amidst the hopeful optimism and general boyscout do-goodery of the rest of the starring party, and his quick wit and blunt, sarcastic dialogue are at once impressive and entertaining to read in the circumstances. His back story’s also far more interesting than anything Tamison, Dallan, and Rifkah can come up with.
The story itself also grows past a simple “save some good guys from some bad guys” fetch quest to envelope a degree of political intrigue, subterfuge, loyalty dilemmas, and good ol’ fashion backstabbery. I won’t say anything more past the obvious (there’s a twist, you know there’s gonna be a twist, there’s always a twist) other than to say that the generic good-guy-bad-guy feeling the book’s own synopsis offers slips slowly into a more realistic, more satisfying realm of uncertain grayness that accompanies all conflicts between the world’s two rival governments, the one Tamison belongs to and the one he’s told is harboring his missing family.
Basically, each time you think this book is going to march the plot or one of the characters into Generic Land (and you will occasionally think this multiple times), the direction skews off at the last moment to surprise you. The result is that you end up reading the book in two minds: one for soaking up the story and being entertained, and one with a critical eye turned always on the author’s style, to see where it threatens to stray into unimpressiveness and how it keeps saving itself.
But don’t focus overly much on my criticisms – that’s just how I’ve been trained to talk about good writing, to search for the roughest spots and pick at them in order to see how the whole thing might be polished even more. The reason this book is so easy to criticize is because its weak spots are few and manageable and therefor easy to cover and be done with in the length of a blog post. The overall impression I came away with is still one of a fun, thoughtful, imaginative tale, at times suspenseful, at times moving, and always deeply visual. I didn’t mention the detailed visual descriptions did I? Oh well, I just did. Now you know they’re there.
It’s not going to turn into the next blockbuster fantasy franchise, but if you find it in your used book store, there are less-enjoyable ways to spend your reading time. I recommend Flightless Falcon to anyone who enjoys well-written, character-driven fantasy and doesn’t need it to last through a dozen sequels.
Afterwards, with a debilitating fear of both the dark and being underground, he’s unable to continue as a miner, yet too unskilled to get any other job. As such, he and his family live in dirt poverty for a decade or so until he finally decides to try stealing what they need instead of earning the money to buy it. Unfortunately he’s just as horrible at this as anything else he tries and ends up in jail for two years.
When he finally gets out, his family’s disappeared, so he adopts a stray dog and lives on the streets for a while. Then one day a guard finds him and tells him, “Hey, I know where your family is, and it’s bad, man, we should go save ’em.” So Tamison saves a fortune teller from some different guards, just for good measure, and the three of them go off to get his family back.
The plot evolves from there – I won’t go into much greater detail because I don’t want to give anything away. And while it’s an entertaining read, it does have its share of snags, though not often or strong enough to derail the overall experience. Still, might was well talk about ’em.
The majority of these moments occur due to the protagonist himself; Tamison’s constant suffering and depression and worthlessness gets a bit irritating after a while (and not a very long while). But you do end up genuinely sympathizing with him, at least for the most part – his self-pitying and constant sobbing are offset, personality-wise, by his intense love and devotion to his family’s welfare (though apparently it still isn’t strong enough for him to suck up his phobia and go back to working in the mines). The end result is a character that, while whiny enough that you want to reach into the pages and smack him, is still believable. The fact that a lot of his misfortune is brought on by bad luck and the overwhelming apathy of the world around him, instead of just his own sad uselessness, also helps save what might have been an otherwise excruciatingly sad-sack protagonist.
But ignore what Miss Reichert and the back cover of the book say – the real star of this story isn’t Tamison, the guard (Dallan), or the fortune teller (Rifkah). It’s the weasely bastard of a con man that Tamison can’t stop running into, the aptly-named Con. This guy’s selfish lack of a moral compass and unwillingness to sugarcoat anything for anyone is a breath of fresh air amidst the hopeful optimism and general boyscout do-goodery of the rest of the starring party, and his quick wit and blunt, sarcastic dialogue are at once impressive and entertaining to read in the circumstances. His back story’s also far more interesting than anything Tamison, Dallan, and Rifkah can come up with.
The story itself also grows past a simple “save some good guys from some bad guys” fetch quest to envelope a degree of political intrigue, subterfuge, loyalty dilemmas, and good ol’ fashion backstabbery. I won’t say anything more past the obvious (there’s a twist, you know there’s gonna be a twist, there’s always a twist) other than to say that the generic good-guy-bad-guy feeling the book’s own synopsis offers slips slowly into a more realistic, more satisfying realm of uncertain grayness that accompanies all conflicts between the world’s two rival governments, the one Tamison belongs to and the one he’s told is harboring his missing family.
Basically, each time you think this book is going to march the plot or one of the characters into Generic Land (and you will occasionally think this multiple times), the direction skews off at the last moment to surprise you. The result is that you end up reading the book in two minds: one for soaking up the story and being entertained, and one with a critical eye turned always on the author’s style, to see where it threatens to stray into unimpressiveness and how it keeps saving itself.
But don’t focus overly much on my criticisms – that’s just how I’ve been trained to talk about good writing, to search for the roughest spots and pick at them in order to see how the whole thing might be polished even more. The reason this book is so easy to criticize is because its weak spots are few and manageable and therefor easy to cover and be done with in the length of a blog post. The overall impression I came away with is still one of a fun, thoughtful, imaginative tale, at times suspenseful, at times moving, and always deeply visual. I didn’t mention the detailed visual descriptions did I? Oh well, I just did. Now you know they’re there.
It’s not going to turn into the next blockbuster fantasy franchise, but if you find it in your used book store, there are less-enjoyable ways to spend your reading time. I recommend Flightless Falcon to anyone who enjoys well-written, character-driven fantasy and doesn’t need it to last through a dozen sequels.