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Sophia (Bookwyrming Thoughts) (530 KP) rated Red Queen in Books
Jan 23, 2020
In quick and rapid-fire succession about Victoria Aveyard's <i>Red Queen</i>...
~ Amanda Dolan is a phenomenal narrator. She makes the pages come alive in the ears if you know what I mean. Regal accent for the queen, awesome rambling skills that show Mare is nervous, fabulously "bitchy" voice for Evangeline, etc. Dolan might even top <a title="Ruin and Rising by Leigh Bardugo" href="https://bookwyrmingthoughts.com/audiobook-review-ruin-and-rising-by-leigh-bardugo/"; target="_blank" rel="noopener">Fontgang.</a> (Don't worry. I still like your skills.)
~ Someone tell me the song title and composer of the music at the beginning and the end of the audiobook because I love it. It has this ominous feeling that I like. Oh, and I admit I'm a music geek.
~ There are some things I question. 1) Why would you use a shield that contains Mare's powers if you're trying to kill her? I mean, you KNOW her power. 2) I don't think I caught how Silver blood became silver. Is it something as simple as, I don't know, putting a bit of silver in Botox before injecting it? *strokes imaginary beard thoughtfully*
~ The end. Any book that actually has an unpredictable ending is instantly music in my ears (not that I'm being biased, but let's just say you get more merit) – when you read so many books, things tend to repeat. But that's a discussion for another day.
~ You're like <i>The Winner's</i> trilogy. I don't need to say anything more, because <a title="The Winner's Crime" href="https://bookwyrmingthoughts.com/review-the-winners-crime-by-marie-rutkoski/"; target="_blank" rel="noopener">this letter explains it all</a>. If I write this one as a letter, I'll plagiarize my own self.
<a href="https://bookwyrmingthoughts.com/chibi-views-dare-to-dream-by-carys-jones-and-red-queen-by-victoria-aveyard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
~ Amanda Dolan is a phenomenal narrator. She makes the pages come alive in the ears if you know what I mean. Regal accent for the queen, awesome rambling skills that show Mare is nervous, fabulously "bitchy" voice for Evangeline, etc. Dolan might even top <a title="Ruin and Rising by Leigh Bardugo" href="https://bookwyrmingthoughts.com/audiobook-review-ruin-and-rising-by-leigh-bardugo/"; target="_blank" rel="noopener">Fontgang.</a> (Don't worry. I still like your skills.)
~ Someone tell me the song title and composer of the music at the beginning and the end of the audiobook because I love it. It has this ominous feeling that I like. Oh, and I admit I'm a music geek.
~ There are some things I question. 1) Why would you use a shield that contains Mare's powers if you're trying to kill her? I mean, you KNOW her power. 2) I don't think I caught how Silver blood became silver. Is it something as simple as, I don't know, putting a bit of silver in Botox before injecting it? *strokes imaginary beard thoughtfully*
~ The end. Any book that actually has an unpredictable ending is instantly music in my ears (not that I'm being biased, but let's just say you get more merit) – when you read so many books, things tend to repeat. But that's a discussion for another day.
~ You're like <i>The Winner's</i> trilogy. I don't need to say anything more, because <a title="The Winner's Crime" href="https://bookwyrmingthoughts.com/review-the-winners-crime-by-marie-rutkoski/"; target="_blank" rel="noopener">this letter explains it all</a>. If I write this one as a letter, I'll plagiarize my own self.
<a href="https://bookwyrmingthoughts.com/chibi-views-dare-to-dream-by-carys-jones-and-red-queen-by-victoria-aveyard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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Merissa (13389 KP) rated Crush Box Set: Books 1 to 3 (Crush Box Set, #1) in Books
Jan 18, 2022 (Updated Jul 5, 2023)
CRUSH Box Set 1 is the first three full-length novels in the Crush series. Crush itself is a bar that features prominently in the first book, and then as a get-together place in the following two. All three stories are different and stand on their own, but I would recommend you read them as a series.
FIRST KISS tells the story of Charlie and Josh. Charlie works at Crush and hopes to become manager one day. INSTANT DESIRE is about Asher and Sean. Asher has loved and lost and is ready to find a relationship. Sean has also loved and lost and yet has closed himself off to the possibility of ever being with someone. And PRIMARY SEDUCTION is about Max and Trent. Max is gay and likes Trent who, as far as everyone knows, is straight. Trent's ex-wife, Trish, has a big role to play in this story and not for good reasons.
Each story was well-written and flowed from beginning to end. I loved the different timeline epilogues we got, and how the stories sometimes overlapped. This happened in books 1 and 2 more than 3. There are steamy scenes as well as ones that are tender and loving -- whichever is being used, it works for the story at that moment.
I would have loved to have heard more about Charlie and Josh as the stories progressed as they really wormed their way into my heart because - although you're not supposed to have favourites - that's what they were!! This was a great box set that I thoroughly enjoyed and have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 18, 2022
FIRST KISS tells the story of Charlie and Josh. Charlie works at Crush and hopes to become manager one day. INSTANT DESIRE is about Asher and Sean. Asher has loved and lost and is ready to find a relationship. Sean has also loved and lost and yet has closed himself off to the possibility of ever being with someone. And PRIMARY SEDUCTION is about Max and Trent. Max is gay and likes Trent who, as far as everyone knows, is straight. Trent's ex-wife, Trish, has a big role to play in this story and not for good reasons.
Each story was well-written and flowed from beginning to end. I loved the different timeline epilogues we got, and how the stories sometimes overlapped. This happened in books 1 and 2 more than 3. There are steamy scenes as well as ones that are tender and loving -- whichever is being used, it works for the story at that moment.
I would have loved to have heard more about Charlie and Josh as the stories progressed as they really wormed their way into my heart because - although you're not supposed to have favourites - that's what they were!! This was a great box set that I thoroughly enjoyed and have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 18, 2022
Hadley (567 KP) rated The Graveyard Book in Books
Sep 30, 2019
A different look at ghosts (1 more)
Flow of writing is great
Questions left unanswered (1 more)
There won't be a sequel
Neil Gaiman knows how to turn an innocent childhood into a terror-filled one. 'The Graveyard Book' revolves around a young boy named Nobody Owens. What makes him different from everyone else is that he lives in a graveyard where he's being raised by the ghostly residents. Nobody, or Bod (as his friends call him), ended up here after his family was brutally murdered, which actually doesn't seem to bother him too much throughout the story. Right from the beginning, readers get to follow the murderer as he makes his way through Bod's house, killing all the members of the family except for Bod, who fortunately manages to get away.
Yet, when Bod showed up at the graveyard, not all the residents wanted to keep the boy, but when a woman in grey appears, she settles the argument by telling them to keep him - - - bringing in the woman in grey seemed as though it only happened to introduce the character, which, unfortunately she is only seen one other time throughout the entire novel; this character really wasn't necessary. When Bod is kept, he is given the "Freedom of the Graveyard," which gives him the ability to see and talk to ghosts, as well as other things. This makes for a very intriguing adventure for us readers.
This book is almost flawless with the concept being very original. I honestly have nothing bad to say about the story. Gaiman doesn't use the usual horror tropes, instead he describes horrific events through the eyes of Bod, as he becomes more familiar with the world outside of the graveyard. Gaiman explains all of Bod's natural needs effortlessly within a graveyard, such as Bod learning to read and spell by using the letters on headstones. This book will surely change the way you look at graveyards for the rest of your life, if you hadn't already seen them in this way. 'The Graveyard Book' is a different type of ghost story, where the reader isn't afraid of the spirits, but rather of the living.
Later on in 'the Graveyard Book,' we meet a character named Scarlett. She is one of the only friends that Bod makes who is alive. For the majority of the book, Scarlett believes that Bod is just her imaginary friend, as her mother brings her to the graveyard every day to play (by this time, it is a claimed nature reserve) . But later on, when Scarlett returns as a teenager, she realizes that Bod is actually a real person. My only complaint about Scarlett's character is that the reader gets to see her dream walk- - - something we have been told only ghosts, supernatural creatures and Bod can do- - - yet, this is never explained why she is able to do this. It leaves one to wonder if Scarlett is a supernatural being or just a human with a particular ability?
" One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it- - - waterstained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like a fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave makes you want to be somewhere else, that is the ghoul-gate. " The ghoul-gate has it's own entire scene in the book, but I wish the ghouls had been in the story quite a bit more. Overall, Gaiman wrote a very pleasing book that looks at ghosts in a different light. He brings up real life fears and fictional ones as well. Unfortunately, the book was written in 2008, and it doesn't seem that Gaiman is working on a sequel, so some questions may never be answered for the readers.
I really liked this book, and I think readers who enjoy paranormal aspects will love this story, too. As far as a ghost story goes, this one I highly recommend, but if you are looking for scares, I suggest you look elsewhere.
Yet, when Bod showed up at the graveyard, not all the residents wanted to keep the boy, but when a woman in grey appears, she settles the argument by telling them to keep him - - - bringing in the woman in grey seemed as though it only happened to introduce the character, which, unfortunately she is only seen one other time throughout the entire novel; this character really wasn't necessary. When Bod is kept, he is given the "Freedom of the Graveyard," which gives him the ability to see and talk to ghosts, as well as other things. This makes for a very intriguing adventure for us readers.
This book is almost flawless with the concept being very original. I honestly have nothing bad to say about the story. Gaiman doesn't use the usual horror tropes, instead he describes horrific events through the eyes of Bod, as he becomes more familiar with the world outside of the graveyard. Gaiman explains all of Bod's natural needs effortlessly within a graveyard, such as Bod learning to read and spell by using the letters on headstones. This book will surely change the way you look at graveyards for the rest of your life, if you hadn't already seen them in this way. 'The Graveyard Book' is a different type of ghost story, where the reader isn't afraid of the spirits, but rather of the living.
Later on in 'the Graveyard Book,' we meet a character named Scarlett. She is one of the only friends that Bod makes who is alive. For the majority of the book, Scarlett believes that Bod is just her imaginary friend, as her mother brings her to the graveyard every day to play (by this time, it is a claimed nature reserve) . But later on, when Scarlett returns as a teenager, she realizes that Bod is actually a real person. My only complaint about Scarlett's character is that the reader gets to see her dream walk- - - something we have been told only ghosts, supernatural creatures and Bod can do- - - yet, this is never explained why she is able to do this. It leaves one to wonder if Scarlett is a supernatural being or just a human with a particular ability?
" One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it- - - waterstained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like a fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave makes you want to be somewhere else, that is the ghoul-gate. " The ghoul-gate has it's own entire scene in the book, but I wish the ghouls had been in the story quite a bit more. Overall, Gaiman wrote a very pleasing book that looks at ghosts in a different light. He brings up real life fears and fictional ones as well. Unfortunately, the book was written in 2008, and it doesn't seem that Gaiman is working on a sequel, so some questions may never be answered for the readers.
I really liked this book, and I think readers who enjoy paranormal aspects will love this story, too. As far as a ghost story goes, this one I highly recommend, but if you are looking for scares, I suggest you look elsewhere.
LeftSideCut (3776 KP) rated Dredd (2012) in Movies
Jan 25, 2021
I grew up reading 2000AD and like many others, was disappointed in the Stallone effort to bring Judge Dredd to the big screen. Fast forward to 2012, and Dredd shows us that the way forward is a simple one. There's no need to go all out with a Mega City One wide story. The narrative is Dredd assessing Anderson on her first proper day of duty, locked down in a singular Megabuilding. Taking the template of Die Hard and applying it to Judge Dredd characters is wonderfully straightforward, and this movie is more spectacular for it.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.