Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (4129)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

Mark @ Carstairs Considers (2488 KP) rated The 19th Christmas in Books

Nov 13, 2019  
The 19th Christmas
The 19th Christmas
James Patterson, Maxine Paetro | 2019 | Mystery
5
8.0 (3 Ratings)
Book Rating
Can Lindsay Stop a Caper at Christmas?
San Francisco Homicide Detective Lindsay Boxer and her partner Rich Conklin are using their lunch hour for a little holiday shopping, and they happen to be on hand to catch a petty criminal. The criminal immediately wants to talk deals. He’s heard rumors that someone named Loman is planning some kind of big heist on Christmas Day. As the tips begin to pour in, the police are left chasing their tails as they try to figure out what Loman really plans. Or who he even really is. Meanwhile, reporter Cindy Thomas has landed the story of an illegal immigrant accused of a murder and gets assistant district attorney Yuki Castellano involved in her attempts to free him. And medical examiner Claire Washburn leaves town to teach a course during Christmas week to college students down in San Diego.

As popular as Christmas books have become, this is one series I hadn’t expected to offer one since some of the storylines in other books don’t lend themselves to the season. These storylines do, but unfortunately, the books is a mixed bag. I didn’t buy their excuse for writing Claire out of the book, and Cindy and Yuki’s sub-plot is undercooked. It felt like it was there more to preach than entertain. Fortunately, the main mystery was entertaining and kept me turning pages, although it relied on the villain taunting police, a trope I have trouble buying. Add in an epilogue that came out of nowhere and left me wondering if they are setting up the next book in the series. On the other hand, I got plenty of Christmas spirit from the book. As I said, this is an average entry in the series.
  
40x40

Martin Carr recommended track Love Action (I Believe in Love) by The Human League in Very Best Of by The Human League in Music (curated)

 
Very Best Of by The Human League
Very Best Of by The Human League
2005 | Rock
(0 Ratings)
Album Favorite
Details

Love Action (I Believe in Love) by The Human League

(0 Ratings)

Track

"I was into so much stuff around this time. It was 1981 and I was 12, turning 13 at the end of the year. I loved Duran Duran and Associates, 2 Tone stuff, ABC, The Jam... it didn't really matter then. You didn't have to be part of any tribe. We had them, but we never called them mods or rockers or whatever. We had the Sweats - they were the heavy guys who used to sit in a circle and smoke dope on the school field. They liked Motörhead and they all stank of patchouli oil. But they were all very friendly. Then there the Smoothies - they were more like mods really. Very tidy and neat, with these wedge haircuts. But I could never really do that. I could be one thing one day, and something else the next. I liked 'Ace Of Spades' at the same time as liking 'Planet Earth'. It was all the same thing. I remember being in class and we were all talking about 'Love Action', and singing the middle bit - "I believe, I believe what the old man says...", which I thought was profoundly wise at the time. It's still pretty good. I like the line, "I believe in truth/ Though I lie a lot." The noises in the intro really intrigued me. And for a while I did put the air guitar down and get my mum's ironing board out and play the synths on that. The music's quite cold - it's quite a cold groove for a love song. And it is a love song. His voice is kind of warm, but he's got such authority - you believe everything he's singing. At the end of that year, when Dare came out, everybody had it. It was great."

Source
  
40x40

Bob Mann (459 KP) rated The Light Between Oceans (2016) in Movies

Sep 29, 2021  
The Light Between Oceans (2016)
The Light Between Oceans (2016)
2016 | Drama, Romance
6
6.3 (3 Ratings)
Movie Rating Watch
“You only have to forgive once. To resent, you have to do it all day, every day”.
In my review of “The Two Faces of January” I described it as a film that “will be particularly enjoyed by older viewers who remember when story and location were put far ahead of CGI-based special effects”. In watching this film I was again linking in my mind to that earlier film… and that was before the lead character suddenly brought up the two faces of Janus!
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.

It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.

En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.

(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)

So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.

The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.

Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
  
    WikiCamps Australia

    WikiCamps Australia

    Travel and Reference

    (0 Ratings) Rate It

    App

    WikiCamps is the ultimate camping companion, whether you're heading away for a weekend camping trip...