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Bob Mann (459 KP) rated The Light Between Oceans (2016) in Movies
Sep 29, 2021
“You only have to forgive once. To resent, you have to do it all day, every day”.
In my review of “The Two Faces of January” I described it as a film that “will be particularly enjoyed by older viewers who remember when story and location were put far ahead of CGI-based special effects”. In watching this film I was again linking in my mind to that earlier film… and that was before the lead character suddenly brought up the two faces of Janus!
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.
It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.
En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.
(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)
So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.
The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.
Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.
It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.
En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.
(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)
So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.
The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.
Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
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Mark @ Carstairs Considers (2434 KP) rated The Revenge of Magic in Books
Mar 19, 2019
Intriguing Series Debut
It’s been six months since the attack on Washington, D.C. Six months since Forsythe “Fort” Fitzgerald’s world was turned upside down when a giant creature comes up from the ground and destroys many of the monuments there, killing his father in the process. In that time, one thought has kept Fort moving forward – the desire for revenge.
One day, Fort is surprised to be visited by the representatives of a school for magic. Thirteen years ago, four magic books were found and only those born after they were discovered can read and use them. When Fort is offered a chance to study at this school, he jumps on it, figuring this is a chance to learn something to help him extract his revenge. However, not everything at the school is what it seems. Can Fort learn what people are hiding from him? Or will he be kicked out before that happens?
Since this is the first in the series, there is some world building that happens here. However, it is mixed into the story so well that it never really slows things down. It borrows a few fantasy tropes, but it mixes them up in such a way that it makes you forget where you might have seen them before. The characters have layers to them, and, while they feel developed for a first book in a new series, I suspect we will be seeing much more depth to them as the series progresses. The story moves forward quickly, and I never wanted to put it down. This is a little darker and has less humor than James Riley’s earlier series, but it isn’t really that dark. I’m intrigued by the threads left dangling at the end of this book and can’t wait to see where things go next. Pick this book up today so you won’t be left behind on this magical ride.
One day, Fort is surprised to be visited by the representatives of a school for magic. Thirteen years ago, four magic books were found and only those born after they were discovered can read and use them. When Fort is offered a chance to study at this school, he jumps on it, figuring this is a chance to learn something to help him extract his revenge. However, not everything at the school is what it seems. Can Fort learn what people are hiding from him? Or will he be kicked out before that happens?
Since this is the first in the series, there is some world building that happens here. However, it is mixed into the story so well that it never really slows things down. It borrows a few fantasy tropes, but it mixes them up in such a way that it makes you forget where you might have seen them before. The characters have layers to them, and, while they feel developed for a first book in a new series, I suspect we will be seeing much more depth to them as the series progresses. The story moves forward quickly, and I never wanted to put it down. This is a little darker and has less humor than James Riley’s earlier series, but it isn’t really that dark. I’m intrigued by the threads left dangling at the end of this book and can’t wait to see where things go next. Pick this book up today so you won’t be left behind on this magical ride.
Carma (21 KP) rated Good Time Cowboy (Gold Valley, #3) in Books
Jun 17, 2019
Another 5 star read from Maisey Yates, I wanna move to Gold Valley.
Lindy Parker is a strong woman. She wants what she wants when she wants it. She does NOT want Wyatt Dodge. Yet the same man occupies her every waking thought, her dreams and everything in between. She cant believe she is attracted to a bull rider.
Wyatt Dodge has been attracted to Lindy Parker for 5 years. Since the first day he saw her walking toward him only to kiss his friend Damien and get introduced as his wife. He cant do anything about said attraction with his ranch on the line. He has to find a way to work with her on the upcoming grand opening of his dude ranch or it will all be for nothing.
Lindy likes to be in charge, she likes order and structure. Everything Wyatt is not. Working with him is going to test her patience in more ways than one. Now if she can only stop thinking about ripping his clothes off thatd be great.
Wyatt treats Lindy like a kid with a crush, teasing her and proverbially pulling her pigtails. He makes and effort to call her Melinda, because no one else does. He finds the verbal sparring keeps his mind off of wanting to kiss her senseless. He has to stay focused on saving the ranch.
Lindy and Wyatt dance around their attraction like a Friday night hoedown but will they find out they work better as a team, in all areas of their relationship?
As with most of the books Ive read by Maisey Yates, Good Time Cowboy makes me want to move to Gold Valley and find these families. Ms. Yates writes such realistic characters that you cant help but feel every part of the story as if you were side by side in the thick of things. I received a copy of this story without expectation for review. Any and all opinions expressed are my own.
Lindy Parker is a strong woman. She wants what she wants when she wants it. She does NOT want Wyatt Dodge. Yet the same man occupies her every waking thought, her dreams and everything in between. She cant believe she is attracted to a bull rider.
Wyatt Dodge has been attracted to Lindy Parker for 5 years. Since the first day he saw her walking toward him only to kiss his friend Damien and get introduced as his wife. He cant do anything about said attraction with his ranch on the line. He has to find a way to work with her on the upcoming grand opening of his dude ranch or it will all be for nothing.
Lindy likes to be in charge, she likes order and structure. Everything Wyatt is not. Working with him is going to test her patience in more ways than one. Now if she can only stop thinking about ripping his clothes off thatd be great.
Wyatt treats Lindy like a kid with a crush, teasing her and proverbially pulling her pigtails. He makes and effort to call her Melinda, because no one else does. He finds the verbal sparring keeps his mind off of wanting to kiss her senseless. He has to stay focused on saving the ranch.
Lindy and Wyatt dance around their attraction like a Friday night hoedown but will they find out they work better as a team, in all areas of their relationship?
As with most of the books Ive read by Maisey Yates, Good Time Cowboy makes me want to move to Gold Valley and find these families. Ms. Yates writes such realistic characters that you cant help but feel every part of the story as if you were side by side in the thick of things. I received a copy of this story without expectation for review. Any and all opinions expressed are my own.
