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Network (1976)
Network (1976)
1976 | Comedy, Drama
All time classic
"I'M MAD AS HELL, AND I'M NOT GOING TO TAKE IT ANYMORE!"

One of the most famous lines in film history is as impactful today as it was when it was first uttered by fictitious news anchor Howard Beale in Paddy Chayefsky's (seemingly) parody of where TV and TV news is heading, 1976's NETWORK.

The astonishing thing about this terrific motion picture is how prescient it is. News is now entertainment. Appeal to the disaffected masses. Drive our message to the viewers. Be provocative. The 6:00 news had "less than 1 minute of hard news, the rest was sex, scandal, brutal crime sports, children with incurable diseases and lost puppies."

Sound familiar? This isn't from today, it came from this movie that was made 42 years ago as a cautionary tale of what might happen.

Besides the social ramifications, how does this film hold up? Quite well, indeed. A rare 10 star BankofMarquis film. Starting with the great Paddy Chayefsky's Oscar winning Screenplay. This was the capper on a brilliant career from Chayefsky - who also won Oscar's for his screenplay for 1972's THE HOSPITAL (I'll have to check that one out) and 1956's MARTY.

What does a terrific screenplay do? It attracts top-level talent clamoring to be in this - and they all deliver. Start with Faye Dunaway who won the Lead Actress Oscar for her role as Entertainment Head Diane Christensen - a driven, work hard, play hard individual who has the idea to make news "entertainment". Lost in the fog of time (and MOMMIE DEAREST) is the fact that in the mid-1970's, Dunaway was, perhaps, the greatest leading actress of the day and her skills are in sharp display in this film.

Joining Dunaway in terrific supporting turns are Robert Duvall, following his turns as Tom Hagen in GODFATHER I and II, as network head, Frank Hackett, Ned Beatty as Ned Jennings, President of the company that owns the network - he has a speech towards the tail end of this film that is as good - both in performance and in the way that it is shot - as anything put upon the screen - it was masterful. Speaking of masterful, Beatrice Straight won the Oscar for Best Supporting Actress in one of the shortest performances to ever win. She is in this film for about 6 minutes in total - but she won her Oscar for a 5 minute scene that is, most definately Oscar-worthy.

And then there are the leading men. William Holden gives one of the last great performances of his extraordinary career as the "voice of reason in this film". He is our everyman caught up in the bizarre, absurd circumstances that evolve around him. It is his effort to try to make sense of this insanity that jumps off the screen. Holden was, deservedly, nominated for a Best Actor in a Leading Role Oscar, but lost (rightfully so) to Peter Finch's turn as crazed newsman turned prophet, Howard Beale. His maniacal (but not over the top) turn is one for the ages. If you do nothing else, see this film for his performance (but there is so, so much more to love here). Unfortunately, Finch passed away from a heart attack in between his Oscar nomination and win, and was the first posthumous winner in an acting role (sadly, Heath Ledger would join this "club" years later).

Finally, enough cannot be said about Sidney Lumet's direction. A movie like this would not succeed without a sure, steady and seasoned hand at the helm - and this is how I would describe Lumet's direction. He lets the camera roll and lets the actors and the screenplay take center stage, not drawing attention away, but adding to the themes of the film throughout - especially in Beatty's speech at the end.

NETWORK was nominated for (but did not win) the Oscar for Best Film of 1976. Did it lose out to other nominees ALL THE PRESIDENT'S MEN or TAXI DRIVER? Nope, it lost to ROCKY.

Let that sink in.

If you get a chance to watch (or rewatch) this film, I highly recommend you do so. For me, it was GREAT to watch this on the big screen with an audience, one of the reasons I love - and will continue to attend - the SECRET CINEMA series of films.

Letter Grade: A+

10 (out of 10) stars and you can take that to the Bank(OfMarquis)
  
Did You See Melody?
Did You See Melody?
Sophie Hannah | 2017 | Crime, Mystery, Thriller
4
6.0 (2 Ratings)
Book Rating
Yikes. This was bad, really bad. This started off as a buddy read with my reading pal Nicki @ The Secret Library, but she couldn’t even finish this one… and I don’t blame her!

<b>Prepare yourselves for a very harsh review.</b>

First off, let’s talk characters. Cara, our main character, has run away from home for a pathetically trivial reason, and not only that, has spent 1/3 of her families life savings to get away. She was an irritating, whingy character who talked to herself too much. Enough said.

Next, Tarin Fry. Biggest bitch in the world, and not in a sassy way… she was just a bitch. She didn’t speak her mind, she just spewed abuse at / about people.

Who next? How about Bonnie Juno. Awful name for an awful character. Another abuse spewer. In another life, Bonnie’s character could have been a strong female character who would have been likeable and someone to root for, but she isn’t. Not in the slightest.

Then we have a whole mash of random characters who were only half relevant in my mind. Riyonna Briggs, annoyingly happy and needy. Orson (was that his name?) Priddey, whingy and weak-willed, for a cop. Heidi whatever-her-name-was, waste of ink.

As for the story, I have mixed opinions. Firstly, if you are going to put yourself through this, skip the first 30% of it. It one long description of a 5 star hotel and spa. I’m not even kidding. Then the story picks up a little bit and there is some mystery to the story (finally!) but then thing get weird and we begin reading tedious interviews surrounding Melody’s case rather than present day stuff. Towards the end, things just got really ridiculous and unbelievable that I began skim reading the story, just to get the important “twisty” bits.

Although the book began badly, things did start picking up nearer the middle of the book, and for a while I thought I was actually enjoying it. The story of Melody was an interesting one and I liked following the theories on who killed her. But then, as I said before, things got ridiculous.

For example, the people discussing the case, and trying to solve the thing, consisted of Bonnie Juno, her assistant, 2 police detectives, Tarin Fry and the hotel manager. AS IF the police would just let civilians sit around the table with them to discuss a case, and more to the point, let a random member of the public (Tarin Fry) basically run the entire show by bossing everyone around. This then happens again at the end where things are coming together and really important police stuff is happening, even the FBI are involved at this point. They just let these random people sit in on the conversation like it’s not a hugely important case to find a girl who’s been believed dead for years and years.

The twist(s?) in this story were dulled down by the time they came around. I just wasn’t interested anymore and they didn’t do enough to bring me back to liking the book. I had guessed a couple of the reveals, but not all of them, but even that didn’t entertain me.

Writing? Well, it was nothing special. Not bad, but not great. At some points it felt like Hannah was talking down to us, repeating very simple things like the reader didn’t get it the first time… and I mean very simple things... like “the door was unlocked. That meant he had forgot to lock the door before he left”. Yeah, no shit.

This book was a huge fail for me and I wish I had given it up early on like Nicki did!

You might be thinking “but why give it 2 stars if you hated it so much? why not one star?”… well, I don’t really get 1 star book reviews… if you hated it that much would you not just have put it down? I didn’t put this one down so something about it kept me going… but that being said, my two star rating is practically a one star rating.

<i>Thanks to Netgalley and Hodder & Stoughton for giving me the opportunity to read this in exchange for an honest review.</i>
  
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ClareR (5884 KP) Aug 25, 2018

I would have to agree with everything you’ve written here! It was my first Sophie Hannah book, and I’m not all that sure I’ll read any of her earlier stuff. It was such a mess of a book! It felt like she just threw loads of different story ideas together. Not a fun read at all!

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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Gravel in Video Games

Jun 19, 2019  
Gravel
Gravel
2017 | Racing
Last year at the start of PAX West; Genevieve, Joseph, and myself were invited to get a look at the pending racing game GRAVEL in a private meeting at a suite near the convention. What made this even more exciting was that the meeting took place a day before the convention opened so since we were in the area to run errands and pick up our press passes; this was a very appealing way to see a game and get the jump on our convention coverage.

I do want to say at the start that I am horrible at driving games. My preferred method of braking often is using the wall, other cars, and obstacles to redirect my vehicle or slow down, but it does not stop my appreciation for them.

GRAVEL is a very fast paced and enjoyable game that mixes online and offline racing and allows players to use and customize trucks and cars as they race on tracks and outdoor courses. Everything from the Pacific to Alaska and Africa come into play and there are even some amazingly difficult night races where you have to make your way with only your headlights to keep you on the ever changing off-road course.
I had hoped for a few more locales, but there are variations on each locale and you can expect more maps and possibly modes will come down the road.
The graphics are fantastic and playing the game on a PS4 Pro with a 4K television brought the visuals of the game into amazing focus as it was easy to become immersed in the game from the very start.
The menus do take a bit of getting used to as it was at times unclear what form of racing I was about to embark on but I was up to speed in no time.
Matchmaking was fairly easy but it did seem to match me with drivers of a far superior ability time and again which makes it hard to see anything other than a last place finish should I make one mistake on the course.

While the game may not have the depth of other racing games, I found it to be instantly engaging and very fun which is saying quite a bit considering I usually do not play many racing games. Joseph is a fan of racing games and he was able to successfully complete many of the races in our PAX West meeting with no issues and often in the top position.
In the end GRAVEL is a fun entry for those looking to dip their toes into some off road racing or for diehards, but some hardcore racers may want more depth and variety.

http://sknr.net/2018/03/10/gravel/
  
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Jonathan Higgs recommended Electro-Shock Blues by Eels in Music (curated)

 
Electro-Shock Blues by Eels
Electro-Shock Blues by Eels
1998 | Indie, Rock, Singer-Songwriter
8.0 (4 Ratings)
Album Favorite

"I heard 'Novocaine For The Soul' on the radio and bought the album the very next day. And with their second record, I got it expecting more of the same. This was pre-internet, so there wasn't a lot of information about it, but it would appear that he lost his sister and mum, and so he wrote this record about being in hospital and watching people die. It was extremely sad, and for a teenager it was like, ""Holy shit! What is this?!"" Kids are always intrigued by sob stories of one kind or another - Nirvana being a perfect example - but this guy had clearly been through a lot. He writes very short and simple yet very affecting songs, not produced in a twee way, but very cold and using lots of samples. They didn't really sound like a band at all. Again, they were a three-piece, and a very simple band. He had a really cool voice and a story to tell, and that again really made me think about the fact that the band doesn't have to be that thing which I always thought they were: that you played your drums and you play your bass, when actually it can be anything you want. That really influenced the way I write music. I used a lot more technology after I got into that album. I started to integrate my live sounds - my guitar for example - with my laptop, and I started using a lot more sampling, thinking I want to be a lot more like Eels. I think an element of his very black humour has crept into my music. You always get the sense that he is talking about something very grave, but he does so in a slightly distracting way. Take 'Susan's House': it's got this ridiculous, quite clearly silly motif, which sounds like Neighbours - he knows it does! He's talking about his problems at Susan's house as he's walking past all these awful things in the street, like a kid who has been shot and a pregnant teenager, but it's couched in this happy, jaunty, slightly sarcastic world, and that is precisely where I'm at in my own music. Like the song 'Get To Heaven' is all about the same thing, walking past horrors but with a smile on your face, whistling a jaunty tune. I think a lot of influence came from Mr Everett, because of his outlook on life, where you can be in a very dark position but music doesn't have to abide by those rules, it can subvert it."

Source
  
An Unpresentable Glory
An Unpresentable Glory
8
8.0 (1 Ratings)
Book Rating
I trusted you, and some day, you may know just how much you hold in your hands.” Linda Jensen leads a relatively quiet life in Westchester County, New York, as the owner of a highly acclaimed garden. Inherited from her parents, the garden is her pride and joy. It is not so joyful finding a strange man sprawled near her delphiniums! The mysterious man is sick, unable to do anything more than drink water—and beg for secrecy. Ignoring all alarm bells, Linda sees to his needs, but her caring act takes on unexpected significance, and unpresentable glory. Seeds of trust, and perhaps love, are planted in Linda’s garden haven. But as secrets are revealed and scandal hits the headlines, the act of caring for this man threatens to tarnish both of their reputations. Like weeds in Linda’s garden, circumstances threaten to choke out their fledgling relationship, and small moments prove to be the biggest influencers—on a national scale.



My Thoughts: What would you do if you found a sick stranger on your doorstep? That's what Linda Jensen came home to one afternoon that changed her life. Her caring changed another persons life. It showed "Jay" what true caring and trust really was.

 This was an interesting read that keeps the readers' attention. All the characters were powerful in this novel and helped in supporting the storyline.



This novel is about trust, integrity, loyalty and loving God. It's about trusting God in every situation. The author has a way of writing to keep readers' interest throughout the book.


This is a good story for everyone.


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