Search
Search results
100% Biodegradable Comic Collection 2
5.0
Rate It
Book
Sponsored Purchased on 22 Jun 2020. View order details David Hailwood and 2 more 100%...
Jesters_folly (230 KP) rated Mortal Kombat (2021) in Movies
May 23, 2021
Contains spoilers, click to show
Mortal Kombat is one of those films that doesn't seem to know what story it wants to tell, it starts with a grudge battle between a proto Sub Zero and Proto Scorpion then jumps to the modern times with Sub-Zero hunting a young fighter, Cole Young. Then it (kind of) switches back to the Scorpion/Sub-Zero grudge match.
The bulk of the movie follows Cole as he joins up with Sonya Blade to find a group of 'Earths Champions' in an attempt to stop a secret invasion from Outworld. The hero's are, of course various characters from the 'Mortal Kombat' video games and a lot of the film is just looking for excuses to for the characters to shout out one liners from the games.
This isn't to say that Mortal Kombat is a bad movie, it has good fight scenes and the relationship between Sonia and Kano lead to some of the funniest moments of the movie. In fact I would go as far as saying that Kano is the best character of the film, a tough job seeing as he seems to be there for the comic relief.
There is a lot of time put into the put into the human characters but almost nothing to the villains, the most we find out about them is that Kabal seems to be a human and that Kano put him in his suit, there is no back story to this, no information a to how he ended up on outworld and, puzzlingly he seems to want to Kano to join up with his team.
I felt that there was something disappointing about the ending (HERE BE SPOILERS)..... All through the film we are told that Cole is the last of Hanzo Hasashi's (Scorpion) blood line (even though Cole has a daughter so she should be the last), he's given Hanzo's weapon and is being set up to become Scorpion. Then suddenly Hanzo is back, as Scorpion and all but saves the day. I know the film has the law of the games to follow but building one character up and then just re introducing someone else to all but take his place just feels like a cheat, especially as most of the film is about finding the power within and using it to win.
Saying all that Mortal Kombat is a good film, it has action and humour and some quite graphic 'Brutalities'. I think part of the problem is the 1995 Mortal Kombat film which feels a lot more fun, it doesn't have all the blood but it has a simple story, the villains seem slightly more rounded and the soundtrack just works. Also, and I know there is a big push to have actors of the 'correct' ethnicity I really do think that Christopher Lambert was a better 'Lord Rayden', Tadanobu Asano, who plays the character in this version seems bland and emotionless. I think that even an elder god would get worked up if evil forces were trying to invade his realm, especially if the invaders were breaking the rules.
The effects are good although some charters seem to have more attention than others (Sub-Zero, I'm looking at you) and there could have been more attention spent to the 'Evil' characters but, over all the film works with few problems.
The bulk of the movie follows Cole as he joins up with Sonya Blade to find a group of 'Earths Champions' in an attempt to stop a secret invasion from Outworld. The hero's are, of course various characters from the 'Mortal Kombat' video games and a lot of the film is just looking for excuses to for the characters to shout out one liners from the games.
This isn't to say that Mortal Kombat is a bad movie, it has good fight scenes and the relationship between Sonia and Kano lead to some of the funniest moments of the movie. In fact I would go as far as saying that Kano is the best character of the film, a tough job seeing as he seems to be there for the comic relief.
There is a lot of time put into the put into the human characters but almost nothing to the villains, the most we find out about them is that Kabal seems to be a human and that Kano put him in his suit, there is no back story to this, no information a to how he ended up on outworld and, puzzlingly he seems to want to Kano to join up with his team.
I felt that there was something disappointing about the ending (HERE BE SPOILERS)..... All through the film we are told that Cole is the last of Hanzo Hasashi's (Scorpion) blood line (even though Cole has a daughter so she should be the last), he's given Hanzo's weapon and is being set up to become Scorpion. Then suddenly Hanzo is back, as Scorpion and all but saves the day. I know the film has the law of the games to follow but building one character up and then just re introducing someone else to all but take his place just feels like a cheat, especially as most of the film is about finding the power within and using it to win.
Saying all that Mortal Kombat is a good film, it has action and humour and some quite graphic 'Brutalities'. I think part of the problem is the 1995 Mortal Kombat film which feels a lot more fun, it doesn't have all the blood but it has a simple story, the villains seem slightly more rounded and the soundtrack just works. Also, and I know there is a big push to have actors of the 'correct' ethnicity I really do think that Christopher Lambert was a better 'Lord Rayden', Tadanobu Asano, who plays the character in this version seems bland and emotionless. I think that even an elder god would get worked up if evil forces were trying to invade his realm, especially if the invaders were breaking the rules.
The effects are good although some charters seem to have more attention than others (Sub-Zero, I'm looking at you) and there could have been more attention spent to the 'Evil' characters but, over all the film works with few problems.
Lottie disney bookworm (1056 KP) rated Mirror, Mirror in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
If I’m honest I initially thought the tagline to this Snow White twisted tale novel was a massive plot spoiler but, when you are 300 pages into a book and no-one has eaten a poisoned apple, it may be the ideal opportunity to admit you were wrong. This book is not that simple!
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Sophia (Bookwyrming Thoughts) (530 KP) rated Shadow and Bone (The Grisha #1) in Books
Jan 23, 2020
<i>Shadow and Bone</i> could have been better – a lot better.
What annoyed me: Alina Starkov.
There is this thing about characters: there are lots of different types – the desperate ones, the annoying ones, the mopey ones, the overly happy ones, the sassy ones, etc.
Alina is the mopey one for – wait for it – a whopping half of the book. It takes her literally <i>half</i> of the book to realize that maybe she should stop being so mopey over Mal, or stop being so insecure about herself and comparing herself to a Grisha of what? Ten plus years? Really, it almost stalls the book as the character tries to get her bearings and a love triangle developing (I've pretty much decided if one couple happens, I'll have a field day.).
<blockquote>I didn't belong in this beautiful world, and if I didn't find a way to use my power, I never would.</blockquote>
She's also the desperate one – a very dangerous combination to put with mopey. Certainly not as desperate as <i>Eon(a)</i>, as Alina doesn't resort to doing anything stupid or harmful to herself. She's more of the, "I can't do this, I can't fit in with the others, why am I doing this, etc." type of person rather than, "Hey! Here's how I can fit in and be more manly: pump myself up with sun drugs!" (Admit it – that was totally Eona in <i>Eon</i>. Alina doesn't dress up as a guy to be a Grisha in <i>Shadow and Bone</i> if anyone's wondering. That would certainly be a fun plot twist to see though!)
What actually kept me reading, aka what kept me from throwing my arms up in exasperation: the idea and the setting.
Based off Imperial Russia, Bardugo's depiction of Ravka seems magical – the Grisha and the Shadow Fold seem to fit in nicely into the story without many hiccups if there's even any.
The Grisha idea is pure genius – no guide needed, even though it took me awhile (okay, 30 pages) to actually figure out how to tell which Grisha from Grisha (in common, sensible terms that I understand). As much as it may sound really complicated, it's actually pretty simple.
The first in the <i>Grisha</i> trilogy has a fantastic idea set in a mystical version of Russia, but it really could have done better (I'm probably sounding like a broken record now). With the fear of the sequel being worse than the first one (or any terrifying possibility), I'm almost afraid to pick up the second book.
<a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
What annoyed me: Alina Starkov.
There is this thing about characters: there are lots of different types – the desperate ones, the annoying ones, the mopey ones, the overly happy ones, the sassy ones, etc.
Alina is the mopey one for – wait for it – a whopping half of the book. It takes her literally <i>half</i> of the book to realize that maybe she should stop being so mopey over Mal, or stop being so insecure about herself and comparing herself to a Grisha of what? Ten plus years? Really, it almost stalls the book as the character tries to get her bearings and a love triangle developing (I've pretty much decided if one couple happens, I'll have a field day.).
<blockquote>I didn't belong in this beautiful world, and if I didn't find a way to use my power, I never would.</blockquote>
She's also the desperate one – a very dangerous combination to put with mopey. Certainly not as desperate as <i>Eon(a)</i>, as Alina doesn't resort to doing anything stupid or harmful to herself. She's more of the, "I can't do this, I can't fit in with the others, why am I doing this, etc." type of person rather than, "Hey! Here's how I can fit in and be more manly: pump myself up with sun drugs!" (Admit it – that was totally Eona in <i>Eon</i>. Alina doesn't dress up as a guy to be a Grisha in <i>Shadow and Bone</i> if anyone's wondering. That would certainly be a fun plot twist to see though!)
What actually kept me reading, aka what kept me from throwing my arms up in exasperation: the idea and the setting.
Based off Imperial Russia, Bardugo's depiction of Ravka seems magical – the Grisha and the Shadow Fold seem to fit in nicely into the story without many hiccups if there's even any.
The Grisha idea is pure genius – no guide needed, even though it took me awhile (okay, 30 pages) to actually figure out how to tell which Grisha from Grisha (in common, sensible terms that I understand). As much as it may sound really complicated, it's actually pretty simple.
The first in the <i>Grisha</i> trilogy has a fantastic idea set in a mystical version of Russia, but it really could have done better (I'm probably sounding like a broken record now). With the fear of the sequel being worse than the first one (or any terrifying possibility), I'm almost afraid to pick up the second book.
<a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Deutsch <-> Englisch KOMPAKT Wörterbuch
Reference and Education
App
A medium-sized dictionary with 330,000 keywords, phases and translations. * Current and...
iWebTV: Cast Web Videos to TV
Photo & Video and Entertainment
App
Find online Movies, TV shows, live shows, and cast them to your TV. iWebTV works with Chromecast +...
Gareth von Kallenbach (980 KP) rated Spider-Man 3 (2007) in Movies
Aug 14, 2019
The most anticipated film of the summer, Spider-Man 3 has arrived to the delight of moviegoers the world over. It has been roughly a little more than a year since Spider-Man (Tobey Maguire), defeated Dr. Octopus and saved the city from certain doom.
During this time, Spider-man has become New York City’s celebrated hero, and his day to day alter ego, Peter Parker, delights in his fame, while dating the love of his life, Mary Jane Watson (Kirsten Dunst).
As the film opens, Peter has decided to ask Mary Jane to be his wife, and plans to surprise her with a ring during dinner at a fancy restaurant. Mary Jane is starring in a Broadway play, and despite harsh reviews, she is living her dream and madly in love with Peter.
Things take an unexpected twist for Peter when he is attacked one night by his best friend Harry (James Franco), who blames him for the death of his father at the conclusion of the first film. Enhanced by his father’s Goblin serum, Harry is a deadly adversary for Peter who is able to fend off the attack eventually, and put into motion a series of events that will forever change his life.
When a career criminal named Flint Marko (Thomas Hayden Church), is accidentally caught in an experiment while fleeing the authorities, he becomes a living mass of sand, which enables him to start a string of robberies as “The Sandman”, and provides Spider-man with his most unusual opponent yet.
As if this was not enough, Peter must contend with a new hotshot photographer named Eddie Brock (Topher Grace), who is after a staff position at the Daily Bugle. The fact that Peter has more seniority at the paper is of little interest to Eddie, and he will stop at nothing to get the better of Peter.
At this point one would think that Peter has more than enough on his plate, but fate is about to drop an unexpected player into his life, a space based symbiote that bonds
with Peter’s costume and creates a dark black look for Spider-Man as well as an increase in his powers.
Peter becomes obsessed with his new powers, and there is a dramatic change in his persona, which does not sit well with Mary Jane. When new information is given to Peter about the death of his Uncle Ben, Peter is more than willing to use his new found abilities to exact the revenge that he craves.
Peter also has another area of interest as Gwen Stacy (Bryce Dallas Howard), the daughter of the local Chief of Police has caught his eye, much to the chagrin of both Mary Jane and Gwen’s current boyfriend Eddie Brock.
This tangled web of characters soon forces Peter to take stock of his life and the choices he makes, in order to determine what truly matters to him, the love and respect of his friends, or giving into his darker side and pursing power and unending praise and adulation.
The film starts out well, and the early conflict between Peter and Harry is a brilliantly staged spectacle of sight, sound, and motion. There are also some great moments between the lead characters and Church, Howard and Grace do well with their characters, yet something about Spider-Man 3 did not click for me the way the previous two films in the series have.
Having the luxury of time from the press screener to the opening, I was able to look back at the film the past week and a half to try to determine what did not work for me, and I kept coming back to the same conclusions.
First, the film wants very much to be much darker and edgier than the other films, yet just when you think you are going to see Peter fully cross the line, the film pulls back into campy mode, and we are given scenes of Peter hamming it up as a ladies’ man, and I kid you not, doing an impromptu dance number.
While this works for comedic effect, I am supposed to believe that the darker side of Peter’s soul is being exposed, and I had a hard time thinking that his inner demons include “Saturday Night Fever” style strut down the sidewalk, and a floor show.
The second thing that bothered me was the villains, as aside from Harry as the New Goblin, both the Sandman and Venom were sadly lacking. Neither The Sandman nor Venom had over the top plots to rule the world, kill or enslave the masses, or endanger huge parts of the city as was the case with the original Green Goblin and Dr Octopus.
Rather we have one who is content to steal to fund a noble cause, and wishes only to complete this cause and have Spider-Man out of his way. The second simply wants revenge for being slighted, and does not elude the menace nor danger that the character warrants.
effects wise the film is solid and there are some great moments in the film, but to many times I thought I had seen the same sand effects years early in the “Mummy” series which lead to many cases of “been there, seen that” for me. With a budget that many claim to be the most expensive film ever made when based on current dollar values, I had expected more from the film, especially given the talented and dynamic cast, and the ample backing of the studio.
Director and series Guru Sam Raimi seems to be coasting here as one has to wonder if he used up many of his great ideas in the last two films, and was trying so hard not to repeat himself, that he lost that magic spark that made the last two films such classics.
As it stands, “Spider-Man 3” is a good film, but you can’t help but feel it could have been a better one.
During this time, Spider-man has become New York City’s celebrated hero, and his day to day alter ego, Peter Parker, delights in his fame, while dating the love of his life, Mary Jane Watson (Kirsten Dunst).
As the film opens, Peter has decided to ask Mary Jane to be his wife, and plans to surprise her with a ring during dinner at a fancy restaurant. Mary Jane is starring in a Broadway play, and despite harsh reviews, she is living her dream and madly in love with Peter.
Things take an unexpected twist for Peter when he is attacked one night by his best friend Harry (James Franco), who blames him for the death of his father at the conclusion of the first film. Enhanced by his father’s Goblin serum, Harry is a deadly adversary for Peter who is able to fend off the attack eventually, and put into motion a series of events that will forever change his life.
When a career criminal named Flint Marko (Thomas Hayden Church), is accidentally caught in an experiment while fleeing the authorities, he becomes a living mass of sand, which enables him to start a string of robberies as “The Sandman”, and provides Spider-man with his most unusual opponent yet.
As if this was not enough, Peter must contend with a new hotshot photographer named Eddie Brock (Topher Grace), who is after a staff position at the Daily Bugle. The fact that Peter has more seniority at the paper is of little interest to Eddie, and he will stop at nothing to get the better of Peter.
At this point one would think that Peter has more than enough on his plate, but fate is about to drop an unexpected player into his life, a space based symbiote that bonds
with Peter’s costume and creates a dark black look for Spider-Man as well as an increase in his powers.
Peter becomes obsessed with his new powers, and there is a dramatic change in his persona, which does not sit well with Mary Jane. When new information is given to Peter about the death of his Uncle Ben, Peter is more than willing to use his new found abilities to exact the revenge that he craves.
Peter also has another area of interest as Gwen Stacy (Bryce Dallas Howard), the daughter of the local Chief of Police has caught his eye, much to the chagrin of both Mary Jane and Gwen’s current boyfriend Eddie Brock.
This tangled web of characters soon forces Peter to take stock of his life and the choices he makes, in order to determine what truly matters to him, the love and respect of his friends, or giving into his darker side and pursing power and unending praise and adulation.
The film starts out well, and the early conflict between Peter and Harry is a brilliantly staged spectacle of sight, sound, and motion. There are also some great moments between the lead characters and Church, Howard and Grace do well with their characters, yet something about Spider-Man 3 did not click for me the way the previous two films in the series have.
Having the luxury of time from the press screener to the opening, I was able to look back at the film the past week and a half to try to determine what did not work for me, and I kept coming back to the same conclusions.
First, the film wants very much to be much darker and edgier than the other films, yet just when you think you are going to see Peter fully cross the line, the film pulls back into campy mode, and we are given scenes of Peter hamming it up as a ladies’ man, and I kid you not, doing an impromptu dance number.
While this works for comedic effect, I am supposed to believe that the darker side of Peter’s soul is being exposed, and I had a hard time thinking that his inner demons include “Saturday Night Fever” style strut down the sidewalk, and a floor show.
The second thing that bothered me was the villains, as aside from Harry as the New Goblin, both the Sandman and Venom were sadly lacking. Neither The Sandman nor Venom had over the top plots to rule the world, kill or enslave the masses, or endanger huge parts of the city as was the case with the original Green Goblin and Dr Octopus.
Rather we have one who is content to steal to fund a noble cause, and wishes only to complete this cause and have Spider-Man out of his way. The second simply wants revenge for being slighted, and does not elude the menace nor danger that the character warrants.
effects wise the film is solid and there are some great moments in the film, but to many times I thought I had seen the same sand effects years early in the “Mummy” series which lead to many cases of “been there, seen that” for me. With a budget that many claim to be the most expensive film ever made when based on current dollar values, I had expected more from the film, especially given the talented and dynamic cast, and the ample backing of the studio.
Director and series Guru Sam Raimi seems to be coasting here as one has to wonder if he used up many of his great ideas in the last two films, and was trying so hard not to repeat himself, that he lost that magic spark that made the last two films such classics.
As it stands, “Spider-Man 3” is a good film, but you can’t help but feel it could have been a better one.
Reiko LJ (126 KP) rated The Psychology of Time Travel in Books
Aug 13, 2018
Engaging, fully formed world (1 more)
Complex female characters
This book had my interest on the premise alone, enough to give it a shot - but I didn't expect it to be such an enjoyable ride.
Usually when fiction tackles time travel concepts you get glaring paradoxes, intentional blurring of details or overdone tropes but this book actually pulled it off well. Rather than focusing on the usual quandaries faced by time travelling instead we had a plethora of content I'd never even considered before!
From the humble beginnings of the four 'pioneers' in the '60s (which most books would have kept focus on) we jump forwards to the modern era and have what happened between was filled in through very natural exposition and character discovery. The result is a rich and vast world I wanted to know more and more about. What a fantastic concept to show modern day Britain with a history knocked off course by the creation of the conclave and decades of shared knowledge.
I was repeatedly impressed by the level of detail that Mascarenhas took things to (the time travel terminology/slang definitely being one of them!) and the areas she covered.
Over the course of reading this book I found myself bringing up the book in conversation at work and home. I couldn't help but talk about it. It was also at this point, in describing the book, that I suddenly realised there were no male characters of note in the book at all. This absolutely took nothing away from the story. The women in this story were fully formed and real enough to be flawed. Such a refreshing experience in sci-fi! I was pleasantly surprised by the romantic sub-plot between two women as well. This was such a natural progression of the story, with no fan-fare or overdue focus - it was just right and wonderfully depicted.
The themes covered by the book are equal parts beautiful and painful - just like life itself. What an incredible debut novel from a voice I am keen to hear more from.
----
Thank you to NetGalley and Head of Zeus for an ARC of this book in in exchange for an honest review
Usually when fiction tackles time travel concepts you get glaring paradoxes, intentional blurring of details or overdone tropes but this book actually pulled it off well. Rather than focusing on the usual quandaries faced by time travelling instead we had a plethora of content I'd never even considered before!
From the humble beginnings of the four 'pioneers' in the '60s (which most books would have kept focus on) we jump forwards to the modern era and have what happened between was filled in through very natural exposition and character discovery. The result is a rich and vast world I wanted to know more and more about. What a fantastic concept to show modern day Britain with a history knocked off course by the creation of the conclave and decades of shared knowledge.
I was repeatedly impressed by the level of detail that Mascarenhas took things to (the time travel terminology/slang definitely being one of them!) and the areas she covered.
Over the course of reading this book I found myself bringing up the book in conversation at work and home. I couldn't help but talk about it. It was also at this point, in describing the book, that I suddenly realised there were no male characters of note in the book at all. This absolutely took nothing away from the story. The women in this story were fully formed and real enough to be flawed. Such a refreshing experience in sci-fi! I was pleasantly surprised by the romantic sub-plot between two women as well. This was such a natural progression of the story, with no fan-fare or overdue focus - it was just right and wonderfully depicted.
The themes covered by the book are equal parts beautiful and painful - just like life itself. What an incredible debut novel from a voice I am keen to hear more from.
----
Thank you to NetGalley and Head of Zeus for an ARC of this book in in exchange for an honest review
<i>I received this book for free through Goodreads First Reads.</i>
Have you ever wondered how your body works? Author Mark Murphy has his theory. The human body is full of little creatures known as min, and it is no different for 34 year old Will. Min live in every part of the body doing different jobs to make each part of the body work they way it should. However, these min are much like the humans they inhabit: they have their own jobs, their own lives, their own feelings and their own opinions.
Penelope Potts is a bored 15 year old min living in the left ear department with nothing much to do. Yet one day life becomes much more exciting when she and her best friend Henry are selected to take part in the trials to try and win themselves a position in Central Head.
Whilst this is taking place, however, the evil leader of the min, Sananab (incidentally bananas spelt backwards) has come up with a malicious plan that may change the life of the min forever. When Sananab discovers that Penelope is doing very well in the trials he becomes very interested in her. But when Penelope discovers his evil plan her life is immediately in danger.
Murphy’s ideas are very imaginative but are also similar to the <i>Numbskulls</i> in the <i>Beano</i> – perhaps this even had some influence on his novel? It is fun to envisage tiny beings living in human bodies making sure every organ works properly. The min themselves are an interesting bunch. Apart from Penelope, none appear to be that intelligent leading to humorous scenes, which could have the reader laughing out loud.
<i>Minology</i> despite the <i>“ology”</i> is not a heavy read and can be taken at the reader’s own pace. Whether they want something to read leisurely or something to read quickly this book will be more than adequate. And, if you like the min so much and want to read even more about their funny lives, there is a second book!
Have you ever wondered how your body works? Author Mark Murphy has his theory. The human body is full of little creatures known as min, and it is no different for 34 year old Will. Min live in every part of the body doing different jobs to make each part of the body work they way it should. However, these min are much like the humans they inhabit: they have their own jobs, their own lives, their own feelings and their own opinions.
Penelope Potts is a bored 15 year old min living in the left ear department with nothing much to do. Yet one day life becomes much more exciting when she and her best friend Henry are selected to take part in the trials to try and win themselves a position in Central Head.
Whilst this is taking place, however, the evil leader of the min, Sananab (incidentally bananas spelt backwards) has come up with a malicious plan that may change the life of the min forever. When Sananab discovers that Penelope is doing very well in the trials he becomes very interested in her. But when Penelope discovers his evil plan her life is immediately in danger.
Murphy’s ideas are very imaginative but are also similar to the <i>Numbskulls</i> in the <i>Beano</i> – perhaps this even had some influence on his novel? It is fun to envisage tiny beings living in human bodies making sure every organ works properly. The min themselves are an interesting bunch. Apart from Penelope, none appear to be that intelligent leading to humorous scenes, which could have the reader laughing out loud.
<i>Minology</i> despite the <i>“ology”</i> is not a heavy read and can be taken at the reader’s own pace. Whether they want something to read leisurely or something to read quickly this book will be more than adequate. And, if you like the min so much and want to read even more about their funny lives, there is a second book!
Jessica - Where the Book Ends (15 KP) rated The Apocalypse of Elena Mendoza in Books
Jan 30, 2019
Lately I’ve been doing a lot of reading, but the books haven’t been grabbing and holding my attention, and always left me wanting more. Then I saw a BookTuber that was raving about how excited she was to read The Apocalypse of Elena Mendoza. She showed her ARC and talked all about the premise of the book and I know immediately that I had to read it. I had never read anything by Shaun David Hutchinson before, but now I definitely know I need to read more of his work.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.