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BankofMarquis (1832 KP) rated The Irishman (2019) in Movies
Nov 30, 2019
Delivers What Is Expected
Like eating comfort food on a cold, wintery day, sitting down to catch the latest Scorsese/DeNiro mob movie filled me with a warmth that was satisfying for it's familiarity. It is a film landscape mined by professionals who know this genre of movie well.
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
365Flicks (235 KP) rated Ice Guardians (2016) in Movies
Nov 20, 2019
Speaking from my own personal perspective, Ice Guardians is one of the most interesting gripping documentary’s I have watched recently. Full Disclosure first… I am a Brit, a little Englander if you will so my knowledge of Ice Hockey and the world of that sport is very limited to the Mighty Ducks movies. However I love a good personal Documentary that can engage me in something I know little about. Ice Guardians covers that for me so lets do this.
Director Brett Harvey carefully and passionately explores one of the most controversial and provocative positions in the history the National Hockey League, the Enforcer.
This movie is the Story of the most controversial positions in the world of sport, from its birth (out of little policing by the refs in the game) to today. ‘The Enforcer’ this is a position that has been talked about through the decades. Is it needed? Is it Necessary? Who the hell would take this role in a game of Ice Hockey?. Essentially the role is to be an “Ice Boxer” hit harder and faster than the guy on the opposite side, be such a menace that everyone on your team is safe because the opposition are scared Shit-less to start something because you will get them.
Of course my simplistic analysis above is that of a man before watching this movie. Watch as giants of the game and some of the hardest son of bitches in the position, strip everything back to bare all on the role they play, why they play it and the sheer scrutiny they are are faced with on a day to day basis. I will honestly say I was moved by this Documentary at times, these men are looked at like caged beasts, Unhinged if you want. However these men are exactly that ‘MEN’ with more Honor, Integrity and way more Loyalty than most Sportsmen.
Written by Harvey and Scott Dodds, the film features interviews with NFL greats such as Dave “The Hammer” Schultz, Clark Gillies and Dave Semenko.
We at 365 Highly recommend this Documentary and hope you will it a chance because it is engaging as hell and gives you a deep insight into the role of the Enforcer from the Enforcers point of view. Its not as black and white as you may think and I truly think you will take something away to think from this flick.
I want you all to watch this movie its wonderfully made and deals with a subject like this carefully and with the respect it deserves.
Director Brett Harvey carefully and passionately explores one of the most controversial and provocative positions in the history the National Hockey League, the Enforcer.
This movie is the Story of the most controversial positions in the world of sport, from its birth (out of little policing by the refs in the game) to today. ‘The Enforcer’ this is a position that has been talked about through the decades. Is it needed? Is it Necessary? Who the hell would take this role in a game of Ice Hockey?. Essentially the role is to be an “Ice Boxer” hit harder and faster than the guy on the opposite side, be such a menace that everyone on your team is safe because the opposition are scared Shit-less to start something because you will get them.
Of course my simplistic analysis above is that of a man before watching this movie. Watch as giants of the game and some of the hardest son of bitches in the position, strip everything back to bare all on the role they play, why they play it and the sheer scrutiny they are are faced with on a day to day basis. I will honestly say I was moved by this Documentary at times, these men are looked at like caged beasts, Unhinged if you want. However these men are exactly that ‘MEN’ with more Honor, Integrity and way more Loyalty than most Sportsmen.
Written by Harvey and Scott Dodds, the film features interviews with NFL greats such as Dave “The Hammer” Schultz, Clark Gillies and Dave Semenko.
We at 365 Highly recommend this Documentary and hope you will it a chance because it is engaging as hell and gives you a deep insight into the role of the Enforcer from the Enforcers point of view. Its not as black and white as you may think and I truly think you will take something away to think from this flick.
I want you all to watch this movie its wonderfully made and deals with a subject like this carefully and with the respect it deserves.
Chris Sawin (602 KP) rated Cop Out (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) have been working as partners at the NYPD for the past nine years. They have a reputation at the precinct for doing things their own sporadic and wreckful way that isn't normal procedure and usually winds up getting them into hot water with the captain. A suspect is brought in for interrogation and when he finally spills the beans on a drug deal happening that afternoon, Jimmy and Paul think it's best to act on it right then and there. After their plan fails, their suspect is killed and months of work is flushed down the drain. Jimmy and Paul are suspended for 30 days without pay, which isn't good news for Jimmy since his daughter is getting married and has the typical expensive wedding of her dreams in mind. Jimmy plans on selling a collectible baseball card that could pay for his daughter's wedding and then some, but the card is stolen by some crackheads before he can get the chance. Now Jimmy's just trying to get the card back to pay for his daughter's wedding, but him and Paul, who's too distracted with his wife's possible infidelity to really concentrate on the task at hand, are thrown into something much deeper.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
Fred (860 KP) rated Dumbo (2019) in Movies
Jun 19, 2019
This is how you ruin a classic
Dumbo is one of my favorite Disney films. The original, not this crap. When told that his film was not long enough to be considered a full-length movie & that he would have to add 10 more minutes or so, Disney said "No. It's perfect the way it is." And he was right. The people who made this live-action remake apparently never heard that story. It's almost 2 hours long. The original story of the first film is done in about the first 20 minutes of this film, then it's an original sequel, basically.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
Bong Mines Entertainment (15 KP) rated Live From Studio Hotel Earth by Laura Jean Anderson in Music
Jun 25, 2019
Laura Jean Anderson is an LA-based singer-songwriter from Olympia, Washington. Not too long ago, she released an EP of live in-studio tracks, entitled, “Live From Studio Hotel Earth”.
The 6-track project contains songs from her debut EP, entitled, “Lonesome No More”, alongside a cover of The White Stripes’ “I’m Lonely (But I Ain’t That Lonely Yet)” single.
“I miss my mother, I miss being her one. As crazy as I was, I guess I wasn’t much fun. Sometimes, I miss her so much, want to hop on the next jet. I get lonely, but I ain’t that lonely yet.” – lyrics
‘I’m Lonely (But I Ain’t That Lonely Yet)’ tells a depressing tale of a young woman who is in need of human contact. Apparently, she doesn’t want to bother her loved ones, therefore, she doesn’t tell them that she misses them.
Later, she admits that sometimes she wants to give them a call, but doesn’t want to feel like a pest. Even though she feels regret for being desolate, she keeps on keeping on. What she really wants is to find a friend, someone who she can talk to one on one.
‘I’m Lonely (But I Ain’t That Lonely Yet)’ contains a gloomy storyline, ear-welcoming vocals, and guitar-driven instrumentation flavored with sentimental blues and folk elements.
“Making a record and having the vast possibilities of production and instrumentation is exciting, but there is something special about limitation. This live EP brings the songs back to how they were written. Back to those intimate moments of writing alone late at night with just me and my guitar. These songs are really personal to me. All about very vivid moments and stories of my life so being able to record them stripped-down and intimately was really emotional but beautiful. The day of the recording was really special for me. I’m a huge believer in the power of a community of people. So it was really special having my old friend Theo Karon record this in his new studio.” – Laura Jean Anderson
Laura Jean Anderson had a strict Mormon upbringing. During her teenage years, she used music as an outlet for rebellion and enhanced her vocal skill in church choirs.
After a bronchitis-ridden audition, she gained acceptance to California Institute of the Arts (CalArts), where she studied classical voice.
Since then, she has gained experience as a blue collared musician who built her career working odd jobs which involved painstaking hard labor.
Get acquainted with her music by streaming her “Live From Studio Hotel Earth” EP via Spotify.
Laura Jean Anderson recorded her “Live From Studio Hotel Earth” EP in one-take.
Also, this summer, she will embark on a tour as direct support with L.A. alt-rock outfit Grizfolk.
The 6-track project contains songs from her debut EP, entitled, “Lonesome No More”, alongside a cover of The White Stripes’ “I’m Lonely (But I Ain’t That Lonely Yet)” single.
“I miss my mother, I miss being her one. As crazy as I was, I guess I wasn’t much fun. Sometimes, I miss her so much, want to hop on the next jet. I get lonely, but I ain’t that lonely yet.” – lyrics
‘I’m Lonely (But I Ain’t That Lonely Yet)’ tells a depressing tale of a young woman who is in need of human contact. Apparently, she doesn’t want to bother her loved ones, therefore, she doesn’t tell them that she misses them.
Later, she admits that sometimes she wants to give them a call, but doesn’t want to feel like a pest. Even though she feels regret for being desolate, she keeps on keeping on. What she really wants is to find a friend, someone who she can talk to one on one.
‘I’m Lonely (But I Ain’t That Lonely Yet)’ contains a gloomy storyline, ear-welcoming vocals, and guitar-driven instrumentation flavored with sentimental blues and folk elements.
“Making a record and having the vast possibilities of production and instrumentation is exciting, but there is something special about limitation. This live EP brings the songs back to how they were written. Back to those intimate moments of writing alone late at night with just me and my guitar. These songs are really personal to me. All about very vivid moments and stories of my life so being able to record them stripped-down and intimately was really emotional but beautiful. The day of the recording was really special for me. I’m a huge believer in the power of a community of people. So it was really special having my old friend Theo Karon record this in his new studio.” – Laura Jean Anderson
Laura Jean Anderson had a strict Mormon upbringing. During her teenage years, she used music as an outlet for rebellion and enhanced her vocal skill in church choirs.
After a bronchitis-ridden audition, she gained acceptance to California Institute of the Arts (CalArts), where she studied classical voice.
Since then, she has gained experience as a blue collared musician who built her career working odd jobs which involved painstaking hard labor.
Get acquainted with her music by streaming her “Live From Studio Hotel Earth” EP via Spotify.
Laura Jean Anderson recorded her “Live From Studio Hotel Earth” EP in one-take.
Also, this summer, she will embark on a tour as direct support with L.A. alt-rock outfit Grizfolk.
Zuky the BookBum (15 KP) rated Small Great Things in Books
Mar 15, 2018
I read this book (a while back now!) as part of a readalong with lots of bookish friends on Instagram! It was called it #TheSmallGreatReadalong
see what we did there! Anyway, this review is coming so late compared to when I actually finished, but at least its here now!
My overall opinion on this one is that I liked it, but mainly because it was such a good discussion book, not because of the actual story. Now, that may sound controversial, that I didnt enjoy the bulk of a book all about racism, but thats not what I mean. Let me explain
I think this book did an amazing job at opening up the topic of racism to the reader. As a white woman, living in a pretty middle class existence, I know for a fact that I have unfair privileges and I will never fully understand the complexities of racism, as much as I try to educate myself. This novel certainly has opened my eyes to the some of the more subtle aspects of racism that I hadnt even thought about before. While there were the obvious racist themes in this novel, it wasnt those that shocked me the most, it was the parts that you dont often think about when you think of racism. So for that, for opening my eyes and my mind, I applaud Picoult for writing such a difficult and controversial book.
However, I think the teachings of this book could have been done in a more compelling story. At the end of the day, there was nothing inherently wrong with the plot, but I didnt quite connect with it. I found a lot of it unexciting and the twist at the end, that Picoult just has to add into each one of her books, was so blatantly obvious it didnt surprise me at all and kind of made the rest of the book feel a bit cheap?
Picoults writing isnt my favourite, it doesnt suck me in as much as other authors, but its still weaves a pretty interesting story. I think the characters in this book were far stronger than the plot.
My favourite part of this novel was watching Ruth and Kennedys relationship grow. I loved seeing how Kennedy steadily grew to understand Ruths frustrations and her plight to bring race to the forefront of peoples minds.
Overall, I did enjoy this book, mainly because of what it taught me and how its made me see things in a different way. But, its not the most exciting story Ive ever read and Im not big on the writing style.
My overall opinion on this one is that I liked it, but mainly because it was such a good discussion book, not because of the actual story. Now, that may sound controversial, that I didnt enjoy the bulk of a book all about racism, but thats not what I mean. Let me explain
I think this book did an amazing job at opening up the topic of racism to the reader. As a white woman, living in a pretty middle class existence, I know for a fact that I have unfair privileges and I will never fully understand the complexities of racism, as much as I try to educate myself. This novel certainly has opened my eyes to the some of the more subtle aspects of racism that I hadnt even thought about before. While there were the obvious racist themes in this novel, it wasnt those that shocked me the most, it was the parts that you dont often think about when you think of racism. So for that, for opening my eyes and my mind, I applaud Picoult for writing such a difficult and controversial book.
However, I think the teachings of this book could have been done in a more compelling story. At the end of the day, there was nothing inherently wrong with the plot, but I didnt quite connect with it. I found a lot of it unexciting and the twist at the end, that Picoult just has to add into each one of her books, was so blatantly obvious it didnt surprise me at all and kind of made the rest of the book feel a bit cheap?
Picoults writing isnt my favourite, it doesnt suck me in as much as other authors, but its still weaves a pretty interesting story. I think the characters in this book were far stronger than the plot.
My favourite part of this novel was watching Ruth and Kennedys relationship grow. I loved seeing how Kennedy steadily grew to understand Ruths frustrations and her plight to bring race to the forefront of peoples minds.
Overall, I did enjoy this book, mainly because of what it taught me and how its made me see things in a different way. But, its not the most exciting story Ive ever read and Im not big on the writing style.
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Heather Cranmer (2721 KP) rated Santa Claus Bank Robbery: A True Crime Saga in Texas in Books
Nov 26, 2019
I don't normally read a lot of non-fiction, but there was something about Tui Snider's true crime novel Santa Claus Bank Robbery that really drew me in. Maybe it was the fact that I love to imagine how things were back in the day or maybe it was the mystery of the blonde woman that I wanted to know. Whatever it was, I am thrilled that I had the chance to read Santa Claus Bank Robbery.
Tui Snider opens her novel with a chapter that talks about how she first heard of this crazy bank heist. She gives information behind the history of bank robberies in Texas. Snider then goes into details about the key players that were apart of the bank robbery in the next chapter. It isn't long before you're thrown into the action of what happened that fateful day in Cisco, Texas when at least four men - Marshall Ratliff, Henry Helms, Robert Hill, and Lewis Davis - decided to rob the First National Bank on December 23, 1927 with Ratliff dressed in a Santa Claus suit. It's a wonder more people didn't die considering back then anyone off the street could get a gun and shoot at criminals! Snider doesn't just end her book when the bank robbery ended. She also writes about what happened to the bank robbers after they were apprehended as well as what happened to some of the other people who were involved whether they were hostages, bystanders, or vigilantes.
It's very obvious that Tui Snider had done extensive research before writing Santa Claus Bank Robbery. Snider even includes a diagram that shows where everyone was standing when the bank robbery occurred! She includes names of many of the key players (witnesses, accessories, bystanders, etc) which can sometimes be a bit daunting to remember. I had to go back to previous chapters to find out who was who sometimes. The names of people get easier to remember further into the book though. I loved that photos from Newspapers around that time were also included in Santa Claus Bank Robbery.
It was nice to read Tui Snider's commentary on the events whilst reading through the chapters of Santa Claus Bank Robbery. I felt as if Snider was right beside me giving me her opinion on the events of the book. I do agree with her on who she thinks the mysterious blonde woman was. After reading Tui Snider's book, I'm definitely with Snider. I'm also left wondering, along with the author, why A.C. Greene left out major details and gave pseudonyms to some people in his book The Santa Claus Bank Robbery published in 1972 (not to be confused with Tui Snider's book Santa Claus Bank Robbery) but not to others. That's also a great mystery that I hope one day Snider can find out because it seemed like it was driving her crazy wondering Greene did that (ha!).
One more touch that I really appreciated from Tui Snider in her book Santa Claus Bank Robbery was the fact that at the end, she includes appendices for places of interest, staying in touch with her, and further reading. I really enjoyed the places of interest section which lists the address and websites of places mentioned in the book. After reading Santa Claus Bank Robbery, I'm hankering to check these places out!
Trigger warnings for Santa Claus Bank Robbery include murder, death, and violence. It is a true crime book after all!
Overall, Santa Claus Bank Robbery is a highly fascinating novel full of action and mystery that holds your attention from the very first page. So much research went into the writing of this book, and it really shows. After reading this novel, I have become fascinated with this case. I would definitely recommend Santa Claus Bank Robbery by Tui Snider to those aged 16+ who love true crime, mystery, or just a well written book in general. This is one of those books that you won't be able to put down even when you have to!
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(A special thank you to Tui Snider for providing me with a paperback copy of Santa Claus Bank Robbery in exchange for an honest and unbiased review.)
Tui Snider opens her novel with a chapter that talks about how she first heard of this crazy bank heist. She gives information behind the history of bank robberies in Texas. Snider then goes into details about the key players that were apart of the bank robbery in the next chapter. It isn't long before you're thrown into the action of what happened that fateful day in Cisco, Texas when at least four men - Marshall Ratliff, Henry Helms, Robert Hill, and Lewis Davis - decided to rob the First National Bank on December 23, 1927 with Ratliff dressed in a Santa Claus suit. It's a wonder more people didn't die considering back then anyone off the street could get a gun and shoot at criminals! Snider doesn't just end her book when the bank robbery ended. She also writes about what happened to the bank robbers after they were apprehended as well as what happened to some of the other people who were involved whether they were hostages, bystanders, or vigilantes.
It's very obvious that Tui Snider had done extensive research before writing Santa Claus Bank Robbery. Snider even includes a diagram that shows where everyone was standing when the bank robbery occurred! She includes names of many of the key players (witnesses, accessories, bystanders, etc) which can sometimes be a bit daunting to remember. I had to go back to previous chapters to find out who was who sometimes. The names of people get easier to remember further into the book though. I loved that photos from Newspapers around that time were also included in Santa Claus Bank Robbery.
It was nice to read Tui Snider's commentary on the events whilst reading through the chapters of Santa Claus Bank Robbery. I felt as if Snider was right beside me giving me her opinion on the events of the book. I do agree with her on who she thinks the mysterious blonde woman was. After reading Tui Snider's book, I'm definitely with Snider. I'm also left wondering, along with the author, why A.C. Greene left out major details and gave pseudonyms to some people in his book The Santa Claus Bank Robbery published in 1972 (not to be confused with Tui Snider's book Santa Claus Bank Robbery) but not to others. That's also a great mystery that I hope one day Snider can find out because it seemed like it was driving her crazy wondering Greene did that (ha!).
One more touch that I really appreciated from Tui Snider in her book Santa Claus Bank Robbery was the fact that at the end, she includes appendices for places of interest, staying in touch with her, and further reading. I really enjoyed the places of interest section which lists the address and websites of places mentioned in the book. After reading Santa Claus Bank Robbery, I'm hankering to check these places out!
Trigger warnings for Santa Claus Bank Robbery include murder, death, and violence. It is a true crime book after all!
Overall, Santa Claus Bank Robbery is a highly fascinating novel full of action and mystery that holds your attention from the very first page. So much research went into the writing of this book, and it really shows. After reading this novel, I have become fascinated with this case. I would definitely recommend Santa Claus Bank Robbery by Tui Snider to those aged 16+ who love true crime, mystery, or just a well written book in general. This is one of those books that you won't be able to put down even when you have to!
--
(A special thank you to Tui Snider for providing me with a paperback copy of Santa Claus Bank Robbery in exchange for an honest and unbiased review.)
Heather Cranmer (2721 KP) rated Fractured (Mirrorland, #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Everyone knows I love a good horror book. In fact, I can't resist a good horror book. Luckily, this one was fairly decent.
Okay, so the blurb is pretty spot on. I won't put it into my own words since I'd just be reiterating what the book blurb said.
I like the cover. I don't love it, but I definitely like it. I like the creepy feel to it. Yes, it could've been a bit creepier, but it's still a good cover.
I guess the title is okay. I think it's the whole symbolism for a title that a lot of books have going on. I guess you could say that Piper is a bit of a fractured girl, but I don't really see how the title would fit anywhere else. This is probably just me though.
The world building is okay. Mostly, it is believable although there's a couple of things that don't make it 100% believable. First off, this book makes demons look a bit weak. When a character can outrun a demon, something's up. From my knowledge of demons, they are pretty powerful. I doubt anyone could outrun a demon because they're younger or in better shape. Also, I'm also pretty sure that you couldn't hit a demon with enough force to do any damage. Again, demons are pretty powerful. I've never had a run in with a demon (thank God), but I'm guessing they are exactly weak. I also spotted a continuity error. One of the characters tells another to use her car to drive to the hospital which that character does. However, in the next chapter, this same character with the car tells another character to use her car which she does. Now, unless she can magic up the same car, I don't believe this can happen.
I think the pacing was a little slow to begin with, but it picked up during the second half of the book. For the first half, I really thought I was going to have to give this book a DNF (did not finish) rating. Luckily, the second half straps you in and takes you for a fast ride!
I enjoyed the whole spirit in a mirror thing. It's been done before, but I enjoyed the way it was executed in this book. I've always been a little bit scared of what lurks in mirrors, and this book just added to my fear. I'm really glad I read most of this book during the day, just saying. I predicted the whole plot twist. In my opinion, it was easy to predict, but that could be just because I try to figure out plot twists in every book. Also, if you're looking for a HEA (happily ever after) ending, then, well, you'll be sorely disappointed. There's no major cliff hanger even though this is a series which I was happy about.
I enjoyed the characters. I would've like a bit more back story on all of them, but I still found them enjoyable to read about. I could relate with all of Piper's emotions, and I felt scared for her when something was happening. I would've liked to see more Alison in the book though. For some odd reason, she became my favorite character even though she isn't heavily featured throughout the book. One thing that did bother me was the stereotyping. There is a goth girl named Felicia in the book, and she is your very stereotypical goth girl. For example, she wears all black, she's very quiet, and she wears a lot of crosses. Stereotyping in any book is a pet peeve of mine.
I found the dialogue to be a bit hit and miss. Keep in mind that these characters are supposed to be in high school. There were times when it felt as if they were from another decade, not the one we're presently in. They just used words and phrases that just seemed awkward for a teen. Saying that, even though the dialogue was a bit weird, this didn't put me off the book.
Overall, Fractured by Majanka Verstraete is a decent book and at times, a little spooky. With a little more work, this book has the potential to be a super scary read. I will definitely be reading the next book in the Mirrorland series.
I'd recommend this book to those aged 15+ who are looking for an excuse to leave the light on at night.
I'd give Fractured (Mirrorland #1) by Majanka Verstraete a 3.5 out of 5.
(I received a free ebook of this title from the tour host in exchange for a fair and honest review).
Everyone knows I love a good horror book. In fact, I can't resist a good horror book. Luckily, this one was fairly decent.
Okay, so the blurb is pretty spot on. I won't put it into my own words since I'd just be reiterating what the book blurb said.
I like the cover. I don't love it, but I definitely like it. I like the creepy feel to it. Yes, it could've been a bit creepier, but it's still a good cover.
I guess the title is okay. I think it's the whole symbolism for a title that a lot of books have going on. I guess you could say that Piper is a bit of a fractured girl, but I don't really see how the title would fit anywhere else. This is probably just me though.
The world building is okay. Mostly, it is believable although there's a couple of things that don't make it 100% believable. First off, this book makes demons look a bit weak. When a character can outrun a demon, something's up. From my knowledge of demons, they are pretty powerful. I doubt anyone could outrun a demon because they're younger or in better shape. Also, I'm also pretty sure that you couldn't hit a demon with enough force to do any damage. Again, demons are pretty powerful. I've never had a run in with a demon (thank God), but I'm guessing they are exactly weak. I also spotted a continuity error. One of the characters tells another to use her car to drive to the hospital which that character does. However, in the next chapter, this same character with the car tells another character to use her car which she does. Now, unless she can magic up the same car, I don't believe this can happen.
I think the pacing was a little slow to begin with, but it picked up during the second half of the book. For the first half, I really thought I was going to have to give this book a DNF (did not finish) rating. Luckily, the second half straps you in and takes you for a fast ride!
I enjoyed the whole spirit in a mirror thing. It's been done before, but I enjoyed the way it was executed in this book. I've always been a little bit scared of what lurks in mirrors, and this book just added to my fear. I'm really glad I read most of this book during the day, just saying. I predicted the whole plot twist. In my opinion, it was easy to predict, but that could be just because I try to figure out plot twists in every book. Also, if you're looking for a HEA (happily ever after) ending, then, well, you'll be sorely disappointed. There's no major cliff hanger even though this is a series which I was happy about.
I enjoyed the characters. I would've like a bit more back story on all of them, but I still found them enjoyable to read about. I could relate with all of Piper's emotions, and I felt scared for her when something was happening. I would've liked to see more Alison in the book though. For some odd reason, she became my favorite character even though she isn't heavily featured throughout the book. One thing that did bother me was the stereotyping. There is a goth girl named Felicia in the book, and she is your very stereotypical goth girl. For example, she wears all black, she's very quiet, and she wears a lot of crosses. Stereotyping in any book is a pet peeve of mine.
I found the dialogue to be a bit hit and miss. Keep in mind that these characters are supposed to be in high school. There were times when it felt as if they were from another decade, not the one we're presently in. They just used words and phrases that just seemed awkward for a teen. Saying that, even though the dialogue was a bit weird, this didn't put me off the book.
Overall, Fractured by Majanka Verstraete is a decent book and at times, a little spooky. With a little more work, this book has the potential to be a super scary read. I will definitely be reading the next book in the Mirrorland series.
I'd recommend this book to those aged 15+ who are looking for an excuse to leave the light on at night.
I'd give Fractured (Mirrorland #1) by Majanka Verstraete a 3.5 out of 5.
(I received a free ebook of this title from the tour host in exchange for a fair and honest review).