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CHEERZ: Photo Printing
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Cheerz: Photo albums, photo prints, canvas, photo frames… Print the best photos from your iPhone! ...
JT (287 KP) rated The Purge (2013) in Movies
Mar 10, 2020
Ethan Hawke has been here once before, and when you look deep into the mechanics of The Purge it almost mirrors the remake of Assault on Precinct 13. Director James DeMonaco who wrote the script for the latter has taken the premise of that film and given it a more personal feel, something which we could resonate with.
The year is 2022, Ethan Hawke plays James Sandin who’s made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandin’s runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandin’s young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandin’s are harbouring and so give them an ultimatum, “send him out or we’re coming in”.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we haven’t already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
The year is 2022, Ethan Hawke plays James Sandin who’s made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandin’s runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandin’s young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandin’s are harbouring and so give them an ultimatum, “send him out or we’re coming in”.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we haven’t already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
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Jesters_folly (230 KP) rated Cooties (2015) in Movies
Aug 14, 2021
Contains spoilers, click to show
First off a warning, Cooties is a Zombie film where the zombies are children so, if you don't like violence against children than this really isn't the film for you.
Clint (Elijah Wood) moves back to his home town to work on his book and takes a job as a substitute teacher at his old school. On his first day a virus breaks out that turns all the children into zombies. Clint and the other teachers fight to escaper the school and find out what is happening.
Cooties is quite a self aware film, in one of the first scenes Clint askes his mother what she thought of his book and she tells him that the the characters are unlikable, the plot makes no sense and it's boring, the first one of those is true, most of the characters are unlikable, at least at the start of the film. The pre-zombie children are brats and the teachers range from meek to bullies. Making the children unlikable is necessary because of what happens later.
Some of the teachers do undergo character growth, as I said they start off unlikable but a few of them become more likeable as we find out what made them become teachers and how they react to the situation.
Saying that though, Cooties is not an overly cleaver film, it's a zombie film that uses horror tropes; people are trapped in small rooms, there are air vents, people get eaten and, despite how it starts there is no big message to the film. I say despite how it starts because I did think that it was going to be a big 'Anti Meat' film but any sigh of that is forgotten very soon and, apart from a slight pro-teacher message the film soon becomes another zombie flick, it doesn't even have the usual political undertones like the night of the living dead film.
Over all Cooties is generally a good zombie film but I think it will lose a big chunk of it's audience because it becomes quite violent as the teaches have to fight the children to get out.
Don't expect anything great, Cooties is just another zombie film with a gimmick that some will find distasteful but, if you like your zombie films with a bit of humour and mindless action and you can look past the fact the zombies are children then give Cooties a go.
One last thing, I did find myself asking, if the air vent is big enough to fit to small adults side by side then it must have been big enough for a large man so any one could have gone on the mission.
Clint (Elijah Wood) moves back to his home town to work on his book and takes a job as a substitute teacher at his old school. On his first day a virus breaks out that turns all the children into zombies. Clint and the other teachers fight to escaper the school and find out what is happening.
Cooties is quite a self aware film, in one of the first scenes Clint askes his mother what she thought of his book and she tells him that the the characters are unlikable, the plot makes no sense and it's boring, the first one of those is true, most of the characters are unlikable, at least at the start of the film. The pre-zombie children are brats and the teachers range from meek to bullies. Making the children unlikable is necessary because of what happens later.
Some of the teachers do undergo character growth, as I said they start off unlikable but a few of them become more likeable as we find out what made them become teachers and how they react to the situation.
Saying that though, Cooties is not an overly cleaver film, it's a zombie film that uses horror tropes; people are trapped in small rooms, there are air vents, people get eaten and, despite how it starts there is no big message to the film. I say despite how it starts because I did think that it was going to be a big 'Anti Meat' film but any sigh of that is forgotten very soon and, apart from a slight pro-teacher message the film soon becomes another zombie flick, it doesn't even have the usual political undertones like the night of the living dead film.
Over all Cooties is generally a good zombie film but I think it will lose a big chunk of it's audience because it becomes quite violent as the teaches have to fight the children to get out.
Don't expect anything great, Cooties is just another zombie film with a gimmick that some will find distasteful but, if you like your zombie films with a bit of humour and mindless action and you can look past the fact the zombies are children then give Cooties a go.
One last thing, I did find myself asking, if the air vent is big enough to fit to small adults side by side then it must have been big enough for a large man so any one could have gone on the mission.
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Gareth von Kallenbach (980 KP) rated Aquaman (2018) in Movies
Jun 19, 2019
In a tale as vast and epic as the Oceans that frames the story: “Aquaman” has arrived in a flurry of action and adventure.
The film tells the origin of Arthur Curry (Jason Momoa), who is half mortal and half Atlantean, thanks to his human father rescuing his mother, an Atlantean royal, and falling in love.
The love between his parents is forbidden under the customs of the people of Atlantis and in time his mother is forced to return to Atlantis, leaving Arthur to be raised by his human father.
When his power-hungry half-brother Orm (Patrick Wilson), plots to wage war on the surface world, Princess Mera (Amber Heard), attempts to convince Arthur to make his first trip to Atlantis to challenge Orm for the throne and become king. Naturally a lifetime of resentment toward the people who divided his parents has made Arthur unwilling to help, especially when the key to victory requires locating and retrieving an artfact that will bring peace to
his people and those of the surface world.
With an army of Atlantean soldiers pursuing him as well as the evil Black Manta set on revenge, Arthur faces an uphill battle as he races against time and his own conflicted emotions to save the day.
Director James Wan has done an amazing job of giving audiences a lavish and action-filled experience that never loses the characters as the main
focus of the story. He cleverly blends the lore of Aquaman with a modern
twist yet stays true to the character. Jason Momoa has an intriguing presence, giving the character more depth than expected. The supporting cast is solid and the film rarely loses pacing or fails to keep you fascinated throughout.
Warner has had some issues with recent adaptations of DC characters but, like Wonder Woman, “Aquaman” delivers on action and storytelling. The film also contains a strong message about ecology without being preachy. This is one of the more entertaining films of the year and should make fans of the character happy. I look forward to seeing what adventure comes next for Aquaman.
http://sknr.net/2018/12/18/aquaman/
The film tells the origin of Arthur Curry (Jason Momoa), who is half mortal and half Atlantean, thanks to his human father rescuing his mother, an Atlantean royal, and falling in love.
The love between his parents is forbidden under the customs of the people of Atlantis and in time his mother is forced to return to Atlantis, leaving Arthur to be raised by his human father.
When his power-hungry half-brother Orm (Patrick Wilson), plots to wage war on the surface world, Princess Mera (Amber Heard), attempts to convince Arthur to make his first trip to Atlantis to challenge Orm for the throne and become king. Naturally a lifetime of resentment toward the people who divided his parents has made Arthur unwilling to help, especially when the key to victory requires locating and retrieving an artfact that will bring peace to
his people and those of the surface world.
With an army of Atlantean soldiers pursuing him as well as the evil Black Manta set on revenge, Arthur faces an uphill battle as he races against time and his own conflicted emotions to save the day.
Director James Wan has done an amazing job of giving audiences a lavish and action-filled experience that never loses the characters as the main
focus of the story. He cleverly blends the lore of Aquaman with a modern
twist yet stays true to the character. Jason Momoa has an intriguing presence, giving the character more depth than expected. The supporting cast is solid and the film rarely loses pacing or fails to keep you fascinated throughout.
Warner has had some issues with recent adaptations of DC characters but, like Wonder Woman, “Aquaman” delivers on action and storytelling. The film also contains a strong message about ecology without being preachy. This is one of the more entertaining films of the year and should make fans of the character happy. I look forward to seeing what adventure comes next for Aquaman.
http://sknr.net/2018/12/18/aquaman/
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