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Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
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May 9, 2019
Sarah (7800 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
The ending is worth it
Ghosts of War follows a group of American soldiers as they make their way to take up post at a French chateau towards the end of the Second World War, and encounter much more than they bargained for in this slightly above average B movie.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
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Haley Mathiot (9 KP) rated Happy Birthday to Me (Birthday Trilogy, #1) in Books
Apr 27, 2018
Cameron was that typical jock who only cared about his sexy girlfriend and how soon she'd let him sleep with her. He got drunk and insulted his pretty waitress—which was a bad idea because she turned out to be a witch of sorts. She laid a curse on him out of spite: Every day, he grew to be one year older.
As he aged rapidly he was faced with a reality check: His life would end in a few short weeks. He would never see his graduation. His girlfriend breaks up with him and goes back to her ex. He's not sure if his parents love him or hate him. And they're not sure either.
Then he meets Leisel. And Leisel had her own secret.
The first third of the book frustrated me because Cameron was stupid, rude, immature, irresponsible, and disrespectful. But further in, I started to feel for him a little more. Near the last third of the book I was really enjoying it, I liked all the characters more (or less, in his girlfriend's case) and I was hooked on the story. It was fast-paced and interesting. I think the part I liked most was watching Cameron change from an obnoxious jerk into someone who had some depth and good qualities. It was what I wanted to see, and it made me happy to see him change.
The writing was a little frustrating only because there were ALL CAPS sprinkled in through the book. Now I understand why Rowe used all caps (If I woke up and looked like a thirty year old, I'd say everything in all caps too) but it still makes the editor in me cringe. Aside from that, I liked the writing and the style, I liked the pacing, I liked the humor, and I liked the dialogue. I don't often find a self-published book with good writing, so I'm wary to accept them. I'm glad I made an exception!
Content/Recommendation: Some language, some sexual references, no sex. Ages 16+
As he aged rapidly he was faced with a reality check: His life would end in a few short weeks. He would never see his graduation. His girlfriend breaks up with him and goes back to her ex. He's not sure if his parents love him or hate him. And they're not sure either.
Then he meets Leisel. And Leisel had her own secret.
The first third of the book frustrated me because Cameron was stupid, rude, immature, irresponsible, and disrespectful. But further in, I started to feel for him a little more. Near the last third of the book I was really enjoying it, I liked all the characters more (or less, in his girlfriend's case) and I was hooked on the story. It was fast-paced and interesting. I think the part I liked most was watching Cameron change from an obnoxious jerk into someone who had some depth and good qualities. It was what I wanted to see, and it made me happy to see him change.
The writing was a little frustrating only because there were ALL CAPS sprinkled in through the book. Now I understand why Rowe used all caps (If I woke up and looked like a thirty year old, I'd say everything in all caps too) but it still makes the editor in me cringe. Aside from that, I liked the writing and the style, I liked the pacing, I liked the humor, and I liked the dialogue. I don't often find a self-published book with good writing, so I'm wary to accept them. I'm glad I made an exception!
Content/Recommendation: Some language, some sexual references, no sex. Ages 16+
Gareth von Kallenbach (980 KP) rated Mr. Popper's Penguins (2011) in Movies
Aug 7, 2019
A loosely based modern retelling of the beloved 1939 classic book by Florence and Richard Atwater, Mr. Popper Penguin’s tells the story of Tom Popper (Jim Carrey) a successful New York real estate developer, who is focused on becoming a partner in his company.
One day Tom finds out his father has passed away and left him a gift. To his surprise he inherits six penguins (Captain, Loudy, Bitey, Stinky, Lovey and Nimrod) from his father. With a serious case of resentment towards his father’s absent role in his life and the hindrance it puts on his lifestyle and work.
Mr. Popper tries every avenue he possibly can to get rid of the penguins. Once the flock is introduced to his children, he realizes he has no choice but to keep them. As the movie progresses on, we see Mr. Popper bonding with the penguins, teaching them how dance, going to the potty and also learning from them how to be a better person. He realizes that there are more important things in life than work, money and power. He begins spending more time with his children and tries to rekindle his relationship with his ex wife, Amanda (Carla Gugino) and less time focused on work.
I tend to see a common thread in some of Jim Carrey’s characters; he plays a guy who neglects the people he loves because of his work, for example, Liar Liar and Bruce Almighty. In this movie, Carrey is back with his usual physical slapstick comedy, however Mr. Popper’s Penguins is definitely a toned down version of Carrey’s ever so hilarious Ace Ventura: Pet Detective role. You can’t help but laugh at the shenanigans and charm of these amazing penguins as well as Jim Carrey’s ability to find the humor in the most uncomfortable situations. If you can get past Mr. Popper’s assistant Pippi (Ophelia Lovibond) and her positively unpleasant practice of perpetually trying to use words that start with the letter P, there are some great laugh out loud moments the whole family will love.
One day Tom finds out his father has passed away and left him a gift. To his surprise he inherits six penguins (Captain, Loudy, Bitey, Stinky, Lovey and Nimrod) from his father. With a serious case of resentment towards his father’s absent role in his life and the hindrance it puts on his lifestyle and work.
Mr. Popper tries every avenue he possibly can to get rid of the penguins. Once the flock is introduced to his children, he realizes he has no choice but to keep them. As the movie progresses on, we see Mr. Popper bonding with the penguins, teaching them how dance, going to the potty and also learning from them how to be a better person. He realizes that there are more important things in life than work, money and power. He begins spending more time with his children and tries to rekindle his relationship with his ex wife, Amanda (Carla Gugino) and less time focused on work.
I tend to see a common thread in some of Jim Carrey’s characters; he plays a guy who neglects the people he loves because of his work, for example, Liar Liar and Bruce Almighty. In this movie, Carrey is back with his usual physical slapstick comedy, however Mr. Popper’s Penguins is definitely a toned down version of Carrey’s ever so hilarious Ace Ventura: Pet Detective role. You can’t help but laugh at the shenanigans and charm of these amazing penguins as well as Jim Carrey’s ability to find the humor in the most uncomfortable situations. If you can get past Mr. Popper’s assistant Pippi (Ophelia Lovibond) and her positively unpleasant practice of perpetually trying to use words that start with the letter P, there are some great laugh out loud moments the whole family will love.
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There’s a monster on the loose and it’s destroying everything in its way! Save the day and help...
LeftSideCut (3776 KP) rated Spider-Man: Homecoming (2017) in Movies
Feb 18, 2021
Spider-Man's first solo outing within the MCU is a frequently charming and grounded affair.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.
Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.
All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.
Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.
All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
LoganCrews (2861 KP) rated Suicide Squad (2016) in Movies
Sep 29, 2020
Entirely crackbrained and nonsensical - I'm not even sure there's a single theme in either this nor the extended cut - but way better than 𝘛𝘩𝘦 𝘈𝘷𝘦𝘯𝘨𝘦𝘳𝘴 for the chief purposes that it doesn't look like pure ass and doesn't really try to act like it's anything more than religiously entertaining dirtpunk grit-fetish trash. It's just about as thinly-written as the former, but if you're going to make one-note characters and a bullshit plot I'd rather them sport this sort of wildly memorable, freakish cringe rather than the flat, market-tested cringe of most modern day Marvel. There's more meme-worthy, hilariously dumbass quotes in here than you can shake a stick at and the designwork on display is simply delicious imo - the lush, matted mess of CGI is actually quite stunning and the production is exquisite: the sickly makeup + vibrant costuming against the sets where you often see opulent golds and corporate lucre juxtaposed with a dank coat of dirt and graffiti - it's total eye candy. The image of Harley Quinn and Joker laughing in the chemical bath while Kehlani's "Gangster" blasts in the background and the colors from their clothes melt away is nothing less than a knockout piece of moving imagery. Smith is the weak link, not only horribly miscast but it also seems like he isn't even trying - otherwise everyone else does a bangup job from Jared Leto's "Pimp Daddy" chilling street tweaker Joker to Viola Davis' business-casual demon Waller to Cara Delevingne's gonzo, always sauntering, Meryl Streep-sounding Enchantress. Very dynamically idiotic in that random fun shit is just allowed to happen because it's clear this isn't at all concerned with making any sort of sense to begin with. All this and with a soundtrack that can only be described as epic, I truly believe this is a fascinating curio that got way too bad of a rap. As dumb as everyone says but also better than the last five MCU entries.