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Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies
Feb 22, 2020 (Updated Feb 23, 2020)
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
Charlie Cobra Reviews (1840 KP) rated The Boys in TV
Jul 7, 2020
A Gritty Superhero Drama With Equal Parts Dark Comedy, Blood And Violence
The Boys is a 2019 black comedy/action/superhero/drama web tv series developed by Eric Kripke for Amazon. It was produced by Sony Pictures Television, Amazon Studios, Kripke Enterprises, Point Grey Pictures, Original Film, Kickstart Entertainment and KFL Knightsky Productions. Executive producters on the show include Erick Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ori Marmur, Dan Trachtenberg, Ken. F. Levin and Jason Netter. The series stars actors Karl Urban, Jack Quaid, Anthony Starr, Erin Moriarty, Dominique McElligot and Jessie T. Usher.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
The Silent Age
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Episode Two now available, the final chapter in this award winning adventure. The Silent Age takes...
Kirk Bage (1775 KP) rated Stan & Ollie (2018) in Movies
Jan 28, 2021
My relationship with Laurel & Hardy is a tentative one. I do enjoy their short films, full of ingenuity and genuinely funny moments. But, they’d be down the list a bit for me on the greatest black and white comedy stars – Chaplin, Keaton, Lloyd, then the Marx Brothers maybe, then the slapstick duo next, maybe. It’s not that I don’t think they are great! They are, they definitely are. I just can’t sit down and take to much of them at once. Maybe because their schtick is very stagey, vaudevillian even, rather than cinematic. And that is because they were primary stage actors and clowns. Not necessarily in that order.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
African Proverbs
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Baganda * One who loves you, warns you. Ethiopian * Evil enters like a splinter and...
Lee Richmond (19 KP) rated Halloween (2018) in Movies
Mar 5, 2019
Face your fate.
It's 1999 and my twenty years younger self is spending the entire year getting hyped for The Phantom Menace. That movie dominated my year. I had queued at ToysRUs when they released the new figures just to get my hands on a Darth Maul and a Podracer. I had brought the CD of John Williams Soundtrack. I had seen every trailer countless times and as soon as they were put on sale I brought two tickets so that I could watch the movie twice on the same day. I sat in the theatre as the Lucasfilm logo appeared and thought 'this is it'. Then the end credits rolled and I left the movie and headed to get something to eat before the next showing, all the while trying to convince myself that I had loved what I had just watched. Truth is I couldn't do it. I hadn't loved it at all. It left me deflated and all I could think was that I had to sit and watch it all again as all that excitement turned to shit with every clunky piece of dialogue and every scene featuring Jar Jar fucking Binks. It hurt and I promised I would never get so hyped for a movie again.
Fast forward to 2018. I had been excited for the prospect of Halloween since it was announced. Jamie Lee was involved and it was a direct sequel. Both of these things had me invested. Then the trailer dropped and that old familiar feeling of hype that I had promised to forgo started to creep over me once more. Now I should add that John Carpenters original 1978 movie is one of my all time favourites. I love that movie. To me it is an example of perfect horror story telling. It's simple yet incredibly effective at doing what it says on the tin and I rewatch it every year on Haloween as a tradition.
Time came for opening night and I had purchased my ticket in advance (but only one this time just in case) and as we sat waiting for the movie to start even my wife commented that I appeared nervous. I was nervous. I had every right to be nervous because the mishandling of something that means so much to me would mean major disappointment. I am a movie geek. Movies mean so much to me, especially Halloween and I take disappointment pretty badly. So the movie played out. That old familiar score played over the top of bright orange titles against a black background as a pumpkin seemed to unrot and I loved it. I loved the steady build to Michaels escape. I loved how being locked up for so long just seemed to make him more relentless. Once he was out and let loose on Haddonfield I was hooked. The killing spree that followed as Michael went from house to house on a rampage fueled by 40 years of incarceration had me mentally punching the air with happiness. Jamie Lee Curtis though was something else all together. Her portrayal of Laurie suffering from four decades of pent up PTSD was nothing short of brilliant. I could really feel for this character that I have adored for so many years. Laurie will always be my number 1 final girl. She survived the original Halloween because she was smart, and wasn't distracted like her sex mad, airhead friends. Seeing how the events of the first film had effected her life so dramatically was like watching an old friend going through a really hard time. The closing twenty minutes literally had me on the edge of my seat as Laurie searches one dark room after another, the hunted becoming the hunter. You know Michael is there lurking somewhere, but where? The final image as a trapped Michael stares up at his escaping prey, so fixed on Laurie that he fails to even notice that he is being engulfed in flames really stuck with me after the credits rolled.
Now I'm not going as far as to say this film was perfect. Some of the humour fell a little flat and felt out of place and I hated the new Dr Loomis character and his plot twist. It felt crowbarred in and completely unnecessary. Had the rest of the film not been as tight it would have taken me out of the movie completely, but thankfully that was not the case. A lot of love and passion went into making this movie. Clearly the film makers are fans of the original and that really comes across on screen. It really honours Carpenters movie and evidently comes across as a love letter more than a cash in. I know this movie divided people. You either loved it or hated it and I am definitely in the camp of the former. Do I want another sequel? If the quality of this one is maintained then hell yeah. Halloween 2018 has taught me that allowing myself to get a little hyped now and again can sometimes be rewarding. Not everything has to be The Phantom Menace.
Fast forward to 2018. I had been excited for the prospect of Halloween since it was announced. Jamie Lee was involved and it was a direct sequel. Both of these things had me invested. Then the trailer dropped and that old familiar feeling of hype that I had promised to forgo started to creep over me once more. Now I should add that John Carpenters original 1978 movie is one of my all time favourites. I love that movie. To me it is an example of perfect horror story telling. It's simple yet incredibly effective at doing what it says on the tin and I rewatch it every year on Haloween as a tradition.
Time came for opening night and I had purchased my ticket in advance (but only one this time just in case) and as we sat waiting for the movie to start even my wife commented that I appeared nervous. I was nervous. I had every right to be nervous because the mishandling of something that means so much to me would mean major disappointment. I am a movie geek. Movies mean so much to me, especially Halloween and I take disappointment pretty badly. So the movie played out. That old familiar score played over the top of bright orange titles against a black background as a pumpkin seemed to unrot and I loved it. I loved the steady build to Michaels escape. I loved how being locked up for so long just seemed to make him more relentless. Once he was out and let loose on Haddonfield I was hooked. The killing spree that followed as Michael went from house to house on a rampage fueled by 40 years of incarceration had me mentally punching the air with happiness. Jamie Lee Curtis though was something else all together. Her portrayal of Laurie suffering from four decades of pent up PTSD was nothing short of brilliant. I could really feel for this character that I have adored for so many years. Laurie will always be my number 1 final girl. She survived the original Halloween because she was smart, and wasn't distracted like her sex mad, airhead friends. Seeing how the events of the first film had effected her life so dramatically was like watching an old friend going through a really hard time. The closing twenty minutes literally had me on the edge of my seat as Laurie searches one dark room after another, the hunted becoming the hunter. You know Michael is there lurking somewhere, but where? The final image as a trapped Michael stares up at his escaping prey, so fixed on Laurie that he fails to even notice that he is being engulfed in flames really stuck with me after the credits rolled.
Now I'm not going as far as to say this film was perfect. Some of the humour fell a little flat and felt out of place and I hated the new Dr Loomis character and his plot twist. It felt crowbarred in and completely unnecessary. Had the rest of the film not been as tight it would have taken me out of the movie completely, but thankfully that was not the case. A lot of love and passion went into making this movie. Clearly the film makers are fans of the original and that really comes across on screen. It really honours Carpenters movie and evidently comes across as a love letter more than a cash in. I know this movie divided people. You either loved it or hated it and I am definitely in the camp of the former. Do I want another sequel? If the quality of this one is maintained then hell yeah. Halloween 2018 has taught me that allowing myself to get a little hyped now and again can sometimes be rewarding. Not everything has to be The Phantom Menace.
Hazel (1853 KP) rated Our Summer Together in Books
Sep 11, 2017
Second Chance at Love and Life
Review I received this book for free through Goodreads First Reads.
This latest book by women’s fiction author Fanny Blake is an uplifting story about family and finding love later in life. Our Summer Together begins with Caro, a portrait painter, and part-time art teacher, running around after her two adult daughters, Lauren and Amy. With barely a moment to herself, Caro flits between looking after her three-year-old grandson and helping out at Amy’s florist shop. However, one day, a brief encounter on the train home sparks excitement back into her life.
From the train to decorating her house and, finally, becoming her lodger, Caro gets to know the mysterious Damir as he gradually opens up about his past. Despite being fifteen years younger than her, Caro falls in love with the Bosnian and he with her, but can this elation last?
Despite her new chance at love, Caro has so many other things to worry about. Her ex-husband Chris is filing for divorce so that he can marry his new, much younger woman. However, this involves selling the house that Caro lives in and where her children grew up. On top of that, her eldest daughter, Lauren, is sceptical about Damir and is not afraid of saying so. With life as she knew it crashing down around her, Caro must decide whether Damir is worth it, but, most importantly, does he really want her in his life?
The title of the book, Our Summer Together, creates a sense of foreboding from the very beginning. Implying that Caro and Damir will only have one season together puts the reader on tenterhooks: what will go wrong? Desperate for a happy ending, we plough through the chapters wishing that their happiness could last forever.
It is refreshing to read about a romance developing between older characters rather than the typical twenty or thirty-something. A second chance at love feels much more satisfying than a will-they-won’t-they, playing hard-to-get attempt at a first serious relationship.
Alongside the love and joyfulness is a darker history that opens the readers’ eyes to events occurring during their lifetime that they may not have been very aware of. Growing up in Bosnia, Damir was subjected to war and violence, losing all his family and having a disastrous start at adulthood. For Damir, his relationship with Caro is not only a second-chance at love, but a second-chance at life, too.
Our Summer Together is a relaxing book to read that can either be devoured quickly or eked out over a period of time. With humour, reality and a range of emotions, it is impossible to find the story boring. Whatever your usual genre of choice, this book will be a refreshing change
This latest book by women’s fiction author Fanny Blake is an uplifting story about family and finding love later in life. Our Summer Together begins with Caro, a portrait painter, and part-time art teacher, running around after her two adult daughters, Lauren and Amy. With barely a moment to herself, Caro flits between looking after her three-year-old grandson and helping out at Amy’s florist shop. However, one day, a brief encounter on the train home sparks excitement back into her life.
From the train to decorating her house and, finally, becoming her lodger, Caro gets to know the mysterious Damir as he gradually opens up about his past. Despite being fifteen years younger than her, Caro falls in love with the Bosnian and he with her, but can this elation last?
Despite her new chance at love, Caro has so many other things to worry about. Her ex-husband Chris is filing for divorce so that he can marry his new, much younger woman. However, this involves selling the house that Caro lives in and where her children grew up. On top of that, her eldest daughter, Lauren, is sceptical about Damir and is not afraid of saying so. With life as she knew it crashing down around her, Caro must decide whether Damir is worth it, but, most importantly, does he really want her in his life?
The title of the book, Our Summer Together, creates a sense of foreboding from the very beginning. Implying that Caro and Damir will only have one season together puts the reader on tenterhooks: what will go wrong? Desperate for a happy ending, we plough through the chapters wishing that their happiness could last forever.
It is refreshing to read about a romance developing between older characters rather than the typical twenty or thirty-something. A second chance at love feels much more satisfying than a will-they-won’t-they, playing hard-to-get attempt at a first serious relationship.
Alongside the love and joyfulness is a darker history that opens the readers’ eyes to events occurring during their lifetime that they may not have been very aware of. Growing up in Bosnia, Damir was subjected to war and violence, losing all his family and having a disastrous start at adulthood. For Damir, his relationship with Caro is not only a second-chance at love, but a second-chance at life, too.
Our Summer Together is a relaxing book to read that can either be devoured quickly or eked out over a period of time. With humour, reality and a range of emotions, it is impossible to find the story boring. Whatever your usual genre of choice, this book will be a refreshing change
Bookapotamus (289 KP) rated Do This For Me in Books
May 29, 2018
Can I give a 5 star rating for PART of a book?!? I was ALL-IN from page one of this book. The beginning was so fast, so awesome, with such manic intensity - I was like, this chick is BAD ASS! I TORE through the first quarter of this book. And then... meh. I guess we needed a bit of a breather because the first quarter of this book is one serious wild ride. It got back to it's intense awesomeness almost mid-way through, but then I felt it just got sappy and fizzled.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
Gareth von Kallenbach (980 KP) rated Bad Times at the El Royale (2018) in Movies
Jul 2, 2019
The El Royale Hotel sit directly on the California and Nevada border just outside of Lake Tahoe. In its heyday, the novelty hotel, vibrant and bustling with activity. Even getting visits from famous actors, singers and politicians. But by the 1960s those days had gone and now it is rundown and mostly vacant. Then on one fateful day a group of random strangers meet at the El Royale. There is a minister, Father Daniel Flynn (Jeff Bridges), on his way back from Oakland visiting his brother. Singer Darlene Sweet (Cynthia Erivo) who came to the El Royale because her midday casino singing gig in Reno didn’t pay enough for her to stay anywhere else. Then there is Laramie Seymour Sullivan (John Hamm) the vacuum salesman who talks fast and loud. His company does all the hotel bookings so he was stuck with the El Royale, but he is dead set on enjoying the luxurious Honeymoon Suite given the choices. Lastly, there is Emily (Dakota Johnson) she doesn’t say much besides she wants a room far away from the other guests. The mismatched group is all greeted by the bellhop/bar tender/service manager Miles (Lewis Pullman). All seems like a chance meeting of a group of travelers. But nothing is what it seems. By the nights end all manner of secrets will come out and all the guests’ lives will be in jeopardy.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
Night Reader Reviews (683 KP) rated Bitter Memory in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Bitter Memory by Sion Nicholas is an interesting book focused on a distant planet where scientist are trying to save the Earth. This read is interesting as much as it is a warning to us about what could happen if we don’t take care of the Earth.
Scarlett Robins meets her husband while in college studying ways to help end the hunger riots taking place all across the globe. Caleb, her husband, was a guest lecturer for Scarlett’s class and her professor introduced them thinking they would find each other's ideas interesting. During one of their first conversations, the couple talk about grouping crops for research on a distant planet where they wouldn’t affect the Earth’s ecosystem.
Fast forward a few years later to find Scarlett and Caleb as part of a five-person team on Pygmalion 6, a distant planet, to work on solving the food shortage. Upon arrival Scarlett boots up the computer systems and initializes all security programs, not realizing that she just made a deadly mistake. It takes years before Scarlett and the rest of the team discover just what actions she set in place that fateful first day. Too bad it may already be too late to save anyone from the greedy company they all work for.
I really enjoyed the twist towards the end of the book. The book was only mildly predictable compared to others of a similar genera, which was nice. Overall the plot was well thought out and well written. There was a fair amount of technical talk especially about the bees and their relationship to the plants. While I understand its importance to the background of the story I felt like it went into unnecessary detail.
Young adults and adults alike will enjoy this book. There was very little to no inappropriate scenes in this book, plus it only hints at any kind of adult content. That being said high school and older should be alright to read this and most middle school students should be able to handle it with no problem. I rate this book a 3 out of 4. The over detailed technical stuff seemed to take something away from the overall story. Almost as if the book was supposed to be much more in-depth and bigger than what it was. It is because of this that I decided not to give the book a perfect score. Other than that one flaw the book was amazing.
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Scarlett Robins meets her husband while in college studying ways to help end the hunger riots taking place all across the globe. Caleb, her husband, was a guest lecturer for Scarlett’s class and her professor introduced them thinking they would find each other's ideas interesting. During one of their first conversations, the couple talk about grouping crops for research on a distant planet where they wouldn’t affect the Earth’s ecosystem.
Fast forward a few years later to find Scarlett and Caleb as part of a five-person team on Pygmalion 6, a distant planet, to work on solving the food shortage. Upon arrival Scarlett boots up the computer systems and initializes all security programs, not realizing that she just made a deadly mistake. It takes years before Scarlett and the rest of the team discover just what actions she set in place that fateful first day. Too bad it may already be too late to save anyone from the greedy company they all work for.
I really enjoyed the twist towards the end of the book. The book was only mildly predictable compared to others of a similar genera, which was nice. Overall the plot was well thought out and well written. There was a fair amount of technical talk especially about the bees and their relationship to the plants. While I understand its importance to the background of the story I felt like it went into unnecessary detail.
Young adults and adults alike will enjoy this book. There was very little to no inappropriate scenes in this book, plus it only hints at any kind of adult content. That being said high school and older should be alright to read this and most middle school students should be able to handle it with no problem. I rate this book a 3 out of 4. The over detailed technical stuff seemed to take something away from the overall story. Almost as if the book was supposed to be much more in-depth and bigger than what it was. It is because of this that I decided not to give the book a perfect score. Other than that one flaw the book was amazing.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://www.austinmacauley.com/book/bitter-memory