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J.K. Simmons recommended Juno (2007) in Movies (curated)

 
Juno (2007)
Juno (2007)
2007 | Comedy, Drama

"My last two are gonna be Whiplash and Juno, for obvious reasons. [laughs] Juno came along, what is that, 10 years ago now? That came along when I had a nicely established career going and was paying my mortgage and putting my kids through their outrageous L.A. private school. We’d moved out from New York to L.A. two or three years before that, and I’d met Jason. I’d done Jason Reitman’s first feature, Thank You For Smoking, which is also an underrated film, by the way. Actually, he joined our semi-regular poker game when I was playing it at the time. And he quickly became, from a guy who basically barely knew what beats what in poker, he quickly became one of the best players at the table just because he’s such a smart guy. But we were playing at my friend’s house, and Jason showed up and he just handed me this paper script and he said, “Hey, I’m gonna be working on this,” or, “I just got this,” or something sort of vague, and he said, “You gotta read this. This is so good. It’s by this writer nobody ever heard of.” That night or the next day, I read the script, and of course immediately fell in love with the part of Juno’s dad, Mac MacGuff. You know, [Reitman] hadn’t said anything to me. He hadn’t said, “Look at this part,” or, “Look at that part.” So, I’m thinking, you know, maybe he wants me to play the drugstore guy in the first scene, or maybe he just wanted to share it with me because we’re pals now. I don’t know. It wasn’t until days later — and I wasn’t gonna say, “Hey, I wanna play this part” — it wasn’t until days later that he said, “Oh, God, of course, J.K. I want you to play the dad. Of course I do.” And he said, “I got the whole movie cast already in my head. I hope we get everybody I want.” Of course, the people financing the movie wanted him to get some famous pop star to play Juno, and they wanted to get some very well-known actor to play Juno’s dad. There were lists of guys that were way more famous than I was, but they kept throwing at Jason saying, “Look, if you want to get this movie made and get the budget that you want to have, these are the kind of guys that you need to play Juno’s dad.” For both Ellen Page and for me — and really for most of the characters, for Michael Cera, for Allison Janney — you know, these were all the people that he had in mind as soon as he read the script, but he knew he wanted the cast in the movie. He went to bat for all of us, and Ellen and I actually had to do a full on screen test that he set up with film, on actual film, at a sound stage. Jason had us do a couple scenes from the movie to convince the money people that we were the actors that were gonna help make the movie the best it could be. So that was a really nice vote of confidence from Jason, who, by the way, I just emailed five minutes before you called, because I’m gonna be doing his next movie, The Front Runner, which we start shooting in like less than two weeks."

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Evil Empire by Rage Against The Machine
Evil Empire by Rage Against The Machine
1996 | Rock
8.8 (4 Ratings)
Album Favorite

"At this point I'm already in Suicidal Tendencies and I'm walking around school listening to Korn and Suicidal. I always had my headphones on and I had long hair, I kind of looked like a girl. I remember my friend called Carla, she gave me her copy of Evil Empire. It was really dope, it was one of the coolest moments ever, because she gave me a copy of her CD and then she gave me a kiss literally, and she said, 'this is yours.' I remember putting it in my CD player in my car and I've never sonically heard anything like that in my entire life. That shit blew my fucking mind. I didn't know what the hell to do with myself. I was like, 'who the fuck plays an instrument like this? What the hell is this?' Tom Morello's guitar lines were ridiculous. To this day, it's still ridiculous. If Jimi Hendrix were alive he would be like, 'what the hell is Tom Morello drinking!?' Then on top of that, add the part where they're from Los Angeles; it's a bit of a prideful moment for me. I don't ever have these moments where I'm like, 'Yeah, they from LA', but Rage Against The Machine, I felt like it was me. This is again identity; who this is and what this is – this is the sound of where I come from, this is how we sound. Then you mix Suicidal Tendencies in there, and I'm touring at this age already, so this was this made me want to play harder and more aggressive and made me want to exude more energy and play with power. That's where I learned that, and it moulded my years in Suicidal Tendencies. So Evil Empire, if I put it on in an Uber everybody's going deaf. It's Rage Against The Machine: I don't care – it's still too good. It's still too fucking good. They're getting ready to go back on tour this year. I'm gonna be the guy in the front row with the mouth guard and boxing gloves. Rage Against the Machine changed my life and will change yours on arrival."

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Ford v Ferrari (aka Le Mans '66) (2019)
Ford v Ferrari (aka Le Mans '66) (2019)
2019 | Action, Biography, Drama, Sport
The more films I see by James Mangold, the more I like him.

Ford v Ferrari (or Le Mans '66 as it's titled in the UK) is an outstanding movie in every way.
Based on a true story, FvF follows car designer Carroll Shelby (Matt Damon) and race driver Ken Miles (Christian Bale) after they are commissioned by Ford to create a new race car capable of beating the notorious Ferrari team during the Le Mans endurance race in France.
I'm not really into racing - I'm not a big sports guy full stop - but this film balances the amount of racing action and heartfelt and frequently humourous drama perfectly.

Both Matt Damon and Christian Bale just bought everything they have to this, and straight up deserved Oscars - I would actually go as far as saying this is arguably Bales' best performance to date.
The supporting cast are fantastic as well, especially Caitriona Balfe as the wife of Ken Miles, Mollie. The chemistry between her and Bales' character is believable and sweet.
I also enjoyed Josh Lucas as smarmy Ford executive Leo Beebe, and detested his character with a passion. And of course Jon Bernthal - I'm yet to see him in anything where he is less than great.

The story is inspiring to say the least, and the screenplay is clever in the way that it focuses on the every day character like Ken Miles, has you rooting for him against the suits, people who put money and profit in front of knowledge. It's a relatable feeling.
As I mentioned, I'm not a big sports guy, so taking this into account, the racing scenes (of which there are a fair few) were nothing short of thrilling. They're really well shot, with seamless special effects, and full of tension. In fact, every inch of Ford v Ferrari feels like it's had so much love, attention, and detail poured into it. It's an all round great experience.

I haven't a single bad word to say about Ford v Ferrari, it's spectacular, full of soul, and easily one of the best films of 2019.
  
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LeftSideCut (3776 KP) rated X-Men: Dark Phoenix (2019) in Movies

Dec 2, 2019 (Updated Jan 13, 2020)  
X-Men: Dark Phoenix (2019)
X-Men: Dark Phoenix (2019)
2019 | Action, Adventure, Sci-Fi
With the (eventually true) whispers about the Disney-Fox merger doing the rounds around Dark Phoenix's release, it arrived to little fanfare. Most people had already written off as a pointless film, and it was a prime target for negativity. So much so, that it was actually the first and only X-Men film I ended up missing in the cinema.

I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.

Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.

My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.

Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.

We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...
  
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Love, Death & Robots
Love, Death & Robots
2019 | Action, Animation, Comedy
CGI is amazing (1 more)
The Perfect Mix of Morbid Humour and Gore
The episodes are so short! (0 more)
A Masterpiece of the Weird and Fantastical
This is going to be a long one, I'm going to review each episode as they aren't linked or related in any way, but just know, they are all gorgeous works of art and you should totally go watch the whole thing ?.


Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.

Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?

Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.

Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.

Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.

Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.

The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.

Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.

When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.

Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.

The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.

Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.

Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.

Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.

Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.

Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.

Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.

Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.

The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
  
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Daniel Boyd (1066 KP) Apr 22, 2019

Really enjoyed reading through your individual reviews, agree with you 1000% about Sonnie's Edge