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Gareth von Kallenbach (980 KP) rated Jungle Cruise (2021) in Movies
Jul 28, 2021
Ask anyone who has ever spent time at a Disney park what attractions they enjoy riding and chances are good that the Jungle Cruise will be amongst them. The project was a labor of love for Walt Disney and has thrilled millions of guests with the scenic cruise, animated animals, and the cringe-worthy puns and jokes from the captains who have made it an enduring legend.
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Heather Cranmer (2721 KP) rated god-chaser in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.)
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
Kim Pook (101 KP) rated Cruel Peter (2019) in Movies
Sep 10, 2020
The movie starts in 1908, a young boy named Peter is accused of cutting a girl with a razor, he insists the girl is lying and his mother defends him even though she knows the girl is actually telling the truth. We learn how evil Peter is soon after when he sets fire to a rat and it is implyed that he killed someone's dog. Peter soon gets a visitor from someone wearing a potato sack on their head, who hits him on the head with a shovel and buries him alive, never to be seen again.
We jump ahead to the present day to a dad studying and then randomly going in his daughters room and finding a boof of spirits in his deaf daughters room. We then jump to another scene of him being offered a job in Italy with some bloke on a boat, who I can only assume is a friend or his boss, its never made clear. Then in the next scene, him and his daughter are pulling up in Italy!?! Literally no lead upto it, just job offer and boom, they're there! The dad is even shown talking to some woman who I thought was a tour guide or his new boss, until she asked him if he'd like to meet her aunt! Anyway, we briefly see his daughter Liz walking down the corridor at her new school and then he finds Peters body whilst on a dig, leading to him searching the Internet and Liz summoning a ghost which we later find out is Peter.
To be honest, I knew from the get go that this movie wasn't going to be great, but I always see a movie to the end so I persevered. The scenes were very poorly put together, they seemed randomly placed and very rushed, random characters would appear, have no introductions (apart from one) and yet seem to have known the dad for a while! Speaking of which, I don't recall ever finding out his name as it was never mentioned. The acting was absolutely atrocious and the sound effects even worse, for example when Liz was supposed to be possessed, she sounded more like a dinosaur from jurassic Park rather than a demon. I was glad to see the end of this truly awful movie.
We jump ahead to the present day to a dad studying and then randomly going in his daughters room and finding a boof of spirits in his deaf daughters room. We then jump to another scene of him being offered a job in Italy with some bloke on a boat, who I can only assume is a friend or his boss, its never made clear. Then in the next scene, him and his daughter are pulling up in Italy!?! Literally no lead upto it, just job offer and boom, they're there! The dad is even shown talking to some woman who I thought was a tour guide or his new boss, until she asked him if he'd like to meet her aunt! Anyway, we briefly see his daughter Liz walking down the corridor at her new school and then he finds Peters body whilst on a dig, leading to him searching the Internet and Liz summoning a ghost which we later find out is Peter.
To be honest, I knew from the get go that this movie wasn't going to be great, but I always see a movie to the end so I persevered. The scenes were very poorly put together, they seemed randomly placed and very rushed, random characters would appear, have no introductions (apart from one) and yet seem to have known the dad for a while! Speaking of which, I don't recall ever finding out his name as it was never mentioned. The acting was absolutely atrocious and the sound effects even worse, for example when Liz was supposed to be possessed, she sounded more like a dinosaur from jurassic Park rather than a demon. I was glad to see the end of this truly awful movie.
Neon's Nerd Nexus (360 KP) rated Ad Astra (2019) in Movies
Sep 18, 2019
Through hardships, to the stars.
Ad Astra is the kind of film they dont make anymore. Visually breathtaking, harrowing and it has such a deep pain and sadness to it that i left the theatre with tears in my eyes and a smile on my face. Ad Astra is the first film this year to leave me speechless and I'm actually finding it hard to put into words what I have just experienced. I will try my hardest not to spoil anything as this movie is best if you go into it blind to appreciate it to full effect. What an experience, I can safely say i had goosebumps, chills up my spine, a lump in my throat and on the brink or tears 90% of the runtime. Atmosphere and visual wise what they have accomplished here is not only teeming with beauty but an incredible feel of movies from the past. A cross between Blade Runner, Dune, apocalypse now and 2001 Ad Astra invoked in me the same heightened emotions I felt watching those films for the first time many years ago. Theres a constant sence of wonder, discovery and lingering dread present the entire film keeping you constantly fearful, on edge and floating in a state of happy sadness. Brad Pitt gives the performance of his career every part of his troubled mind playing out on in his facial expressions and behind his eyes. Theres an over arching theme about mental illness, social awkwardness and anxiety here and its truly depressing watching Brads character battle his inner demons while still putting on a brave face while know one else seems to notice or offer advice, comfort or guidance. Theres also a lot about the need for progression regardless of the sacrifice and emotional toll it takes on people and questions about if humanity deserves a future as we become more selfish, destructive and cold. Its primarily a character story about mental struggles, self destruction, burdens, loneliness, pain, legacy and destiny and at times its tuff to stomach watching this character suffer caught between right and wrong, but its always fascinating, relatable and rewarding. Set pieces are cold/disturbing and harrowing not only shocking you but leaving a lasting impression that most horror films struggle to achieve. I urge anyone into film go see this its a modern day masterpiece.
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Lyndsey Gollogly (2893 KP) rated Gypsy Freak (All the Pretty Monsters #2) in Books
Nov 4, 2021
183 of 250
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
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Bob Mann (459 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2021
Very little happens…. and it’s totally glorious!
The “Downton Abbey” TV show is comfortingly bland. The tales of the well-heeled Grantham family and the below-stairs antics of their servants. But for those who have followed Julian Fellowes‘ pot-boiler drama through all six seasons, and a number of Christmas specials, it’s like a favourite jumper… or rediscovering your comfy slippers just as the nights start getting colder.
But in a world where TV spin-off movies are notoriously dire, would this movie by the nail in Downton’s coffin?
Thankfully not.
It’s a glorious production! The opening of this film will, I’m sure, fill all Downton fans with utter glee. John Lunn‘s music builds progressively as a royal letter wends its way through the 1927 postal system, eventually ending up (as the famous theme finally emerges spectacularly) at the doors of Downton Abbey. (Downton is of course the gorgeous Highclere Castle near Newbury, acting as a star of the film in its own right. Somewhere I was lucky enough to visit just a couple of weeks before filming began).
The plot(s).
In a year of Thanos-crushing drama, there really is nothing very substantial going on here!
The King (George V, an almost unrecognizable Simon “Hitchhikers Guide” Jones) and Queen Mary (Geraldine James) are staying over in Downton for one night on their Yorkshire tour. This naturally sets the below-stairs staff into a bit of a tizz, as indeed it does the whole village. But their glee at involvement and recognition is a bit premature, since the royal entourage – headed by an officious Mr Wilson (David Haig) – parachute the complete gamut of staff into the location to serve the royal party, so bypassing the locals completely.
The ‘Downton massive’ are of course having none of this, and a battle-royale ensues.
Scattered as sub-plots like confetti at a wedding are a military man putting a strong arm around the potentially-risky Irish Tom Branson (Allen Leech); a family rift that erupts between Aunt Violet (Maggie Smith) and cousin (and royal lady-in-waiting) Maud Bagshaw (Imelda Staunton); a sobbing princess (Kate Phillips); an over-enthusiastic shopkeeper (Mark Addy), who is difficult to let-down gently; a plumbing emergency with romantic jealousy and sabotage involved; the sexual preferences of Barrow (Robert James-Collier) getting him into trouble; and a potential love-interest for the widowed Tom with Maud’s maid Lucy (Tuppence Middleton). (There are probably half a dozen others that I’ve forgotten!)
A huge ensemble cast.
As befits a show that has gone over six seasons, there is a huge ensemble cast involved. Inevitably, some get more air time than others. Bates (Brendan Coyle) seems to be particularly short-changed, and above stairs I thought the same was true – strangely enough – of the Crawleys (Hugh Bonneville and Elizabeth McGovern).
As for Henry Talbot (Matthew Goode), he’s hardly in it at all! Apart from some impressive camera gymnastics for his running-up-the-stairs arrival, he doesn’t make much of an impression at all. (I can only guess he had other filming commitments).
These are players that have worked together as a team for many years, and it shows.
But the acting kudos has to go to Maggie Smith who steals absolutely every scene she’s in, with genuinely witty lines – “I’ll lick the stamps myself” (LoL). Close behind though is Imelda Staunton who also turns in a very impressive performance.
Glorious photography.
The photography is fantastic throughout, with deep rich colours, pin-sharp focus and some seriously dramatic pans. A big hats off to cinematographer Ben Smithard, but also to his drone team (“The helicopter ladies”) for delivering some jaw-droppingly gorgeous shots of Highclere castle.
(By the way, I thought the picture at my local Picturehouse cinema – Harbour Lights in Southampton – was particularly stunning: I queried it with them, and they said they had changed the (very expensive) projector bulb just that day! These things clearly matter!)
Will is appeal?
If you are a Downton fan, yes, Yes, YES! I have been a moderate fan of the TV series, but went with superfans – the illustrious Mrs Movie-Man and (as a guest visitor) Miss Movie-Man. I loved it, but the two ladies were ecstatic with the movie.
Even if you have never seen an episode, it is easy to pick up and the quality of the production is so impressive I don’t think you will be disappointed.
As such, I think I need to post a blend of ratings for this one.
But in a world where TV spin-off movies are notoriously dire, would this movie by the nail in Downton’s coffin?
Thankfully not.
It’s a glorious production! The opening of this film will, I’m sure, fill all Downton fans with utter glee. John Lunn‘s music builds progressively as a royal letter wends its way through the 1927 postal system, eventually ending up (as the famous theme finally emerges spectacularly) at the doors of Downton Abbey. (Downton is of course the gorgeous Highclere Castle near Newbury, acting as a star of the film in its own right. Somewhere I was lucky enough to visit just a couple of weeks before filming began).
The plot(s).
In a year of Thanos-crushing drama, there really is nothing very substantial going on here!
The King (George V, an almost unrecognizable Simon “Hitchhikers Guide” Jones) and Queen Mary (Geraldine James) are staying over in Downton for one night on their Yorkshire tour. This naturally sets the below-stairs staff into a bit of a tizz, as indeed it does the whole village. But their glee at involvement and recognition is a bit premature, since the royal entourage – headed by an officious Mr Wilson (David Haig) – parachute the complete gamut of staff into the location to serve the royal party, so bypassing the locals completely.
The ‘Downton massive’ are of course having none of this, and a battle-royale ensues.
Scattered as sub-plots like confetti at a wedding are a military man putting a strong arm around the potentially-risky Irish Tom Branson (Allen Leech); a family rift that erupts between Aunt Violet (Maggie Smith) and cousin (and royal lady-in-waiting) Maud Bagshaw (Imelda Staunton); a sobbing princess (Kate Phillips); an over-enthusiastic shopkeeper (Mark Addy), who is difficult to let-down gently; a plumbing emergency with romantic jealousy and sabotage involved; the sexual preferences of Barrow (Robert James-Collier) getting him into trouble; and a potential love-interest for the widowed Tom with Maud’s maid Lucy (Tuppence Middleton). (There are probably half a dozen others that I’ve forgotten!)
A huge ensemble cast.
As befits a show that has gone over six seasons, there is a huge ensemble cast involved. Inevitably, some get more air time than others. Bates (Brendan Coyle) seems to be particularly short-changed, and above stairs I thought the same was true – strangely enough – of the Crawleys (Hugh Bonneville and Elizabeth McGovern).
As for Henry Talbot (Matthew Goode), he’s hardly in it at all! Apart from some impressive camera gymnastics for his running-up-the-stairs arrival, he doesn’t make much of an impression at all. (I can only guess he had other filming commitments).
These are players that have worked together as a team for many years, and it shows.
But the acting kudos has to go to Maggie Smith who steals absolutely every scene she’s in, with genuinely witty lines – “I’ll lick the stamps myself” (LoL). Close behind though is Imelda Staunton who also turns in a very impressive performance.
Glorious photography.
The photography is fantastic throughout, with deep rich colours, pin-sharp focus and some seriously dramatic pans. A big hats off to cinematographer Ben Smithard, but also to his drone team (“The helicopter ladies”) for delivering some jaw-droppingly gorgeous shots of Highclere castle.
(By the way, I thought the picture at my local Picturehouse cinema – Harbour Lights in Southampton – was particularly stunning: I queried it with them, and they said they had changed the (very expensive) projector bulb just that day! These things clearly matter!)
Will is appeal?
If you are a Downton fan, yes, Yes, YES! I have been a moderate fan of the TV series, but went with superfans – the illustrious Mrs Movie-Man and (as a guest visitor) Miss Movie-Man. I loved it, but the two ladies were ecstatic with the movie.
Even if you have never seen an episode, it is easy to pick up and the quality of the production is so impressive I don’t think you will be disappointed.
As such, I think I need to post a blend of ratings for this one.
Gareth von Kallenbach (980 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam