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Daniel Boyd (1066 KP) rated Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols in Music
Nov 2, 2017
The ultimate reset switch on the musical chart machine
This album changed everything and brought rock ‘n roll music back down to ground level where it belongs. It perfectly captured the mindset of a generation and it was the turning point that was so badly needed at that point in musical history. These four lads were saying exactly what they meant and we could hear their pain and frustration through Lydon’s voice as he screamed down the microphone at us. This album is gripping from start to finish and full of strikingly relevant lyrics even today. Without Never Mind The Bollocks, you can forget Oasis or Nirvana or Green Day or any punk band to come after ’77 for that matter. This album had to happen as it totally changed the course of rock ‘n roll history for the better and gave us all what we wanted again. This band is as important to rock ‘n roll music and British culture as the Beatles or the Rolling Stones and they only ever released the one album, that is how important this record is. This album affected the style of an entire generation, it affected the politicians and it gave the how the majority of the country was feeling a united voice. The Tory government and the Royal Family may be scum, but it is hard to argue the fact that they have inspired some of the best music over the last 50 years. This album defines what it means to be young and pissed off and overlooked by the older generations who hold the power. It is an attack launched at anyone who has ever looked down their nose at anyone else. It is the quintessential lesson in how to compose a legendary rock n’ roll album and it reminded the world that you don’t need a bunch of overcomplicated instrumentals or 16 minute long interludes to make a great record, all you need is a few instruments, some raw talent and a determination to tell people how it really is. The Pistols wear their hearts on their sleeve in this record, both through their instruments and their lyrics, there is so much feeling and passion and genuine dissatisfaction on this record, yet it is also so careless and spur of the moment and that combination results in one of the greatest albums of the last half century in my opinion.
If American Idiot is a slap on the wrist of the government and a nudge to change things, Never Mind The Bollocks is the Pistols grabbing the man by the throat and squeezing until he is forced to listen to them. In the years prior to this record coming out, the charts were dominated by songs that were being played on a minimum of 15 different instruments per song. There hadn’t been a record composed solely of a guitar, a drumkit, a bass and a vocal in far too long and The Sex Pistols hit the reset button on rock ‘n roll music going forward. This record had to happen, without it bands like Oasis and Nirvana would never have came to be, or if they did they would sound vastly different to what they do today. This record has an undeniable feeling to it that no other record does, it is fury, frustration, desperation and sadness all at once and for me, there is nothing else in musical history that quite captures that feeling in the same way. This is simply four bored lads with pure raw talent telling us exactly how they feel and making sure not to leave out any of the gory details. Every riff on this album is a violent wake up call, every drum beat feels like a well deserved punch to the face and with Lydon’s voice and lyrics topping it all off, it is a beautifully ugly piece of pop culture that is relevant even today. The Pistols take on everybody in this album, from the Queen, to politics, to record labels and all of it is so well composed and yet so spur of the moment simultaneously. It’s like Lydon is spitting at you but in perfect time and in the most unique way that has ever been put to record. The band had a flair that lit Britain on fire, especially the middle classes, this record got banned out of fear that it would cause the man on the street to rise up and see through the bullshit that politicians and the government try to spin us day in and day out. Every song points out what is wrong with the country and its ethics and policies and it defines the reasons that the public are fed up of it. The whole thing flows so well and even though it takes just under 40 minutes to listen to the entire album from start to finish, it goes by in a flash and leaves such a strong impression that causes you to be left thinking about what you have just heard for hours afterwards. This is a fleeting moment in modern history captured in the most brief, yet poignant way and without it the very culture of Britain would be entirely different. This album is so important, not just for it’s anti establishment themes or its musical reasons, but because it actually altered the course of history beyond just the musical ecosystem. There was never an album before Never The Bollocks that sounded anything like it and there hasn’t been one since and sadly, there probably never will be. The last great rock n’ roll band that the world really took notice of were Oasis and since then there has been nothing significant enough to capture the world’s attention. If you ask me what we need right now is another band like the Sex Pistols to swagger up and take the spotlight away from the dance/pop garbage that is dominating today’s charts. We need a band that can reset the musical machine and show the youth of today that all you need to make it is raw talent, a few instruments and a sprinkle of determination and the world can be yours. I am hopeful it will eventually happen, it has to and in my mind it is inevitable and is more a question of when rather than a question of if. That album is what will resurrect rock n’ roll music and bring it back to the forefront and the group that manages it will be the band that defines their respective generation. Since Oasis split the crown has been up for the taking and all we need is a band with enough balls and talent and who actually have something to say, to reach out and grab it.
If American Idiot is a slap on the wrist of the government and a nudge to change things, Never Mind The Bollocks is the Pistols grabbing the man by the throat and squeezing until he is forced to listen to them. In the years prior to this record coming out, the charts were dominated by songs that were being played on a minimum of 15 different instruments per song. There hadn’t been a record composed solely of a guitar, a drumkit, a bass and a vocal in far too long and The Sex Pistols hit the reset button on rock ‘n roll music going forward. This record had to happen, without it bands like Oasis and Nirvana would never have came to be, or if they did they would sound vastly different to what they do today. This record has an undeniable feeling to it that no other record does, it is fury, frustration, desperation and sadness all at once and for me, there is nothing else in musical history that quite captures that feeling in the same way. This is simply four bored lads with pure raw talent telling us exactly how they feel and making sure not to leave out any of the gory details. Every riff on this album is a violent wake up call, every drum beat feels like a well deserved punch to the face and with Lydon’s voice and lyrics topping it all off, it is a beautifully ugly piece of pop culture that is relevant even today. The Pistols take on everybody in this album, from the Queen, to politics, to record labels and all of it is so well composed and yet so spur of the moment simultaneously. It’s like Lydon is spitting at you but in perfect time and in the most unique way that has ever been put to record. The band had a flair that lit Britain on fire, especially the middle classes, this record got banned out of fear that it would cause the man on the street to rise up and see through the bullshit that politicians and the government try to spin us day in and day out. Every song points out what is wrong with the country and its ethics and policies and it defines the reasons that the public are fed up of it. The whole thing flows so well and even though it takes just under 40 minutes to listen to the entire album from start to finish, it goes by in a flash and leaves such a strong impression that causes you to be left thinking about what you have just heard for hours afterwards. This is a fleeting moment in modern history captured in the most brief, yet poignant way and without it the very culture of Britain would be entirely different. This album is so important, not just for it’s anti establishment themes or its musical reasons, but because it actually altered the course of history beyond just the musical ecosystem. There was never an album before Never The Bollocks that sounded anything like it and there hasn’t been one since and sadly, there probably never will be. The last great rock n’ roll band that the world really took notice of were Oasis and since then there has been nothing significant enough to capture the world’s attention. If you ask me what we need right now is another band like the Sex Pistols to swagger up and take the spotlight away from the dance/pop garbage that is dominating today’s charts. We need a band that can reset the musical machine and show the youth of today that all you need to make it is raw talent, a few instruments and a sprinkle of determination and the world can be yours. I am hopeful it will eventually happen, it has to and in my mind it is inevitable and is more a question of when rather than a question of if. That album is what will resurrect rock n’ roll music and bring it back to the forefront and the group that manages it will be the band that defines their respective generation. Since Oasis split the crown has been up for the taking and all we need is a band with enough balls and talent and who actually have something to say, to reach out and grab it.
Amanda (96 KP) rated Ready Player One in Books
Mar 18, 2019
Why in the world did it take me this long to read this book? I could seriously kick myself! I haven't seen the movie yet, I'm not entirely sure I want to after reading this book. I don't think any movie could do it justice. Yes, I liked this book that much.
Imagine a world where the world has kind of gone to pieces and most of the time you want to escape the harsh reality. A man invented a virtual reality called OASIS and before his passing, he stated that there is a hidden Easter egg in the OASIS and whomever finds it, has COMPLETE control of the OASIS and his fortune. It's been several years and NOBODY has been able to find the egg, or even come close to it.
The entire story is told from Wade's point of view. In reality, he's known as Wade, in OASIS he is Parzivel. The creator of OASIS is known to be a huge fan of 80's style; music, movies, tv shows, you name it, he was a fan. Wade goes through all of these shows and movies to get some sort of clue to find out what and where the egg is located. One day, he figures out the first clue and winds up being the first name on the score board.
The idea of going to a virtual school sounded like a really cool idea. From the way it's described in the book, it sounds like a much more effective way to actually learn in a classroom. I think with the way technology keeps advancing, we may very well be on our way to going that route.
I loved all of the 80's references throughout the book. I'm not an 80's child, but I've been told I'm old soul. Like, I'm a reincarnated person who was born in the 30's because I'm not really into the new shows or the new music. Mentions of Monty Python and the other TV shows that I've actually binge watched myself really brought out my inner nerd and it was enjoyable.
The only thing that made me lose a little respect for Wade is when he starts falling for another user named Art3mis. He has NO CLUE who this person is in real life, just her avatar. And in OASIS, the avatar is a blonde woman and Wade falls for her and spends as much time with her as possible. When Art3miss decides to cool it down with him, he kind of acts like a puppy who had its treat taken away. I know he's a kid who just graduated high school so having your first crush on someone really clouds your best judgment, but I found his infatuation with Art3mis rather annoying and I almost wanted to yell at my book and hope he hears me.
Am I the only one who's felt that way?
In the end, I'm rooting for Wade to find all these keys and reach the gates before someone else does. There's another company who actually specifically hires people to find this egg. This company will start charging people to use OASIS and actually give people limited access, no, we don't want that.
The book as a whole was excellent. It caught my attention in the beginning, and even though I was a bit annoyed with Wade, I still WANTED to finish this story. I WANTED to go through the OASIS journey with him and help him, encourage him, to continue and find that egg and help everybody cope with reality, with or without OASIS. If you've seen the movie, read the book. I guarantee that the movie was not able to capture EVERYTHING with this story and you deserve to know EVERYTHING about WADE and his new friends in finding that egg.
Imagine a world where the world has kind of gone to pieces and most of the time you want to escape the harsh reality. A man invented a virtual reality called OASIS and before his passing, he stated that there is a hidden Easter egg in the OASIS and whomever finds it, has COMPLETE control of the OASIS and his fortune. It's been several years and NOBODY has been able to find the egg, or even come close to it.
The entire story is told from Wade's point of view. In reality, he's known as Wade, in OASIS he is Parzivel. The creator of OASIS is known to be a huge fan of 80's style; music, movies, tv shows, you name it, he was a fan. Wade goes through all of these shows and movies to get some sort of clue to find out what and where the egg is located. One day, he figures out the first clue and winds up being the first name on the score board.
The idea of going to a virtual school sounded like a really cool idea. From the way it's described in the book, it sounds like a much more effective way to actually learn in a classroom. I think with the way technology keeps advancing, we may very well be on our way to going that route.
I loved all of the 80's references throughout the book. I'm not an 80's child, but I've been told I'm old soul. Like, I'm a reincarnated person who was born in the 30's because I'm not really into the new shows or the new music. Mentions of Monty Python and the other TV shows that I've actually binge watched myself really brought out my inner nerd and it was enjoyable.
The only thing that made me lose a little respect for Wade is when he starts falling for another user named Art3mis. He has NO CLUE who this person is in real life, just her avatar. And in OASIS, the avatar is a blonde woman and Wade falls for her and spends as much time with her as possible. When Art3miss decides to cool it down with him, he kind of acts like a puppy who had its treat taken away. I know he's a kid who just graduated high school so having your first crush on someone really clouds your best judgment, but I found his infatuation with Art3mis rather annoying and I almost wanted to yell at my book and hope he hears me.
Am I the only one who's felt that way?
In the end, I'm rooting for Wade to find all these keys and reach the gates before someone else does. There's another company who actually specifically hires people to find this egg. This company will start charging people to use OASIS and actually give people limited access, no, we don't want that.
The book as a whole was excellent. It caught my attention in the beginning, and even though I was a bit annoyed with Wade, I still WANTED to finish this story. I WANTED to go through the OASIS journey with him and help him, encourage him, to continue and find that egg and help everybody cope with reality, with or without OASIS. If you've seen the movie, read the book. I guarantee that the movie was not able to capture EVERYTHING with this story and you deserve to know EVERYTHING about WADE and his new friends in finding that egg.
Movie Metropolis (309 KP) rated Jurassic World (2015) in Movies
Jun 10, 2019
A Trip down memory lane
Can you believe it’s been 14 years since genetically modified dinosaurs rampaged across our screens in Joe Johnston’s underwhelming Jurassic Park III?
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
Phil Leader (619 KP) rated The Wrath of Siren (The Truth Teller #2) in Books
Nov 29, 2019
Following her adventures in The Truth Teller where Charlotte discovered she could travel to another realm inhabited by elves and dwarves, she has settled back into her normal life and dismissed it all as a bad dream. That is until the elf Elderfield travels to our world to find her to warn her that it is too dangerous to return.
The evil druid Siren has unleashed his Troll army and is laying the other realm to waste leaving the elves and dwarves to make a last desperate stand. But what they really need is the Truth Teller, will she ignore the warnings and come to help?
This second book in the series carried on Chambers' tale to entice younger readers into reading fantasy stories. This installment is a little darker in tone, as might be expected as war sweeps across the land, but as usual there are touches of humour to lighten the tone. Charlotte's usage of neologisms and idioms to her bemused companions from the other world are always good ('It's doing my head in' and 'this is well creepy' for example). Plus we have the bonus of Elderfield seeing our world (and the chaos that ensues).
Siren makes a fairly convincing opponent, suitable nasty without becoming too pantomime. He's nasty work but not irrational, simply wanting to take over his world and if that involves a little death and destruction so much the better.
The tone is probably a shade darker than the first book, simply because there is a war rather than an individual journey and so a lot more people are threatened. But this is still firmly on the light side of fantasy with nothing particularly distressing.
My only negative point (and the only thing stopping this getting 5 stars) is that Siren's defeat is never really explained, it just happens. This is disappointing only from the point of view that it would perhaps have been nice to have a bit of closure. It has to be said that classic fantasy has its fair share of 'with one bound the heroes win against the odds' endings - look at The Lord of the Rings or The Lion, the Witch and the Wardrobe. In the end the story is what matters, not what is in the end of the story and this is still a fantastic read.
Once again Chambers has set out to produce a modern day introduction to fantasy for young adult eyes and once again he has achieved this and in spades. Very much looking forward to the next book in the series.
The evil druid Siren has unleashed his Troll army and is laying the other realm to waste leaving the elves and dwarves to make a last desperate stand. But what they really need is the Truth Teller, will she ignore the warnings and come to help?
This second book in the series carried on Chambers' tale to entice younger readers into reading fantasy stories. This installment is a little darker in tone, as might be expected as war sweeps across the land, but as usual there are touches of humour to lighten the tone. Charlotte's usage of neologisms and idioms to her bemused companions from the other world are always good ('It's doing my head in' and 'this is well creepy' for example). Plus we have the bonus of Elderfield seeing our world (and the chaos that ensues).
Siren makes a fairly convincing opponent, suitable nasty without becoming too pantomime. He's nasty work but not irrational, simply wanting to take over his world and if that involves a little death and destruction so much the better.
The tone is probably a shade darker than the first book, simply because there is a war rather than an individual journey and so a lot more people are threatened. But this is still firmly on the light side of fantasy with nothing particularly distressing.
My only negative point (and the only thing stopping this getting 5 stars) is that Siren's defeat is never really explained, it just happens. This is disappointing only from the point of view that it would perhaps have been nice to have a bit of closure. It has to be said that classic fantasy has its fair share of 'with one bound the heroes win against the odds' endings - look at The Lord of the Rings or The Lion, the Witch and the Wardrobe. In the end the story is what matters, not what is in the end of the story and this is still a fantastic read.
Once again Chambers has set out to produce a modern day introduction to fantasy for young adult eyes and once again he has achieved this and in spades. Very much looking forward to the next book in the series.
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