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Merissa (14102 KP) created a post

Jan 23, 2026  
I wrote something a little more reflective about my reading year and finally put it into words over on the blog.

In 2025, I read 552 books, more than one a day, and writing about it felt less about the number and more about what reading has meant to me during a year that has held both uncertainty and steadiness side by side. I touch on being a lifelong speed reader, reading with aphantasia, beginning and ending the year with five-star books, and how stories have been a place of comfort while I have been looking and applying for work without much luck.

It is not a celebration post so much as a quiet acknowledgement of how books carried me through the year and why they continue to matter to me as deeply as they do.

If you would like to read it, the blog post is here https://archaeolibrarian.wixsite.com/website/post/merissa-s-year-in-books

#GoodreadsYearInBooks #ReadingLife #BookLover #RomanceReader #Aphantasia #TopReader #TopReviewer #BooksAsComfort
      
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Jeff Lynne recommended Full Moon Fever by Tom Petty in Music (curated)

 
Full Moon Fever by Tom Petty
Full Moon Fever by Tom Petty
1989 | Rock
8.0 (1 Ratings)
Album Favorite

"This was a bit of a dodgy situation at the time but I didn’t know that. Tom had asked me to work with him and it was a solo record and that was all I knew. It wasn’t with the group. He used Mike [Campbell, Heartbreakers lead guitarist] for guitar and it was Mike’s studio that we recorded in, in his garage in LA. Tom just stopped me in the street one day in Beverley Hills somewhere and he said, ""I’ve just been listening to George Harrison’s new album. I love it. I’m having a barbecue. Do you wanna come?"" I couldn’t go so he said, ""do you fancy writing some songs together and see what we come up with?"" and I said, ""yeah, I’d love to!"" So I went round his house the next day and after we wrote one, we then wrote, believe it or not, ‘Freefalling’ which was such a big hit for him. So it worked out great and we carried on doing them in Mike’s garage, which was an amazingly sparse studio. It was a garage full of motorbikes and oil cans and bedsteads and things like that - it was pretty amazing! Where him and George looking for that panoramic ELO sound? Well, it wasn’t always that panoramic a sound. I was gradually quietening that sound down that ELO had done and there were less strings. In ELO, it used to be a case of, ""oooh! String day tomorrow!"" and then by about the tenth album it became [adopts dismayed voice] ""oh, fucking hell! It’s string day tomorrow."" I’d had enough of them. I grew tired of the strings. But that’s not why they asked me. It was more the punch I was doing later on and they just liked the sound that I made, whatever it was. They liked something about it."

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