Search

Search only in certain items:

    CBC App

    CBC App

    Lifestyle

    (0 Ratings) Rate It

    App

    The CBC App includes content from our weekend services as well as access to all areas of church...

40x40

Guy Pearce recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Okay. I do come back to The Godfather, and to be honest, if I had more time to think about it, I would probably leave The Godfather out only because I know that it’s a film that is often touted. But primarily, I think it’s about Pacino for me. I think all of the things that make The Godfather what people call the perfect film, where you’re taken into a world where, for most us, is really just — we’re never going to go there ourselves, into the world of the mafia and organized crime, but to see how it’s connected to family and how that is the basis of this story being the bond within a family, is so foreign to, I think, most of us. Foreign as far as where killing is part of family life. It’s just so unusual, but at the same time, it’s done in such a way that they make it feel perfectly normal. Of course, again, there’s Brando, there’s Pacino, and then in the second one we see De Niro. I think I’m often drawn to films primarily because of the performances, and speaking of performances, I would then probably move to Dog Day Afternoon with Al Pacino for very different reasons. We see Pacino in Godfather in an extremely restrained performance. And then, of course, in Dog Day Afternoon, we see just this loose mess of a human being spilling out out all over the place, and he’s just absolutely electric and just as compelling and just as unpredictable as the character Michael Corleone in Godfather, but completely at opposite ends of the spectrum. I just think Pacino is someone for me who, like Brando, I just find him completely watchable and can’t get enough of him. Anything he does, really, I would find compelling. Although there have been performances lately that haven’t been as interesting as the earlier stuff. [Godfather and Dog Day Afternoon] are so different. They’re really, really different. I think Godfather is a better film, but I think Dog Day — that performance — John Cazale‘s performance in Dog Day, as well — and as you know, I have really eclectic taste anyway in the kinds of things that I like, and the kinds of jobs that I choose, too. I get just as much out of both of those films. The potential energy that exists in Godfather versus Dog Day is that they’re just extreme, explosive kind of sweaty performances of Pacino [and they are] are two completely different things, but they both affect me a great deal."

Source
  
    Bible Offline JFA

    Bible Offline JFA

    Reference and Book

    (0 Ratings) Rate It

    App

    Read God's Word without internet. There are several features in Bible Offline that make your...

Trust Me
Trust Me
Kelly Irvin | 2022 | Contemporary, Mystery
6
6.0 (1 Ratings)
Book Rating
a bit too much, for ME!
Independent reviewer for Archaeolibrarian, I received my copy of this book via Netgalley.

I'm not 100% how I feel about this book, so I'll try to explain (which is not always possible!)

I liked the premise of this book. Delaney's boyfriend was sent to prison for the manslaughter of her brother. He maintained his innocence throughout. The day of his release, she finds her best friend killed the same way, and Hunter is now prime suspect. What follows is a race to not only prove Hunter's claim, but to prevent any more deaths.

I liked that we hear from more than just Delaney and Hunter. I do like to hear from everyone.

I liked the suspense aspect. I wasn't fully certain whodunnit, til it was revealed in the book.

It is a bit violent, with the death discoveries being described in detail. I did think that was appropriate though, for the most part, for this book.

It is clean. I didn't mind that. I do prefer my books on the more explicit side, but I'm big enough to say when a book does not need it.

It does drag a bit, between about 40 to 70% and I very nearly dumped it, but I wanted to know how it would all turn out.

And we come to my biggest issue. I'm quite happy to read Christian books, religious characters, deeply faithful or mindly thoughtful about higher powers. But this book takes the references to God and faith and belief a little bit too far, FOR ME. It felt like, at least every page had a reference to God or faith. A bit like it was shoving it down my throat. It really was, for ME, too much. I stress this point, this is MY OPINION, and how I felt about it.

This is the first I've read of this author. Will I read more? Probably not. A quick search shows a back list of religious themed books, and if they are anything like this one, I won't like it.

So, because of the major dragging bit, and because of the constant God/faith thing . . .

3 stars
  
Run (2020)
Run (2020)
2020 | Horror, Mystery, Thriller
7
7.2 (6 Ratings)
Movie Rating
For starters, the general premise of Run is a scary one. In a world where everything seems to be getting more tempestuous by the day, it can be difficult to place your trust in other humans, but if there is one person you should be able to trust unconditionally, it's your own mother. It becomes rapidly apparent during the runtime just how much control Diane (Sarah Paulson) has over her daughter Chloe's (Kiera Allen) day-to-day life. When Chloe begins to suspect that things aren't quite what they seem, shit quickly hits the fan. What follows is a thriller that touches upon how damaging and overbearing love can be.
There are some genuinely tense moments sprinkled throughout, and some scenes that are quite uncomfortable to watch (with a few creepy shots thrown in for good measure). It wears it's inspirations on its sleeve - Misery is a clear influence here, both thematically and visually, but it feels like there is homage being paid rather than any ripping off.
The main issue I had was with the pacing. There isn't really much of a build up before Chloe starts to figure out that there's some fuckery afoot - kudos for getting straight to it - but it results in a narrative that takes forever to get to its climax. This is a minor gripe, thanks in no small part to the two lead actresses. I love Sarah Paulson in American Horror Story - even in that shows' low points, she always remains a constant positive - so I'm always happy to see her in other projects. Kiera Allen is the show stealer though, and the two have them share a great dynamic that really bolsters all the other positives.

In short, Aneesh Chaganty has crafted a tight and tense thriller with Run, and after this and Searching, I look forward to whatever he next brings to the table.