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Bong Mines Entertainment (15 KP) rated Wishful Thinking by Augustine in Music
Jun 17, 2019
“The first song I released as an artist that changed so much about my life. It’s a memory of the contrasts in a relationship, thinking that it’s a bit scary if the current moment is the highlight of your life. You are high on life but so afraid to lose the feeling that you somehow lose yourself instead.” – Augustine
‘Luzon’ is Augustine’s debut single. Shortly after its release, it skyrocketed to #1 on Hype Machine.
The likable tune contains a lighthearted storyline, beautiful falsetto vocals, and cinematic instrumentation flavored with an alternative-pop aroma.
Augustine – “Viola”
“I was a little angry with the world when I wrote ‘Viola’. Much of that anger was due to feelings of anxiety, guilt, and other boring things. The line ‘I’ll be your biggest disappointment if you sum up the years of adolescence’ is really about being scared of not being enough.” – Augustine
‘Viola’ contains a relatable narrative, likable vocals, and warm instrumentation pulsating with mellotron tones and distinctive drums.
Augustine – “Wishful Thinking”
“I’m weak for synth-pop songs that are so big that you just lose yourself in them. So I wanted to try one myself. ‘Wishful Thinking’ is a twisted love story about looking back at something with both regret and lack. But mostly with a fear of forgetting how a certain person is, looks and sounds.” – Augustine
The title track “Wishful Thinking” tells a twisted love story about looking back at something with both regret and lack. But mostly with a fear of forgetting how a certain person is, looks and sounds.
This reminiscence is juxtaposed with exhilarating energy which builds throughout the song, emulating a windows-down late night drive and overwhelming liberation.
‘Wishful Thinking’ contains a relatable storyline, pleasing vocals, and enjoyable instrumentation which takes listeners on a bombastic synth-pop thrill ride.
The likable tune reveals Augustine’s penchant for massive synth-based productions like Lana Del Rey‘s “Summertime Sadness” and Future Islands’ “Seasons”.
Augustine – “A Scent of Lily”
“This was initially an attempt to write a pop song, with inspiration from the chorus of Ariana Grande’s ‘Into You’. ‘Lily’ eventually became much more alternative. It’s about powerlessness in a relationship, when you buy into everything about the other person, to the point that you stop thinking your own sensible thoughts.” – Augustine
‘A Scent of Lily’ is another critically acclaimed tune which made Augustine one of 2019’s most talked about new artists.
Like “Luzon”, it peaked at #1 on Hype Machine. Also, it placed Augustine in a conversational comparison with iconic voices like Bon Iver, Mark Foster, James Blake, and Ezra Koenig.
‘A Scent of Lily’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with electro-pop and modern dance elements.
Augustine – “Slacks”
“The most personal song of the EP. It’s about how a lovely relationship didn’t last because of the distance. We moved to different cities, and I became so self-absorbed. I started suffering from agoraphobia that made it hard for me to even go outside. A little crazy in hindsight.” – Augustine
‘Slacks’ possesses a bittersweet storyline, heartfelt vocals, and stripped instrumentation perfumed with a nostalgic scent.
Get acquainted with Augustine’s “Wishful Thinking” EP by streaming it via Spotify.
“Hearing the EP from a distance, it became clear that this music grew out many years of me being afraid of being a disappointment to others. All the lyrics were inspired by being afraid of people, the world and leaving things behind.” – Augustine
All five songs featured on “Wishful Thinking” are collaborations between Augustine and producers Rassmus Björnson and Agrin Rahmani (LÉON, Skott).
https://www.bongminesentertainment.com/augustine-wishful-thinking/
Goddess in the Stacks (553 KP) rated The Kingdom of Copper (The Daevabad Trilogy #2) in Books
Apr 1, 2019
I expected a certain amount of backstory explanation in Kingdom of Copper - and it wasn't there. I think the book assumes you remember everything that happened in City of Brass - and I most certainly did not. I don't remember why we have the division between the djinn and the daeva, or really which is which. I know the shafit are part human, part...djinn? Daeva? See that's the problem. These are very politicky books and forgetting key parts of the political drama makes this book VERY hard to follow. I don't know WHY there's conflict between certain people, and I don't recognize missteps when characters make them because I've forgotten who has which opinions.
All the worldbuilding explanations are in the first book, and they aren't revisited in this one. Had I KNOWN that, I might have re-read City of Brass before this came out, as much as I dislike re-reading anything.
All of that aside, and despite my confusion, I mostly enjoyed this continuation of Nahri's story. We delved a little more into murky bloodlines, the more recent past of Daevabad, and the more ancient past of Nahri's healer ancestors, the Nahids.
I still love Nahri, I like Ali a little more, and I like Dara a little less. I am curious to see where the third book leads, especially after the cliffhanger ending of this one. I just might have to re-read both City of Brass and this one before reading the trilogy's conclusion.
You can find all my reviews at http://goddessinthestacks.com