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Sassy Brit (97 KP) rated Then She Was Gone in Books
Jun 5, 2019
Then She Was Gone by the Sunday Times Bestseller Lisa Jewell, was a super-fast read for me. Several years after her daughter Ellie has gone missing , Laurel meets new man Floyd, who is absolutely smitten with her. When he takes her home to meet his kid Poppy, Laurel is surprised as how much she reminds her of her missing daughter when she was the same age. Coincidence? Or something much more untoward?
I think you can tell where this one is heading…
Admittedly, I guessed pretty early on, what was going to happen and how Noelle was involved in the whole situation. Yes, I’m being cryptic here, trying hard not to reveal spoilers for anyone who has not read this yet. But, even the blurb is an unsubtle clue. What blew me away was what was really going on with Laurel’s new boyfriend, Floyd in the final scenes. The way Lisa Jewell connected everything together and revealed the truth made this a very exciting read.
Was Floyd really as bad as Jake’s girlfriend, Blue had thought? Could he really be blamed for his actions bearing in mind his upbringing and how he came to be with Poppy? Would there ever have been a right time to reveal all? It’s bit like those situations when you mean to call someone up, but forget, and keep forgetting until much later. Only by then, so much time has passed it feels too late to ring at all. But in Floyd’s case, and in this analogy, he doesn’t even own a phone…
I thought the plot was a little bit far fetched, but despite this it worked. In fact, as we hear what really happened to Ellie, I found myself thinking the theme had changed from psychological thriller to borderline horror. By the time I got to the end I was positive this was a four star read, and then the last page did it for me. I shed a tear! Yep, I thought it was sad and unless my hormones are playing up for some odd reason, that last page did it for me. In between howling and sniffing, I moved my 4 stars to a 4.5 star rating! Oh, Lisa Jewell, please promise me you’ll never go back to chicklit! I cannot wait to see what you come up with next in this genre. I await to be dazzled! (And I don’t have to wait long as Watching You is due out in July).
Clever, moving and addictive reading.
I think you can tell where this one is heading…
Admittedly, I guessed pretty early on, what was going to happen and how Noelle was involved in the whole situation. Yes, I’m being cryptic here, trying hard not to reveal spoilers for anyone who has not read this yet. But, even the blurb is an unsubtle clue. What blew me away was what was really going on with Laurel’s new boyfriend, Floyd in the final scenes. The way Lisa Jewell connected everything together and revealed the truth made this a very exciting read.
Was Floyd really as bad as Jake’s girlfriend, Blue had thought? Could he really be blamed for his actions bearing in mind his upbringing and how he came to be with Poppy? Would there ever have been a right time to reveal all? It’s bit like those situations when you mean to call someone up, but forget, and keep forgetting until much later. Only by then, so much time has passed it feels too late to ring at all. But in Floyd’s case, and in this analogy, he doesn’t even own a phone…
I thought the plot was a little bit far fetched, but despite this it worked. In fact, as we hear what really happened to Ellie, I found myself thinking the theme had changed from psychological thriller to borderline horror. By the time I got to the end I was positive this was a four star read, and then the last page did it for me. I shed a tear! Yep, I thought it was sad and unless my hormones are playing up for some odd reason, that last page did it for me. In between howling and sniffing, I moved my 4 stars to a 4.5 star rating! Oh, Lisa Jewell, please promise me you’ll never go back to chicklit! I cannot wait to see what you come up with next in this genre. I await to be dazzled! (And I don’t have to wait long as Watching You is due out in July).
Clever, moving and addictive reading.
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Otway93 (580 KP) rated the PlayStation 4 version of LEGO Star Wars: The Skywalker Saga in Video Games
Apr 26, 2022
Character Roster (2 more)
Humour
Gameplay
Character Skins (3 more)
Collectibles
Replayability
Crashing
The Force was with them...mostly.
Contains spoilers, click to show
After 2 years of waiting, it's finally here, and for the most part, we are not disappointed! As someone who was there for the release of the original Lego Star Wars in 2005, I can say things have got better, and things have got worse. It balances out pretty well.
The game allows us to play through one of the most important and popular cinematic sagas in history, never missing a moment as far as I've noticed, and not forgetting that hilarious Lego video game humour that we've come to love over the years.
With around 380 characters (kind of, I'll get to that) to unlock and play as, from the most beloved characters to the guy you forgot existed and still don't really remember from the films, you have character choices aplenty, with different skills and upgrades to keep you going for a long time.
So that's the positives, so far so good. But now, alas, some quite big negatives.
Firstly, as I mentioned, you can unlock around 380 characters to play as...kind of. The term "character" here is a bit misleading. There's plenty of characters, yes, more than you could really want, but with some characters they have multiple skins to show off their wardrobe from across the saga. Luke Skywalker for example has 17 different skins all classed as a separate character.
Secondly, the collectibles. In this game, the blue bricks that have featured in the free roam of previous games, have reached a new high in terms of quantity. Over 1,100 to be found, all can be found via a number of repetitive tasks.
Thirdly, crashing seems to be a huge issue on the PS5 version. The game for me has crashed and closed over a dozen times since day one while using the character selection. That plus the lack of a manual save feature makes for some frustrating moments and wasted time.
And finally, and perhaps most disappointingly, replaying levels. The entire game has 45 main story levels, 5 per episode, These levels are really only highlights, just the most memorable parts, you can't go back and enjoy everything from the beginning. Level 1 for example would see you instantly speeding away from the giant fish as you leave the Gungan city, while level 2 puts you straight into the Podracing.
Overall, this is a great game that I would recommend to any Star Wars fan, but it was far from perfect in terms of design.
The game allows us to play through one of the most important and popular cinematic sagas in history, never missing a moment as far as I've noticed, and not forgetting that hilarious Lego video game humour that we've come to love over the years.
With around 380 characters (kind of, I'll get to that) to unlock and play as, from the most beloved characters to the guy you forgot existed and still don't really remember from the films, you have character choices aplenty, with different skills and upgrades to keep you going for a long time.
So that's the positives, so far so good. But now, alas, some quite big negatives.
Firstly, as I mentioned, you can unlock around 380 characters to play as...kind of. The term "character" here is a bit misleading. There's plenty of characters, yes, more than you could really want, but with some characters they have multiple skins to show off their wardrobe from across the saga. Luke Skywalker for example has 17 different skins all classed as a separate character.
Secondly, the collectibles. In this game, the blue bricks that have featured in the free roam of previous games, have reached a new high in terms of quantity. Over 1,100 to be found, all can be found via a number of repetitive tasks.
Thirdly, crashing seems to be a huge issue on the PS5 version. The game for me has crashed and closed over a dozen times since day one while using the character selection. That plus the lack of a manual save feature makes for some frustrating moments and wasted time.
And finally, and perhaps most disappointingly, replaying levels. The entire game has 45 main story levels, 5 per episode, These levels are really only highlights, just the most memorable parts, you can't go back and enjoy everything from the beginning. Level 1 for example would see you instantly speeding away from the giant fish as you leave the Gungan city, while level 2 puts you straight into the Podracing.
Overall, this is a great game that I would recommend to any Star Wars fan, but it was far from perfect in terms of design.
Phillip McSween (751 KP) rated Risky Business (1983) in Movies
Apr 8, 2018
Solid 80's Romantic Comedy
Things get crazy for Joel Goodson (Tom Cruise) when his parents leave for the weekend and a call girl shows up at his door. A quiet weekend alone turns into one full of sex, drugs, and...pimps named Guido?
Acting: 10
Before Tom cruise commanded the screen with a number of memorable action and sci-fi films, he played the role of a young high school kid completely unsure of himself. His innocent charm is instantly likable. He's vulnerable, but not in an annoying kind of way. Amazing performance, not just from Cruise but from the supporting cast as well.
Beginning: 10
Characters: 10
I love when characters aren't the same people they started out as in the film. Character development can be hard to manage in film because you have such a short window of time to pull it off successfully. I respected and appreciated the development of Joel and Lana (Rebecca De Mornay). Joel goes from being a kid who can't tell if he's coming or going to a confident kid that acts older than his age. Hiding underneath his new exterior is a boy that's still scared to death as his life's stakes are now realer than ever. Lana enters the film cold and removed from her situation and leaves with a warmer heart and more of a vulnerable side. It's refreshing watching these characters mature right in front of you.
Cinematography/Visuals: 10
Tom Cruise sliding across the floor in just a button down and socks. That slow motion wind-filled moment where we meet Lana for the first time. The L train scene. These are just a handful of moments that define this film and make it a memorable experience. Director Paul Brickman captures these shots just right to create a lasting impression.
Conflict: 6
The full conflict of the film doesn't really present itself until you're over halfway done with the film. Up to that point Risky Business feels like more of an aimless adventure. A good time without any stakes involved.
Genre: 7
Very original romantic comedy that is unique in its premise. It has a solid realistic feel in the way the characters think and react. Joel knows he needs to stay away from Lana, yet he can't help himself in being drawn to her. If Forgetting Sarah Marshall is one of my pinnacles for rom-coms, Risky Business is certainly in the wheelhouse.
Memorability: 8
Pace: 7
Plot: 7
Resolution: 4
Overall: 79
It's a film I will watch anytime I see it's on. While it didn't rewrite the history of cinema, Risky Business manages to hold its own as a good watch, even if the ending was a little underwhelming.
Acting: 10
Before Tom cruise commanded the screen with a number of memorable action and sci-fi films, he played the role of a young high school kid completely unsure of himself. His innocent charm is instantly likable. He's vulnerable, but not in an annoying kind of way. Amazing performance, not just from Cruise but from the supporting cast as well.
Beginning: 10
Characters: 10
I love when characters aren't the same people they started out as in the film. Character development can be hard to manage in film because you have such a short window of time to pull it off successfully. I respected and appreciated the development of Joel and Lana (Rebecca De Mornay). Joel goes from being a kid who can't tell if he's coming or going to a confident kid that acts older than his age. Hiding underneath his new exterior is a boy that's still scared to death as his life's stakes are now realer than ever. Lana enters the film cold and removed from her situation and leaves with a warmer heart and more of a vulnerable side. It's refreshing watching these characters mature right in front of you.
Cinematography/Visuals: 10
Tom Cruise sliding across the floor in just a button down and socks. That slow motion wind-filled moment where we meet Lana for the first time. The L train scene. These are just a handful of moments that define this film and make it a memorable experience. Director Paul Brickman captures these shots just right to create a lasting impression.
Conflict: 6
The full conflict of the film doesn't really present itself until you're over halfway done with the film. Up to that point Risky Business feels like more of an aimless adventure. A good time without any stakes involved.
Genre: 7
Very original romantic comedy that is unique in its premise. It has a solid realistic feel in the way the characters think and react. Joel knows he needs to stay away from Lana, yet he can't help himself in being drawn to her. If Forgetting Sarah Marshall is one of my pinnacles for rom-coms, Risky Business is certainly in the wheelhouse.
Memorability: 8
Pace: 7
Plot: 7
Resolution: 4
Overall: 79
It's a film I will watch anytime I see it's on. While it didn't rewrite the history of cinema, Risky Business manages to hold its own as a good watch, even if the ending was a little underwhelming.
Kristy H (1252 KP) rated The Breakdown in Books
Jan 21, 2018
Predictable (1 more)
Silly plot
Cass is driving home one rainy night--taking the back road to her house--when she sees a woman stopped by the side of the road. Cass pauses to help her, but eventually drives home without making any contact. She feels bad about not assisting, but the crazy storm prevents her from even seeing who is in the car. It's only later that her husband tells her that someone was murdered that night, and Cass realizes that it was the same woman she saw. Eventually Cass realizes it was a woman she knew, Jane, and she feels even worse. After, Cass is consumed by Jane's murder. She feels watched and is convinced the murderer is calling her house repeatedly. She's forgetting things, unable to work her household appliances, and receiving items she swears she never ordered. Is Cass truly going crazy--and is the murderer coming for her next?
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Ross (3284 KP) rated Redemption's Blade: After the War in Books
Jun 15, 2018
Storyline is not engaging (2 more)
Reading the aftermath of events that you have no knowledge of
I'm still not 100% sure there wasn't an earlier book I'm meant to have read
A sequel to a book not written yet (that sounds more interesting)
*Disclosure - I received an advance copy of this book from NetGalley in exchange for an honest review*
Over the last few months I have been lucky to read three new Tchaikovsky books. As this was the first fantasy book of those three (the other two being war sci-fi) I had fingers crossed for a return to the heights of the Shadows of the Apt series. I was sadly disappointed.
The scope of this book is truly epic in every sense. The world we are thrown into has a diverse range of beings, species, cities, religions and beliefs and a rich history. The events follow on from the end of a tyrannical reign of the Kinslayer, a power-mad demi-god who tried to break the spirit of those races he didn't just wipe out. We see the Kinslayer-slayer Celestaine's attempts to do good in the aftermath of this war, and try to make one species whole again. This aim leads her on a journey across the world where we are introduced to a range of new peoples and places. The journey goes on from place to place, the company increasing all the while.
I have real respect for Tchaikovsky trying to do something new - tell the story that follows on from a somewhat typical fantasy tale. Sadly for me, the story that went before sounds so much more interesting and engaging - the besting of a truly despicable being. This story is instead something of an empty, largely pointless journey. The ending leads us to believe someone had been luring people with the promise of magical items, to come to him and ultimately their doom - however, the trail leading to him was not exactly clear and the chances of anyone following it would be minimal (let alone someone following it at exactly the right pace to witness certain key events!). The world-building is epic and yet completely forgettable. I found myself forgetting who people were, why they were doing things and I completely missed one major reveal in the final chapters, only to re-read and find that there pretty much was no reveal.
I am a fan of Tchaikovsky's writing style but for me this book was a struggle to get through. I had no feelings towards any of the characters and couldn't remember or care where they had been or why, or what had happened. Not a worthwhile investment of my time.
Over the last few months I have been lucky to read three new Tchaikovsky books. As this was the first fantasy book of those three (the other two being war sci-fi) I had fingers crossed for a return to the heights of the Shadows of the Apt series. I was sadly disappointed.
The scope of this book is truly epic in every sense. The world we are thrown into has a diverse range of beings, species, cities, religions and beliefs and a rich history. The events follow on from the end of a tyrannical reign of the Kinslayer, a power-mad demi-god who tried to break the spirit of those races he didn't just wipe out. We see the Kinslayer-slayer Celestaine's attempts to do good in the aftermath of this war, and try to make one species whole again. This aim leads her on a journey across the world where we are introduced to a range of new peoples and places. The journey goes on from place to place, the company increasing all the while.
I have real respect for Tchaikovsky trying to do something new - tell the story that follows on from a somewhat typical fantasy tale. Sadly for me, the story that went before sounds so much more interesting and engaging - the besting of a truly despicable being. This story is instead something of an empty, largely pointless journey. The ending leads us to believe someone had been luring people with the promise of magical items, to come to him and ultimately their doom - however, the trail leading to him was not exactly clear and the chances of anyone following it would be minimal (let alone someone following it at exactly the right pace to witness certain key events!). The world-building is epic and yet completely forgettable. I found myself forgetting who people were, why they were doing things and I completely missed one major reveal in the final chapters, only to re-read and find that there pretty much was no reveal.
I am a fan of Tchaikovsky's writing style but for me this book was a struggle to get through. I had no feelings towards any of the characters and couldn't remember or care where they had been or why, or what had happened. Not a worthwhile investment of my time.
theVman (16 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 1, 2018 (Updated Jun 1, 2018)
Supporting Actors (1 more)
Director manged to pull together a watchable film
The two leads actors (1 more)
Clunky Script
A Good Lead Casting is Far Far Away
Its not The Last Jedi bad, but it nowhere close to being The Force Awakens good. Its main problem being that its leading actors struggle to bring a shred of charisma to the screen. Luckily the supporting cast did their job brilliantly and its the support that the film so desperately needed. Much like Rouge One did, Solo director Ron Howard delivers a very different looking Star Wars story and that is made very clear from the first shot. Visually, Solo invokes it inner Ridley Scott, and uses a very mixed bag in the use of it colour and lighting palettes that in any other movie might feel as if its been jigsawed together by three different directors. Somehow Solo has made this work to its advantage and by offering us answers to the key questions we might have about Hans Solo past “How did he meet Chewy?” and “How did he get the Millennium Falcon?” we can get through a very clunky and disjointed script with the end result being something watchable – just.
I cant shake the fact that i thought Alden Ehrenreich, facially, looks alot more like a young Jack Back than Harrison Ford. In fairness every now and again Alden captures a small something that made Star Wars fans fall in love with Hans Solo in the first place, but he mainly offers an uneven performance that made me forget that i was supposed to be watching a younger version of the charming rouge. Emilia Clarkes portrayal as the love interest, was as emotional barren as the plot offered through out the entire first act of the film, and combined, almost destroys the audiences ability to invest in the rest of the film at all.
However, the second act brings the arrival of Donald Glover pretty much nailing his role as a younger Lando Carlrissian, unfortunately the script makes this Lando feel like a bit of a character of obligation as oppose to a character of substance and necessity. The action scenes pick up, the usual special effects and musical score make things a little more “Star Wars-y” and the film becomes way more enjoyable. Knowing that these are its strengths, the film over indulges in them way to much, leading to lengthy action scenes over staying their welcome and forgetting to develop the subplots.
After an action heavy middle, the script tries do too much in the final act to reclaim its grasp on a story leading to a very laborious and tedious climax.
I cant shake the fact that i thought Alden Ehrenreich, facially, looks alot more like a young Jack Back than Harrison Ford. In fairness every now and again Alden captures a small something that made Star Wars fans fall in love with Hans Solo in the first place, but he mainly offers an uneven performance that made me forget that i was supposed to be watching a younger version of the charming rouge. Emilia Clarkes portrayal as the love interest, was as emotional barren as the plot offered through out the entire first act of the film, and combined, almost destroys the audiences ability to invest in the rest of the film at all.
However, the second act brings the arrival of Donald Glover pretty much nailing his role as a younger Lando Carlrissian, unfortunately the script makes this Lando feel like a bit of a character of obligation as oppose to a character of substance and necessity. The action scenes pick up, the usual special effects and musical score make things a little more “Star Wars-y” and the film becomes way more enjoyable. Knowing that these are its strengths, the film over indulges in them way to much, leading to lengthy action scenes over staying their welcome and forgetting to develop the subplots.
After an action heavy middle, the script tries do too much in the final act to reclaim its grasp on a story leading to a very laborious and tedious climax.