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Movie Metropolis (309 KP) rated Thor (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel films have become a staple for any movie fan’s diet over the past few years. We’ve had some bloody fantastic ones; Spiderman 2, Iron Man and the second X-Men to name a few; and we’ve had some pretty rubbish ones, Hulk, The Fantastic Four and Spiderman 3 are ones that spring to mind.
Here we stand, two years before the release of the much anticipated Avengers movie and the latest offering from Marvel blasts onto our screens: Thor, but is it a success?
Kenneth ‘Thespian’ Brannagh helms this more unknown superhero flick and surprisingly with his track record of Shakespearean cinema, makes one hell of a film.
Chris Hemsworth from Home & Away stars as the Viking god himself and is the perfect choice for the role; I can’t think of anyone better suited to playing him. 6 foot 6 with blonde hair and blue eyes, come on; it can’t just be a coincidence surely? Natalie Portman (Black Swan) and Stellen Skarsgard (Mamma Mia) also star but are unfortunately largely forgettable; Portman certainly won’t be receiving an Oscar for her performance here.
Thor takes place in the fictional realm of Asgard, ruled by an ill looking, but perfect as usual Anthony Hopkins as King Odin. Of course Asgard is created via special effects and these are flawless; from the rainbow bridge that connects that world to Earth, to the sweeping shots of the enemy Frost Giant’s home. It is here, in this beautiful place that Thor really shines, the story is dense and succinct with beautiful performances from all
the actors. The sheer scope of the film is literally immense and this could’ve dwarfed the characters, but thankfully it doesn’t.
Unfortunately, Thor’s banishment to Earth for reckless behaviour isn’t as exciting and these portions of the film feel a little flat in comparison to the bright lights of Asgard. Thankfully, Hemsworth makes sure that the usual Marvel humour is included which stops these scenes from being a complete failure. Portman and Skarsgard feel lost next to Hemsworth’s fantastic characterisation which is unfortunate as they have both proved themselves to be brilliant actors.
The constant tie-in’s with the upcoming Avengers film are shameless and an obvious marketing probe but they do little to detract from the film itself, the inclusion of S.H.I.E.L.D doesn’t feel as laboured as it could have done and thankfully they play a good part in the film – even if it is in the less interesting Earth scenes.
Thor is a film as mighty as the legendary hammer its title character uses; it’s loud, occasionally obnoxious and unashamedly reliant on special effects, more-so than any other Marvel film, but this time, it works.
Kenneth Brannagh’s influence is apparent from the off, with the Shakespearean narrative at the beginning being a real highlight of the film. Thankfully, the highlights don’t stop there and apart from a few lapses in judgement, the film steamrolls itself to a decent, if little underwhelming climax.
Overall, Thor is fabulous, a really good attempt at creating a brilliant film from a rather unknown superhero. If Iron Man hadn’t been released, it would most definitely be the best of the Marvel films to date, as a result, it comes a really close second. A real treat!
https://moviemetropolis.net/2011/05/19/thor-2011/
Here we stand, two years before the release of the much anticipated Avengers movie and the latest offering from Marvel blasts onto our screens: Thor, but is it a success?
Kenneth ‘Thespian’ Brannagh helms this more unknown superhero flick and surprisingly with his track record of Shakespearean cinema, makes one hell of a film.
Chris Hemsworth from Home & Away stars as the Viking god himself and is the perfect choice for the role; I can’t think of anyone better suited to playing him. 6 foot 6 with blonde hair and blue eyes, come on; it can’t just be a coincidence surely? Natalie Portman (Black Swan) and Stellen Skarsgard (Mamma Mia) also star but are unfortunately largely forgettable; Portman certainly won’t be receiving an Oscar for her performance here.
Thor takes place in the fictional realm of Asgard, ruled by an ill looking, but perfect as usual Anthony Hopkins as King Odin. Of course Asgard is created via special effects and these are flawless; from the rainbow bridge that connects that world to Earth, to the sweeping shots of the enemy Frost Giant’s home. It is here, in this beautiful place that Thor really shines, the story is dense and succinct with beautiful performances from all
the actors. The sheer scope of the film is literally immense and this could’ve dwarfed the characters, but thankfully it doesn’t.
Unfortunately, Thor’s banishment to Earth for reckless behaviour isn’t as exciting and these portions of the film feel a little flat in comparison to the bright lights of Asgard. Thankfully, Hemsworth makes sure that the usual Marvel humour is included which stops these scenes from being a complete failure. Portman and Skarsgard feel lost next to Hemsworth’s fantastic characterisation which is unfortunate as they have both proved themselves to be brilliant actors.
The constant tie-in’s with the upcoming Avengers film are shameless and an obvious marketing probe but they do little to detract from the film itself, the inclusion of S.H.I.E.L.D doesn’t feel as laboured as it could have done and thankfully they play a good part in the film – even if it is in the less interesting Earth scenes.
Thor is a film as mighty as the legendary hammer its title character uses; it’s loud, occasionally obnoxious and unashamedly reliant on special effects, more-so than any other Marvel film, but this time, it works.
Kenneth Brannagh’s influence is apparent from the off, with the Shakespearean narrative at the beginning being a real highlight of the film. Thankfully, the highlights don’t stop there and apart from a few lapses in judgement, the film steamrolls itself to a decent, if little underwhelming climax.
Overall, Thor is fabulous, a really good attempt at creating a brilliant film from a rather unknown superhero. If Iron Man hadn’t been released, it would most definitely be the best of the Marvel films to date, as a result, it comes a really close second. A real treat!
https://moviemetropolis.net/2011/05/19/thor-2011/
Kristy H (1252 KP) rated Every Last Lie in Books
Jan 23, 2018
Irritating characters (1 more)
Letdown of an ending
A bit of a letdown
Clara Solberg's new son, Felix, is just days old when her husband, Nick, and four-year-old daughter, Maisie are in a terrible car crash. They are heading home from Maisie's ballet class when Nick takes a curve too fast and the car slams into a tree--Maisie is amazingly uninjured, but Nick is killed. Devastated, Clara finds herself unable to sleep or eat and soon, Maisie begins having nightmares, telling her mother a bad man is after her and showing fear about a particular kind of car. Clara begins to wonder if her husband's death was really an accident. As she investigates, she also starts to ponder if she knew Nick at all.
Kubica's latest is told in alternating perspectives: Clara, as she deals with the aftermath of her husband's untimely death, and Nick, in the months leading up to the car crash. It should be an effective format, causing things to unfurl slowly and build tension and suspense. Unfortunately, in this case, it also creates a layer of stress. Maybe I just caught this book at a bad time--I was busy with work and could only pick it up in bits and pieces for a while--but the first 2/3 or so just stressed me out. I found myself almost dreading picking it back up and finding out what Clara was up to. While we should have sympathy for Clara, as her husband is dead and she's left alone with two small children, I often found her annoying and, honestly, a borderline terrible parent.
As such, her parenting decisions and overall bad judgment left me unable to enjoy or even fathom huge portions of the novel. Maybe she's clouded by grief and fatigue, but I'm not sure I'd immediately go from my child having one nightmare to thinking my husband had been killed. Nor would I leave my children in the (hot) car alone everywhere I went, chasing down leads on this supposed murder. Good grief. Her unhinged behavior was hard to stomach after awhile.
Nick's portions were almost easier to read, even if he too is an unsympathetic character: a man who just needed to not lie constantly to his wife. (Why, why must characters just lie incessantly in some of these novels?)
The one redeeming facet for this novel was the last third--and again, I have to say that maybe I just found the book at a bad time, because when I finally found a little time to read it uninterrupted (e.g., stay up too late the night before my children started school--a decision I'm still regretting), it did pick up. I read the last third in one setting, because the dramatic tension was finally affecting me, and I needed to know what happened.
Still, even in the end, I felt let down by it all. Why did I read this? What was the point? I have read two other of Kubica's novels and enjoyed them, particularly Pretty Baby, but this one just didn't do it for me.
Overall: stressful, lacked the appropriate tension for most of the novel, belabored by annoying/irritating characters, and a letdown of an ending. Before writing this review, I was thinking 3 stars, but as I'm writing, I realized this was a 2.5 star read for me. Hopefully you will enjoy it more than me. I will definitely read whatever Kubica writes (and I still have The Good Girl waiting on my Kindle app), but I'm disappointed by this one.
More at http://justacatandabookatherside.blogspot.com/.
Kubica's latest is told in alternating perspectives: Clara, as she deals with the aftermath of her husband's untimely death, and Nick, in the months leading up to the car crash. It should be an effective format, causing things to unfurl slowly and build tension and suspense. Unfortunately, in this case, it also creates a layer of stress. Maybe I just caught this book at a bad time--I was busy with work and could only pick it up in bits and pieces for a while--but the first 2/3 or so just stressed me out. I found myself almost dreading picking it back up and finding out what Clara was up to. While we should have sympathy for Clara, as her husband is dead and she's left alone with two small children, I often found her annoying and, honestly, a borderline terrible parent.
As such, her parenting decisions and overall bad judgment left me unable to enjoy or even fathom huge portions of the novel. Maybe she's clouded by grief and fatigue, but I'm not sure I'd immediately go from my child having one nightmare to thinking my husband had been killed. Nor would I leave my children in the (hot) car alone everywhere I went, chasing down leads on this supposed murder. Good grief. Her unhinged behavior was hard to stomach after awhile.
Nick's portions were almost easier to read, even if he too is an unsympathetic character: a man who just needed to not lie constantly to his wife. (Why, why must characters just lie incessantly in some of these novels?)
The one redeeming facet for this novel was the last third--and again, I have to say that maybe I just found the book at a bad time, because when I finally found a little time to read it uninterrupted (e.g., stay up too late the night before my children started school--a decision I'm still regretting), it did pick up. I read the last third in one setting, because the dramatic tension was finally affecting me, and I needed to know what happened.
Still, even in the end, I felt let down by it all. Why did I read this? What was the point? I have read two other of Kubica's novels and enjoyed them, particularly Pretty Baby, but this one just didn't do it for me.
Overall: stressful, lacked the appropriate tension for most of the novel, belabored by annoying/irritating characters, and a letdown of an ending. Before writing this review, I was thinking 3 stars, but as I'm writing, I realized this was a 2.5 star read for me. Hopefully you will enjoy it more than me. I will definitely read whatever Kubica writes (and I still have The Good Girl waiting on my Kindle app), but I'm disappointed by this one.
More at http://justacatandabookatherside.blogspot.com/.
Zuky the BookBum (15 KP) rated Gather the Daughters in Books
Mar 15, 2018
I was so interested in this one because it's ultimately about a cult. A cult who live on an island where very strict rules are put in place. Daughters are used to "comfort" their Father's during the night until their first bleed, then they get married off, Mothers are used for producing two children and housework. Sons help their Fathers in their jobs and Fathers rule the land.
On the island they have a Bible / religious text equivalent called Our Book and within the book there are the "Shalt Not's", for example "Thou shalt not disobey thy father", or "Thou shalt not touch a daughter who has bled until she enters her summer of fruition". Living on the island is simple if you don't question or break the rules.
For a woman to have a decent life on the island, there's only one piece of advice: have son's.
If you can't already see what I'm getting at from my short description above, then let me put this simply. <b>This is dark.</b> Gather the Daughters is a very ominous, disturbed and often times uncomfortable read.
Melamed's writing is stunning. The island she has created comes alive in your mind so easily with every description of the trees, the houses, the beach. The shadiness of the men, the melancholy of the woman, and the fear of the daughters can really be felt and you can almost touch the tension of what is looming, as it gets heavier and heavier with every turn of the page.
I loved the use of the four different characters to tell a story. To begin with, it is a little confusing - who is who? But you get used to it very quickly! Each of the girls we follow are so well developed, we climb inside their shoes and exist as they do for the length of their chapter. Personally, Rosie was my favourite character of them all, and she wasn't even one of the main ones! That just goes to show how well structured every single girl in this book was... when you feel you can love a side character over a main one.
I guess this book only gets a 4 stars because it wasn't entirely what I was expecting... and sometimes that's a good thing, your expectations are exceeded, but that wasn't the case for this one. It was a lot slower moving than I would have liked, there were panicky, heart racing moments, but not a lot of them, and I wasn't really satisfied with how everything ended. I don't want to say too much because of spoilers, but yes, not what I was hoping for.
Would I class this as sci-fi? No. As horror? No. As a thriller? No. For me, this felt more like a general fiction novel with some more disturbing aspects than many of the others in the genre have.
Overall, though, this is worth picking up to read. It's definitely uncomfortable to read at times and I did feel a little bit squirmish at what is implied throughout, but it's such a gorgeously written book and there are some excellent exciting moments. As this is Melamed's first book, I can see her going big places with more fiction in the future!
<i>P.S. If you don't feel comfortable reading books about incest / child sexual abuse please don't read this and then rate it 1 star because you found the subject matter difficult to read. That's just not fair.</i>
On the island they have a Bible / religious text equivalent called Our Book and within the book there are the "Shalt Not's", for example "Thou shalt not disobey thy father", or "Thou shalt not touch a daughter who has bled until she enters her summer of fruition". Living on the island is simple if you don't question or break the rules.
For a woman to have a decent life on the island, there's only one piece of advice: have son's.
If you can't already see what I'm getting at from my short description above, then let me put this simply. <b>This is dark.</b> Gather the Daughters is a very ominous, disturbed and often times uncomfortable read.
Melamed's writing is stunning. The island she has created comes alive in your mind so easily with every description of the trees, the houses, the beach. The shadiness of the men, the melancholy of the woman, and the fear of the daughters can really be felt and you can almost touch the tension of what is looming, as it gets heavier and heavier with every turn of the page.
I loved the use of the four different characters to tell a story. To begin with, it is a little confusing - who is who? But you get used to it very quickly! Each of the girls we follow are so well developed, we climb inside their shoes and exist as they do for the length of their chapter. Personally, Rosie was my favourite character of them all, and she wasn't even one of the main ones! That just goes to show how well structured every single girl in this book was... when you feel you can love a side character over a main one.
I guess this book only gets a 4 stars because it wasn't entirely what I was expecting... and sometimes that's a good thing, your expectations are exceeded, but that wasn't the case for this one. It was a lot slower moving than I would have liked, there were panicky, heart racing moments, but not a lot of them, and I wasn't really satisfied with how everything ended. I don't want to say too much because of spoilers, but yes, not what I was hoping for.
Would I class this as sci-fi? No. As horror? No. As a thriller? No. For me, this felt more like a general fiction novel with some more disturbing aspects than many of the others in the genre have.
Overall, though, this is worth picking up to read. It's definitely uncomfortable to read at times and I did feel a little bit squirmish at what is implied throughout, but it's such a gorgeously written book and there are some excellent exciting moments. As this is Melamed's first book, I can see her going big places with more fiction in the future!
<i>P.S. If you don't feel comfortable reading books about incest / child sexual abuse please don't read this and then rate it 1 star because you found the subject matter difficult to read. That's just not fair.</i>
Debbiereadsbook (1202 KP) rated Dragonslayer (Twitterlight #1) in Books
Sep 25, 2018
creeps up on ya, but so bloody good!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
Adam, a student, is pulled into a world, a fight, he knows nothing about. A fight involving a sword and a dragon and hero that it seems he is! Faced with four armed beasts, flying lizards, magic and sorcery, fur sprouting lovers, and many more challenging things, Adam must kill the dragon, and return home, or die trying.
I don't know about you, but I read a lot, a LOT, a lot. And much of that reading is within the same genres and I'm happy to be doing all that reading, don't get me wrong. It's just much of the same. And I don't know what I was expecting from this book, but I'm fairly certain I saw the word dragon in the blurb and that did it for me.
This book, right here?? Totally way out of my comfort zone, and it is high fantasy at its very best! I freaking LOVED this book, bar one teeny tiny thing, but I'll come back to that. So bloody good!
Adam is pulled into the twitterlight world, where there is no sun, nor moon, and the world is bathed in this half light. A princess, a warrior, and a child cast out from his people find Adam, and immediately bring him into their quest. And Adam is like " oh, ok, lets get to it then!" He literally just jumps straight in and I loved that he did not question much in the beginning; more so, once he realised that HE was the one meant to kill the dragon, but still, he was mostly " yeah ok!"
Duin, the child cast out from his people but a child no more, creeps into Adam heart, much as he does his bed, and I loved that, while fully aware that such things are not the norm in this twitterlight world, Duin can't keep away from Adam.
I LOVED the twist at the end, I really did not see that one coming!
Which brings me to why I knocked a whole star off, even though I loved this book.
Single
Person
Point
Of
View.
Only Adam gets a voice! And I wanted, no I desperately NEEDED to hear from Duin, I really did! There were to many to mention points along the way that Duin needed to be heard and he wasn't. And that really pissed me off, even though I did LOVE this book! Oh, don't get me wrong, it's a bloody great book, even without Duin's voice, but I WANTED his voice, you know?? It would really have made this a stand out of the year book, for me!
It's billed as Twitterlight book one, but I can't see anything pertaining to future books. I don't know if they will be about Adam and Duin future adventures, or if they will be about other people we have met here. I don't care, I want to read them. This is the first I've read of Matthew Lang, and he is firmly in my crosshairs.
So, ONLY because Duin doesn't get a say
4 stars
**same worded review will appear elsewhere**
Adam, a student, is pulled into a world, a fight, he knows nothing about. A fight involving a sword and a dragon and hero that it seems he is! Faced with four armed beasts, flying lizards, magic and sorcery, fur sprouting lovers, and many more challenging things, Adam must kill the dragon, and return home, or die trying.
I don't know about you, but I read a lot, a LOT, a lot. And much of that reading is within the same genres and I'm happy to be doing all that reading, don't get me wrong. It's just much of the same. And I don't know what I was expecting from this book, but I'm fairly certain I saw the word dragon in the blurb and that did it for me.
This book, right here?? Totally way out of my comfort zone, and it is high fantasy at its very best! I freaking LOVED this book, bar one teeny tiny thing, but I'll come back to that. So bloody good!
Adam is pulled into the twitterlight world, where there is no sun, nor moon, and the world is bathed in this half light. A princess, a warrior, and a child cast out from his people find Adam, and immediately bring him into their quest. And Adam is like " oh, ok, lets get to it then!" He literally just jumps straight in and I loved that he did not question much in the beginning; more so, once he realised that HE was the one meant to kill the dragon, but still, he was mostly " yeah ok!"
Duin, the child cast out from his people but a child no more, creeps into Adam heart, much as he does his bed, and I loved that, while fully aware that such things are not the norm in this twitterlight world, Duin can't keep away from Adam.
I LOVED the twist at the end, I really did not see that one coming!
Which brings me to why I knocked a whole star off, even though I loved this book.
Single
Person
Point
Of
View.
Only Adam gets a voice! And I wanted, no I desperately NEEDED to hear from Duin, I really did! There were to many to mention points along the way that Duin needed to be heard and he wasn't. And that really pissed me off, even though I did LOVE this book! Oh, don't get me wrong, it's a bloody great book, even without Duin's voice, but I WANTED his voice, you know?? It would really have made this a stand out of the year book, for me!
It's billed as Twitterlight book one, but I can't see anything pertaining to future books. I don't know if they will be about Adam and Duin future adventures, or if they will be about other people we have met here. I don't care, I want to read them. This is the first I've read of Matthew Lang, and he is firmly in my crosshairs.
So, ONLY because Duin doesn't get a say
4 stars
**same worded review will appear elsewhere**
Acanthea Grimscythe (300 KP) rated The Toy Thief in Books
Jan 31, 2019
There are few bonds closer than brother and sister, and we learn that first hand in D. W. Gillespie’s The Toy Thief. Best described by author Michael Patrick Hicks as a “coming-of-age story,” The Toy Thief encompasses the childhood of strong-headed, tomboyish Jack and her brother Andy. Together, the two must thwart a darkness that threatens their livelihood and that of other children around them.
In this creative piece, Gillespie takes a different approach to the ‘why’ behind things that go missing from our homes. We’ve all lost socks, batteries, Tupperware, toys, etc., only to have these items turn up later somewhere else or, in some cases, never to be seen again. But what if all those things were actually going somewhere, rather than simply being lost as a byproduct of human irresponsibility? In The Toy Thief, a dark entity swipes toys from children in order to feed off the happiness and positive energy that thrives within those items. Using these items as a way to sustain its own life force, the Toy Thief soon finds itself running out of options for staying alive, and that’s where things truly take a dark turn in this story.
I found the characters in The Toy Thief to be lacking, honestly. Though I am a fan of the non-traditional use of the name Jack for a female character, the characters in this story are a bit too flat for my taste–and this is perhaps where I made the decision to give this book three stars, rather than four. Jack, for all her tomboyish quirks and fiery attitude (at least in her older years), shows little of that in her child years. Andy, on the other hand, seems to lack personality altogether. The father, despite being the only parent in their lives, plays less of a role in the book than the cat, Memphis. Actually, Memphis seems to be the most fleshed out of all the characters, with what felt like the most genuine reactions to many of the ongoing events in the story.
On the other hand, Gillespie’s ability to generate sympathy for a villain–in this case, the Toy Thief itself–is phenomenal. I would be a liar if I said I didn’t feel so badly for the Toy Thief that I nearly cried on several occasions and, if you’re a sucker for bad guys like I am, that alone is a good reason to delve into this book. The emotional connection that Gillespie creates between the reader and the Toy Thief is heartrending and brilliant.
Gillespie’s novel does a wonderful job when it comes to the creep factor. There are times I felt my skin crawl while reading this book, if only because his ability to write of dread is on point. However, when it comes to descriptions of the Toy Thief, I felt like his arsenal ran a little dry. More often than not, the creature was described the same way, using the same words and to me, this was a bit of a put-off.
Overall, The Toy Thief is not a bad book. It’s not the best that I’ve read, but it was enjoyable and I was able to suck it down fairly quickly. I didn’t feel like I was force-feeding it to myself, either and for those that know me, that’s a good thing. I definitely look forward to more of Gillespie’s work in the future.
I received this book from the publisher in exchange for an honest review.
In this creative piece, Gillespie takes a different approach to the ‘why’ behind things that go missing from our homes. We’ve all lost socks, batteries, Tupperware, toys, etc., only to have these items turn up later somewhere else or, in some cases, never to be seen again. But what if all those things were actually going somewhere, rather than simply being lost as a byproduct of human irresponsibility? In The Toy Thief, a dark entity swipes toys from children in order to feed off the happiness and positive energy that thrives within those items. Using these items as a way to sustain its own life force, the Toy Thief soon finds itself running out of options for staying alive, and that’s where things truly take a dark turn in this story.
I found the characters in The Toy Thief to be lacking, honestly. Though I am a fan of the non-traditional use of the name Jack for a female character, the characters in this story are a bit too flat for my taste–and this is perhaps where I made the decision to give this book three stars, rather than four. Jack, for all her tomboyish quirks and fiery attitude (at least in her older years), shows little of that in her child years. Andy, on the other hand, seems to lack personality altogether. The father, despite being the only parent in their lives, plays less of a role in the book than the cat, Memphis. Actually, Memphis seems to be the most fleshed out of all the characters, with what felt like the most genuine reactions to many of the ongoing events in the story.
On the other hand, Gillespie’s ability to generate sympathy for a villain–in this case, the Toy Thief itself–is phenomenal. I would be a liar if I said I didn’t feel so badly for the Toy Thief that I nearly cried on several occasions and, if you’re a sucker for bad guys like I am, that alone is a good reason to delve into this book. The emotional connection that Gillespie creates between the reader and the Toy Thief is heartrending and brilliant.
Gillespie’s novel does a wonderful job when it comes to the creep factor. There are times I felt my skin crawl while reading this book, if only because his ability to write of dread is on point. However, when it comes to descriptions of the Toy Thief, I felt like his arsenal ran a little dry. More often than not, the creature was described the same way, using the same words and to me, this was a bit of a put-off.
Overall, The Toy Thief is not a bad book. It’s not the best that I’ve read, but it was enjoyable and I was able to suck it down fairly quickly. I didn’t feel like I was force-feeding it to myself, either and for those that know me, that’s a good thing. I definitely look forward to more of Gillespie’s work in the future.
I received this book from the publisher in exchange for an honest review.
Kristy H (1252 KP) rated The Unhoneymooners in Books
Jun 21, 2019
Ami and Olive Torres are twins, but they couldn't be more different. Ami is known for her good luck. She wins everything (seriously, everything--her entire wedding is basically free thanks to her winnings) and is known for her charmed life. Olive, on the other hand, has chronic bad luck. Olive is known for getting stuck in a toy claw machine at the age of six (people still google the YouTube video). As of late, her roommate moved out, forcing Olive to find a new, more expensive place, and she lost her job and hasn't found a new one. Now Ami's getting married to Dane, and therefore Olive must face her worst nemesis: Dane's older brother, Ethan, aka the best man. For some reason, Ethan seems to hate Olive, and the feeling is mutual. But then everyone at Ami's wedding gets sick--really sick--after eating the buffet, except for Olive and Ethan. So Ami encourages Olive--and Dane, Ethan--to take the couple's free honeymoon to Maui. The two reluctantly agree, and Olive's luck seems to be turning. She's even offered a new job while waiting at the airport. But at the resort, she and Ethan run into Olive's new boss, forcing them to continue the lie of being a happy newly married couple. But Olive finds she doesn't really mind pretending to be married to Ethan. Maybe this trip won't be so bad after all, right?
"You know what they say about self-fulfilling prophecies, I'm sure. Winning makes you feel like a winner, and then somehow... you keep winning. It has to be true, because Ami wins everything."
This was such an enjoyable romance. For me, I have to take to the couple from the start, and it was so easy to fall for Olive, who is such a sweet and easy protagonist to root for. The witty banter between her and Ethan begins at Ami's wedding and never stops. There's immediate sexual tension and chemistry between these two, and you can't help but want them to get together and totally love this adorable couple. It's even easier to love them when poor Olive feels as if she's been plagued by bad luck her entire life--she's labeled by most as a cynic and pessimist. But I found myself cheering her on, inspired by her bravery and ability to face any situation thrown at her.
"Whereas Ami is a four-leaf-clover, I have always been unlucky."
There are definitely some crazy situations in this book, but it still felt very real and true. There are real heartfelt moments, and Olive and Ami's twin relationship is an anchoring piece of the entire novel. So is their crazy extended family of the twins' (dysfunctional) parents, cousins, aunts, and uncles, which provide great comic relief, but also love and tender pieces.
"It wasn't until I was in the fifth grade that I realized not everyone has nineteen first cousins."
This is a delicious, sexy romance and also a lovely coming-of-age story for Olive. I loved both sides of the book. It's downright hilarious in parts, and it's impossible not to love Olive. Even better, Olive and Ethan are a great, memorable couple. The ending is also amazing, and I found myself literally cheering at parts of it. This would make a great movie, truly. Honestly, there was really nothing I didn't love about this one. Highly recommend. 4.5+ stars.
"You know what they say about self-fulfilling prophecies, I'm sure. Winning makes you feel like a winner, and then somehow... you keep winning. It has to be true, because Ami wins everything."
This was such an enjoyable romance. For me, I have to take to the couple from the start, and it was so easy to fall for Olive, who is such a sweet and easy protagonist to root for. The witty banter between her and Ethan begins at Ami's wedding and never stops. There's immediate sexual tension and chemistry between these two, and you can't help but want them to get together and totally love this adorable couple. It's even easier to love them when poor Olive feels as if she's been plagued by bad luck her entire life--she's labeled by most as a cynic and pessimist. But I found myself cheering her on, inspired by her bravery and ability to face any situation thrown at her.
"Whereas Ami is a four-leaf-clover, I have always been unlucky."
There are definitely some crazy situations in this book, but it still felt very real and true. There are real heartfelt moments, and Olive and Ami's twin relationship is an anchoring piece of the entire novel. So is their crazy extended family of the twins' (dysfunctional) parents, cousins, aunts, and uncles, which provide great comic relief, but also love and tender pieces.
"It wasn't until I was in the fifth grade that I realized not everyone has nineteen first cousins."
This is a delicious, sexy romance and also a lovely coming-of-age story for Olive. I loved both sides of the book. It's downright hilarious in parts, and it's impossible not to love Olive. Even better, Olive and Ethan are a great, memorable couple. The ending is also amazing, and I found myself literally cheering at parts of it. This would make a great movie, truly. Honestly, there was really nothing I didn't love about this one. Highly recommend. 4.5+ stars.
Phil Leader (619 KP) rated The Great Zoo of China in Books
Nov 13, 2019
The Chinese government have been working for years to create the ultimate tourist attraction, a very special zoo stocking with only one kind of animal - dragons. Long considered a myth the Chinese have found that they do exist and now they are ready to astound the world by showing of these amazing creatures and the fantastic zoo they have created to house them.
CJ Cameron is one of those invited to attend a special press preview tour, on behalf of National Geographic. A renowned expert on all types of reptiles she takes her brother Hamish with her as a photographer as part of a small and select group so that they can be the first to reveal the zoo to the world.
But on this special day, the dragons have their own plan and soon the Chinese are fighting for control of the dragons and the zoo they have created, with Cameron and the other group of journalists caught in the middle as the fearsome beasts rampage through the complex. Cameron must rely on her wits and experience with crocodiles and alligators to survive.
The obvious four word description of this book is 'Jurassic Park with dragons' but also superficially that does describe it's also missing the point of both books. Indeed Reilly acknowledges the Jurassic Park angle, both in an off the cuff remark by Hamish at the start of the book and also in the interview at the back. Jurassic Park has Michael Crichton in full science-as-thriller mode, pondering the latest advances (at the time) of both DNA and fossil discoveries and then giving a glimpse of how these beasts must have been when they ruled the world. The thrill comes from the dinosaurs themselves, they are the stars of the book.
In The Great Zoo of China the dragons are very much a McGuffin. Any suitably fearsome creature would have done, real, historical, mythical or completely imagined. They are simply a powerful threat to humans and agents capable of wreaking huge amounts of death and destruction, as would be expected of Reilly. The star of the show is Cameron, and to a lesser extent her brother (and a few others).
Cameron is Reilly's first lead female character in an action role (The Tournament being a completely different kind of book) and this works really well in the novel, both in terms of setup and plot and she makes a convincing heroine using her knowledge and intelligence to combat each threat.
Of course there are moments where the reader has to suspend their belief. Reilly doesn't aim for gritty realism, he goes for the big and impressive set pieces, almost certain death and narrow escapes that clearly would be impossible in the real world. His novels are very much blockbuster movies transferred to the written word, with the added bonus that the special effects come free courtesy of the reader's imagination.
As usual the plot drives at a breathtaking pace although the real story doesn't start until Reilly has taken us on a tour of his ultimate zoo and shown off his dragons before letting them off the leash.
Yes some of it is pure hokum and there are a couple of plot holes, but at the end of the day this was not written to win any literary prizes. This was written to entertain and thrill and it does that with ease.
Rated: Strong language and graphic violence (i.e. lots of people eaten by dragons)
CJ Cameron is one of those invited to attend a special press preview tour, on behalf of National Geographic. A renowned expert on all types of reptiles she takes her brother Hamish with her as a photographer as part of a small and select group so that they can be the first to reveal the zoo to the world.
But on this special day, the dragons have their own plan and soon the Chinese are fighting for control of the dragons and the zoo they have created, with Cameron and the other group of journalists caught in the middle as the fearsome beasts rampage through the complex. Cameron must rely on her wits and experience with crocodiles and alligators to survive.
The obvious four word description of this book is 'Jurassic Park with dragons' but also superficially that does describe it's also missing the point of both books. Indeed Reilly acknowledges the Jurassic Park angle, both in an off the cuff remark by Hamish at the start of the book and also in the interview at the back. Jurassic Park has Michael Crichton in full science-as-thriller mode, pondering the latest advances (at the time) of both DNA and fossil discoveries and then giving a glimpse of how these beasts must have been when they ruled the world. The thrill comes from the dinosaurs themselves, they are the stars of the book.
In The Great Zoo of China the dragons are very much a McGuffin. Any suitably fearsome creature would have done, real, historical, mythical or completely imagined. They are simply a powerful threat to humans and agents capable of wreaking huge amounts of death and destruction, as would be expected of Reilly. The star of the show is Cameron, and to a lesser extent her brother (and a few others).
Cameron is Reilly's first lead female character in an action role (The Tournament being a completely different kind of book) and this works really well in the novel, both in terms of setup and plot and she makes a convincing heroine using her knowledge and intelligence to combat each threat.
Of course there are moments where the reader has to suspend their belief. Reilly doesn't aim for gritty realism, he goes for the big and impressive set pieces, almost certain death and narrow escapes that clearly would be impossible in the real world. His novels are very much blockbuster movies transferred to the written word, with the added bonus that the special effects come free courtesy of the reader's imagination.
As usual the plot drives at a breathtaking pace although the real story doesn't start until Reilly has taken us on a tour of his ultimate zoo and shown off his dragons before letting them off the leash.
Yes some of it is pure hokum and there are a couple of plot holes, but at the end of the day this was not written to win any literary prizes. This was written to entertain and thrill and it does that with ease.
Rated: Strong language and graphic violence (i.e. lots of people eaten by dragons)
Kristy H (1252 KP) rated The Arrangement in Books
Aug 5, 2019
Twenty-one-year-old Natalie gratefully escaped her small-town life in Washington state, including an obsessive ex-boyfriend who broke into her house when she told him she was leaving for art school in New York City. But now the glamorous life she dreamed of is anything but: even with a partial scholarship, she's struggling to pay her tuition and rent. So when her friend tells her of a possible solution--go online and find an older sugar daddy: a wealthy man who pays her for dates--Natalie is intrigued. She figures it is a temporary solution until she gets back on her feet. But then she meets Gabe Turnmill, a handsome lawyer, more than thirty years older her senior. Soon she's madly in love with Gabe, who gives her a monthly allowance and helps her find her own apartment. But Gabe has his own family and life, and when he ends things with Natalie, she's devastated, unable to let things go. She begins stalking Gabe and his family. Gabe is a powerful man, however, and he's not going to let his sugar baby ruin his life.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Gareth von Kallenbach (980 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
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Who are these adorable Santa's helpers? Holiday season is here and Sweet Baby Girl with her best...