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Chris Sawin (602 KP) rated Jennifer's Body (2009) in Movies
Jun 22, 2019
Devil's Kettle is a small town where everyone knows everybody. The story revolves around the relationship between Needy (Amanda Seyfried) and Jennifer (Megan Fox) and other than having similar interests, the two are polar opposites. Needy is more of the quiet, girl next door type that is a bit of a bookworm with a heart of gold whereas Jennifer is more spontaneous, mean spirited, and the stuck-up, hot cheerleader type that every high school boy seems to dream about being with. One night, Jennifer drags Needy to Melody Lane, the one bar in town, to see a new flavor of the week indie band called Low Shoulder. When the bar catches on fire and most of the people inside are crushed or burned in the destruction, Needy thinks that's where this horrible night gone wrong would end. That is until Jennifer decides to go off with the band in their van and Needy has to make her way back home alone. After that night, a demon is transferred into Jennifer's body with an unquenchable hunger for high school guys. As Needy begins to accept what's happened to her BFF, she realizes that she's the only one that has a chance of stopping Jennifer once and for all.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Bob Mann (459 KP) rated Bombshell (2019) in Movies
Jan 26, 2020
Power-house female lead roles, times 3. (1 more)
John Lithgow (who should have got a supporting actor nom)
Sleazy old Fox.
This is a curious one. I wonder whether the audience reaction to this one will polarize along gender lines as it did for my wife and I? For I thought this one was "good, but nothing special"... but the illustrious Mrs Movie Man thought it was excellent and would be "memorable".
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
Lee KM Pallatina (951 KP) rated Die Hard (1988) in Movies
Jan 16, 2021 (Updated Jan 17, 2021)
The casting (3 more)
Plot
SFX
Bruce Willis and Alan Rickman in general
Welcome to the party pal!
In 1988 Hollywood Gambled on a lesser known tv star for it's high budget action thriller.
Laughed at when hearing their choice of actor, it was the 80's and when you heard action movie you'd immediately think "Schwarzenegger or stallone, maybe even Kurt Russel" Hollywood wanted obe of the bigger stars and reached out to them, but they all turned it down so average Joe became their Vacationing NYPD hero, so they stuck with the man known as Bruce Willis!
Whilst Visiting his estranged wife at the (fictional) Nakatomi plaza (Fox plaza) the building and it's workforce are quickly taken hostage.
Enter John McClain (willis) a rough looking, smooth talking (the guy literally has a smooth/relaxed voice) witty, sarcastic NYPD cop who just can't seem to catch a break.
Armed with everything I wrote above, aswell as bare feet, air-vents, and a fire hose, McClain pursues the terrorists in an action packed attempt at proving his wife wrong and maybe saving a few people in the process.
Die Hard is a classic 80's action epic that spawned many terrible sequels (excluding 'with a vengeance') that we still paid to watch aswell as countless knockoffs.
Did you know?
. The team behind die hard was laughed at because of their lead choice (you should do I just told you)
. The movie was almost shut down because they used a real life helicopter around the building whilst local residents tried to sleep causing an outrage and filed complaints.
. miniature explosions were set of atop the building for affect.
. Alan Rickman was lied to about when he'd be dropped from the "building" the capture a natural look of fear (about a 30ft drop).
. It was Alan Rickmans first movie ( what a way to hit the ground and keep running)
. A replica model of the building was built to film the remaining explosions on the building.
. The original Vest (tank top) is on display in the Smithsonian.
.the movie was filmed during official construction of the fox plaza aka nakatomi plaza.
Laughed at when hearing their choice of actor, it was the 80's and when you heard action movie you'd immediately think "Schwarzenegger or stallone, maybe even Kurt Russel" Hollywood wanted obe of the bigger stars and reached out to them, but they all turned it down so average Joe became their Vacationing NYPD hero, so they stuck with the man known as Bruce Willis!
Whilst Visiting his estranged wife at the (fictional) Nakatomi plaza (Fox plaza) the building and it's workforce are quickly taken hostage.
Enter John McClain (willis) a rough looking, smooth talking (the guy literally has a smooth/relaxed voice) witty, sarcastic NYPD cop who just can't seem to catch a break.
Armed with everything I wrote above, aswell as bare feet, air-vents, and a fire hose, McClain pursues the terrorists in an action packed attempt at proving his wife wrong and maybe saving a few people in the process.
Die Hard is a classic 80's action epic that spawned many terrible sequels (excluding 'with a vengeance') that we still paid to watch aswell as countless knockoffs.
Did you know?
. The team behind die hard was laughed at because of their lead choice (you should do I just told you)
. The movie was almost shut down because they used a real life helicopter around the building whilst local residents tried to sleep causing an outrage and filed complaints.
. miniature explosions were set of atop the building for affect.
. Alan Rickman was lied to about when he'd be dropped from the "building" the capture a natural look of fear (about a 30ft drop).
. It was Alan Rickmans first movie ( what a way to hit the ground and keep running)
. A replica model of the building was built to film the remaining explosions on the building.
. The original Vest (tank top) is on display in the Smithsonian.
.the movie was filmed during official construction of the fox plaza aka nakatomi plaza.
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*＊✿❀ Maki ❀✿＊* (7 KP) rated Lore in Podcasts
May 3, 2018 (Updated May 3, 2018)
interesting stories (1 more)
amazingly atmospheric background music
can get repetitive (1 more)
"it seems"
I really like the premise of Lore. I'm endlessly fascinated by folklore, and the narrative structure of the podcast works for me. They're the perfect length to keep my attention, and the background music helps set the mood for the stories.
I only really have two small issues with Lore:
First, there's the somewhat repetitive nature of the subject matter (before every episode, my husband and I place bets on whether or not the episode is going to mention vampires, pooka, or H.H. Holmes - and lately - the Fox Sisters or Arthur Conan Doyle.) I do realize there's really only so many stories Menke can tell before he runs out of stories though, especially with the North American/UK-centric slant of the show.
And second, I don't mean to nitpick, but sometimes, it seems, Menke tends to overuse "it seems" as an interjection. It seems.
I apologize in advance if you can never unhear that writing quirk.
I only really have two small issues with Lore:
First, there's the somewhat repetitive nature of the subject matter (before every episode, my husband and I place bets on whether or not the episode is going to mention vampires, pooka, or H.H. Holmes - and lately - the Fox Sisters or Arthur Conan Doyle.) I do realize there's really only so many stories Menke can tell before he runs out of stories though, especially with the North American/UK-centric slant of the show.
And second, I don't mean to nitpick, but sometimes, it seems, Menke tends to overuse "it seems" as an interjection. It seems.
I apologize in advance if you can never unhear that writing quirk.
Eleanor (1463 KP) rated The Woman in the Window in Books
Jun 13, 2019 (Updated Jun 13, 2019)
Gripping unreliable narrator thriller
Housebound Anna Fox loves watching old movies and drinking a lot of wine, that is when she isn’t spying on her neighbours from out of the window. Not long after a new family move in Anna sees someone murdered but no one is willing to believe the drunk and that includes even Anna doubting what she saw.
There are a lot of unreliable narrator books around at the moment in the thriller genre and I think this is a solid addition, it’s a well written fast paced read. The plot doesn't seem to be anything groundbreaking and lacks in any real surprises in the plot but it’s very engagingly narrated. Maybe my love for staying in at home and drinking wine made this book speak to me but I found it engrossing and enjoyable. If your into old films you'll probably get a kick out of all the references to those as well.
Oh and net curtains when you are in a home that is overlooked why isn't that a thing....
There are a lot of unreliable narrator books around at the moment in the thriller genre and I think this is a solid addition, it’s a well written fast paced read. The plot doesn't seem to be anything groundbreaking and lacks in any real surprises in the plot but it’s very engagingly narrated. Maybe my love for staying in at home and drinking wine made this book speak to me but I found it engrossing and enjoyable. If your into old films you'll probably get a kick out of all the references to those as well.
Oh and net curtains when you are in a home that is overlooked why isn't that a thing....
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