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Kayleigh (12 KP) rated George's Marvellous Medicine in Books
Jan 2, 2019
This was always my favourite Roald Dahl book, and I’ve re-remembered why now! It’s deliciously naughty, and everybody can imagine gleefully mixing up a concoction to make a disliked person yell “Oweeeee!”
A couple of years ago, I was an au pair in France for three children: a boy aged 9 and two girls, aged 5 years and 9 months old, respectively. I remember I had a little bit of trouble getting the children to settle down and listen to me reading a book, and alas, with the girls, I wasn’t actually successful. They were really intelligent kids, speaking French and German, with English as their third language. With the boy though – I’ll call him L, as I haven’t asked permission to use his name – he ended up loving this book. While there were some words I thought it necessary to replace so that he’d understand, he got really into it, and every day was asking me to read him another chapter.
It’s all slightly cheeky, and very funny. There have certainly been people over the years I’d love to make a magical medicine for, and I remember L getting more and more excited as he firstly wondered what was going to happen to Grandma, and then was fascinated by all the effects the medicine had.
There’s a real childish logic to how George goes about concocting his marvellous medicine, which I know appeals to many kids. She’s got rotten teeth, so he’ll put toothpaste in, and if that doesn’t work, he’ll paint them red with nail varnish. Genius! Here’s one of his ideas:
<blockquote>“The first one he took down was a large box of SUPERWHITE FOR AUTOMATIC WASHING-MACHINES. DIRT, it said, WILL DISAPPEAR LIKE MAGIC. George didn’t know whether Grandma was automatic or not, but she was certainly a dirty old woman.”</blockquote>
Quentin Blake’s illustrations really add to the story, particularly in the second half of the book, when the child reading it can see just how big the characters are getting.
The imagination is powerful, but even more so when mixed with these visual aids – see the picture to the right. I think the great thing about the detail of these illustrations – particularly Grandma’s face – is that you can project feelings onto them. In the context of the story it’s really easy to see her as a disgusting “old bird”, but if it was slightly different, judging from the front page you could see her as slightly mischievous too. Or is that just me?! However, I’m digressing. For an adult reading the book, the words dance off the tongue just like George, imagining he’s casting a spell over his cauldron. I found that L’s attention was thoroughly captured and he loved hearing the ‘special effects’ of all the whooshes and woweeees. There’s also the magical and triumphant aspects – he’s somehow created this cool concoction that has meant he’s got his own back on his grouchy old Grandma and helped out his dad by enlarging all the animals. I think kids love those feeling of pride and revenge they get on George’s behalf, while at the same time getting vivid images in their head that they’ll remember for a long time – I know I did!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
A couple of years ago, I was an au pair in France for three children: a boy aged 9 and two girls, aged 5 years and 9 months old, respectively. I remember I had a little bit of trouble getting the children to settle down and listen to me reading a book, and alas, with the girls, I wasn’t actually successful. They were really intelligent kids, speaking French and German, with English as their third language. With the boy though – I’ll call him L, as I haven’t asked permission to use his name – he ended up loving this book. While there were some words I thought it necessary to replace so that he’d understand, he got really into it, and every day was asking me to read him another chapter.
It’s all slightly cheeky, and very funny. There have certainly been people over the years I’d love to make a magical medicine for, and I remember L getting more and more excited as he firstly wondered what was going to happen to Grandma, and then was fascinated by all the effects the medicine had.
There’s a real childish logic to how George goes about concocting his marvellous medicine, which I know appeals to many kids. She’s got rotten teeth, so he’ll put toothpaste in, and if that doesn’t work, he’ll paint them red with nail varnish. Genius! Here’s one of his ideas:
<blockquote>“The first one he took down was a large box of SUPERWHITE FOR AUTOMATIC WASHING-MACHINES. DIRT, it said, WILL DISAPPEAR LIKE MAGIC. George didn’t know whether Grandma was automatic or not, but she was certainly a dirty old woman.”</blockquote>
Quentin Blake’s illustrations really add to the story, particularly in the second half of the book, when the child reading it can see just how big the characters are getting.
The imagination is powerful, but even more so when mixed with these visual aids – see the picture to the right. I think the great thing about the detail of these illustrations – particularly Grandma’s face – is that you can project feelings onto them. In the context of the story it’s really easy to see her as a disgusting “old bird”, but if it was slightly different, judging from the front page you could see her as slightly mischievous too. Or is that just me?! However, I’m digressing. For an adult reading the book, the words dance off the tongue just like George, imagining he’s casting a spell over his cauldron. I found that L’s attention was thoroughly captured and he loved hearing the ‘special effects’ of all the whooshes and woweeees. There’s also the magical and triumphant aspects – he’s somehow created this cool concoction that has meant he’s got his own back on his grouchy old Grandma and helped out his dad by enlarging all the animals. I think kids love those feeling of pride and revenge they get on George’s behalf, while at the same time getting vivid images in their head that they’ll remember for a long time – I know I did!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
Phil Leader (619 KP) rated The Tournament in Books
Nov 27, 2019
Australian author Matthew Reilly is known for his fast paced, edge of your seat, suspension of belief thrillers. This book is a considerable change from that, being a slower and more thoughtful tale of 16th century murder and intrigue.
Reilly's books, under the usual all-out action sequences, always convey a good plot and storyline and have strong characterisation. Here those are to the fore. The main players are a young Princess Elizabeth; daughter of King Henry VIII and soon to be Elizabeth I and her teacher, Roger Ascham. Sultan Sulieman the Magnificent has invited all the best chess players across Europe to play to decide which nation can claim to have the ultimate chess champions. Elizabeth and Roger accompany England's entrant both to avoid the black death but also because Ascham wants to give Elizabeth a wide education just in case she becomes queen.
After a few adventures on the way the party arrives, along with the representatives of the other nations. Court intrigue and politics abound and everyone has their own agenda. When there is a high profile murder, Sulieman requests the aid of Ascham - known for his insight and ability to resolve problems using logic - to find the culprit before there is an international scandal. As the bodies pile up, Ascham and young Elizabeth face dangerous and unknown enemies and uncover plots and dark secrets.
The medieval detective story is not entirely new for Reilly. Previous he has written a couple of short stories that are available for download from his website - www.mattewreilly.com - with this theme. Dead Prince concerns the death of the Dauphin in France and is investigated by the king's architect. Roger Ascham and the King's Missing Girl is a story that precedes The Tournament by a few months and effectively introduces Ascham and his skills as he tracks down a serial kidnapper and murderer in Cambridge.
Reilly acknowledges at the end of the book that he was influenced by works such as The Name of the Rose and indeed this has much of the same flavour. The plot is complex and has the chess match running through it (and indeed sections of the book are named after chess pieces). Everything is very well handled by Reilly and everything unravels nicely in the finale of the book.
This has also been well researched. With many real historical figures included (not only Elizabeth, Ascham and Sulieman but a supporting cast that includes Ivan the Terrible and Michelangelo) and the feel of all the descriptions is very authentic.
One aspect that has to be mentioned is that, since Reilly wanted to explore something that may have influenced Elizabeth in her future life, there are a fair number of events of a sexual nature that occur. Some of these have a direct bearing on the plot, others are so that Elizabeth can form opinions on sex and marriage. Reilly has printed a warning at the start of the book that this is not for younger readers, and I can fully endorse that.
I can imagine that a number of Reilly fans will not enjoy this book - the pace is slow and methodical rather than headlong and there are very few 'action' sequences to speak of. However I would recommend this book to anybody who likes historical detective style stories.
Reilly's books, under the usual all-out action sequences, always convey a good plot and storyline and have strong characterisation. Here those are to the fore. The main players are a young Princess Elizabeth; daughter of King Henry VIII and soon to be Elizabeth I and her teacher, Roger Ascham. Sultan Sulieman the Magnificent has invited all the best chess players across Europe to play to decide which nation can claim to have the ultimate chess champions. Elizabeth and Roger accompany England's entrant both to avoid the black death but also because Ascham wants to give Elizabeth a wide education just in case she becomes queen.
After a few adventures on the way the party arrives, along with the representatives of the other nations. Court intrigue and politics abound and everyone has their own agenda. When there is a high profile murder, Sulieman requests the aid of Ascham - known for his insight and ability to resolve problems using logic - to find the culprit before there is an international scandal. As the bodies pile up, Ascham and young Elizabeth face dangerous and unknown enemies and uncover plots and dark secrets.
The medieval detective story is not entirely new for Reilly. Previous he has written a couple of short stories that are available for download from his website - www.mattewreilly.com - with this theme. Dead Prince concerns the death of the Dauphin in France and is investigated by the king's architect. Roger Ascham and the King's Missing Girl is a story that precedes The Tournament by a few months and effectively introduces Ascham and his skills as he tracks down a serial kidnapper and murderer in Cambridge.
Reilly acknowledges at the end of the book that he was influenced by works such as The Name of the Rose and indeed this has much of the same flavour. The plot is complex and has the chess match running through it (and indeed sections of the book are named after chess pieces). Everything is very well handled by Reilly and everything unravels nicely in the finale of the book.
This has also been well researched. With many real historical figures included (not only Elizabeth, Ascham and Sulieman but a supporting cast that includes Ivan the Terrible and Michelangelo) and the feel of all the descriptions is very authentic.
One aspect that has to be mentioned is that, since Reilly wanted to explore something that may have influenced Elizabeth in her future life, there are a fair number of events of a sexual nature that occur. Some of these have a direct bearing on the plot, others are so that Elizabeth can form opinions on sex and marriage. Reilly has printed a warning at the start of the book that this is not for younger readers, and I can fully endorse that.
I can imagine that a number of Reilly fans will not enjoy this book - the pace is slow and methodical rather than headlong and there are very few 'action' sequences to speak of. However I would recommend this book to anybody who likes historical detective style stories.
Darren (1599 KP) rated The King (2019) in Movies
Nov 27, 2019
Verdict: Another King Fighting Film
Story: The King starts as the war between the English and the Scots continues to rage on, King Henry IV (Mendlesohn) is getting tired of the bloodshed and disloyalty being found in his own soldiers and with his health getting worse he recalls his son Hal (Chalamet) to his side.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
Sophia (Bookwyrming Thoughts) (530 KP) rated Marie Antoinette, Serial Killer in Books
Jan 23, 2020
I only picked up <i>Marie Antoinette, Serial Killer</i> for two reasons: 1) Marie Antoinette is a serial killer. I <i>had</i> to see it. 2) I'm in need of a book that's less of a romance. Oh, and I need a break from all of the books out there that do before I blow a gasket. Really, it's for everyone's benefit.
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Darkest Hour (2017) in Movies
Jul 11, 2019
As the Nazi’s sweep through Europe at the beginning of World War II the British face the difficult issue of replacing their Prime Minister. The people and members of Parliament have become disenchanted with Prime Minister Neville Chamberlain (Ronald Pickup). They feel his lack of action lead to the rise of Hitler and the Nazis. He agrees to step down and has to name a replacement. While he would prefer to have his protégé, Foreign Secretary Viscount Halifax (Stephen Dillane), there is only one member of his party that all of Parliament will accept, Winston Churchill (Gary Oldman). King George VI (Ben Mendelsohn) is also opposed to the brash and opinionated Churchill. Bowing to the will of the opposition Churchill the King agrees to appoint him the next Prime Minister. Although he is thrilled at finally achieving his lifelong dream he has no delusions that he is facing extremely difficult times ahead. The Nazis are tearing through Europe. They have already taken Belgium and Holland they now are invading France. The Nazis have also managed to surround nearly the entire British ground force on the French beaches with no way home. Not only does he have to worry about foreign foes but also his numerous political enemies in his own party. Many oppose his brash and unpredictable nature, while others think of him as heavy drinker that is no more than an exceptional orator with little capacity to make hard decisions. He must overcome all of this to protect the English people and prepare them for the tough days ahead.
Winston Churchill is a very well know historically figure. He was known for his powerful speeches and bigger than life personality. This film takes a look at the early days of him being Prime Minister, during some of the most volatile days in the history of Europe. Not only does the story delve into the politics and struggles of Churchill to put forth his agenda in a hostile climate but also shows him at his most vulnerable. One example is after delivering his first radio address to the nation he walks home alone and to talk with and be reassured by his wife, Clementine Churchill (Kristin Scott Thomas), that his speech was good and people could hear him.
Gary Oldman is spectacular in his role as Chruchill. From the iconic speeches to the light moments with his family and personal secretary, Elizabeth Layton (Lily James), he puts forth a great performance. The supporting cast is great as well, highlighted by Mendelsohn, Scott Thomas and James. The flow of the film really worked, under direction of Joe Wright (Atonement, The Soloist, and Pan). The two hour and five minute run time felt shorter and the movie really moved along. There were some points that they showed some battle scenes, after all it is a World War II era film, which did feel like afterthoughts and didn’t really add anything to the movie. The tension of the moment was well done even without these scenes. Besides those scenes the movie was shot well and added to the overall feel of the movie.
This film will appeal to those who are fans of history, the World War II era specifically, and historical figures. It also is powerful and heartfelt. Really the performances of the cast are what really stuck with me and will be the reason that I watch it again.
Winston Churchill is a very well know historically figure. He was known for his powerful speeches and bigger than life personality. This film takes a look at the early days of him being Prime Minister, during some of the most volatile days in the history of Europe. Not only does the story delve into the politics and struggles of Churchill to put forth his agenda in a hostile climate but also shows him at his most vulnerable. One example is after delivering his first radio address to the nation he walks home alone and to talk with and be reassured by his wife, Clementine Churchill (Kristin Scott Thomas), that his speech was good and people could hear him.
Gary Oldman is spectacular in his role as Chruchill. From the iconic speeches to the light moments with his family and personal secretary, Elizabeth Layton (Lily James), he puts forth a great performance. The supporting cast is great as well, highlighted by Mendelsohn, Scott Thomas and James. The flow of the film really worked, under direction of Joe Wright (Atonement, The Soloist, and Pan). The two hour and five minute run time felt shorter and the movie really moved along. There were some points that they showed some battle scenes, after all it is a World War II era film, which did feel like afterthoughts and didn’t really add anything to the movie. The tension of the moment was well done even without these scenes. Besides those scenes the movie was shot well and added to the overall feel of the movie.
This film will appeal to those who are fans of history, the World War II era specifically, and historical figures. It also is powerful and heartfelt. Really the performances of the cast are what really stuck with me and will be the reason that I watch it again.
Hazel (1853 KP) rated Purple Hearts in Books
Oct 24, 2017
Reimagined History
This ARC was provided by the publisher via NetGalley in exchange for an honest review
An epic tale of a reimagined World War II comes to an explosive end in this third and final book Purple Hearts. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, Purple Hearts, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
Purple Hearts is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book Purple Hearts. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, Purple Hearts, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
Purple Hearts is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated Purple Hearts in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Gareth von Kallenbach (980 KP) rated Hannibal Rising (2007) in Movies
Aug 14, 2019
After three books and films featuring the enigmatic and deadly Hannibal Lecter, author Thomas Harris has decided to lift the lid on the murky past of perhaps the most known killer in fiction.
In Hannibal Rising, Harris has crafted a screenplay that stays close to his 2006 book of the same name, and presents Hannibal as a sympathetic character driven to his fate due to circumstances beyond what any reasonable person should have to endure.
The film opens with young Hannibal in 1944 as the Lecter family flees their family castle from the advancing Nazi forces. When a series of bizarre circumstances leave Hannibal and his younger sister alone, they are easy victims to a band of scavengers who come upon them.
After a series of horrific situations, the film flashes forward 8 years where Hannibal (Gaspard Ulliel), is now a ward of the Soviet State, and as a further insult, his former family castle is now the orphanage in which he lives.
Hannibal draws the wrath of the local bully as he refuses to sing the required nationalist songs, and generally only makes noise when he is screaming in his sleep due to his nightmares about his sister.
Despite his withdrawn nature, Hannibal is not against striking back at his tormentor and does so before fleeing the orphanage to France where he makes his way to the home of his Uncle.
Upon arrival, Hannibal learns that his Uncle has passed away, but is taken in and cared for by his Aunt (Gong Li). As time passes, the two form a bond, and Hannibal learns about martial arts from his Aunt as well as more about her Japanese heritage.
Despite the positive changes in his life, Hannibal is still haunted by his sister and is obsessed about finding the men who held them captive and exacting revenge.
Towards this end, Hannibal snaps and exacts a violent revenge upon a local merchant who disparages his aunt, which makes Hannibal known to the local police, especially Inspector Popil (Dominic West), who investigate suspected war criminals.
When a chance lead surfaces, Hannibal returns to his homeland and confronts one of his childhood captors. As he exacts his revenge, he also learns information about the locales of the others he seeks, and soon sets out of a series of revenge killings, all the while attempting to stay ahead of Inspector Popil and the authorities.
The film for the most part works, as it is engaging and does move at a solid pace during its nearly two-hour run time. Ulliel does a good job of capturing the manic and sophisticated duality of Lecter but does not have the eerie presence of Sir Anthony Hopkins who made Lecter into a household name and took home and Oscar for his portrayal.
To expect Ulliel to equal the performance of Hopkins would be unfair in my opinion, so suffice it to say, he carries the film well, and does as much justice to the part as could be expected.
The last part of the film does become a bit to pat for my taste as it seems as if the filmmakers did not have enough confidence with the pacing of the film to allow it to unfold the way the previous 90 minutes had. Instead we get some by the number action sequences and a final confrontation that seems lifted from dozens of other films.
While the finale may lack the tension that the film had been building towards, there are enough moments in the film to make it worth seeing if you are a fan of the series.
In Hannibal Rising, Harris has crafted a screenplay that stays close to his 2006 book of the same name, and presents Hannibal as a sympathetic character driven to his fate due to circumstances beyond what any reasonable person should have to endure.
The film opens with young Hannibal in 1944 as the Lecter family flees their family castle from the advancing Nazi forces. When a series of bizarre circumstances leave Hannibal and his younger sister alone, they are easy victims to a band of scavengers who come upon them.
After a series of horrific situations, the film flashes forward 8 years where Hannibal (Gaspard Ulliel), is now a ward of the Soviet State, and as a further insult, his former family castle is now the orphanage in which he lives.
Hannibal draws the wrath of the local bully as he refuses to sing the required nationalist songs, and generally only makes noise when he is screaming in his sleep due to his nightmares about his sister.
Despite his withdrawn nature, Hannibal is not against striking back at his tormentor and does so before fleeing the orphanage to France where he makes his way to the home of his Uncle.
Upon arrival, Hannibal learns that his Uncle has passed away, but is taken in and cared for by his Aunt (Gong Li). As time passes, the two form a bond, and Hannibal learns about martial arts from his Aunt as well as more about her Japanese heritage.
Despite the positive changes in his life, Hannibal is still haunted by his sister and is obsessed about finding the men who held them captive and exacting revenge.
Towards this end, Hannibal snaps and exacts a violent revenge upon a local merchant who disparages his aunt, which makes Hannibal known to the local police, especially Inspector Popil (Dominic West), who investigate suspected war criminals.
When a chance lead surfaces, Hannibal returns to his homeland and confronts one of his childhood captors. As he exacts his revenge, he also learns information about the locales of the others he seeks, and soon sets out of a series of revenge killings, all the while attempting to stay ahead of Inspector Popil and the authorities.
The film for the most part works, as it is engaging and does move at a solid pace during its nearly two-hour run time. Ulliel does a good job of capturing the manic and sophisticated duality of Lecter but does not have the eerie presence of Sir Anthony Hopkins who made Lecter into a household name and took home and Oscar for his portrayal.
To expect Ulliel to equal the performance of Hopkins would be unfair in my opinion, so suffice it to say, he carries the film well, and does as much justice to the part as could be expected.
The last part of the film does become a bit to pat for my taste as it seems as if the filmmakers did not have enough confidence with the pacing of the film to allow it to unfold the way the previous 90 minutes had. Instead we get some by the number action sequences and a final confrontation that seems lifted from dozens of other films.
While the finale may lack the tension that the film had been building towards, there are enough moments in the film to make it worth seeing if you are a fan of the series.
Matthew Krueger (10051 KP) rated Eternal Darkness: Sanity's Requiem in Video Games
Oct 28, 2019 (Updated Oct 28, 2019)
Psychological Warfare
Contains spoilers, click to show
Eternal Darkness- why does no one talk about this game. It is amazing, its horrorfying, terroryfying, spooky, creepy, thrilling, chilling and so much more. Plus it came out only for the gamecube, which is huge because nintendo doesnt put out or release alot of horror games. This, luigi's mansion and Resident Evil 4 were the big horror games for the gamecube. Maybe more came out, but those 3 were the big ones. Lets talk about this game, shall we....
The narrative of the game's story switches between two phases. The main phase focuses on a series of chapters in which players take control of a new character each time. The other phase acts as an intermission. The game boasts twelve playable characters, split between four distinct locations, and from different periods of time.
The story features multiple paths that can be taken. This choice not only determines which of the game's three other antagonists are aligned to the plot, but it also has subtle effects on the gameplay in chapters and intermission periods. Some changes include slight differences in puzzles and items, but most changes revolve around enemy placement, which will determine how the player engages them. This can even have an effect on the relative difficulty of the game in certain situations. Red tinted enemies, for example, are tougher than their counterparts.
The other distinctive gameplay aspect comes from "Sanity Effects", the game's standout concept that Nintendo patented. Upon beginning the game's second chapter, players must keep watch on a Sanity meter – a green bar which decreases when the player is spotted by an enemy. As the bar becomes low, subtle changes to the environment and random unusual events begin to occur, which reflect the character's slackening grip on reality.
While minor effects include a skewed camera angle, heads of statues following the character, and unsettling noises, stronger effects include bleeding on walls and ceilings, entering a room that is unrealistic before finding that the character never left the previous room, the character suddenly dying, and fourth wall breaking effect such as "To Be Continued" promotions for a "sequel", and simulated errors and anomalies of the TV or GameCube. While the latter does not affect gameplay, they can be misconstrued by the player as being actual technical malfunctions.
Lets talk about the plot/story....
The story of Eternal Darkness takes place over four principal locations which the game skips back and forth between. They include an underground temple complex called the Forbidden City, in Persia; a Khmer temple in Angkor Thom, Cambodia; Oublié Cathedral in Amiens, France (not to be confused with Amiens Cathedral); and the Roivas Family Estate in Rhode Island, which also leads to an ancient underground city named Ehn'gha beneath the mansion. Each time a location is visited, it is done so in a different time period. Spanning from 26 BC to 2000 AD. Almost half of which take place in the 20th century. Each different era and character offers a different periodic and personal perspective on the location.
The chapters found in the game are not discovered in chronological order. Instead, to make the narrative more dramatic, each chapter jumps around the timeline of the plot. However, despite the overall story skipping back and forth through time, the chapters do follow chronological order within their respective locations. This is because each setting also has its own contained story.
This game is so good, its epic, im surprised that not of people know about this game and heard about this game.
I highly reccordmend playing this game.
Lastly shout out to @LeftSideCut for getting the hints/clues for this review.
The narrative of the game's story switches between two phases. The main phase focuses on a series of chapters in which players take control of a new character each time. The other phase acts as an intermission. The game boasts twelve playable characters, split between four distinct locations, and from different periods of time.
The story features multiple paths that can be taken. This choice not only determines which of the game's three other antagonists are aligned to the plot, but it also has subtle effects on the gameplay in chapters and intermission periods. Some changes include slight differences in puzzles and items, but most changes revolve around enemy placement, which will determine how the player engages them. This can even have an effect on the relative difficulty of the game in certain situations. Red tinted enemies, for example, are tougher than their counterparts.
The other distinctive gameplay aspect comes from "Sanity Effects", the game's standout concept that Nintendo patented. Upon beginning the game's second chapter, players must keep watch on a Sanity meter – a green bar which decreases when the player is spotted by an enemy. As the bar becomes low, subtle changes to the environment and random unusual events begin to occur, which reflect the character's slackening grip on reality.
While minor effects include a skewed camera angle, heads of statues following the character, and unsettling noises, stronger effects include bleeding on walls and ceilings, entering a room that is unrealistic before finding that the character never left the previous room, the character suddenly dying, and fourth wall breaking effect such as "To Be Continued" promotions for a "sequel", and simulated errors and anomalies of the TV or GameCube. While the latter does not affect gameplay, they can be misconstrued by the player as being actual technical malfunctions.
Lets talk about the plot/story....
The story of Eternal Darkness takes place over four principal locations which the game skips back and forth between. They include an underground temple complex called the Forbidden City, in Persia; a Khmer temple in Angkor Thom, Cambodia; Oublié Cathedral in Amiens, France (not to be confused with Amiens Cathedral); and the Roivas Family Estate in Rhode Island, which also leads to an ancient underground city named Ehn'gha beneath the mansion. Each time a location is visited, it is done so in a different time period. Spanning from 26 BC to 2000 AD. Almost half of which take place in the 20th century. Each different era and character offers a different periodic and personal perspective on the location.
The chapters found in the game are not discovered in chronological order. Instead, to make the narrative more dramatic, each chapter jumps around the timeline of the plot. However, despite the overall story skipping back and forth through time, the chapters do follow chronological order within their respective locations. This is because each setting also has its own contained story.
This game is so good, its epic, im surprised that not of people know about this game and heard about this game.
I highly reccordmend playing this game.
Lastly shout out to @LeftSideCut for getting the hints/clues for this review.