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The Last Duel (2021)
The Last Duel (2021)
2021 | Drama, History
Three nuanced perspectives on a winter’s tale.
In Ridley Scott’s new movie “The Last Duel” we are in the late 14th century in France. And – apart from in one scene – it appears to be perpetual winter!

Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).

But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.

Certification:
US: R. UK: 18.

Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.

Directed by: Ridley Scott.

Written by: Matt Damon, Ben Affleck and Nicole Holofcener.

“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.

Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.


Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.

Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
  
Beauty, Beast, and Belladonna is the 3rd book in the Fairy Tale Fatal series, set in 1867. I love cozies and historical fiction, and this story was a wonderful mix of the two. Variety hall actress Ophelia Flax finds herself at a hunting party in France, pretending to be someone she is not, and trying to figure out how to avoid getting herself married to the Compte de Griffe. When an unexpected guest turns up dead after a string of petty thefts, she must try to find both the thief and the killer to get herself out of more than one entanglement. I absolutely loved the colorful characters, the time period, and the setting in this story. I plan on going back soon to read this series from the start!

NOTE: I received a free copy of this book in exchange for an honest review
  
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Awix (3310 KP) rated Casablanca (1942) in Movies

Mar 12, 2018 (Updated Mar 12, 2018)  
Casablanca (1942)
Casablanca (1942)
1942 | Drama, Romance, War
Enduringly popular wartime romantic drama is also sparklingly quotable and (not often mentioned) works as an allegory about the Second World War - Western Europe (Henreid and Bergman) would really like the help of America (Bogart) to escape from the clutches of Nazi Germany (Veidt); France (Rains) is in two minds about the whole thing.

Despite the fact this is regularly studied as an example of a perfectly-constructed story, it's probably best not to look too closely at some elements of the plot. The performances and dialogue are so winning that you give the movie a pass on this anyway. Everyone has their favourite Casablanca moment, whether it's one of the romantic bits, one of the jokes, a song, or whatever. Beyond simply being made with skill and sincerity, it's quite hard to determine what makes this film quite so special, but the fact remains that it is deservedly a legend.