"This is not just because the movie has an ampersand in it like Amira & Sam. Even still, an off-color romantic comedy — it’s a comedy, but off-color because of the older woman and a younger man. It’s still something that movie artists don’t touch on and it’s not an impossible scenario. It’s one of those things that is difficult to get right, and Hal Ashby told such an amazing story of friendship and caring and love and fun and life."

"I loved Olive first time around, and I love her even more as she beats back increasing old age with sarcasm, rage, and a noble, unflinching honesty. I live in Maine, as Olive does. I’d give anything to hear her thoughts of the hoarding of toilet paper. I don’t think for a minute she’d welcome any overture of friendship from me, even in these tough times; still, I admire her for her caustic and courageous observations. I wanted this book to go on and on."

"Monsieur Hulot is clumsily precise; the silence and precision of the gags are avant-garde. When the vacation ends in this film, you’re left feeling like you’ve met a good friend. Fishing with John can be watched on so many levels at the same time. It avoids becoming too meta and relishes all of the facets of friendship, comedy, and good old-fashioned fishing. The soundtrack alone transports us back to the calming, hilarious alternate universe of John Lurie’s brain: “They woke up with sores and boners.”"

"Monsieur Hulot is clumsily precise; the silence and precision of the gags are avant-garde. When the vacation ends in this film, you’re left feeling like you’ve met a good friend. Fishing with John can be watched on so many levels at the same time. It avoids becoming too meta and relishes all of the facets of friendship, comedy, and good old-fashioned fishing. The soundtrack alone transports us back to the calming, hilarious alternate universe of John Lurie’s brain: “They woke up with sores and boners.”"