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BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Rocketman (2019) in Movies
May 22, 2019
Rocketman isn't the standard music biopic movie you're used to - the formulaic rise to fame and fortune, accompanied by drug and alcohol misuse and a troubled, lonely life. The story of Elton John, the musician whose life this movie is about, certainly does have all of those elements, but Rocketman presents them in such a wonderfully crazy and original way. Weaving classic songs into the storytelling and providing a wonderfully welcome and heart warming fantasy element to the movie.
The story begins with a middle-aged Elton (Taron Egerton), dressed in one of his trademark outrageous outfits (this time a winged devil costume, complete with horns!), as he marches into a group therapy session and informs everyone that he is addicted to cocaine, sex and prescription drugs. “For as long as I can remember I’ve hated myself” he continues, before starting to recall his childhood years. He sees his younger self across the room, looking at him as the first song begins. It's more like something out of a musical though, with both versions of Elton involved in the singing and dancing, not to mention the members of the therapy group too!
That therapy room is where much of the story is told, rejoining Elton at various stages of his recovery as he recounts the moments of his life that shaped him and brought him to the point he's at now. We initially join the younger version of Elton that we saw in the opening number, or Reggie Dwight as he was known back then, tinkling out his first few notes on the family piano and never feeling fully accepted by his family. His dad is uncaring and cold towards him, never once giving him the simple hug he craves, while his mum (brilliantly played by Bryce Dallas Howard) eventually proves herself to be not that much better than dad either as time goes on. Only Reggie's Nan seems to offer him any kind of support and encouragement, and it's not long before Reggie is receiving piano lessons, attending music school and playing small gigs in the local pubs.
Fast forward a few years to Elton as a young man (played by Egerton from now on), as he starts to get noticed by the right people in those pub gigs. He's paired with Bernie Taupin (Jamie Bell) where they form the partnership which will last a lifetime - Bernie providing the lyrics, Elton providing the music and the performance. They form a strong friendship, and it's fun to see them growing together as artists, revealing how such classic songs came from such simple beginnings. It's not long before Elton is on the fast track to becoming a global superstar, performing at the Troubadour club in LA where he immediately wows the audience. It's there that he catches the eye of John Reid (Richard Madden), who he starts a disastrous romantic relationship with, as well as taking him on as manager.
From there the movie becomes a rollercoaster ride of emotions, carried along by an outstanding, and I'd say Oscar worthy, performance from Egerton. Singing all of the songs, and portraying perfectly the highs and lows of Elton John's incredible career. As mentioned previously, he's also supported by what is an amazing cast, all sharing the singing duties. Familiar songs that give extra meaning and insight as they seamlessly integrate within the story. And they're also completely bonkers at times too! A song performed underwater, a song where everyone in the bar levitates off the ground, Elton firing up into the sky like a rocket and exploding like a firework! Despite all of this, the movie still manages to feel relatable and believable and is a real joy to watch.
The story begins with a middle-aged Elton (Taron Egerton), dressed in one of his trademark outrageous outfits (this time a winged devil costume, complete with horns!), as he marches into a group therapy session and informs everyone that he is addicted to cocaine, sex and prescription drugs. “For as long as I can remember I’ve hated myself” he continues, before starting to recall his childhood years. He sees his younger self across the room, looking at him as the first song begins. It's more like something out of a musical though, with both versions of Elton involved in the singing and dancing, not to mention the members of the therapy group too!
That therapy room is where much of the story is told, rejoining Elton at various stages of his recovery as he recounts the moments of his life that shaped him and brought him to the point he's at now. We initially join the younger version of Elton that we saw in the opening number, or Reggie Dwight as he was known back then, tinkling out his first few notes on the family piano and never feeling fully accepted by his family. His dad is uncaring and cold towards him, never once giving him the simple hug he craves, while his mum (brilliantly played by Bryce Dallas Howard) eventually proves herself to be not that much better than dad either as time goes on. Only Reggie's Nan seems to offer him any kind of support and encouragement, and it's not long before Reggie is receiving piano lessons, attending music school and playing small gigs in the local pubs.
Fast forward a few years to Elton as a young man (played by Egerton from now on), as he starts to get noticed by the right people in those pub gigs. He's paired with Bernie Taupin (Jamie Bell) where they form the partnership which will last a lifetime - Bernie providing the lyrics, Elton providing the music and the performance. They form a strong friendship, and it's fun to see them growing together as artists, revealing how such classic songs came from such simple beginnings. It's not long before Elton is on the fast track to becoming a global superstar, performing at the Troubadour club in LA where he immediately wows the audience. It's there that he catches the eye of John Reid (Richard Madden), who he starts a disastrous romantic relationship with, as well as taking him on as manager.
From there the movie becomes a rollercoaster ride of emotions, carried along by an outstanding, and I'd say Oscar worthy, performance from Egerton. Singing all of the songs, and portraying perfectly the highs and lows of Elton John's incredible career. As mentioned previously, he's also supported by what is an amazing cast, all sharing the singing duties. Familiar songs that give extra meaning and insight as they seamlessly integrate within the story. And they're also completely bonkers at times too! A song performed underwater, a song where everyone in the bar levitates off the ground, Elton firing up into the sky like a rocket and exploding like a firework! Despite all of this, the movie still manages to feel relatable and believable and is a real joy to watch.
Phillip McSween (751 KP) rated When Marnie Was There (2015) in Movies
Apr 2, 2018
So Much Potential...
When Anna's mom sends her to stay with her aunt for the summer, Anna develops a strong friendship with Marnie, a girl that only Anna seems to know.
Acting: 9
Beginning: 1
Gets off to a bland start at best. I found myself tuning out very quickly. I was looking for a reason to get into it but it never grabbed me.
Characters: 8
You immediately sympathize with Anna. She's an introvert with seemingly no place in the world. To make matters worse, she's prone to panic attacks. From the very beginning, she's a character you wish you could reach out to and protect. Learning her history and the source of her pain is the best part of the film. There were a few other characters that were memorable as well, but none so much as Anna.
Cinematography/Visuals: 10
Another strong suit of the film. Animations were crisp with strong attention to detail. One scene inside of an abandoned silo particularly stands out. The blend of darkness and destructive winds really place you in the moment and breathe life into a film that was otherwise dull.
Conflict: 4
Genre: 8
The film isn't a favorite by any means and won't hold up against some of my other animated classics that I love. HOWEVER, I appreciate the animation style of the film and I also respected that it attempted to try something different. Even though it was a total miss, I give it the proper credit for daring to be different and take a chance.
Memorability: 6
Pace: 1
The word "snail" comes to mind here. A huge mistake was made here in merely focusing on the day-to-day of Anna. There wasn't a lot of conflict that dictated the pace. I was waiting for something to happen, ANYTHING. Before I knew it, I was begging for it to be over. As the story progresses there is no real momentum building that can give you a reason to keep your attention solely on the film.
Plot: 0
Unique or not, I had a hard time buying it in its entirety. Had this been a real situation, Anna probably would have been put in a nut house 10 minutes into the film. She was given an awful lot of freedom for someone known to not be adjusted to the world. That didn't make sense to me, neither did the fact that Anna couldn't somehow piece the whole situation together a little bit faster. Maybe the whole idea was that she couldn't piece things together because she didn't want to? I don't know. What I do know is that sometimes even the best intentions can yield some bad results. Perfect example.
Resolution: 10
Best part of the film and, no, I'm not being sarcastic. You essentially find out the mystery behind everything going on and I have to say it's a really nice payoff. Extremely touching, it makes the film 100 times better than what it could have been. I won't give anything away but it resolves around finding your place in life and appreciating who you are. While I loved it, it infuriated me at the same time. WHY COULDN'T THE REST OF THE FILM BE LIKE THIS???
Overall: 57
I have seen a number of films that get off to a great start and fizzle out at the end. When Marnie Was There does the opposite and the feeling it leaves you with ends up being far worse. Had the rest of the film hit home like the ending, this would have been a wonderful classic.
Acting: 9
Beginning: 1
Gets off to a bland start at best. I found myself tuning out very quickly. I was looking for a reason to get into it but it never grabbed me.
Characters: 8
You immediately sympathize with Anna. She's an introvert with seemingly no place in the world. To make matters worse, she's prone to panic attacks. From the very beginning, she's a character you wish you could reach out to and protect. Learning her history and the source of her pain is the best part of the film. There were a few other characters that were memorable as well, but none so much as Anna.
Cinematography/Visuals: 10
Another strong suit of the film. Animations were crisp with strong attention to detail. One scene inside of an abandoned silo particularly stands out. The blend of darkness and destructive winds really place you in the moment and breathe life into a film that was otherwise dull.
Conflict: 4
Genre: 8
The film isn't a favorite by any means and won't hold up against some of my other animated classics that I love. HOWEVER, I appreciate the animation style of the film and I also respected that it attempted to try something different. Even though it was a total miss, I give it the proper credit for daring to be different and take a chance.
Memorability: 6
Pace: 1
The word "snail" comes to mind here. A huge mistake was made here in merely focusing on the day-to-day of Anna. There wasn't a lot of conflict that dictated the pace. I was waiting for something to happen, ANYTHING. Before I knew it, I was begging for it to be over. As the story progresses there is no real momentum building that can give you a reason to keep your attention solely on the film.
Plot: 0
Unique or not, I had a hard time buying it in its entirety. Had this been a real situation, Anna probably would have been put in a nut house 10 minutes into the film. She was given an awful lot of freedom for someone known to not be adjusted to the world. That didn't make sense to me, neither did the fact that Anna couldn't somehow piece the whole situation together a little bit faster. Maybe the whole idea was that she couldn't piece things together because she didn't want to? I don't know. What I do know is that sometimes even the best intentions can yield some bad results. Perfect example.
Resolution: 10
Best part of the film and, no, I'm not being sarcastic. You essentially find out the mystery behind everything going on and I have to say it's a really nice payoff. Extremely touching, it makes the film 100 times better than what it could have been. I won't give anything away but it resolves around finding your place in life and appreciating who you are. While I loved it, it infuriated me at the same time. WHY COULDN'T THE REST OF THE FILM BE LIKE THIS???
Overall: 57
I have seen a number of films that get off to a great start and fizzle out at the end. When Marnie Was There does the opposite and the feeling it leaves you with ends up being far worse. Had the rest of the film hit home like the ending, this would have been a wonderful classic.
Nick doonan (0 KP) rated Dunkirk (2017) in Movies
Apr 4, 2018
A movie you only watch once.
Contains spoilers, click to show
Okay so i was sceptical about watching this movie and have put off watching it for quite some time but, as it is Christopher Nolan and the IMDb ratings seem to show above average on it, i thought i'd give it a chance seen as i loved all his previous movies.
Boy was i disappointed. .
I don't quite know where Nolan was planning to go with this movie or what it was even for but it is completely out of sync with all his other creations. I wanted to actually turn off the movie half way through it but my liking for Nolan kept me watching until it's pitiful and yet quite anticipated ending.
So the movie starts off with soldiers walking through the streets. Looking at the mess left behind from the still engaging warfare of the french. Then we cut to a young lad, separated from his group, avoiding gunfire, running away to stay alive. It's fast paced and it looks like a great start. THEN...
The young lad ends up at the beach where all the soldiers are waiting to be picked up and taken back home to England. A lot of long staring goes on and a very dramatic run by two soldiers taking an injured soldier to one of the boats prevails, but what was the dramatic music for? We then cut to our only 2 fighter pilots, protecting the skies. They seem to have a good friendship but we don't see any of it materialise until the end where one goes ''come on Farrier''. It is hard at this point to actually get on board with any of the characters, whether to like them or dislike them. The majority of the movie is spent watching a young lad trying to get on a board to get back home but keeps meeting obstacles on his way. Eventually, in particular fashion at the end, boats arrive and everyone safely returns home after what felt like eternity.
Conclusion?
I watched this movie purely because it was by Christopher Nolan. If it hadn't been, i wouldn't recommend this to anyone or even watched it myself. It's a movie you would only watch once and this suprises me. I expected so much better from such a great director. It was sloppy, messy and rushed and more importantly... it was just absolutely dull all the way through.
Cillian Murphy had a great part but felt watered down. I really struggled to get on board with anything that was going on.
I wanted to really enjoy this movie, i really did. but i struggled to actually get into anything that was going on. There was no character depth or explanation behind anything that was going on.
*SPOILER HERE....but it's not major so don't worry.* What was the deal with the young lad that died? Why did he mean so much to the old man and his son? Why was the dramatic music used so much for when ziltch was happening? I mean, literally, dramatic music getting faster and faster and then cuts to silence and nothing?
This movie started off quite promising. Walking the streets in the aftermath of battle, avoiding gunfire and then 3 minutes later, nothing. I feel like it was going to go back and explain why certain things was happening but it never did. I honestly don't understand this movie at all. The majority of the movie felt like a filler. The spitfire scenes were tedious and boring, despite the fact they were probably the only best scenes from the movie. This movie is a ''watch once, never again'' type movie. It had absolutely nothing make you want to come back. You can't like any of the characters because of the character depth being missing and it just felt messy.
I'm genuinely dissapointed that this movie wasn't as good or enjoyable.
Boy was i disappointed. .
I don't quite know where Nolan was planning to go with this movie or what it was even for but it is completely out of sync with all his other creations. I wanted to actually turn off the movie half way through it but my liking for Nolan kept me watching until it's pitiful and yet quite anticipated ending.
So the movie starts off with soldiers walking through the streets. Looking at the mess left behind from the still engaging warfare of the french. Then we cut to a young lad, separated from his group, avoiding gunfire, running away to stay alive. It's fast paced and it looks like a great start. THEN...
The young lad ends up at the beach where all the soldiers are waiting to be picked up and taken back home to England. A lot of long staring goes on and a very dramatic run by two soldiers taking an injured soldier to one of the boats prevails, but what was the dramatic music for? We then cut to our only 2 fighter pilots, protecting the skies. They seem to have a good friendship but we don't see any of it materialise until the end where one goes ''come on Farrier''. It is hard at this point to actually get on board with any of the characters, whether to like them or dislike them. The majority of the movie is spent watching a young lad trying to get on a board to get back home but keeps meeting obstacles on his way. Eventually, in particular fashion at the end, boats arrive and everyone safely returns home after what felt like eternity.
Conclusion?
I watched this movie purely because it was by Christopher Nolan. If it hadn't been, i wouldn't recommend this to anyone or even watched it myself. It's a movie you would only watch once and this suprises me. I expected so much better from such a great director. It was sloppy, messy and rushed and more importantly... it was just absolutely dull all the way through.
Cillian Murphy had a great part but felt watered down. I really struggled to get on board with anything that was going on.
I wanted to really enjoy this movie, i really did. but i struggled to actually get into anything that was going on. There was no character depth or explanation behind anything that was going on.
*SPOILER HERE....but it's not major so don't worry.* What was the deal with the young lad that died? Why did he mean so much to the old man and his son? Why was the dramatic music used so much for when ziltch was happening? I mean, literally, dramatic music getting faster and faster and then cuts to silence and nothing?
This movie started off quite promising. Walking the streets in the aftermath of battle, avoiding gunfire and then 3 minutes later, nothing. I feel like it was going to go back and explain why certain things was happening but it never did. I honestly don't understand this movie at all. The majority of the movie felt like a filler. The spitfire scenes were tedious and boring, despite the fact they were probably the only best scenes from the movie. This movie is a ''watch once, never again'' type movie. It had absolutely nothing make you want to come back. You can't like any of the characters because of the character depth being missing and it just felt messy.
I'm genuinely dissapointed that this movie wasn't as good or enjoyable.
Ivana A. | Diary of Difference (1171 KP) rated Hippie in Books
Nov 26, 2018
Full review on www.diaryofdifference.com
Hippie is the autobiography by Paulo Coelho, told in third person. This is a story about people that travel the world, wear funny clothes and flowers in their hairs, and believe in peace, love and freedom.
I have read many of Coelho’s books, even since I was a teenage girl. And all of them share something in common – the path of finding yourself. After reading Hippie, I believe that this is the the best one that covers this subject quite perfectly.
‘’He was a human being, with all the fragility that entails, he didn’t understand everything that happened in his life, but he truly wished to believe he was travelling in search of the light.’’
The book is a story of two people, Paulo and Karla. Paulo, a Brazilian guy, searching for freedom and travels. Karla, a lady born and living in Amsterdam, wanting to find herself so badly in the world. When she hears that a hippie bus is going all the way to Nepal, she is willing to go if she meets her ideal companion.
‘’She wished they could see her for her beauty, but all anyone ever saw was the hurricane, and they never sought shelter from it. They preferred to flee to safer ground.’’
Their adventure begins in such an adorable way, only hippies can relate to. Their search for what they want and need feeds with every stop and every destination. A beautiful story about friendship, love and travel.
I actually wished that they had spoken more about the travels and less about some individual stories that didn’t quite correlate to the plot. I also wished that they actually reached out the final destination the way they are supposed to (this was not a spoiler).
‘’Our travels teach us everything we need to know for the rest of our lives, as long as there’s no need to explain this to our parents.’’
Even though a sad end, it is a realistic story about a way of life before, where people loved to be free, and were free to find love, in a world of peace, love, marijuana and travels. A place where no one cares what you look like.
Right now, hippies are a normal thing, people that we all secretly enjoy reading about, and listening to their stories, but in the past, these people fought so hard to change the system of how people’s minds worked, the system people were stuck in, to make people realise that they have the freedom to believe in anything they think is right, to do anything that makes them happy, to be happy, and share this with the world. To live in a world full of happiness, love, peace, to travel and see places, discover places and people, see new cultures, explore people’s minds and customs.
‘’The sun had come out, as though to say that finally the Renaissance was making a return, to change everyone’s habits and customs – and one day very soon, people would no longer depend on the opinions of others but rather on their own ways of seeing life.’’
The one thing that I couldn’t enjoy was the constant religion mentioning in this book. All religions were mentioned, and with such intensity, that peace and love and freedom and the hippie meaning started to be in relation to religion, which is something I personally don’t want to put together. I am aware that lots of hippies believe in God in their own way, but I also think that love and peace should gather them together as a group, not religion. And this point was clearly states a lot of times throughout the book. Not enjoyable, at least for me.
For all of you out there, the hippies, the ordinary people that love travelling, love, life, happiness, music – this is a book for you. Another amazing Paulo Coelho novel, full of wisdom and quotes to underline.
Hippie is the autobiography by Paulo Coelho, told in third person. This is a story about people that travel the world, wear funny clothes and flowers in their hairs, and believe in peace, love and freedom.
I have read many of Coelho’s books, even since I was a teenage girl. And all of them share something in common – the path of finding yourself. After reading Hippie, I believe that this is the the best one that covers this subject quite perfectly.
‘’He was a human being, with all the fragility that entails, he didn’t understand everything that happened in his life, but he truly wished to believe he was travelling in search of the light.’’
The book is a story of two people, Paulo and Karla. Paulo, a Brazilian guy, searching for freedom and travels. Karla, a lady born and living in Amsterdam, wanting to find herself so badly in the world. When she hears that a hippie bus is going all the way to Nepal, she is willing to go if she meets her ideal companion.
‘’She wished they could see her for her beauty, but all anyone ever saw was the hurricane, and they never sought shelter from it. They preferred to flee to safer ground.’’
Their adventure begins in such an adorable way, only hippies can relate to. Their search for what they want and need feeds with every stop and every destination. A beautiful story about friendship, love and travel.
I actually wished that they had spoken more about the travels and less about some individual stories that didn’t quite correlate to the plot. I also wished that they actually reached out the final destination the way they are supposed to (this was not a spoiler).
‘’Our travels teach us everything we need to know for the rest of our lives, as long as there’s no need to explain this to our parents.’’
Even though a sad end, it is a realistic story about a way of life before, where people loved to be free, and were free to find love, in a world of peace, love, marijuana and travels. A place where no one cares what you look like.
Right now, hippies are a normal thing, people that we all secretly enjoy reading about, and listening to their stories, but in the past, these people fought so hard to change the system of how people’s minds worked, the system people were stuck in, to make people realise that they have the freedom to believe in anything they think is right, to do anything that makes them happy, to be happy, and share this with the world. To live in a world full of happiness, love, peace, to travel and see places, discover places and people, see new cultures, explore people’s minds and customs.
‘’The sun had come out, as though to say that finally the Renaissance was making a return, to change everyone’s habits and customs – and one day very soon, people would no longer depend on the opinions of others but rather on their own ways of seeing life.’’
The one thing that I couldn’t enjoy was the constant religion mentioning in this book. All religions were mentioned, and with such intensity, that peace and love and freedom and the hippie meaning started to be in relation to religion, which is something I personally don’t want to put together. I am aware that lots of hippies believe in God in their own way, but I also think that love and peace should gather them together as a group, not religion. And this point was clearly states a lot of times throughout the book. Not enjoyable, at least for me.
For all of you out there, the hippies, the ordinary people that love travelling, love, life, happiness, music – this is a book for you. Another amazing Paulo Coelho novel, full of wisdom and quotes to underline.
Lucy Buglass (45 KP) rated The Disaster Artist (2017) in Movies
Jun 20, 2019
“Ha ha ha! What a film, Mark!”
I was first introduced to The Room during a college Film Studies lecture as a perfect example of how not to make a film. Everything about it was atrocious, but I also found it weirdly compelling. Since then, I’ve made a real effort to follow everything relating to Tommy Wiseau and this bizarre film of his. It’s become a cult classic in recent years, drawing a crowd of dedicated fans to the Prince Charles Cinema in Leicester Square for monthly screenings, and Q&A’s with cast members. When I found out that James Franco was creating a film adaptation of Greg Sestero’s novel The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made, I was so excited!
I was lucky enough to see the film during its opening weekend at the Prince Charles Cinema, which actually made my experience even better. Being around a crowd of The Room fans who knew the film like the back of their hand was hilarious, because they recited familiar quotes along with James Franco, and it was clear the entire audience was having a blast from start to finish. I honestly can’t remember the last time I laughed this much at a film. Everyone involved made a real effort to recreate the scenes that we know and love, whilst giving us a glimpse into what life on that film set was really like. It’s possible to forget that you’re watching The Disaster Artist and not The Room at times, because the performances are so spot on.
Once again, James Franco’s ability to take a real life person and bring them to life on a screen shone through. I always refer to his performance as Aron Ralston in 127 Hours as one of his best, but his portrayal of Tommy Wiseau certainly comes a close second. He nails the mannerisms, the accent, and that weird laugh that Wiseau has become well known for. You can tell he has dedicated a lot of time and effort to the project, and it’s paid off. Praise must also be given to the rest of the cast for perfectly emulating the characters. Josh Hutcherson as Denny was amazing; even when he was just sitting there that ridiculous wig was enough to make the audience cry with laughter, and Seth Rogen’s script supervisor character delivers these amazing one liners that show his frustration at Tommy’s ridiculous ideas.
Whilst clearly hilarious, this film is not without its fair share of tragedy, mainly around Dave Franco’s character Greg Sestero. His friendship with Tommy required him to make huge, unimaginable sacrifices both professionally and personally, ultimately causing a rift between the two. Greg is a classic example of a man chasing the allure of fame, and failing miserably. You can’t help but sympathise with him as he tries his best to keep those around him happy whilst trying to attain life changing career goals. The film also shows a darker side to Tommy Wiseau, as he treats the cast and crew around him very badly. He’s so wrapped up in bringing The Room, his “real Hollywood movie”, to life that he neglects the needs of those around him. There are some highly charged emotional moments in this film, which are perfectly balanced with the comedic moments. Without these serious scenes, the film just wouldn’t have been the same.
The Disaster Artist is a must-watch for fans of The Room, and those who want to learn more about the utter chaos that happened on set. It’s funny, intense, emotional and a one of a kind experience from start to finish. Make sure you sit tight until after the credits too, as there’s an extra scene that you don’t want to miss!
https://lucygoestohollywood.com/2017/12/04/ha-ha-ha-what-a-film-mark-a-review-of-the-disaster-artist/
I was lucky enough to see the film during its opening weekend at the Prince Charles Cinema, which actually made my experience even better. Being around a crowd of The Room fans who knew the film like the back of their hand was hilarious, because they recited familiar quotes along with James Franco, and it was clear the entire audience was having a blast from start to finish. I honestly can’t remember the last time I laughed this much at a film. Everyone involved made a real effort to recreate the scenes that we know and love, whilst giving us a glimpse into what life on that film set was really like. It’s possible to forget that you’re watching The Disaster Artist and not The Room at times, because the performances are so spot on.
Once again, James Franco’s ability to take a real life person and bring them to life on a screen shone through. I always refer to his performance as Aron Ralston in 127 Hours as one of his best, but his portrayal of Tommy Wiseau certainly comes a close second. He nails the mannerisms, the accent, and that weird laugh that Wiseau has become well known for. You can tell he has dedicated a lot of time and effort to the project, and it’s paid off. Praise must also be given to the rest of the cast for perfectly emulating the characters. Josh Hutcherson as Denny was amazing; even when he was just sitting there that ridiculous wig was enough to make the audience cry with laughter, and Seth Rogen’s script supervisor character delivers these amazing one liners that show his frustration at Tommy’s ridiculous ideas.
Whilst clearly hilarious, this film is not without its fair share of tragedy, mainly around Dave Franco’s character Greg Sestero. His friendship with Tommy required him to make huge, unimaginable sacrifices both professionally and personally, ultimately causing a rift between the two. Greg is a classic example of a man chasing the allure of fame, and failing miserably. You can’t help but sympathise with him as he tries his best to keep those around him happy whilst trying to attain life changing career goals. The film also shows a darker side to Tommy Wiseau, as he treats the cast and crew around him very badly. He’s so wrapped up in bringing The Room, his “real Hollywood movie”, to life that he neglects the needs of those around him. There are some highly charged emotional moments in this film, which are perfectly balanced with the comedic moments. Without these serious scenes, the film just wouldn’t have been the same.
The Disaster Artist is a must-watch for fans of The Room, and those who want to learn more about the utter chaos that happened on set. It’s funny, intense, emotional and a one of a kind experience from start to finish. Make sure you sit tight until after the credits too, as there’s an extra scene that you don’t want to miss!
https://lucygoestohollywood.com/2017/12/04/ha-ha-ha-what-a-film-mark-a-review-of-the-disaster-artist/
Midge (525 KP) rated Mr Penumbra's 24-hour Bookstore in Books
Dec 24, 2018
A wonderful novel, and a must-read for bibliophiles and techies (2 more)
Hilarious and very genuine lead character
Cleverly written
Imaginative And Optimistic!
I love this book. It's a refreshing, pleasant, imaginative and optimistic book about friendship and the lure of the mysterious, and among other things, it's about a bookstore! It's a definite must-read for all bibliophiles.
Mr Penumbra's 24-Hour Bookstore begins with Clay Jannon, an out-of-work web designer who has found employment at a 24-hour bookstore located in San Francisco. Although the store has very few customers, he meets a variety of strange people that frequent the shop, but who rarely buy anything. However, they borrow mysteriously coded volumes, known as the "Waybacklist," most of which are hand-made, from a secret corner of the store. His curiosity sets him on a strange journey to try to find out more about the "Waybacklist," of ancient, esoteric books.
When they make an exchange from the "Waybacklist," Clay must record transaction details into an old logbook, including personal information about each customer, such as their appearance and state of mind. When the shop is empty, Clay busies himself by creating a computerised model of the bookstore in 3D. By identifying each of his customers by a different colour in the model, he is able to see a pattern developing and becomes convinced that the customers and Penumbra himself are members of a secret cult.
With two computer geek friends, one an old school friend, Neel, and the other a potential customer he met in the bookstore, Kat, who becomes his girlfriend, Clay sets out on a quest to learn the carefully kept secrets of the bookstore. When they bring their findings to Mr Penumbra, they discover the bookstore's secrets extend further than they ever imagined.
Clay, the main character, is exactly the kind of lead you want in this type of novel. He is constantly clueless though he tries hard, he is absolutely hilarious and very genuine. There are many different secondary characters regularly being introduced, but the book is so cleverly written that they never seem unnecessary. There is a lot of different levels of interaction between them, that I really liked.
There is an amazing use of different technologies in this book, however despite all the Google, Amazon, Kindle and the computer references, the true emphasis of the novel is on the people, and that is why I found the book so charming and bewitching. The younger characters are keen and enthusiastic, and you can identify with their search for connection and knowledge. The mix of foisty old books and cutting-edge technology is captivating.
If you prefer villains in your novels then this book is not for you. There is no evil in this book, and everyone that the narrator meets becomes a friend. I couldn't really guess how this book would end but I loved the way the story was concluded. The following quote is actually the last paragraph in the book, but it describes the mystery and the wonder of the whole book, to perfection.
"A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time."
Enthralling and fun to read, this novel, with its unique twists and turns of plot, left me feeling very satisfied.
Mr Penumbra's 24-Hour Bookstore has inspired me to read other novels by Robin Sloan.
Mr Penumbra's 24-Hour Bookstore begins with Clay Jannon, an out-of-work web designer who has found employment at a 24-hour bookstore located in San Francisco. Although the store has very few customers, he meets a variety of strange people that frequent the shop, but who rarely buy anything. However, they borrow mysteriously coded volumes, known as the "Waybacklist," most of which are hand-made, from a secret corner of the store. His curiosity sets him on a strange journey to try to find out more about the "Waybacklist," of ancient, esoteric books.
When they make an exchange from the "Waybacklist," Clay must record transaction details into an old logbook, including personal information about each customer, such as their appearance and state of mind. When the shop is empty, Clay busies himself by creating a computerised model of the bookstore in 3D. By identifying each of his customers by a different colour in the model, he is able to see a pattern developing and becomes convinced that the customers and Penumbra himself are members of a secret cult.
With two computer geek friends, one an old school friend, Neel, and the other a potential customer he met in the bookstore, Kat, who becomes his girlfriend, Clay sets out on a quest to learn the carefully kept secrets of the bookstore. When they bring their findings to Mr Penumbra, they discover the bookstore's secrets extend further than they ever imagined.
Clay, the main character, is exactly the kind of lead you want in this type of novel. He is constantly clueless though he tries hard, he is absolutely hilarious and very genuine. There are many different secondary characters regularly being introduced, but the book is so cleverly written that they never seem unnecessary. There is a lot of different levels of interaction between them, that I really liked.
There is an amazing use of different technologies in this book, however despite all the Google, Amazon, Kindle and the computer references, the true emphasis of the novel is on the people, and that is why I found the book so charming and bewitching. The younger characters are keen and enthusiastic, and you can identify with their search for connection and knowledge. The mix of foisty old books and cutting-edge technology is captivating.
If you prefer villains in your novels then this book is not for you. There is no evil in this book, and everyone that the narrator meets becomes a friend. I couldn't really guess how this book would end but I loved the way the story was concluded. The following quote is actually the last paragraph in the book, but it describes the mystery and the wonder of the whole book, to perfection.
"A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time."
Enthralling and fun to read, this novel, with its unique twists and turns of plot, left me feeling very satisfied.
Mr Penumbra's 24-Hour Bookstore has inspired me to read other novels by Robin Sloan.
Kristy H (1252 KP) rated The Mighty Heart of Sunny St. James in Books
Jun 21, 2019
Sunny St. James is twelve and getting a new heart. She was diagnosed at the age of ten with cardiomyopathy: a failing heart. That was two years ago. Sunny’s been through a lot in her short life. Her dad passed away in an accident right after she was born. When she was four, her mom, Lena, couldn’t take care of her anymore, so she gave her to her best friend, Kate. Kate and Sunny moved to Juniper Island, where Kate runs Cherry Picked Books. And recently, Sunny’s best friendship with Margot ended. But she’s getting a heart transplant, and everything is going to change now. Sunny even has a new life plan, which includes finding a new best friend and kissing some boys. So when she meets Quinn, a new girl, on the beach, it seems like all the pieces of her plan are coming together. But Quinn makes Sunny question some things—including whether she wants to kiss boys at all.
“I’m going to die today. Definitely for a few minutes and maybe forever. Kate keeps telling me no way, nohow is it going to be forever, but she isn’t the one who’s about to have her most important internal organ switched out like a new swimsuit at the start of the summer.”
Oh this book, this book. Ashley Herring Blake did it again. She is just such a wonderful, wonderful writer. I simply fell head over heels for Sunny, who stole my heart from the first pages of this beautiful book. She is strong, vulnerable, and a darling character who came to life through Blake’s lovely writing. She goes through so much in her life—and in the chapters of this book—and yet there’s so much hope and laughter. I cannot even describe it. The book opens with Sunny’s transplant and then we move on from there, as she works to implement her three-step plan:
“Step One: Do awesome amazing things I could never do before. Step Two: Find a new best friend. Step Three: Find a boy and kiss him.”
To Sunny’s twelve-year-old reasoning, it all makes perfect sense. She has a new heart, so it’s a perfect time to be a new person. In fact, with the new heart, there’s no reason to feel the things she felt before, which might have included some desires to kiss girls. When she meets Quinn on the beach—Quinn and her mom are in town for the summer, as Quinn’s mom is a nature photographer—they become fast friends. It seems like they will be on a quest to kiss boys together. But things quickly go awry (seriously – there are some hilarious comedic scenes as the two attempt to kiss some boys). This book does such an amazing job at capturing the loneliness of young gay kids. I so wish there books like this around when I was a teen. Sunny is so sweet, so real, and so raw as she works through her confusion about liking girls. This is such a wonderful and needed book for middle schoolers (and everyone)—for queer kids as they try to figure out things like Sunny and for the allies who need to support them. I wish everyone could read it. Not only does Sunny struggle with her feelings about liking girls and boys, but she must deal with the return of her long-lost mother, Lena. In another book, these two storylines might feel crowded, but Blake handles them deftly.
And it’s such a lovely story at its heart—because, truly, it’s a book about hearts and those you love and who love you. I defy you to read this book and not fall in love with Sunny St. James. She is a character who will stick with you long after you read the last page. Blake has created yet another lasting story through her magical words. I highly recommend this book. 4.5+ stars.
“I’m going to die today. Definitely for a few minutes and maybe forever. Kate keeps telling me no way, nohow is it going to be forever, but she isn’t the one who’s about to have her most important internal organ switched out like a new swimsuit at the start of the summer.”
Oh this book, this book. Ashley Herring Blake did it again. She is just such a wonderful, wonderful writer. I simply fell head over heels for Sunny, who stole my heart from the first pages of this beautiful book. She is strong, vulnerable, and a darling character who came to life through Blake’s lovely writing. She goes through so much in her life—and in the chapters of this book—and yet there’s so much hope and laughter. I cannot even describe it. The book opens with Sunny’s transplant and then we move on from there, as she works to implement her three-step plan:
“Step One: Do awesome amazing things I could never do before. Step Two: Find a new best friend. Step Three: Find a boy and kiss him.”
To Sunny’s twelve-year-old reasoning, it all makes perfect sense. She has a new heart, so it’s a perfect time to be a new person. In fact, with the new heart, there’s no reason to feel the things she felt before, which might have included some desires to kiss girls. When she meets Quinn on the beach—Quinn and her mom are in town for the summer, as Quinn’s mom is a nature photographer—they become fast friends. It seems like they will be on a quest to kiss boys together. But things quickly go awry (seriously – there are some hilarious comedic scenes as the two attempt to kiss some boys). This book does such an amazing job at capturing the loneliness of young gay kids. I so wish there books like this around when I was a teen. Sunny is so sweet, so real, and so raw as she works through her confusion about liking girls. This is such a wonderful and needed book for middle schoolers (and everyone)—for queer kids as they try to figure out things like Sunny and for the allies who need to support them. I wish everyone could read it. Not only does Sunny struggle with her feelings about liking girls and boys, but she must deal with the return of her long-lost mother, Lena. In another book, these two storylines might feel crowded, but Blake handles them deftly.
And it’s such a lovely story at its heart—because, truly, it’s a book about hearts and those you love and who love you. I defy you to read this book and not fall in love with Sunny St. James. She is a character who will stick with you long after you read the last page. Blake has created yet another lasting story through her magical words. I highly recommend this book. 4.5+ stars.
Darren (1599 KP) rated Untouchable (2011) in Movies
Jun 21, 2019
Story: Untouchable starts as Philippe (Cluzet) is forced to look for a new caregiver after his own accident, he sees a string of qualified applicants, but when he meets Driss (Sy) a man from the projects, he sees someone different and hires him.
The two men are from different backgrounds and have lived different lives, together they teach other about life, with Philippe becoming a father figure to Driss and Driss showing Philippe that his condition doesn’t need to stop having the adventures he loved just because of his condition.
Thoughts on Untouchable
Characters – Philippe is the quadriplegic that needs to hire a caregiver to help him in everyday life, he picks Driss because he is the only one that treats him like normal person. He has always been involved in extreme sports which is where his accident happened, his money will keep him away from any problems he might face, now he must learn to carry on with his own life. Driss is from the projects in Paris, he gets hired giving him a chance at a different life, his ways are different to a normal carer, but this helps him learn how to get more out of his life and get out of the troubles he has been facing in his own life. Yvonne is the personal assistant to Philippe who fills in he blanks for Driss when he is learning the job. Magalie is handles business affairs for Philippe and catches the eye of Driss, she doesn’t fall for his charm like he believes most women would.
Performances – Francois Cluzet is wonderful in one of the leading role, he must show so much through his facial expression which he makes us love each scene and moment he gives us. Omar Sy is fantastic too, he has such great chemistry with Francois and brings the energy required for this role. The supporting cast are all good though they don’t get as much screen time as the lead pair.
Story – The story shows the bond between Philippe and Driss, two men that are from different backgrounds who spend time together when Driss gets hired as a carer for Philippe, we get to see how they both learn life lesson which make them grow as men. The fact we see the man with the lest experience being the best person for the disabled man shows us that life skills are just as if not more important than any training. We do go through the teaching about new cultures between the two and we get to see how both deal with their own serious problems from life. The tone of the storytelling shows us how you can have serious mixed with comedy and still get the point across which is what makes this film such an essential viewing.
Biopic/Comedy – This film uses the biopic side of the film to show the friendship created between the two men, which does change a couple of things to suit the actors. The comedy comes from just how Driss treats life with his carefree attitude which brings all the light-hearted positive vibes to the film.
Settings – The film is set in Paris and uses the settings to show us the two different lifestyles the men have come from, we do get other trips which show us just how far they could go together.
Scene of the Movie – Paragliding scene.
That Moment That Annoyed Me – Not understand the time lapse.
Final Thoughts – This is one of the most beautiful movies you will see, we get to see a connection unlike anything you could imagine between two completely different people and it will leave you with a smile due to all the positivity through the film.
Overall: Essential watching.
https://moviesreview101.com/2019/06/21/abc-film-challenge-world-cinema-u-untouchable-2011/
The two men are from different backgrounds and have lived different lives, together they teach other about life, with Philippe becoming a father figure to Driss and Driss showing Philippe that his condition doesn’t need to stop having the adventures he loved just because of his condition.
Thoughts on Untouchable
Characters – Philippe is the quadriplegic that needs to hire a caregiver to help him in everyday life, he picks Driss because he is the only one that treats him like normal person. He has always been involved in extreme sports which is where his accident happened, his money will keep him away from any problems he might face, now he must learn to carry on with his own life. Driss is from the projects in Paris, he gets hired giving him a chance at a different life, his ways are different to a normal carer, but this helps him learn how to get more out of his life and get out of the troubles he has been facing in his own life. Yvonne is the personal assistant to Philippe who fills in he blanks for Driss when he is learning the job. Magalie is handles business affairs for Philippe and catches the eye of Driss, she doesn’t fall for his charm like he believes most women would.
Performances – Francois Cluzet is wonderful in one of the leading role, he must show so much through his facial expression which he makes us love each scene and moment he gives us. Omar Sy is fantastic too, he has such great chemistry with Francois and brings the energy required for this role. The supporting cast are all good though they don’t get as much screen time as the lead pair.
Story – The story shows the bond between Philippe and Driss, two men that are from different backgrounds who spend time together when Driss gets hired as a carer for Philippe, we get to see how they both learn life lesson which make them grow as men. The fact we see the man with the lest experience being the best person for the disabled man shows us that life skills are just as if not more important than any training. We do go through the teaching about new cultures between the two and we get to see how both deal with their own serious problems from life. The tone of the storytelling shows us how you can have serious mixed with comedy and still get the point across which is what makes this film such an essential viewing.
Biopic/Comedy – This film uses the biopic side of the film to show the friendship created between the two men, which does change a couple of things to suit the actors. The comedy comes from just how Driss treats life with his carefree attitude which brings all the light-hearted positive vibes to the film.
Settings – The film is set in Paris and uses the settings to show us the two different lifestyles the men have come from, we do get other trips which show us just how far they could go together.
Scene of the Movie – Paragliding scene.
That Moment That Annoyed Me – Not understand the time lapse.
Final Thoughts – This is one of the most beautiful movies you will see, we get to see a connection unlike anything you could imagine between two completely different people and it will leave you with a smile due to all the positivity through the film.
Overall: Essential watching.
https://moviesreview101.com/2019/06/21/abc-film-challenge-world-cinema-u-untouchable-2011/
Chris Sawin (602 KP) rated Due Date (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Last year, Todd Phillips brought us The Hangover. Along with its massive success, it helped turn its three lead actors into even bigger stars. Included in that line up was Zach Galifianakis, stand-up comedian turned actor who now seems to be Phillips go to guy. So how could Galifianakis possibly top being in the highest grossing R-rated comedy of all time? He teams up with the man who became known for his portrayal of Tony Stark in Iron Man and Guy Ritchie's Sherlock Holmes, Robert Downey Jr, for the most outrageous comedy of 2010.
Seeing Robert Downey Jr in a film like this after his career exploded from doing Iron Man seems more outstanding than it really is. Or maybe it's just the mere thought of seeing the lead actor from some of the past few years biggest blockbusters in an R-rated comedy that features his character get high and be extremely ill tempered throughout its duration is entertaining in itself and strangely liberating. There isn't source material to follow that if strayed too far away from could cause fans to go into an uproar. Due Date is an original film and it just seems like doing comedy after two superhero films and a film based on the world's most infamous fictional detective would be creative freedom of sorts.
There was some concern that Zach Galifianakis' character in Due Date would be too similar to his character in The Hangover to really deliver a lot of laughs or be distinguishable in comparison. Truth be told, both characters are extremely similar but it works so well. Galifianakis is so funny, it hurts. Ethan Tremblay's ignorance is really what makes the film so incredibly ridiculous, over the top, and just downright hysterical. The blossoming friendship between Peter and Ethan is where the heart of the film truly lies though. The chemistry between both RDJ and Galifianakis is what makes so many scenes in the film so great. Watching Peter be in agony over having to deal with Ethan and his eccentric ways is pure comedy gold.
An interesting note about the film is that nearly every scene from the trailer is in the film. With all the alternate takes and deleted scenes that get shuffled around these days before a film gets released in theaters, that's saying a lot. It does make you wonder what sort of extras will be on the DVD and BD versions of the film though. One scene comes to mind that wasn't in the film, but that's it. Everything else that you've probably memorized ("You better check yourself before you wreck yourself.") is in there.
A few scenes to be on the lookout for, Peter has a certain way of dealing with the kids of a local drug dealer named Heidi (played by Juliette Lewis) that is sure to get an outstanding reaction from a packed theater. Also, the film puts an awkward yet priceless spin on the simple act of masturbating . There are so many gloriously preposterous things that transpire in the film that it should give you plenty of material to talk about with friends for days.
It's safe to consider Due Date as this year's The Hangover and that should definitely be taken as a compliment. It's the same director and one third of the main cast, but Due Date manages to set the bar for ludicrous acts achieved in film. Zach Galifianakis will provide most of the laughs, but it's the chemistry between both him and Robert Downey Jr that makes the comedy feel a bit more genuine than other comedies out there.
Seeing Robert Downey Jr in a film like this after his career exploded from doing Iron Man seems more outstanding than it really is. Or maybe it's just the mere thought of seeing the lead actor from some of the past few years biggest blockbusters in an R-rated comedy that features his character get high and be extremely ill tempered throughout its duration is entertaining in itself and strangely liberating. There isn't source material to follow that if strayed too far away from could cause fans to go into an uproar. Due Date is an original film and it just seems like doing comedy after two superhero films and a film based on the world's most infamous fictional detective would be creative freedom of sorts.
There was some concern that Zach Galifianakis' character in Due Date would be too similar to his character in The Hangover to really deliver a lot of laughs or be distinguishable in comparison. Truth be told, both characters are extremely similar but it works so well. Galifianakis is so funny, it hurts. Ethan Tremblay's ignorance is really what makes the film so incredibly ridiculous, over the top, and just downright hysterical. The blossoming friendship between Peter and Ethan is where the heart of the film truly lies though. The chemistry between both RDJ and Galifianakis is what makes so many scenes in the film so great. Watching Peter be in agony over having to deal with Ethan and his eccentric ways is pure comedy gold.
An interesting note about the film is that nearly every scene from the trailer is in the film. With all the alternate takes and deleted scenes that get shuffled around these days before a film gets released in theaters, that's saying a lot. It does make you wonder what sort of extras will be on the DVD and BD versions of the film though. One scene comes to mind that wasn't in the film, but that's it. Everything else that you've probably memorized ("You better check yourself before you wreck yourself.") is in there.
A few scenes to be on the lookout for, Peter has a certain way of dealing with the kids of a local drug dealer named Heidi (played by Juliette Lewis) that is sure to get an outstanding reaction from a packed theater. Also, the film puts an awkward yet priceless spin on the simple act of masturbating . There are so many gloriously preposterous things that transpire in the film that it should give you plenty of material to talk about with friends for days.
It's safe to consider Due Date as this year's The Hangover and that should definitely be taken as a compliment. It's the same director and one third of the main cast, but Due Date manages to set the bar for ludicrous acts achieved in film. Zach Galifianakis will provide most of the laughs, but it's the chemistry between both him and Robert Downey Jr that makes the comedy feel a bit more genuine than other comedies out there.