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Being Alpha
8.5
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For the first time since Tessa met Dastien, life is quiet. The evil witch, Luciana, is six glorious...
The Final Six
7.0
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When Leo, an Italian championship swimmer, and Naomi, a science genius from California, are two of...
The Department of Sensitive Crimes (Detective Varg #1)
6.5
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In the Swedish criminal justice system, certain cases are considered especially strange and...
ClareR (5911 KP) rated Bored Gay Werewolf in Books
Jun 19, 2023
There’s not a huge amount left to the imagination in this book. It does exactly what the title says: Brian is bored, he’s gay and he’s a werewolf. However, he is a werewolf who is out of control during the full moon - as the dead joggers will attest to - and out of control as a man the rest of the time (too much alcohol, a lot of casual sex, not taking care of himself).
Enter Tyler. He’s also a werewolf, and he wants to create a pack for the 21st century, along with a website and an app. He’s not the nicest of characters, unlike Brian’s work colleagues who are both lovely!
It’s a great cast of characters, and a rather amusing tale on modern life, with toxic masculinity, capitalism and the culture of Wellness - along with some of the most disgusting sounding smoothies and fitness regimes - front and centre.
If there’s another book coming up in a series, I’d love to know if Brian is still in his dead end job, drinking too much, or whether he has decided to take up the job offer at the end of the book.
This book made me laugh out loud on more than one occasion - and this is surely as good a reason as any to want more!!
Enter Tyler. He’s also a werewolf, and he wants to create a pack for the 21st century, along with a website and an app. He’s not the nicest of characters, unlike Brian’s work colleagues who are both lovely!
It’s a great cast of characters, and a rather amusing tale on modern life, with toxic masculinity, capitalism and the culture of Wellness - along with some of the most disgusting sounding smoothies and fitness regimes - front and centre.
If there’s another book coming up in a series, I’d love to know if Brian is still in his dead end job, drinking too much, or whether he has decided to take up the job offer at the end of the book.
This book made me laugh out loud on more than one occasion - and this is surely as good a reason as any to want more!!
Ian McCulloch recommended Ocean Rain by Echo & The Bunnymen in Music (curated)
LUNA Capital
Tabletop Game
The dream of maintaining human life on the surface of the moon has now come true. The project to...
SA
Shadows Across the Moon: Outlaws, Freaks, Shamans and the Making of Ibiza Clubland
Helen Donlon and Richie Hawtin
Book
Once a fabled pirate garrison, the Balearic island of Ibiza has been colonised and continually...
Haley Mathiot (9 KP) rated Tall, Dark and Wolfish (Westfield Wolves, #2) in Books
Apr 27, 2018
Rating: 3.75
Lord Benjamin, the youngest of the Westfeld brothers, is a broken werewolf. He can no longer change in the light of the full moon. Horrified at himself, he seeks out a healer—a witch, although he isn't sure he believes in them—and comes across the beautiful Elspeth Campbell. But in order to let Elspeth heal him, he has to tell her everything. And spilling his guts to a beautiful Scottish girl isn't the easiest thing in the world.
Elspeth isn't quite sure what to think of Lord Benjamin… especially when her sister witch, a seer, claims that he will take her away from them forever. She vows not to leave them, but when she meets him… she begins to have second thoughts. Falling in love with him hadn't been part of the plan.
Tall, Dark, and Wolfish was really cute. I adored Elspeth: she was a fun, stubborn, slightly sarcastic character who was strong in herself. And Benjamin… poor broken Benjamin who lost his wolf-ness. I loved their interactions and I loved their dialogue. I especially liked the interactions between Ben and Will, his brother. They're just… great.
The writing was satisfactory… but the accents were great. Elspeth and her witch sisters spoke in their Scottish accents, and it was written with the accent. Although it was a little hard to read at first, you can catch onto the sound of their voices quickly, and it adds to the character.
I was pleased at the plot: at first I was wondering how Dare would stretch the limited romantic plot into a full length novel, but there were a lot of aspects and sub-plots that were woven in, making it an exciting fun story.
Although, all things considered, it was just a tad sappy. But not enough to make me put it down. I think I read it through from beginning to end in about four hours.
Content/recommendation: some language, some sex. Ages 18+
Lord Benjamin, the youngest of the Westfeld brothers, is a broken werewolf. He can no longer change in the light of the full moon. Horrified at himself, he seeks out a healer—a witch, although he isn't sure he believes in them—and comes across the beautiful Elspeth Campbell. But in order to let Elspeth heal him, he has to tell her everything. And spilling his guts to a beautiful Scottish girl isn't the easiest thing in the world.
Elspeth isn't quite sure what to think of Lord Benjamin… especially when her sister witch, a seer, claims that he will take her away from them forever. She vows not to leave them, but when she meets him… she begins to have second thoughts. Falling in love with him hadn't been part of the plan.
Tall, Dark, and Wolfish was really cute. I adored Elspeth: she was a fun, stubborn, slightly sarcastic character who was strong in herself. And Benjamin… poor broken Benjamin who lost his wolf-ness. I loved their interactions and I loved their dialogue. I especially liked the interactions between Ben and Will, his brother. They're just… great.
The writing was satisfactory… but the accents were great. Elspeth and her witch sisters spoke in their Scottish accents, and it was written with the accent. Although it was a little hard to read at first, you can catch onto the sound of their voices quickly, and it adds to the character.
I was pleased at the plot: at first I was wondering how Dare would stretch the limited romantic plot into a full length novel, but there were a lot of aspects and sub-plots that were woven in, making it an exciting fun story.
Although, all things considered, it was just a tad sappy. But not enough to make me put it down. I think I read it through from beginning to end in about four hours.
Content/recommendation: some language, some sex. Ages 18+
Hazel (1853 KP) rated Killers of the Flower Moon: The Osage Murder and the Birth of the FBI in Books
Dec 7, 2018
<I>I received this book for free through Goodreads First Reads.</I>
It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.
The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.
David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.
Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.
Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.
The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.
Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.
An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.
The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.
David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.
Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.
Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.
The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.
Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.
An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
Lee (2222 KP) rated Ad Astra (2019) in Movies
Sep 21, 2019
It’s the near future. Humans are trying to reach out to extraterrestrial life. Veteran astronaut Roy McBride (Brad Pitt) is working high up on an antenna built with the sole purpose of trying to communicate with aliens. And when I mean high up, Roy is literally in full astronaut gear, as this thing reaches from the Earths surface, all the way up into space! Suddenly, a mysterious power surge hits the antenna, triggering a series of explosions and sending other astronaut workers tumbling. Roy manages to leap between a few levels in order to shut off the power, but he eventually has no choice other than abandon the structure and tumble down to Earth. Obviously, he makes it, but it’s an impressive, intense opening – beautifully staged and shot and indicative of the kind of quality to come for the rest of the movie.
Fully recovered, and ready for debriefing, Roy learns that the power surge is one of many which are now hitting the Earth and threatening the stability of the solar system. Furthermore, it is believed that Roy’s father, Clifford McBride (Tommy Lee Jones), who embarked on a deep space mission some 30 years ago, is responsible for the surges. All contact was lost with that ship and it’s crew 16 years into their mission, known as The Lima Project, and the source of these surges is the region surrounding Neptune. Roy has been selected to send a message to his father in the hopes that he might respond and help to prevent further catastrophic surges.
Roy is a loner, committed to his work above all else. In an early scene we see his wife (Liv Tyler) walking out on him while he carries out a psych evaluation for work. He comes across as cold, distant and uncaring, and his pessimistic narration throughout the movie gives us a real insight into his character and history. He’s proved that he can keep his cool under pressure, always maintaining a low blood pressure, but suddenly losing his father 30 years ago has obviously resulted in some serious daddy issues for Roy. Issues which these latest events now bring to the forefront.
The message Roy must send to his father needs to be transmitted by laser from Mars to Neptune, so Roy must first travel to the moon and then onward to Mars. This being the near future, space travel has now been commercialised, so fairly easy to just hop on a flight, and the moon is now a hive of human activity – there’s even a Subway restaurant there for hungry travellers arriving from Earth! As Roy makes his way across the moon, to the rocket which will take him to Mars, we learn about it’s colonisation and the disputes that occur there involving the countries of Earth. Consequently, Roy’s journey is not without peril.
What is so incredible about the time we spend on the moon, and then Mars, is just how plausible and realistic it all feels. For the most part, I was totally mesmerised by it all – fully engrossed in what is an epic space adventure into the unknown, desperate to find out how it was all going to end. After emerging as one of the highlights of an otherwise disappointing movie recently in ‘Once Upon a Time in Hollywood’, Brad Pitt once again shows us just what a real star he is. Outstanding.
Despite the beautiful cinematography, the engrossing storyline and the occasional bursts of action though, Ad Astra is a real slow burn of a movie, which won’t be for everyone. What let the movie down for me was the last 20 minutes or so, which proved to be something of an anticlimax in my opinion. However, this is still an incredible movie, held together by an amazing actor and some beautiful visual storytelling.
Fully recovered, and ready for debriefing, Roy learns that the power surge is one of many which are now hitting the Earth and threatening the stability of the solar system. Furthermore, it is believed that Roy’s father, Clifford McBride (Tommy Lee Jones), who embarked on a deep space mission some 30 years ago, is responsible for the surges. All contact was lost with that ship and it’s crew 16 years into their mission, known as The Lima Project, and the source of these surges is the region surrounding Neptune. Roy has been selected to send a message to his father in the hopes that he might respond and help to prevent further catastrophic surges.
Roy is a loner, committed to his work above all else. In an early scene we see his wife (Liv Tyler) walking out on him while he carries out a psych evaluation for work. He comes across as cold, distant and uncaring, and his pessimistic narration throughout the movie gives us a real insight into his character and history. He’s proved that he can keep his cool under pressure, always maintaining a low blood pressure, but suddenly losing his father 30 years ago has obviously resulted in some serious daddy issues for Roy. Issues which these latest events now bring to the forefront.
The message Roy must send to his father needs to be transmitted by laser from Mars to Neptune, so Roy must first travel to the moon and then onward to Mars. This being the near future, space travel has now been commercialised, so fairly easy to just hop on a flight, and the moon is now a hive of human activity – there’s even a Subway restaurant there for hungry travellers arriving from Earth! As Roy makes his way across the moon, to the rocket which will take him to Mars, we learn about it’s colonisation and the disputes that occur there involving the countries of Earth. Consequently, Roy’s journey is not without peril.
What is so incredible about the time we spend on the moon, and then Mars, is just how plausible and realistic it all feels. For the most part, I was totally mesmerised by it all – fully engrossed in what is an epic space adventure into the unknown, desperate to find out how it was all going to end. After emerging as one of the highlights of an otherwise disappointing movie recently in ‘Once Upon a Time in Hollywood’, Brad Pitt once again shows us just what a real star he is. Outstanding.
Despite the beautiful cinematography, the engrossing storyline and the occasional bursts of action though, Ad Astra is a real slow burn of a movie, which won’t be for everyone. What let the movie down for me was the last 20 minutes or so, which proved to be something of an anticlimax in my opinion. However, this is still an incredible movie, held together by an amazing actor and some beautiful visual storytelling.