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Dean (6927 KP) rated Countdown (2019) in Movies
Oct 29, 2019 (Updated Jun 3, 2022)
Surprise Halloween treat
This looked OK from the trailer so gave it a go without expecting much. It was better than expected with a good mix of scares, creepiness and some funny moments. It had a feeling similar to @Final Destination (2000) and @Lights Out (2016) as people using a death predictor app try to cheat their fate. Well worth checking out this Halloween.
Gareth von Kallenbach (980 KP) rated Funny People (2009) in Movies
Aug 9, 2019
We all have our favorite Adam Sandler movies. There are the fans of The Wedding Singer and 50 First Dates and there’s the loyal camp who can quote Happy Gilmore or Big Daddy verbatim. You hear the name Adam Sandler’s and you think goofy, lovable guy. Dependably funny and quotable, from the mid-90’s on, he was the go-to comedian when we looked for an easy laugh. Of late, with the growing list of popular movies under his belt, when you think goofy, lovable funny guy, another name comes up: Seth Rogan. In “Funny People” you get them both.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Veronica Pena (690 KP) rated Nobody's Fool (2018) in Movies
Feb 9, 2020 (Updated Feb 9, 2020)
This move was profoundly bad. I don't know if there are any other words to it, it was horrendous. There were definitely some funny parts but it was more because Tiffany Haddish was making a fool of herself and less because the jokes were actually funny.
I know that Tyler Perry is revolutionary and whatever, but the more of his movies you watch, the more it's just blatantly obvious how much they are all the same. I love that he writes and produces and directs, I think that's great, but when all his characters are the same, especially his women, it just gets tiresome. This idea that Missi Pyle's character is supposed to be this hardworking, self-made, independent woman who does everything a man does when she's trying to decide between Charlie and Frank, it just felt fake, and it made her so unlikeable and unrelatable. I don't know a single woman who would play those men the way that she did. And Amber Riley's character? She was a horrible friend. If I saw my friend acting the way Danica was, I would tell her to get it together and stop being so rude to Frank.
I think the best performance in this movie was Mechad Brooks - I think he was funny and his jokes landed. But other than that, it was just bad. That cameo from Chris Rock too? Unnecessary. The plot was just incoherent, the acting was bad, the character development was bad, it was all bad.
I know that Tyler Perry is revolutionary and whatever, but the more of his movies you watch, the more it's just blatantly obvious how much they are all the same. I love that he writes and produces and directs, I think that's great, but when all his characters are the same, especially his women, it just gets tiresome. This idea that Missi Pyle's character is supposed to be this hardworking, self-made, independent woman who does everything a man does when she's trying to decide between Charlie and Frank, it just felt fake, and it made her so unlikeable and unrelatable. I don't know a single woman who would play those men the way that she did. And Amber Riley's character? She was a horrible friend. If I saw my friend acting the way Danica was, I would tell her to get it together and stop being so rude to Frank.
I think the best performance in this movie was Mechad Brooks - I think he was funny and his jokes landed. But other than that, it was just bad. That cameo from Chris Rock too? Unnecessary. The plot was just incoherent, the acting was bad, the character development was bad, it was all bad.
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LoganCrews (2861 KP) rated Kevin Hart: What Now? (2016) in Movies
Sep 19, 2020 (Updated Nov 26, 2020)
Once again I appreciate Kevin Hart's energy and strong presence as a performer, but this just felt like a first draft for a weaker Chris Tucker set. The 'movie' bits didn't really do a whole lot for me but I admit it's a clever idea that maybe would have landed harder if not for Tim Story's flat, chintzy coverage. I like the black and gold aesthetic, and the tour itself has a handful of mild laughs - albeit sporadically. But my main problem with this is that there's a surfeit of innately hilarious setups followed almost exclusively by not-so-funny payoffs. Setting up jokes where he asks an audience member if they'd still be with their partner if an orangutan hopped the fence and stole his kneecaps or a genius segment about Hart's wife sucking all the numbing cream off his dick should by all accounts be comedy gold in their own right... but not when they're followed with ungodly long Katt Williams-esque tangents about how funny it would be to pretend to walk like you can't bend your legs like you're that annoying kid who thinks he's funny in second grade - complete with the same obnoxious running jokes repeated seemingly 500 times over and appallingly bad impersonations or whatever. By the end I just didn't care. The notion of a stand-up mogul - as boasted in its advertising - certainly is an intriguing one, though this seems like such a lukewarm set to peddle that distinction. But with some greater optimization this could have been epic.
ClareR (5890 KP) rated How Not To Be a Boy in Books
Nov 15, 2017
Funny and poignant.
Robert Webb tells us about how his life from beginning to current day, illustrates how not to be a boy. Basically, men are not brought up (largely speaking) equipped with the emotional know-how like women are. Emotions are seen as 'unmanly'. I hope times are changing. I've made an effort in my home to equip my sons with the vocabulary and ability to name their emotions and own them. Times are (hopefully) changing!
Fireyjack (2 KP) rated Ghostbusters (2016) in Movies
Dec 11, 2017
Cameos (1 more)
Ghostbusting
This is a ok film fanboys kind of ruined this film but it is kind of a nod to the old film but trying to be something different to the old ones this film is aimed at a new generation of kids with women leading the front some funny jokes and some bad ones there is more ghostbusting in this one give it a try there is a alot worse films out there