"I saw it when I was 13 and it had an amazing impact on me, I couldn’t believe something was so funny and so smart. The level of writing is so crazy; it’s a continual inspiration. It blew my mind. I was at home babysitting my younger siblings. My parents were out dancing, and it came on at 1:30 AM. I would watch Saturday Night Live, and it was on after. I thought it was a horror film to start because it’s dark and there’s the pop-pop-pop and there’s smog. In the movie, that’s their preamble thing that I missed, so I didn’t know it was a comedy."

"I read this book in high school when it was first published. It had the reputation of being “dirty.” It did not disappoint: I was all of 14. It was also deliciously funny. It still is. Its status is secure and I doubt there’s a “Best” list it’s not on. It’s wildly romantic, scathingly satiric of middle-class Americans as only a European aristocrat can see us, and ultimately deeply moving. Lolita is the light of everyone’s loins. Humbert Humbert’s despair is anyone’s who has loved and lost in vain. Nabokov “gets” America and Americans. He is one of the great writers in English and it wasn’t even his first language."

"It was seminal, you know? It’s still a cult film for actors. It’s just about two out-of-work actors in England. I keep that on my iPad; I’ll go back and watch that at any point or scene. And there’s a performance by Uncle Monty (Richard Griffiths) — I think it’s one of the greatest comedic performances I’ve seen in my life. Such a wonderful film. It just reaffirms to me that I’m part of an ongoing world of actors. It’s funny, but it’s also beautiful in the end. When Grant does the Hamlet speech… It’s about success, failure, moving on, friendship, loss, and just life. It’s brilliant."