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Eilidh G Clark (177 KP) rated Sunsett Song in Books
May 14, 2017
there are better things than your books or studies or loving or bedding, there’s the countryside your own […] in the days when you’re neither bairn nor woman.’ I
Sunset Song by Lewis Grassic Gibbon, published in 1932 became the ‘cream of the crop’ in a poll organised by The Scottish Book Trust last year. Not only was it voted as Scotland’s favourite novel, First Minister Nicola Sturgeon described it as ‘timeless’ in an interview with the BBC, ‘ it said something about the history of the country I grew up in and it resonated with me very strongly as a young Scottish woman.’ I have to say that I am in agreement with the First Minister. Sunset Song is a beautifully written aesthetic novel that follows the life and internal conflict of the protagonist Chris Guthrie. By presenting Chris as a kind of cultural double, Gibbon is showing the reader the problems that result in Chris’s separation from the community and her parents conflicting interests regarding her upbringing. Chris’ father, hoping to enhance his daughter’s natural intelligence, is aware of the negative impact that the community might have on her progression, ‘Stick to your lessons and let’s see you make a name for yourself, you’ve no time for friends.’ John Guthrie, a progressive man, regards Chris’s peers as ‘servant queans.’ Whilst this may read as a cultural attack on the lower classes, John Guthrie, is simply reacting to his own working class conditions as a farmer. His motivation is to raise Chris out of the environment that he himself has struggled in and to give her better opportunities. Chris refers to her intelligent self as ‘English’ and identifies a cultural otherness between herself and those of her community. Chris’ mother Jean, on the other hand, has a view of the world that is from a much older time. Before marriage she was a free spirit, ‘there are better things than your books or studies or loving or bedding, there’s the countryside your own […] in the days when you’re neither bairn nor woman.’ It was Gibbon’s intention to create a heteroglossic view of education between Chris’ parents in order to create a protagonist whose future is a conflict between progression and an older unstructured way of life. It is through Chris’s thoughts, however, that her true self can be found. Her English self forms an escape, a place that is simpler, refined and an improvement on how she perceives Scottish culture as a result of her class, ‘the furrows went criss and cross, you wanted this and you wanted that, books and the fineness of them no more than empty gabble sometimes, and then sharn and the snapping that sickened you and drove you back to books.’ It is clear that Gibbon wanted to show the reader that Scottish culture does evaporate with progression. Culture lives in all of us, in the people, the land and in the struggles that we have faced and will face in the future. Chris Guthrie is the perfect example of hope, for a future which is rich in learning while still embracing her Scottish roots, I guess a future we can all identify with.
Lottie disney bookworm (1056 KP) rated The Once and Future Witches in Books
Sep 20, 2020
Thank you to Netgalley for luring me in with this recommendation and the gorgeous cover art. Thank you to Alix E Harrow for providing such an amazing story for this ARC review. All the opinions expressed below are my own.
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
Awix (3310 KP) rated The Quatermass Conclusion (1979) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
We're all doomed, I tell you, DOOMED!
Big-screen version of Nigel Kneale's ultra-depressing finale to his series of Quatermass TV shows and films. Kneale was only in his fifties when he wrote this, which is odd because it feels very much like an old man's wail of anguish when faced with a world he no longer feels he belongs to or even recognises. Set in the near future - one very much informed by the social unrest and generational tensions that were present in the UK when it was made - this is the story of a collapsing civilisation presented with a new threat: a hostile alien presence, which originally visited Earth five thousand years ago, has returned, basically intent on chowing down on young people (this was clearly an influence on the later Torchwood series Children of Earth). Ageing boffin Bernard Quatermass must find a solution, if he can.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
Kristin (149 KP) rated A Silent Prayer (A Prayer Series #1) in Books
Dec 7, 2018
Disclaimer: I received an e-copy in exchange for an honest review.
Rania is a regular girl, just trying to get through life in Toronto. Adam is a rich bachelor, spending and sleeping his way through the days. When they cross paths, sparks fly, and Adam realizes he might not mind leaving the single-life behind, once and for all. However, Rania has a scarred past, and it's keeping barriers around her heart. Can these two make it together, or will their differences drive them apart before they even get started?
I enjoyed this book right from the start. I love how the chapters are separated into each point of view, as you get a glimpse from both sides of the coin and how each character is dealing with their new friendship. I feel as though this one quote from the beginning perfectly sums up how you should view this story: "I wonder at the fact that each human has his own story to tell; everyone has a past, a present and a future to look forward to." We travel through the present with both Rania and Adam, and while looking through them towards their possible future, we see that they'll have to relive a past that could tear them apart.
I would recommend this book to anyone who likes a good romance, but note that it's not your typical boy-meets-girl, boy-gets-girl story. This is one where you'll be rooting on both sides, and you get to see what happens when love-at-first-sight meets its match in a strong-willed woman.
4 1/2 stars
Rania is a regular girl, just trying to get through life in Toronto. Adam is a rich bachelor, spending and sleeping his way through the days. When they cross paths, sparks fly, and Adam realizes he might not mind leaving the single-life behind, once and for all. However, Rania has a scarred past, and it's keeping barriers around her heart. Can these two make it together, or will their differences drive them apart before they even get started?
I enjoyed this book right from the start. I love how the chapters are separated into each point of view, as you get a glimpse from both sides of the coin and how each character is dealing with their new friendship. I feel as though this one quote from the beginning perfectly sums up how you should view this story: "I wonder at the fact that each human has his own story to tell; everyone has a past, a present and a future to look forward to." We travel through the present with both Rania and Adam, and while looking through them towards their possible future, we see that they'll have to relive a past that could tear them apart.
I would recommend this book to anyone who likes a good romance, but note that it's not your typical boy-meets-girl, boy-gets-girl story. This is one where you'll be rooting on both sides, and you get to see what happens when love-at-first-sight meets its match in a strong-willed woman.
4 1/2 stars
Luc Horvathova (60 KP) rated Dracula in Books
Oct 22, 2019
Gripping, entertaining well written master piece
Contains spoilers, click to show
The book is written in form of letters and diaries. It starts in Dracula's castle in Transylvania as Harker, the estate agent is going through the sale of some properties over in England. His good relationship with count starts to crumble as some weird things start happening and the place he's staying gets really scary. After the transaction is over and Harker is free to go home, he collapses on the way and gets submitted into the hospital. Meanwhile story starts explaining the relationship of his fiancé Mina and her best friend Lucy. Lucy is choosing her future husband while getting really sick for an unknown reason. Her sleep walking and getting pale and lifeless worries Mina. Lucy's future husband seeks help at his friend psychiatrist who calls his old friend Van Helsing. Meanwhile in psychiatric institute one of the patients behaves very strangely, specially at night time. Lucy's condition gets really bad and eventually she dies, breaking everyone's heart. In the same time Mina meets her sick fiance and get married moving into their new home. After Lucy's death she meets Van Helsing And others and together they figure out that count Dracula is behind this all. As much as vampires are scary, the group is determined to kill count under any circumstances. One of the last losses is Mina getting into Dracula's hands and slowly turning into vampire herself. The hunt begins to be very serious and our friends are getting very desperate...how does the story ends, it's up to you to find out by reading this masterpiece.
A Bibliophagist (113 KP) rated Red Rising in Books
Jan 26, 2020 (Updated Jan 26, 2020)
Good characters (3 more)
Good development
Well paced
Fun
YA tropes at times (2 more)
Derivative
Gary Stu
Lord of the Flies revisited
Lord of the Flies, meets Battle Royale, in the future to determine the strongest to lead the ruling class.
I will open with, had the main character been a woman, I completely believe this would be considered a YA book. All the bullet points are there, future society, classes, a lowest class person who is chosen to overthrow higher class. This person is perfect, attractive, intelligent, strong. He assumes the role of a higher class, taking over their life Char Aznable style, so they can enter an "institute" where all the smartest and strongest are placed to... kill each other until the strongest survive.
Every time I tried to describe this book, I got a little embarrassed, I was met with eye-rolls and "wait let me guess...". However, overall I'm a sucker for these violent stories a la Lord of the Flies and a sucker for SciFi so I ate it up and really enjoyed it. Most reviews claim the main character to break the "mary sue" mold, he doesn't, he's super mary sue, likable, but Mary Sue nonetheless. The other characters really drew me in on this one, and his interactions with them, and his feelings toward them even though they were his enemies, I loved every part of that.
So even though it was incredibly derivative, and very much the fixings of a YA, I devoured it, and immediately bought and read the second, I almost read all three in one week, but took a break on the third to read something else.
I will open with, had the main character been a woman, I completely believe this would be considered a YA book. All the bullet points are there, future society, classes, a lowest class person who is chosen to overthrow higher class. This person is perfect, attractive, intelligent, strong. He assumes the role of a higher class, taking over their life Char Aznable style, so they can enter an "institute" where all the smartest and strongest are placed to... kill each other until the strongest survive.
Every time I tried to describe this book, I got a little embarrassed, I was met with eye-rolls and "wait let me guess...". However, overall I'm a sucker for these violent stories a la Lord of the Flies and a sucker for SciFi so I ate it up and really enjoyed it. Most reviews claim the main character to break the "mary sue" mold, he doesn't, he's super mary sue, likable, but Mary Sue nonetheless. The other characters really drew me in on this one, and his interactions with them, and his feelings toward them even though they were his enemies, I loved every part of that.
So even though it was incredibly derivative, and very much the fixings of a YA, I devoured it, and immediately bought and read the second, I almost read all three in one week, but took a break on the third to read something else.
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