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Gareth von Kallenbach (980 KP) rated Miami Vice (2006) in Movies
Aug 14, 2019
In 1984 a show arrived on NBC that instantly became a media sensation and set new standards for television dramas, as well as for music and fashion as it soon became a cultural icon.
The show was Miami Vice, and up until the final episode in 1989, legions of viewers tuned in every Friday night for a heady mix of action, music, color, and sex making series stars Philip Michael Thomas and Don Johnson some of the most identified and emulated celebrities in the world.
As time passed, the fickle television audience cooled on the show and it passed to television history, but not before leaving an indelible mark upon pop culture as to this day, the mere mention of the show unleashes a flood of memories and images from fans the world over.
Now close to two decades after the show went off the air, the creative talent behind the show, Michael Mann, has unleashed a cinematic version of his hit series, and it has arrived awash in the trademark neon colors, action, and style that made the series such a hit.
This time out, Oscar winner Jaime Foxx and Colin Farrell are Tubs and Crockett respectively, and they soon find themselves deep undercover posing as drug runners while trying to get to the bottom of a leak inside one of the law enforcement agencies. As troublesome as the leak, is, the fact that leaked information caused the deaths of undercover agents, by suspected white supremacists armed with the latest in high tech weaponry.
The deadly game of cloak and dagger unfolds as Tubbs and Crockett find themselves deep into a major criminal organization, and to add to the tension, Crockett finds himself drawn to an attractive member of the organization (Li Gong), who “belongs” to the head of the criminal plot.
As the plot unfolds, the danger of being discovered as well as becoming lost in the parts they are playing becomes a growing danger for Tubbs and Crockett, as they not only battle to keep their cover, but to stay alive and protect those closest to them.
The film has a plot that is a bit muddled at first, but like the world in which Tubbs and Crockett find themselves, there are not always clearly defines parameters as well as individuals. As simplistic as the basic plot may seem, the varying layers of characters, locales, and motivations keeps Miami Vice, a changing mystery, yet one that is lacking tension and deep drama.
The first hour of the film plods along with plenty of sex and setup, but surprisingly little action. I noted that there were five scenes of sex, and at least two more implied sex scenes before one of the lead characters even fired a weapon, which surprisingly came at 1 Hour and 40 minutes into the film.
While the film may take a while to get to the action, when it does come, it is surprisingly effective without falling victim to the usual Hollywood Traps of numerous gigantic explosions, car chases, stunts, and an abundance of C.G.I.
The violence in the film is also very graphic as there are numerous headshots, as well as splatter moments and gaping exit wounds. Despite this, it does not seem gratuitous but rather realistic as it portrays the brutality of the characters as well as the world in which they live and work.
The surprisingly effective finale confrontation satisfies and like any good director, Mann knows when to pull back, and when to go full out, without letting the action dominate the characters and the story.
Farrell and Foxx do a solid job with their characters without having the luxury of a deep back story. Mann’s script takes the approach that the viewers will know the characters and their history and omits things like Crockett’s ex wife, son, houseboat and pet alligator Elvis.
While this may seem trivial for a film that is over two hours in length, it does provide viewers with a better understanding of the characters and their actions and motivations, which I hope will be fully explored should a second film in the series be made.
That being said, despite the long setup, and a somewhat muddles plot, Miami Vice is a stylish and refreshing film, that should entertain fans of the original show.
The show was Miami Vice, and up until the final episode in 1989, legions of viewers tuned in every Friday night for a heady mix of action, music, color, and sex making series stars Philip Michael Thomas and Don Johnson some of the most identified and emulated celebrities in the world.
As time passed, the fickle television audience cooled on the show and it passed to television history, but not before leaving an indelible mark upon pop culture as to this day, the mere mention of the show unleashes a flood of memories and images from fans the world over.
Now close to two decades after the show went off the air, the creative talent behind the show, Michael Mann, has unleashed a cinematic version of his hit series, and it has arrived awash in the trademark neon colors, action, and style that made the series such a hit.
This time out, Oscar winner Jaime Foxx and Colin Farrell are Tubs and Crockett respectively, and they soon find themselves deep undercover posing as drug runners while trying to get to the bottom of a leak inside one of the law enforcement agencies. As troublesome as the leak, is, the fact that leaked information caused the deaths of undercover agents, by suspected white supremacists armed with the latest in high tech weaponry.
The deadly game of cloak and dagger unfolds as Tubbs and Crockett find themselves deep into a major criminal organization, and to add to the tension, Crockett finds himself drawn to an attractive member of the organization (Li Gong), who “belongs” to the head of the criminal plot.
As the plot unfolds, the danger of being discovered as well as becoming lost in the parts they are playing becomes a growing danger for Tubbs and Crockett, as they not only battle to keep their cover, but to stay alive and protect those closest to them.
The film has a plot that is a bit muddled at first, but like the world in which Tubbs and Crockett find themselves, there are not always clearly defines parameters as well as individuals. As simplistic as the basic plot may seem, the varying layers of characters, locales, and motivations keeps Miami Vice, a changing mystery, yet one that is lacking tension and deep drama.
The first hour of the film plods along with plenty of sex and setup, but surprisingly little action. I noted that there were five scenes of sex, and at least two more implied sex scenes before one of the lead characters even fired a weapon, which surprisingly came at 1 Hour and 40 minutes into the film.
While the film may take a while to get to the action, when it does come, it is surprisingly effective without falling victim to the usual Hollywood Traps of numerous gigantic explosions, car chases, stunts, and an abundance of C.G.I.
The violence in the film is also very graphic as there are numerous headshots, as well as splatter moments and gaping exit wounds. Despite this, it does not seem gratuitous but rather realistic as it portrays the brutality of the characters as well as the world in which they live and work.
The surprisingly effective finale confrontation satisfies and like any good director, Mann knows when to pull back, and when to go full out, without letting the action dominate the characters and the story.
Farrell and Foxx do a solid job with their characters without having the luxury of a deep back story. Mann’s script takes the approach that the viewers will know the characters and their history and omits things like Crockett’s ex wife, son, houseboat and pet alligator Elvis.
While this may seem trivial for a film that is over two hours in length, it does provide viewers with a better understanding of the characters and their actions and motivations, which I hope will be fully explored should a second film in the series be made.
That being said, despite the long setup, and a somewhat muddles plot, Miami Vice is a stylish and refreshing film, that should entertain fans of the original show.
Whatchareadin (174 KP) rated Hello, Sunshine in Books
Apr 9, 2019
Sunshine McKenzie is a the top of her game. Her YouTube show, "A Little Sunshine" has milions of subscribers, The Food Network wants her to host a new show, and she's about to put out a series of cookbooks. But when her Twitter account is hacked an her entire world comes crashing down, she must evaluate what is truly important in her personal and professional life.
I read Eight Hundred Grapes a couple of years ago and I really enjoyed Laura Dave's writing. I've heard mixed reviews on this book, for me it was alright.
Sunshine Stephens grew up in Montauk, NY Even though the town was full of people with wealthy backgrounds, Sunshine was not a part of those people. She didn't come from a wealthy family, but she escaped the first chance she got. When she met Ryan, he promised her fame and fortune. All she had to do was tell a little lie about who she was and her abilities as a chef. But after a few years like this it's hard to separate fact from fiction. So some jerk has decided to knock Sunshine off of her pedestal and bring her back to reality. All of this was to remind her who she was and where she came from and the life she was currently living was not hers at all.
Overall, this book was pretty good. I liked Sunshine as a character. It sucks that her life had to come down to this life and career destroying conclusion. Will she be able to bounce back and continue to live her life?
I read Eight Hundred Grapes a couple of years ago and I really enjoyed Laura Dave's writing. I've heard mixed reviews on this book, for me it was alright.
Sunshine Stephens grew up in Montauk, NY Even though the town was full of people with wealthy backgrounds, Sunshine was not a part of those people. She didn't come from a wealthy family, but she escaped the first chance she got. When she met Ryan, he promised her fame and fortune. All she had to do was tell a little lie about who she was and her abilities as a chef. But after a few years like this it's hard to separate fact from fiction. So some jerk has decided to knock Sunshine off of her pedestal and bring her back to reality. All of this was to remind her who she was and where she came from and the life she was currently living was not hers at all.
Overall, this book was pretty good. I liked Sunshine as a character. It sucks that her life had to come down to this life and career destroying conclusion. Will she be able to bounce back and continue to live her life?
Lyndsey Gollogly (2893 KP) rated Caraval in Books
Jan 2, 2020
A good read
Contains spoilers, click to show
Scarlett Dragna has never left the tiny island where she and her sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval—the faraway, once-a-year performance where the audience participates in the show—are over.
But this year, Scarlett’s long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.
Scarlett has been told that everything that happens during Caraval is only an elaborate performance. Nevertheless she becomes enmeshed in a game of love, heartbreak, and magic.
It was good!
Lots of twists and turns as Scarlett tries to find her sister in a world created by magic. After escaping her father Tally takes on a whole new persona to save both her and her sister from a life where they are beaten and tormented by a father that is pure evil. Scarletts search for Tally pairs her up with Julien who she falls for although promised to a count! Both her father and count track them down at the caraval in an attempt to drag them home so Scarlett can be married off to the count that's paid a lot of money for her!
Here Scarlett discovers the whole plot put into motion by her sister and the legend.
Looking forward to book 2!
Recommended
⭐⭐⭐

But this year, Scarlett’s long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.
Scarlett has been told that everything that happens during Caraval is only an elaborate performance. Nevertheless she becomes enmeshed in a game of love, heartbreak, and magic.
It was good!
Lots of twists and turns as Scarlett tries to find her sister in a world created by magic. After escaping her father Tally takes on a whole new persona to save both her and her sister from a life where they are beaten and tormented by a father that is pure evil. Scarletts search for Tally pairs her up with Julien who she falls for although promised to a count! Both her father and count track them down at the caraval in an attempt to drag them home so Scarlett can be married off to the count that's paid a lot of money for her!
Here Scarlett discovers the whole plot put into motion by her sister and the legend.
Looking forward to book 2!
Recommended
⭐⭐⭐

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