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Peter Cowie recommended Bob le flambeur (1956) in Movies (curated)

 
Bob le flambeur (1956)
Bob le flambeur (1956)
1956 |
(0 Ratings)
Movie Favorite

"Melville has been hailed as the father, or godfather, of the French new wave. In fact, he was a classical filmmaker, telling his gangster stories in linear fashion, but with the highest quality control where acting and locations were concerned. Rain-slick streets belong, by some kind of divine right, to Melville, just as rivers belong to Renoir."

Source
  
Get Carter (2000)
Get Carter (2000)
2000 | Action, Drama, Mystery
5
5.0 (3 Ratings)
Movie Rating
Clumsy, uninspired, and - let's be honest - pointless and redundant remake of the British gangster classic. Stallone is as clumpingly inarticulate as ever as a gangster seeking the truth about his brother's death; various surprisingly good actors are roped in but get virtually nothing to do. For appearance's sake Michael Caine comes back, in the not-exactly-plum role of Cliff Brumby.

The plot is mostly just the same as in the original movie, although the magnificent desolation of north-east England is replaced by somewhere nondescript and American, and bleak nihilism is gone too, as that's not what Stallone's audience wants: instead there's a dull old plot about a man out for redemption. It's all sort of watchable, but it's hard to really think of a reason why you'd want to.
  
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Mel Rodriguez recommended GoodFellas (1990) in Movies (curated)

 
GoodFellas (1990)
GoodFellas (1990)
1990 | Crime, Drama, Thriller

"I grew up in kind of a rough neighborhood and there was kind of this whole gangster thing, too. I think that’s the opening line: “As far back as I can remember I always wanted to be a gangster.” And I think there was a part of me that felt the same way. I just loved Robert De Niro’s work, all those guys really. Man, the acting, and everything about that movie — almost flawless film. And I’ve loved all of Scorsese’s films. Just his working relationship with Robert De Niro, from Mean Streets on; there are so many movies that I love with the two of them. I feel like everything kind of comes together in Goodfellas in some way. Goodfellas has kind of got it all. That was probably one of my favorite films as a kid, so I carried a picture of Goodfellas in my wallet. With De Niro and Pesci and Liotta, it was like, you know, the trinity [laughing]. I mean, really, Goodfellas was kind of like my Star Wars [laughing]. Really just the pacing of that film, everything, just how realistic. And at times it’s just jarring how violent it is. And hilarious too. It’s f—ing hilarious. I mean, I know it’s not funny that you would wrap a telephone cord around a guy’s neck. That’s not funny at all! The whole situation is terrible! But I think on some level, really, you kind of care for these guys and I think that’s what Scorsese is able to do in his films, is make these guys so human that we are able to somehow relate to them and, on some level, even kind of root for them, even though some of the stuff they do is just really despicable. I mean, the stuff that Joe Pesci does is just awful and I don’t think you really necessarily root for him; he’s kind of a hot head. The thing is, obviously, I know these things are bad. I do know how life can go one way or another, and that it’s not all just black and white, and there are many different situations and twists and turns in life. I feel these things sometimes and say, “Oh wow, I knew a guy like that. And I knew a guy like that.” And so I am very into gangster movies just because I feel, in some ways, I don’t think I have the heart for it, honestly. I’d have a nervous breakdown as a gangster. I’d be a very nervous gangster. I’d be the gangster that pops a lot of Klonopin."

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Live By Night (2017)
Live By Night (2017)
2017 | Drama
Story: Live by Night starts as we meet Joe Coughlin (Affleck) a former soldier in World War I, who returned to Boston to live the life of crime as an outlaw. When Joe gets blackmailed into killing his boss or risk having his boss learn about his secret affair with his girlfriend Emma (Miller) he finds himself in the middle of a battle he didn’t want a part of.

After the secret is revelled Joe is left for dead blamed for killing cops, after 3 years in jail he gets sent to Florida to track down Albert White, to stop his business and kill him for the new gangster running things in Boston.

With his being a success Joe ends up clashing with the Klux Klan while trying to continue to watch the money roll in to his bosses and even himself.

 

Thoughts on Live by Night

 

Characters – Joe Coughlin is our narrator our gangster, well reluctant gangster, forced into the world after his life as an outlaw gets him mixed up with the wrong people. We learn he is fantastic at handling himself in the meeting striking a deal and isn’t afraid to get his hands dirty. The other characters seem to just be in chapters of his life, Emma is in Boston being a love interest, while Graciela business partner and lover in Florida. Chief Figgis is the man that will let Joe conduct business and to be honest we don’t get to learn enough about them to care about.

Performances – Ben Affleck is the only lead performer in this movie, he is fine through the film, he doesn’t reach the levels we know he can. When you dive into the supporting cast we get a host of known names and even unknowns who get the same amount of time that are solid without anyone standing out.

Story – The story follows Joe Coughlin as he starts out as a thief and becomes a gangster, this should work and I would have been fine with this, the problems build up as we see how many different situations Joe must solve to get the next chapter of the story through, because we don’t get enough time to see the problems he must overcome and everything just becomes glimpses into the gangster life without doing anything new.

Action/Crime – We have plenty of shooting going on, though the final one does feel like a level of Grand Theft Auto. This does from us into a gangster heavy crime world where the prohibition is ongoing through America.

Settings – The settings place us in the prohibition era America, be it Boston or Florida nothing does seem out of place with these locations.


Scene of the Movie – Final shoot-out.

That Moment That Annoyed Me – Not giving us the time to know the supporting characters.

Final Thoughts – This is a messy gangster film, it has the moments of potential but in the end just jumps too fast to grab us to care about certain moments which do seem to have a bigger impact on the story.

 

Overall: Disappointing, ending Affleck’s streak behind the camera.
  
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Darren (1599 KP) rated Villain (1971) in Movies

Jul 25, 2019  
Villain  (1971)
Villain (1971)
1971 | Drama
5
5.0 (1 Ratings)
Movie Rating
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.

Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.

 

Thoughts on Villain

 

Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.

Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.

Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.

Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.

Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.


Scene of the Movie – The opening scene as we see just how Vic can operate.

That Moment That Annoyed Me – The final shot.

Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.

 

Overall: British Gangster 101.
  
The Untouchables (1987)
The Untouchables (1987)
1987 | Action, Drama
Top-notch gangster drama from Brian de Palma. Idealistic government agent Eliot Ness (Costner) sets out to bring gangster Al Capone (de Niro) to justice, but is he prepared to do what it takes? Veteran street cop Malone (Connery) isn't so sure.

Glossy studio film-making at its most accomplished, with a smart script, strong performances, stylish direction, great action sequences and a fabulous Morricone soundtrack that effortlessly draws you in and leads you through the movie. One is tempted to knock a point off for Connery's attempt at an Irish accent, but this is one of his best performances, and deservedly got him his Oscar - but Costner is very nearly as good in a less showy role. Point added anyway for being a Hollywood action thriller that includes an homage to Sergei Eisenstein. Great stuff.
  
Peaky Blinders  - Season 1
Peaky Blinders - Season 1
2013 | Drama
Brutal, thrilling, gripping drama based on the 'Peaky Blinders' who were a gang, using razor blades sewn into the peaks of their caps, specifically to slash any body who crossed them. (2 more)
Great attention to detail, brilliant sets and the quality of the acting is of the highest standard.
The direction of this series, has been done to create a totally compelling series.
British gangster drama set in the early 20th century.
  
London Boulevard (2011)
London Boulevard (2011)
2011 | Drama, Mystery
A pretty decent London gangster flick with an impressive largely English cast. It starts a bit slow, but soon gets going. Some of the smaller story lines don't add up too much and one or two developments in the plot don't make a great deal of sense. However it is pretty decent with a good finish, a lot like Layer cake in the second half of the film.
  
Sherlock Holmes (2009)
Sherlock Holmes (2009)
2009 | Action, Drama, Mystery
Much better than I had expected. A big budget, action packed, fun new vision of Sherlock Holmes. A good well picked cast, great visuals, quite a lot of cgi and plenty of humour. Nice to see Guy Ritchie do more than just East London Gangster films! Also features the quickest journey from the Houses of Parliament to Tower Bridge ever, artistic licence for you!! Sequel out next year!
  
Lucky Number Slevin (2006)
Lucky Number Slevin (2006)
2006 | Crime, Drama, Thriller
7
7.2 (24 Ratings)
Movie Rating
Unexpectedly good film, as I was expecting a poor gangster movie clone.
This is a very twist and turn revenge thriller with a massively high body count and influenced by both Tarantino and Hitchcock although it is a little predictable in execution.
Hartnett was the new rising star at that moment in time and shows great promise alongside *Sir* Ben Kingley and the always great Morgan Freeman, worthy of anyones time!