Search
Search results
The Marinated Meeple (1848 KP) created a post in Oscars Discussion
Jan 29, 2020
Endings and Beginnings: A Story of Healing
Book
Redi Tlhabi, warm-hearted, charismatic and loved throughout South Africa is as well known for her...
100 Shakespeare Films
Book
From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to...
BET NOW - Watch Shows
Entertainment and Photo & Video
App
BET NOW 3.3.0 Watch your favorite BET shows anytime on your iPhone, iPad, or iPod Touch – now with...
Phillip McSween (751 KP) rated Snatch (2001) in Movies
May 8, 2020
A Movie Carried By Brilliant Performances
In Snatch, three separate groups of characters revolve around a missing diamond.
Acting: 10
In a movie like this where the character list looks more like a laundry list, you have to count on a number of solid performances to carry the film from large to small. Every performance is on point here, right down to smaller showings from guys like Ade playing the role of Tyrone the overweight getaway driver. You get to see a guy like Brad Pitt step out of his comfort zone playing a gypsy boxer by the name of Mickey O’Neil. Meanwhile Benicio Del Toro absolutely crushes his role as gangster Franky Four Fingers. None of these characters succeed without the great actors behind them.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Each of the three groups of characters have no shortage of their share of problems in the film. The film grows and relies on conflict to keep it afloat. It’s a movie that keeps you guessing as you never know what’s going to happen next or who’s going to live to see the next scene. The conflict within ultimately gives you the motive to care about what’s happening to each of these guys.
Entertainment Value: 9
Memorability: 6
Pace: 8
Barring a couple of lulls, the movie moves at a consistent clip. There are occasions where things are happening too quickly and I wish they would slow down just a tad but, for the most part, the pace is on point. I was impressed by how quickly it moved while still managing to develop the plight of each character.
Plot: 6
Resolution: 8
Solid ending that could have been a tad better. I was hoping for a bit more closure. All things considered, it will do.
Overall: 87
Snatch kicks off with an original robbery and it’s off to the races from there. I can’t wait to watch it again to catch some of the things I might have missed. I can definitely see why the movie is beloved.
Acting: 10
In a movie like this where the character list looks more like a laundry list, you have to count on a number of solid performances to carry the film from large to small. Every performance is on point here, right down to smaller showings from guys like Ade playing the role of Tyrone the overweight getaway driver. You get to see a guy like Brad Pitt step out of his comfort zone playing a gypsy boxer by the name of Mickey O’Neil. Meanwhile Benicio Del Toro absolutely crushes his role as gangster Franky Four Fingers. None of these characters succeed without the great actors behind them.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Each of the three groups of characters have no shortage of their share of problems in the film. The film grows and relies on conflict to keep it afloat. It’s a movie that keeps you guessing as you never know what’s going to happen next or who’s going to live to see the next scene. The conflict within ultimately gives you the motive to care about what’s happening to each of these guys.
Entertainment Value: 9
Memorability: 6
Pace: 8
Barring a couple of lulls, the movie moves at a consistent clip. There are occasions where things are happening too quickly and I wish they would slow down just a tad but, for the most part, the pace is on point. I was impressed by how quickly it moved while still managing to develop the plight of each character.
Plot: 6
Resolution: 8
Solid ending that could have been a tad better. I was hoping for a bit more closure. All things considered, it will do.
Overall: 87
Snatch kicks off with an original robbery and it’s off to the races from there. I can’t wait to watch it again to catch some of the things I might have missed. I can definitely see why the movie is beloved.
Ross (3282 KP) rated Smoke and Summons in Books
Mar 18, 2019 (Updated Mar 18, 2019)
Flintlock Tangled
It took me a while to realise, but this book is basically a re-telling of Tangled, the Rapunzel Disney film.
We have the young girl with magical powers who is held prisoner (though she has been trained to appreciate her captor's benevolence) by someone wanting to benefit from her powers. She meets a ne'er-do-well thief looking for that one last score before he can move and settle down. They travel together trying to find somewhere safe for her to go but are tracked down at all stops, until finally the male protagonist is persuaded to hand her in and reap the rewards, before the inevitable emotional rescue.
Rather than magical healing hair, however, Sandis has the ability to act as a vessel to demons, and is linked to a specific one (a fire horse). Her captor, Kazen, uses her abilities to bolster his gangster crew and lead the city's underworld. Upon sensing Kazen's desire to summon a more powerful demon (which is likely to kill her) she escapes and becomes embroiled with Rone, a young thief.
Together they try to track down a family member Sandis has become aware of, who may be able to help save her.
The story flows quite well, with enough strength in the main characters to engage the reader. Their travails, and Kazen's crew's neverending chase, are enjoyable and thrilling.
The narrative is good, swapping between Sandis' and Rone's perspectives and telling of their increasing tiredness and running out of options. At times, the author's American tone slips in (words like "Mom", "they were a ways from their lodgings" etc), which would normally be fine, I'm not that big of a snob, but it really comes at odds with the majority of the narrative and does stand out.
The setting is more early industrial revolution than more medieval, so there is the use of firearms to spice up the action.
A few times, events become a little hard to accept - quite how quickly and persistently Kazen's goons catch up with them, and how easily Rone manages to accomplish his rescue seem quite hard to believe.
Overall, the story is good and while the format of "lets go here, oh they've somehow found us again" becomes a little tiring, the book is short enough for this not to be too much of an issue.
We have the young girl with magical powers who is held prisoner (though she has been trained to appreciate her captor's benevolence) by someone wanting to benefit from her powers. She meets a ne'er-do-well thief looking for that one last score before he can move and settle down. They travel together trying to find somewhere safe for her to go but are tracked down at all stops, until finally the male protagonist is persuaded to hand her in and reap the rewards, before the inevitable emotional rescue.
Rather than magical healing hair, however, Sandis has the ability to act as a vessel to demons, and is linked to a specific one (a fire horse). Her captor, Kazen, uses her abilities to bolster his gangster crew and lead the city's underworld. Upon sensing Kazen's desire to summon a more powerful demon (which is likely to kill her) she escapes and becomes embroiled with Rone, a young thief.
Together they try to track down a family member Sandis has become aware of, who may be able to help save her.
The story flows quite well, with enough strength in the main characters to engage the reader. Their travails, and Kazen's crew's neverending chase, are enjoyable and thrilling.
The narrative is good, swapping between Sandis' and Rone's perspectives and telling of their increasing tiredness and running out of options. At times, the author's American tone slips in (words like "Mom", "they were a ways from their lodgings" etc), which would normally be fine, I'm not that big of a snob, but it really comes at odds with the majority of the narrative and does stand out.
The setting is more early industrial revolution than more medieval, so there is the use of firearms to spice up the action.
A few times, events become a little hard to accept - quite how quickly and persistently Kazen's goons catch up with them, and how easily Rone manages to accomplish his rescue seem quite hard to believe.
Overall, the story is good and while the format of "lets go here, oh they've somehow found us again" becomes a little tiring, the book is short enough for this not to be too much of an issue.
ArecRain (8 KP) rated My Dirty Detour in Books
Jan 18, 2018
This is not my normal read (mafia/gangster/etc.) But the author personally contacted me, and I have a hard time saying no. I figure if the author can go out of her way to personally ask me, I can take time to read it and give my honest opinion especially since I feel that, despite having my preferences, I can usually look beyond my biases to give it a fair review. I did not accept the author's offer of a complimentary copy, though, and instead bought it from Amazon.
First of all, whoa. I wasnt not expecting this. At first, I felt the writing was a bit long winded. The first couple pages seemed filled with endless descriptions that I didnt care about. That stopped there. Once Violet meets Rocky (within the first couple pages) it only gets better and the writer flows smoothly.
I loved Violet. I honestly related with her a lot on multiple levels from her love of organization to her wanting to try new things but not really follow through to her hesitance with Rocky. Omg their interactions are just the best! At first, Rocky is a raging d***, but that changes. Honestly, Violets interactions and dialogue with him mirrored my own and how I would have done it. She is such a strong character but different from what other typically consider strong. What others would see as giving up, I saw as the strength to walk away, from abuse she didnt need and a situation that made her unhappy. Staying didnt make her strong, walking away did. And Rocky truly redeems himself on multiple counts.
I dont want to ruin any of the story for you because it is one of the best I have read in this genre. You can truly feel the blood, sweat, and tears the author put into this novel. It is such an intense powerful read both plot wise and erotically, that I had to put it down a couple times to pull myself together. The cast of characters is amazing. The steamy scenes full of fire. And the writing is spot on. Risata is clearly a skilled writer and story teller who knows how to bring everything together to make an entertaining story. So if you are looking for a powerful yet hot and hilarious Alpha male romance featuring a strong female, look no further!
First of all, whoa. I wasnt not expecting this. At first, I felt the writing was a bit long winded. The first couple pages seemed filled with endless descriptions that I didnt care about. That stopped there. Once Violet meets Rocky (within the first couple pages) it only gets better and the writer flows smoothly.
I loved Violet. I honestly related with her a lot on multiple levels from her love of organization to her wanting to try new things but not really follow through to her hesitance with Rocky. Omg their interactions are just the best! At first, Rocky is a raging d***, but that changes. Honestly, Violets interactions and dialogue with him mirrored my own and how I would have done it. She is such a strong character but different from what other typically consider strong. What others would see as giving up, I saw as the strength to walk away, from abuse she didnt need and a situation that made her unhappy. Staying didnt make her strong, walking away did. And Rocky truly redeems himself on multiple counts.
I dont want to ruin any of the story for you because it is one of the best I have read in this genre. You can truly feel the blood, sweat, and tears the author put into this novel. It is such an intense powerful read both plot wise and erotically, that I had to put it down a couple times to pull myself together. The cast of characters is amazing. The steamy scenes full of fire. And the writing is spot on. Risata is clearly a skilled writer and story teller who knows how to bring everything together to make an entertaining story. So if you are looking for a powerful yet hot and hilarious Alpha male romance featuring a strong female, look no further!
Ross (3282 KP) rated Priest of Bones in Books
Oct 3, 2018
Fantastic low fantasy gangster heist book
*** Disclosure: I received a free advance copy of this book in return for an honest review ***
The main character of this book believes in having "the right person doing the right job". In that case, my job will be reading this book, because I absolutely adored every single word of it.
Tomas Piety is returning to his hometown of Ellinburg (the city sometimes referred to as Old Reekie due to its tanneries - a nice little parallel to Edinburgh's "Auld Reekie") having been conscripted to fight for his country at war. Piety was previously the proud owner of a number of brothels, taverns and gambling/drugs dens and the purveyor of the finest protection racket in town. He returns with his regiment of fellow conscripts ("war is over, sling your hook") promising jobs and wealth for good honest work, only to find that his empire is not what it once was. Therein lies the plot of the book - Tomas and The Pious Men battling to take back control of the streets and properties he once oversaw.
The action is grim and nasty, and as well described as any book I can think of.
The dialogue is funny and gritty, and rivals Joe Abercrombie.
The main character has had a troubled past and has buried his own secrets.
The scope of the book is fairly small and benefits from that, not getting away from itself. There is more than enough going on to keep the action coming and the intrigue simmering along.
There is a lot of nasty, not niceness throughout this book, a feature of a lot of modern fantasy. However here the tale is told by Tomas himself, so we are treated to some of his inner monologue and get an insight into why he thinks these things need to be done. How he justifies some horrific actions and decisions defines his character well.
Frankly, this is one of the most immersive books I have read for a long time. The narration meant that for once I could truly visualise the city, the mess, the smells, the nastiness, the honour amongst gangsters. Not since the early Discworld books have I felt this so strongly.
To put it simply: I really really loved this book and cannot wait (though wait I must) for the next instalment.
The main character of this book believes in having "the right person doing the right job". In that case, my job will be reading this book, because I absolutely adored every single word of it.
Tomas Piety is returning to his hometown of Ellinburg (the city sometimes referred to as Old Reekie due to its tanneries - a nice little parallel to Edinburgh's "Auld Reekie") having been conscripted to fight for his country at war. Piety was previously the proud owner of a number of brothels, taverns and gambling/drugs dens and the purveyor of the finest protection racket in town. He returns with his regiment of fellow conscripts ("war is over, sling your hook") promising jobs and wealth for good honest work, only to find that his empire is not what it once was. Therein lies the plot of the book - Tomas and The Pious Men battling to take back control of the streets and properties he once oversaw.
The action is grim and nasty, and as well described as any book I can think of.
The dialogue is funny and gritty, and rivals Joe Abercrombie.
The main character has had a troubled past and has buried his own secrets.
The scope of the book is fairly small and benefits from that, not getting away from itself. There is more than enough going on to keep the action coming and the intrigue simmering along.
There is a lot of nasty, not niceness throughout this book, a feature of a lot of modern fantasy. However here the tale is told by Tomas himself, so we are treated to some of his inner monologue and get an insight into why he thinks these things need to be done. How he justifies some horrific actions and decisions defines his character well.
Frankly, this is one of the most immersive books I have read for a long time. The narration meant that for once I could truly visualise the city, the mess, the smells, the nastiness, the honour amongst gangsters. Not since the early Discworld books have I felt this so strongly.
To put it simply: I really really loved this book and cannot wait (though wait I must) for the next instalment.
Shade by Living Colour
Album Watch
'Shade,' their first album since the critically acclaimed 'The Chair In The Doorway' in 2009, is...
rock
LeftSideCut (3778 KP) rated Dredd (2012) in Movies
Jan 25, 2021
I grew up reading 2000AD and like many others, was disappointed in the Stallone effort to bring Judge Dredd to the big screen. Fast forward to 2012, and Dredd shows us that the way forward is a simple one. There's no need to go all out with a Mega City One wide story. The narrative is Dredd assessing Anderson on her first proper day of duty, locked down in a singular Megabuilding. Taking the template of Die Hard and applying it to Judge Dredd characters is wonderfully straightforward, and this movie is more spectacular for it.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.