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Black Mass (2015)
Black Mass (2015)
2015 | Drama
The Departed it isn't
When it's a gangster film set in Boston, it's always going to get compared to The Departed. The problem with Black Mass is it's very similar to The Departed, but sadly not in quality.

The acting and cast are great, there is some fantastic casting in this although it's Johnny Depp that I'm not too sure on. He seems to be a little over the top and his physical transformation is very creepy and disconcerting. The true story is very interesting, but it sometimes comes across as dull and I do have questions over how true some of this. The film is lacking in humour too and they would've done better to try and liven it up somehow. Whilst I appreciate it's a true story, I do feel it's a little lacking. Not one I'd go out of my way to watch again.
  
The Irishman (2019)
The Irishman (2019)
2019 | Biography, Crime, Drama
Robert De Niro (1 more)
Al Pacino
The CGI De-Aging (0 more)
So after months of hype does this all star blockbuster live up to the hype...well yes it does.

It's been many years since we have had a great gangster epic and the master of those films finally brings one that will be enjoyed for many years to come.Unlike his other epics this film focuses more on the relationship between the main protagonist frank sheeran and his boss jimmy Joffa.The violence is not as extreme as you would find in goodfellas or casino.

The only tiny criticism I have was the de-aging process used on some of the actors,the faces seemed a little animated and fake.

De Niro was incredible and has to be a strong favourite for the best actor oscar,pacino and pesci were brilliant as well and could get a supporting actor oscar nomination.
  
GoodFellas (1990)
GoodFellas (1990)
1990 | Crime, Drama, Thriller
Perhaps the jewel in the crown of Scorsese’s gangster movies, from a fine crop. Adopting the voice of Henry Hill (a career defining role for Ray Liotta) as narrator is the first point of difference, and it works with tremendous effect. The suggestion is we are watching one man’s version of events that may or may not be entirely true. It is a relentless piece of cinema, that drives with complete bravado through each scene of shocking violence, machismo and greed. Too many memorable moments to mention… De Niro’s fountain pen; Pesci’s “Funny How?”, etc. A high level of rewatchabilty sets it above a lot of its rivals. It never judges or preaches to us, but lets us feel bad for enjoying the often repellent acts as so much fun! A product of 90s extremism, but never gratuitous. Simply a joy to watch and a nailed on classic.
  
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Edgar Wright recommended Le samouraï (1967) in Movies (curated)

 
Le samouraï (1967)
Le samouraï (1967)
1967 | Crime, Film-Noir
8.8 (8 Ratings)
Movie Favorite

"Le samouraï is a film I return to again and again. Like with any minimalist cinema, the less it states, the more you want to discover. Jean Pierre Melville’s film has been hugely influential, from Walter Hill’s The Driver through Luc Besson’s Leon: The Professional right up to this year’s Drive. Hell, even scenes from my own Hot Fuzz are ripped out of this. The iconic image of hit man Alain Delon lying on a bed in his bare apartment with just a canary for company is still echoed today. Melville took lone warrior mythology from Japanese culture, married it with the tough guy angles of ’40s gangster movies, and, along with John Boorman and Point Blank, ushered in a new age of neo noir. It’s a beguiling picture and one to stare at for a long time. Plus, it has so little dialogue that it is literally a must-watch."

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Layer Cake (2004)
Layer Cake (2004)
2004 | Crime, Drama, Thriller
7
7.4 (22 Ratings)
Movie Rating
British crime thriller. A highly professional and goal-oriented businessman in the drugs trade finds his well-organised life falling into chaos when he gets mixed up with stolen Ecstasy, Serbian war criminals and a missing heiress. Could he be forced to become something he despises - an actual gangster?

Looks a bit like a Guy Ritchie movie - and not without reason, for Matthew Vaughn produced the early Ritchie films - but the tone is (thankfully) more measured and serious. The plot is nothing very distinctive, although the subtext about Craig's character having to adopt the brutal methods of the people he encounters has some interest. Good performances from a strong cast; Michael Gambon is scary as a gang boss, but it's Daniel Craig's movie. This is apparently the performance that swung Bond for him, but the film deserves to be recognised on its own merits.