"I know that the novella "Tonio Kroger" is not Thomas Mann’s greatest work. There is some part of me that feels that I should be putting up “Buddenbrooks” or “The Magic Mountain” here. And there’s a strong case for “Death in Venice,” too. But this is the book of his that felled me completely when I read it as a German student in my teens. All Mann’s enduring themes are here: the struggle between duty and love, between the febrile pleasure and teutonic responsibility; and the lethal vulnerability of the lover, set against the wanton cruel power of the beloved. It’s an anguished worldview, which is what spoke so directly to the adolescent reader I was, but no one reads Thomas Mann for woo-woo life-enhancing sentimentality."

"Ives's 114 Songs has been a major source of inspiration for me (particularly for my 69 Love Songs and 50 Song Memoir). But that wasn't all he wrote: from 1887 to 1926 Ives wrote 193 songs, and here they all are on six CDs: lullabies, Christmas carols, German operetta emulations, mortal laments, parlor ballads, cowboy dirges, and even election-day commentary on 'Nov. 2, 1920 (An Election)', and 'Vote for Names! Names! Names!', of which Ives says, ""The [three] pianos represent three political candidates, each uttering his own 'hot air slogan'; the singer represents the disillusioned voter."" The texts come 80% from poets (Keats, Kipling, Oliver Wendell Holmes, and many anonymous sources) and 20% from Ives himself, whose aw-shucks Americana (as on 'Slugging A Vampire') and gleefully jarring harmonies keep the surprises genuinely surprising. "