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Ross (3284 KP) rated Doors: Colony in Books
Mar 26, 2021
A slight improvement over the other book
This is another in Heitz's Doors series, three books telling the same underlying story up to a point, with a different story taking off depending on which of the mysterious doors the characters go through. In this book, the group of people employed to find and rescue rich Van Dam's daughter go through the door marked with a question mark. They find themselves in the cellar of a German bierhall in an alternative history of WWII. The war is over, the Germans having capitulated after Hitler's assassination and there is now a struggle between the Russians and the UK/USA over control of what remains.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.
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Suswatibasu (1703 KP) rated Dark in TV
Dec 4, 2017 (Updated Dec 4, 2017)
Dark, gritty, utterly mind-bending
This German series has been compared to @Stranger Things , and in some ways there are similarities in terms of the sci-fi, supernatural element, but it is far darker.
Set around the premise of a missing boy, who seems to have vanished from thin air, there are multiple narratives surrounding the characters of this town called Wisden. The main protagonist is young teenager Jonas, whose father has committed suicide, all the while his friend's younger brother has gone missing in the midst of a spate of murders. The series will require some concentration because you'll quickly realise that it is far more complicated than you'll first perceive.
It really starts to get interesting by the third episode after skipping through the usual drama of a small town ie. Lies, affairs and secrets. Without revealing too much, you'll see by this point how it compares to Stranger Things. The biggest difference is that apart from Jonas, there are very few likable roles in this show - each are tormented in their own way.
The American dubbing can be a bit off-putting as it doesnt seem particularly suited to some characters - but it can be helpful if you just want to focus on the plot. Very good indeed, hoping a new season is in the pipeline.
Set around the premise of a missing boy, who seems to have vanished from thin air, there are multiple narratives surrounding the characters of this town called Wisden. The main protagonist is young teenager Jonas, whose father has committed suicide, all the while his friend's younger brother has gone missing in the midst of a spate of murders. The series will require some concentration because you'll quickly realise that it is far more complicated than you'll first perceive.
It really starts to get interesting by the third episode after skipping through the usual drama of a small town ie. Lies, affairs and secrets. Without revealing too much, you'll see by this point how it compares to Stranger Things. The biggest difference is that apart from Jonas, there are very few likable roles in this show - each are tormented in their own way.
The American dubbing can be a bit off-putting as it doesnt seem particularly suited to some characters - but it can be helpful if you just want to focus on the plot. Very good indeed, hoping a new season is in the pipeline.
Micky Barnard (542 KP) rated The Book of Life in Books
Mar 2, 2019
The best of the trilogy
Wow, this was literally absorbing from start to finish and it is my favourite of the trilogy; it is not often that the final book achieves the highest rating. This truly is a story and a bunch of characters that have built and built.
So much change came to Diana and Matthew's lives in this book, more than in book two in the past. I found the plot to be fantastically planned, intricate and well-researched. There were details for days but not so that I got lost.
Family was more central to THE BOOK OF LIFE than any other book and it was the side characters that enriched the read so fully. I have the biggest soft spot for Gallowglass and I want a book just about him. What was subtly fascinating was the meeting of the human and creature world in this book the crossing of threads, meeting of similarities and shared-being.
The narration was excellent, Ikeda can even sing beautifully in French and German as part of the story. Again, sadness that she doesn't narrate any more.
If you are like me and you found book two a bit of a hard trudge, please don't let that put you off the final instalment, it was the best of the three.
So much change came to Diana and Matthew's lives in this book, more than in book two in the past. I found the plot to be fantastically planned, intricate and well-researched. There were details for days but not so that I got lost.
Family was more central to THE BOOK OF LIFE than any other book and it was the side characters that enriched the read so fully. I have the biggest soft spot for Gallowglass and I want a book just about him. What was subtly fascinating was the meeting of the human and creature world in this book the crossing of threads, meeting of similarities and shared-being.
The narration was excellent, Ikeda can even sing beautifully in French and German as part of the story. Again, sadness that she doesn't narrate any more.
If you are like me and you found book two a bit of a hard trudge, please don't let that put you off the final instalment, it was the best of the three.
Dianne Robbins (1738 KP) created a post
May 26, 2019
A heartbreaking and ultimately uplifting story of two sisters.
Sal is the main character in this book : a story of abuse, survival and the love of two sisters.
Sal and Peppa's mum is an alcoholic with a knack of finding unsuitable boyfriends, Robert is a drunk, a drug addict and a child abuser. He abuses 13 year old Sal, and when he threatens to do the same to do the same to 10 year old Peppa, Sal decides to act and save them. She learns all she can of wild camping, survival techniques from the SAS and anything else she can pick up from the internet. She finds a remote place where they can set up camp and live away from Social Services and the 'Polis'
There is a lot of description of their surroundings in the mountains and the Loch that they live near, which I really liked. The elderly East German doctor that they meet is also a nice touch.
It hadn't actually occurred to me that this was a Young Adult book: I enjoyed it and I'm certainly not a young adult (in body, anyway!).
The novel didn't have the ending that I would have expected, but it was a good ending and very appropriate.
All in all, a very good story.
Many thanks to NetGalley and the publisher for my copy of the book.
Sal and Peppa's mum is an alcoholic with a knack of finding unsuitable boyfriends, Robert is a drunk, a drug addict and a child abuser. He abuses 13 year old Sal, and when he threatens to do the same to do the same to 10 year old Peppa, Sal decides to act and save them. She learns all she can of wild camping, survival techniques from the SAS and anything else she can pick up from the internet. She finds a remote place where they can set up camp and live away from Social Services and the 'Polis'
There is a lot of description of their surroundings in the mountains and the Loch that they live near, which I really liked. The elderly East German doctor that they meet is also a nice touch.
It hadn't actually occurred to me that this was a Young Adult book: I enjoyed it and I'm certainly not a young adult (in body, anyway!).
The novel didn't have the ending that I would have expected, but it was a good ending and very appropriate.
All in all, a very good story.
Many thanks to NetGalley and the publisher for my copy of the book.
Awix (3310 KP) rated The Golem (Der Golem) (1920) in Movies
Nov 4, 2019 (Updated Nov 4, 2019)
Usual disclaimers apply when discussing a movie this old (the pace, production values and performance style should not be judged by modern standards), but this is another one of those films proving that things have, perhaps, not changed as much as we think. This is technically Golem 3, a prequel to the first two showing the creation of the titular monster during the middle ages. The structure of the story is very familiar - it seems like a good idea to create an immensely powerful servant from clay using dark magic, to begin with anyway, but he proves an unruly worker in the end, to say the least.
Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.