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BankofMarquis (1832 KP) rated Jojo Rabbit (2019) in Movies
Jan 15, 2020
Inventive, funny and poignant
Writer/Director/Actor Taika Waititi is one of the most original voices working in Film/Television today. He skewered the Vampire flick (at the height of the Twilight craze) in WHAT WE DO IN THE SHADOWS. He revived the sagging Thor saga (and some would say the Marvel Cinematic Universe) with a comedic approach to the material in THOR: RAGNAROK, and now with his latest film, JOJO RABBIT, he takes his sense of humor to a subject that is difficult to satire - Adolph Hitler and life in Nazi Germany during WW II.
And, darn it all, if he doesn't pull it off.
As seen through the eyes of a zealous 10 year old Hitler Youth named JoJo, this film follows Jojo's journey from an idealistic follower of all things Nazi Germany to the harsher realities of the world - and what the 3rd Reich means to the world.
Young Roman Griffin Davis does a marvelous job as the titular character slowly changing his character from an all out innocent devotion to Hitler (his imaginary friend as played by Waititi) to a somewhat less innocent soul. His journey is at the heart of this film and he is a winning personality to follow along with. I was drawn into his struggles and was rooting for him to "come to his senses" throughout the course of this film.
Helping him in this journey is his Mother, played in an Oscar nominated turn by Scarlett Johannson. This character has an idealism all of her own and is willing to let her child "get there in his own time". It is a strong turn by Johannson...but Oscar nominated worthy? I'm not sure.
Also joining in for fun, frolic and (by turns) seriousness is the always great Sam Rockwell (Oscar winner for 3 BILLBOARDS...)as a disillusioned German Officer, comedian Stephen Merchant (LOGAN) in an unlikely mostly serious turn as a Nazi who likes to say "Heil Hitler" and Alfie Allen (GAME OF THRONES) as a devoted German soldier (at least devoted to Rockwell's character). Waititi also uses Rebel Wilson sparingly - as she should be used - as another devouted-to-the-cause German citizen.
Adding heft and pathos to this film is Thomasin MacKenzie (THE KING) in a role that would be a spoiler to say what she is playing, but...I WILL say that she needs to succeed in this role for the film to succeed (and she does).
Also, special notice needs to be made of the performance of cherubic Archie Yates (soon to be Kevin in the reboot of the HOME ALONE franchise) as JoJo's friend Yorki - who keeps getting knocked down and steps back up over and over again. I would LOVE to see the film that would have focused on this character (in addition to this film).
And, finally, there is the Writer/Director himself, Taika Waititi as JoJo's imaginary friend, Adolph Hitler. He is all fun loving and gay at the beginning becoming more and more frantic as the film progresses - mimicking the real life events that are happening around him.
Waititi's style in this film is reminiscent of Wes Anderson in such films as THE GRAND BUDAPEST HOTEL and MOONRISE KINGDOM and this works well here, giving this film more of a "fable" than a "realistic" look - and that is important to help set the tone for the events that follow. Waititi has a sure hand on the material (that he wrote) as the Director. He knows the tone he wants to strike and knows how to get there. He is nominated for Adapted Screenplay for his script (deservedly so) and was NOT nominated for Best Director - but his work in this area is just as good.
I did not know what to expect from this film when I walked into it, and I was more than pleasantly surprised. Give this little comedy/drama a try - I think you will be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And, darn it all, if he doesn't pull it off.
As seen through the eyes of a zealous 10 year old Hitler Youth named JoJo, this film follows Jojo's journey from an idealistic follower of all things Nazi Germany to the harsher realities of the world - and what the 3rd Reich means to the world.
Young Roman Griffin Davis does a marvelous job as the titular character slowly changing his character from an all out innocent devotion to Hitler (his imaginary friend as played by Waititi) to a somewhat less innocent soul. His journey is at the heart of this film and he is a winning personality to follow along with. I was drawn into his struggles and was rooting for him to "come to his senses" throughout the course of this film.
Helping him in this journey is his Mother, played in an Oscar nominated turn by Scarlett Johannson. This character has an idealism all of her own and is willing to let her child "get there in his own time". It is a strong turn by Johannson...but Oscar nominated worthy? I'm not sure.
Also joining in for fun, frolic and (by turns) seriousness is the always great Sam Rockwell (Oscar winner for 3 BILLBOARDS...)as a disillusioned German Officer, comedian Stephen Merchant (LOGAN) in an unlikely mostly serious turn as a Nazi who likes to say "Heil Hitler" and Alfie Allen (GAME OF THRONES) as a devoted German soldier (at least devoted to Rockwell's character). Waititi also uses Rebel Wilson sparingly - as she should be used - as another devouted-to-the-cause German citizen.
Adding heft and pathos to this film is Thomasin MacKenzie (THE KING) in a role that would be a spoiler to say what she is playing, but...I WILL say that she needs to succeed in this role for the film to succeed (and she does).
Also, special notice needs to be made of the performance of cherubic Archie Yates (soon to be Kevin in the reboot of the HOME ALONE franchise) as JoJo's friend Yorki - who keeps getting knocked down and steps back up over and over again. I would LOVE to see the film that would have focused on this character (in addition to this film).
And, finally, there is the Writer/Director himself, Taika Waititi as JoJo's imaginary friend, Adolph Hitler. He is all fun loving and gay at the beginning becoming more and more frantic as the film progresses - mimicking the real life events that are happening around him.
Waititi's style in this film is reminiscent of Wes Anderson in such films as THE GRAND BUDAPEST HOTEL and MOONRISE KINGDOM and this works well here, giving this film more of a "fable" than a "realistic" look - and that is important to help set the tone for the events that follow. Waititi has a sure hand on the material (that he wrote) as the Director. He knows the tone he wants to strike and knows how to get there. He is nominated for Adapted Screenplay for his script (deservedly so) and was NOT nominated for Best Director - but his work in this area is just as good.
I did not know what to expect from this film when I walked into it, and I was more than pleasantly surprised. Give this little comedy/drama a try - I think you will be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
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ClareR (5975 KP) rated The German House in Books
Dec 30, 2019
The German House is set in Frankfurt in 1963 at the time of the Auschwitz trials. Eva Bruhns is a 24 year old translator, and is asked to translate the testimony of the Polish speaking Jews who were imprisoned at Auschwitz. Eva was a small child during the war, and remembers little of it. She seems to be mostly concerned with her romance and possible engagement to Jürgen Schoorman, a wealthy businessman. However, when David Miller, a Canadian lawyer who is working for the prosecution at the trials, hires Eva as a translator, her world view and her opinion of her parents and the Germans involved in the war, changes. Her parents don’t want to talk about their involvement in the war, and Jürgen doesn’t think that she should be involved in something so distasteful. But this isn’t just a coming of age story. Granted, Eva does grow in this novel. She learns about the collective guilt of the German nation with regards to the Holocaust, and looks at how the children of the war generation reacted to something that was in effect hidden from them. They called it Vergangenheitsbewältigung - the struggle to come to term with and overcome the past. Young Germans wanted to analyse, digest and learn to live with the past, and the Holocaust in particular. Eva can’t understand why her parents will not own up to their share of the guilt.
I really enjoyed this novel. It was hard-going at times, and it did read like a translated novel. It did however, catch the spirit of the time. Eva’s longing to break out of the societal restrictions of the time (for example when she refers to how much she likes a new Beatles song that Jürgen can’t understand, he doesn’t like pop music) and Jürgen’s wish that she stops work as soon as she gets engaged (as a modern woman, I was positively fuming at this point!!).
I was fascinated by the trip the Court makes to Auschwitz - somewhere I’ve never been, and after a trip to Oranienburg (a camp for political prisoners outside Berlin), I feel that I would struggle to go. This was one of the most emotional parts of the book.
The side story involving Eva’s older sister is also fascinating, and I feel portrays the effect of seeing so much violence and hatred as a young child (no spoilers here!).
All in all, after I got used to the writing style, I really enjoyed this. It was an interesting insight into the post-war years, and West Germany’s reaction to the damage and destruction that the Nazis had caused during the Holocaust.
This is well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
I really enjoyed this novel. It was hard-going at times, and it did read like a translated novel. It did however, catch the spirit of the time. Eva’s longing to break out of the societal restrictions of the time (for example when she refers to how much she likes a new Beatles song that Jürgen can’t understand, he doesn’t like pop music) and Jürgen’s wish that she stops work as soon as she gets engaged (as a modern woman, I was positively fuming at this point!!).
I was fascinated by the trip the Court makes to Auschwitz - somewhere I’ve never been, and after a trip to Oranienburg (a camp for political prisoners outside Berlin), I feel that I would struggle to go. This was one of the most emotional parts of the book.
The side story involving Eva’s older sister is also fascinating, and I feel portrays the effect of seeing so much violence and hatred as a young child (no spoilers here!).
All in all, after I got used to the writing style, I really enjoyed this. It was an interesting insight into the post-war years, and West Germany’s reaction to the damage and destruction that the Nazis had caused during the Holocaust.
This is well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Ross (3284 KP) rated Doors: Colony in Books
Mar 26, 2021
A slight improvement over the other book
This is another in Heitz's Doors series, three books telling the same underlying story up to a point, with a different story taking off depending on which of the mysterious doors the characters go through. In this book, the group of people employed to find and rescue rich Van Dam's daughter go through the door marked with a question mark. They find themselves in the cellar of a German bierhall in an alternative history of WWII. The war is over, the Germans having capitulated after Hitler's assassination and there is now a struggle between the Russians and the UK/USA over control of what remains.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.
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Suswatibasu (1703 KP) rated Dark in TV
Dec 4, 2017 (Updated Dec 4, 2017)
Dark, gritty, utterly mind-bending
This German series has been compared to @Stranger Things , and in some ways there are similarities in terms of the sci-fi, supernatural element, but it is far darker.
Set around the premise of a missing boy, who seems to have vanished from thin air, there are multiple narratives surrounding the characters of this town called Wisden. The main protagonist is young teenager Jonas, whose father has committed suicide, all the while his friend's younger brother has gone missing in the midst of a spate of murders. The series will require some concentration because you'll quickly realise that it is far more complicated than you'll first perceive.
It really starts to get interesting by the third episode after skipping through the usual drama of a small town ie. Lies, affairs and secrets. Without revealing too much, you'll see by this point how it compares to Stranger Things. The biggest difference is that apart from Jonas, there are very few likable roles in this show - each are tormented in their own way.
The American dubbing can be a bit off-putting as it doesnt seem particularly suited to some characters - but it can be helpful if you just want to focus on the plot. Very good indeed, hoping a new season is in the pipeline.
Set around the premise of a missing boy, who seems to have vanished from thin air, there are multiple narratives surrounding the characters of this town called Wisden. The main protagonist is young teenager Jonas, whose father has committed suicide, all the while his friend's younger brother has gone missing in the midst of a spate of murders. The series will require some concentration because you'll quickly realise that it is far more complicated than you'll first perceive.
It really starts to get interesting by the third episode after skipping through the usual drama of a small town ie. Lies, affairs and secrets. Without revealing too much, you'll see by this point how it compares to Stranger Things. The biggest difference is that apart from Jonas, there are very few likable roles in this show - each are tormented in their own way.
The American dubbing can be a bit off-putting as it doesnt seem particularly suited to some characters - but it can be helpful if you just want to focus on the plot. Very good indeed, hoping a new season is in the pipeline.
Micky Barnard (542 KP) rated The Book of Life in Books
Mar 2, 2019
The best of the trilogy
Wow, this was literally absorbing from start to finish and it is my favourite of the trilogy; it is not often that the final book achieves the highest rating. This truly is a story and a bunch of characters that have built and built.
So much change came to Diana and Matthew's lives in this book, more than in book two in the past. I found the plot to be fantastically planned, intricate and well-researched. There were details for days but not so that I got lost.
Family was more central to THE BOOK OF LIFE than any other book and it was the side characters that enriched the read so fully. I have the biggest soft spot for Gallowglass and I want a book just about him. What was subtly fascinating was the meeting of the human and creature world in this book the crossing of threads, meeting of similarities and shared-being.
The narration was excellent, Ikeda can even sing beautifully in French and German as part of the story. Again, sadness that she doesn't narrate any more.
If you are like me and you found book two a bit of a hard trudge, please don't let that put you off the final instalment, it was the best of the three.
So much change came to Diana and Matthew's lives in this book, more than in book two in the past. I found the plot to be fantastically planned, intricate and well-researched. There were details for days but not so that I got lost.
Family was more central to THE BOOK OF LIFE than any other book and it was the side characters that enriched the read so fully. I have the biggest soft spot for Gallowglass and I want a book just about him. What was subtly fascinating was the meeting of the human and creature world in this book the crossing of threads, meeting of similarities and shared-being.
The narration was excellent, Ikeda can even sing beautifully in French and German as part of the story. Again, sadness that she doesn't narrate any more.
If you are like me and you found book two a bit of a hard trudge, please don't let that put you off the final instalment, it was the best of the three.