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I was really looking forward to reading a new Ian McEwan novel, and I’m very pleased to say that I haven’t been disappointed.
Lessons is the story of Roland Baines’ life. His successes, loves, losses - all set against an historical background of the 20th and 21st centuries: World War 2, the Cuban Missile Crisis, Chernobyl and Covid 19 (and others besides, but there are too many to mention them all!).
I was completely engrossed, and it’s a book that you don’t want to race through. I love McEwans writing - so much is said in each sentence.
I’ll admit it now, a lot of what really kept my attention were the details about Germany: WW2 and it’s aftermath, Roland’s trips beyond the Berlin Wall and it’s fall.
The future is set for Alissa (Roland’s wife) when her English mother presents her with her journals, written when she travelled to Germany after the war. She had wanted to write articles about German Resistance during the war, and specifically the Scholls White Rose movement. These journals remained unpublished and unread 40 years later. And so when Alissa walks away from Roland and their baby to ensure her own dreams of literary success, it’s unsurprising even if it’ll ears callous.
The book is told from Roland’s point of view, first person, so we hear his inner voice throughout. What stood out most for me, was that his voice doesn’t change through the years. Yes, I know this is obvious - it’s the same book. What I mean is that what younger people often forget, is that the 72 year old man at the end of the book is the same as the 11 year old boy - just with 61 years experience. His experiences as an 11-14 year old with his piano teacher have a lasting and life-changing impact.
I loved this book and would highly recommend it. It’s a book to be savoured.
Lessons is the story of Roland Baines’ life. His successes, loves, losses - all set against an historical background of the 20th and 21st centuries: World War 2, the Cuban Missile Crisis, Chernobyl and Covid 19 (and others besides, but there are too many to mention them all!).
I was completely engrossed, and it’s a book that you don’t want to race through. I love McEwans writing - so much is said in each sentence.
I’ll admit it now, a lot of what really kept my attention were the details about Germany: WW2 and it’s aftermath, Roland’s trips beyond the Berlin Wall and it’s fall.
The future is set for Alissa (Roland’s wife) when her English mother presents her with her journals, written when she travelled to Germany after the war. She had wanted to write articles about German Resistance during the war, and specifically the Scholls White Rose movement. These journals remained unpublished and unread 40 years later. And so when Alissa walks away from Roland and their baby to ensure her own dreams of literary success, it’s unsurprising even if it’ll ears callous.
The book is told from Roland’s point of view, first person, so we hear his inner voice throughout. What stood out most for me, was that his voice doesn’t change through the years. Yes, I know this is obvious - it’s the same book. What I mean is that what younger people often forget, is that the 72 year old man at the end of the book is the same as the 11 year old boy - just with 61 years experience. His experiences as an 11-14 year old with his piano teacher have a lasting and life-changing impact.
I loved this book and would highly recommend it. It’s a book to be savoured.
Gareth von Kallenbach (971 KP) rated Toni Erdmann (2016) in Movies
Jul 12, 2019
Well Now! *over exaggerated sigh of relief* After my first movie review of the year it is a suspicious coincidence as well as a welcome relief, that I have the incredibly good fortune to bring you the review of a movie that is not only good but it’s original, sometimes confusing, weird, downright funny, and German. Hey, sometimes when you are disappointed with a domestic film it’s best to look at a foreign film. That ‘strategy’ applies to any movie viewer in any country I can assure you. Today’s film for your consideration is already making waves and winning awards in Germany, Europe, and around the world. It’s making such a significant fuss that as of February 7th, its confirmed that Jack Nicholson is coming out of self-imposed retirement to portray the lead in an American remake of the movie!
‘Toni Erdmann’ is an Austrian-German dramatic comedy written, directed, and co-produced by Maren Abe. The film stars famed Austrian actor Peter Simonischek as Winfried Conradi (the character was based on the directors father a purported prankster) a divorced music teacher and father whose considered by his family, friends, and students to be a hippie. He has the reputation of being a prankster and is notorious for playing practical jokes. He is estranged from his daughter Ines (Sandra Huller). An ambitious business woman working for a company in Romania. They rarely speak except for family gatherings at which Ines is usually on her phone conducting business and actually spends little time with the family. Her father in particular. The only friendship Winfried has is with his blind and deaf dog. One night, after a family gathering and paying a visit to his mother, Winfried falls asleep in his front yard only to wake up and find that his beloved dog has passed away during the night. Feeling lost and dwelling on the past, he travels to Bucharest where his daughter currently consults for an oil company. He finds the office complex where she is based and waits in the lobby for several hours. Finally, he catches a glimpse of Ines walking through the lobby with several board members of her client’s company and sneaks up behind them wearing sunglasses and his trademarked fake teeth while pretending to read a newspaper. Ines notices but completely ignores Winfried. Despite the failure of his practical joke, Ines contacts her father and invites him to a reception at the American embassy in Bucharest where they have a chance encounter with the CEO of a German oil company Mr. Henneberg with whom Ines has been desperately trying arrange business dealings with. While paying little attention to Ines, ironically Henneberg begins a conversation with Winfried in which he casually and jokingly mentioned that he has hired a replacement daughter because Ines is always so busy. Much to the surprise of both, Henneberg invites Ines and her father to join him and his entourage for drinks at a trendy bar where he continues to brush off Ines but only after sharing Winfried’s joke with his colleagues.
Ines is so absorbed in her work she seems to only tolerate her father’s presence and after a few days, Winfried decides to leave feeling alienated as though he’s getting in the way of his daughter’s life. A few days later, Ines and two of her friends are out having drinks when Winfried appears at the bar. Wearing a wig and his trademark false teeth he chimes in on the conversation between his daughter and her friends and comically introduces himself as ‘Toni Erdmann’ a consultant and life coach. Ines two friends continue to converse with him trying their best not to laugh while Winfried continues to ‘enhance’ his character much to the dismay of Ines.
Meanwhile, Ines day-to-Day work routine becomes more frustrating as she seems to be going nowhere with her career despite her best efforts. Becoming almost amused with her father’s character, Ines decides to play along with the character and even invites ‘Erdmann’ to spend time with her at work and with her friends and later even to a business meeting. Strangely enough, the ‘Erdmann’ character created by her father has become a strange and hilarious means of bonding with her father leading to one misadventure after another in which she decides she no longer cares about her current state of being and proceeds to alienate her boss and her colleagues and a way that’s reminiscent of her father’s ‘prankster tendencies’.
This film did not disappoint. It’s funny, it’s shocking, it’s awkward at some points. Most importantly, it’s original. It flys in the face of routine and redundancy and like many great films implies that in the end, the most important thing is family. When worse comes to worse family might not always get you out of trouble but they will certainly provide the catalyst for an escape from the hum drum of whatever is eating at your life.
‘Toni Erdmann’ has already been nominated for ‘Best Film Of The Year’ by critics in several countries including France and England. It premiered at the Cannes film festival last year in the ‘Un Certain Regard’ category of the film festival but the night before its premiere, the judges and critics gave it such praise it was immediately added to the more prestigious ‘Palme d’Or’ category and went on to receive high praise at its premiere. It has already won 20 awards in serval countries with many more awards pending. I’m calling this film 4 out of 5 stars. The film clocks in at 162 minutes. A bit long on the tooth for running time but DO NOT let that discourage you from seeing the film. Do yourself a favor and check out ‘Toni Erdmann’ now and see the original in all it’s hilarious glory. As I mentioned earlier, it’s been confirmed that Jack Nicholson is coming out of retirement to portray the lead in the American remake. This film is totally something you would’ve seen Mr. Nicholson doing early in his career back when he was just getting started as an actor. Even with this in mind someone somewhere along the line could still screw it up.
‘Toni Erdmann’ is an Austrian-German dramatic comedy written, directed, and co-produced by Maren Abe. The film stars famed Austrian actor Peter Simonischek as Winfried Conradi (the character was based on the directors father a purported prankster) a divorced music teacher and father whose considered by his family, friends, and students to be a hippie. He has the reputation of being a prankster and is notorious for playing practical jokes. He is estranged from his daughter Ines (Sandra Huller). An ambitious business woman working for a company in Romania. They rarely speak except for family gatherings at which Ines is usually on her phone conducting business and actually spends little time with the family. Her father in particular. The only friendship Winfried has is with his blind and deaf dog. One night, after a family gathering and paying a visit to his mother, Winfried falls asleep in his front yard only to wake up and find that his beloved dog has passed away during the night. Feeling lost and dwelling on the past, he travels to Bucharest where his daughter currently consults for an oil company. He finds the office complex where she is based and waits in the lobby for several hours. Finally, he catches a glimpse of Ines walking through the lobby with several board members of her client’s company and sneaks up behind them wearing sunglasses and his trademarked fake teeth while pretending to read a newspaper. Ines notices but completely ignores Winfried. Despite the failure of his practical joke, Ines contacts her father and invites him to a reception at the American embassy in Bucharest where they have a chance encounter with the CEO of a German oil company Mr. Henneberg with whom Ines has been desperately trying arrange business dealings with. While paying little attention to Ines, ironically Henneberg begins a conversation with Winfried in which he casually and jokingly mentioned that he has hired a replacement daughter because Ines is always so busy. Much to the surprise of both, Henneberg invites Ines and her father to join him and his entourage for drinks at a trendy bar where he continues to brush off Ines but only after sharing Winfried’s joke with his colleagues.
Ines is so absorbed in her work she seems to only tolerate her father’s presence and after a few days, Winfried decides to leave feeling alienated as though he’s getting in the way of his daughter’s life. A few days later, Ines and two of her friends are out having drinks when Winfried appears at the bar. Wearing a wig and his trademark false teeth he chimes in on the conversation between his daughter and her friends and comically introduces himself as ‘Toni Erdmann’ a consultant and life coach. Ines two friends continue to converse with him trying their best not to laugh while Winfried continues to ‘enhance’ his character much to the dismay of Ines.
Meanwhile, Ines day-to-Day work routine becomes more frustrating as she seems to be going nowhere with her career despite her best efforts. Becoming almost amused with her father’s character, Ines decides to play along with the character and even invites ‘Erdmann’ to spend time with her at work and with her friends and later even to a business meeting. Strangely enough, the ‘Erdmann’ character created by her father has become a strange and hilarious means of bonding with her father leading to one misadventure after another in which she decides she no longer cares about her current state of being and proceeds to alienate her boss and her colleagues and a way that’s reminiscent of her father’s ‘prankster tendencies’.
This film did not disappoint. It’s funny, it’s shocking, it’s awkward at some points. Most importantly, it’s original. It flys in the face of routine and redundancy and like many great films implies that in the end, the most important thing is family. When worse comes to worse family might not always get you out of trouble but they will certainly provide the catalyst for an escape from the hum drum of whatever is eating at your life.
‘Toni Erdmann’ has already been nominated for ‘Best Film Of The Year’ by critics in several countries including France and England. It premiered at the Cannes film festival last year in the ‘Un Certain Regard’ category of the film festival but the night before its premiere, the judges and critics gave it such praise it was immediately added to the more prestigious ‘Palme d’Or’ category and went on to receive high praise at its premiere. It has already won 20 awards in serval countries with many more awards pending. I’m calling this film 4 out of 5 stars. The film clocks in at 162 minutes. A bit long on the tooth for running time but DO NOT let that discourage you from seeing the film. Do yourself a favor and check out ‘Toni Erdmann’ now and see the original in all it’s hilarious glory. As I mentioned earlier, it’s been confirmed that Jack Nicholson is coming out of retirement to portray the lead in the American remake. This film is totally something you would’ve seen Mr. Nicholson doing early in his career back when he was just getting started as an actor. Even with this in mind someone somewhere along the line could still screw it up.
Gareth von Kallenbach (971 KP) rated Overlord (2018) in Movies
Jul 2, 2019
June 6, 1944 is the day known around the world as D-Day. This historic day marks the massive invasion of France by the allied forces in an effort to regain the country from the hands of Germany and push back the mighty German war machine all the way to Berlin. There have been many movies, books, and even videogames about the invasion over the years, so even the biggest war buffs might be wondering…really, they made yet another movie about D-Day? Well, the movie Overlord is quite a bit different from anything we have even seen previously. This movie is still about Operation Overlord but does not focus on the amphibious assault and instead shows us the missions leading up to it. Still not unique enough for you? Well, in Overlord we have all the battles, weaponry and Nazis of an excellent war film but in true J.J. Abrams fashion we now also have ZOMBIES!
Overlord focuses on a small unit tasked to take out a radio tower atop a church in a small village in France. The unit led by Corporal Ford (Wyatt Russell) and comprised of fresh out of paratrooper training Privates Boyce (Jovan Adepo), Rosenfeld (Dominic Applewhite) and Tibbet (John Magaro) are the only survivors of the doomed mission, but understand that if they do not complete it, then the allied invasion will be without crucial air support. During their trek to the church they meet a young French woman from the village named Chloe (Mathilde Ollivier) who offers to accompany them and assist in taking out the radio tower.
When the ragtag team reach the village, it immediately becomes apparent that everything is not as it should be. They go to Chloe’s house to formulate their plan and are greeted by howling and grunting coming from a closed door down the hallway. Chloe states that her aunt also lives in the house and is very “sick” after being taken to the church by a German soldier. At the same time, through a series of unfortunate events, Private Boyce discovers a brutal laboratory where other villagers are also being made “sick”.
For those who have seen the preview of Overlord and expect it to be war-based horror movie may be a little disappointed. While there certainly are horrific events, and plenty of scenes fighting the undead, Overlord is much more about the atrocities that the Nazi regime inflicted on innocents in an effort to purse the 1000-year-old Reich. J.J. Abrams spins a tale about how a small group of dedicated soldiers can pull out the impossible, even when there are hordes of Nazi soldiers and undead monsters standing in their way and does this in a spectacular and very believable way. The movie seems far more realistic than it should considering we are talking about zombie soldiers, but the events unfold as if they could actually happen. The movie is less The Walking Dead and more Saving Private Ryan, focusing not so much on the undead creatures themselves, but more the experimentation and mad-scientist efforts to create the ultimate super soldier. The story was outstanding and how they depicted everything from the soldiers to the zombies was top notch.
The movie is beautifully shot, standing tall next to other war epics such as Saving Private Ryan or Dunkirk. Even though the main plot of the film isn’t the invasion itself, it goes to astonishing detail to show how massive the invasion truly was. The opening scene is both epic and terrifying and the horrors of war are explored throughout. The acting was also superb, leading you to immediately care about the team and root for their success in the mission.
If it is not already clear, I absolutely loved this movie! They did a masterful job of blending the war/horror genre in such a way, that it never overly feels like one versus the other. It’s an action packed, edge of your seat thriller, with just enough jump scares included to remind you that it is billed as a horror movie. Overlord is a very unique take on an unfortunate time in history and it is one of the best movies I’ve seen in 2018.
Overlord focuses on a small unit tasked to take out a radio tower atop a church in a small village in France. The unit led by Corporal Ford (Wyatt Russell) and comprised of fresh out of paratrooper training Privates Boyce (Jovan Adepo), Rosenfeld (Dominic Applewhite) and Tibbet (John Magaro) are the only survivors of the doomed mission, but understand that if they do not complete it, then the allied invasion will be without crucial air support. During their trek to the church they meet a young French woman from the village named Chloe (Mathilde Ollivier) who offers to accompany them and assist in taking out the radio tower.
When the ragtag team reach the village, it immediately becomes apparent that everything is not as it should be. They go to Chloe’s house to formulate their plan and are greeted by howling and grunting coming from a closed door down the hallway. Chloe states that her aunt also lives in the house and is very “sick” after being taken to the church by a German soldier. At the same time, through a series of unfortunate events, Private Boyce discovers a brutal laboratory where other villagers are also being made “sick”.
For those who have seen the preview of Overlord and expect it to be war-based horror movie may be a little disappointed. While there certainly are horrific events, and plenty of scenes fighting the undead, Overlord is much more about the atrocities that the Nazi regime inflicted on innocents in an effort to purse the 1000-year-old Reich. J.J. Abrams spins a tale about how a small group of dedicated soldiers can pull out the impossible, even when there are hordes of Nazi soldiers and undead monsters standing in their way and does this in a spectacular and very believable way. The movie seems far more realistic than it should considering we are talking about zombie soldiers, but the events unfold as if they could actually happen. The movie is less The Walking Dead and more Saving Private Ryan, focusing not so much on the undead creatures themselves, but more the experimentation and mad-scientist efforts to create the ultimate super soldier. The story was outstanding and how they depicted everything from the soldiers to the zombies was top notch.
The movie is beautifully shot, standing tall next to other war epics such as Saving Private Ryan or Dunkirk. Even though the main plot of the film isn’t the invasion itself, it goes to astonishing detail to show how massive the invasion truly was. The opening scene is both epic and terrifying and the horrors of war are explored throughout. The acting was also superb, leading you to immediately care about the team and root for their success in the mission.
If it is not already clear, I absolutely loved this movie! They did a masterful job of blending the war/horror genre in such a way, that it never overly feels like one versus the other. It’s an action packed, edge of your seat thriller, with just enough jump scares included to remind you that it is billed as a horror movie. Overlord is a very unique take on an unfortunate time in history and it is one of the best movies I’ve seen in 2018.
RəX Regent (349 KP) rated Judgment at Nuremberg (1961) in Movies
Feb 19, 2019
“He that is without sin among you, let him cast the first stone at her.”
It has been over 20 years since I first saw this as teenager, but watching it again with little memory of the specifics, I was both a little disappointed but also very impressed.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
Debbiereadsbook (1116 KP) rated Professional Courtesy in Books
Mar 7, 2019
kinda cute, for a holiday story!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Eric isn't having to best start to the college year. His mum showed up to live with him, and he's gotta share his office at work with the new guy in the English department. Now his mum wants Eric to immerse himself in all the Christmas traditions that she did as a child. But Eric is not a holiday person, Eric likes order and peace and calm so to appease his mother, and to get to know Mike, he invites Mike to dinner. His mum will be happy, Mike can talk to her in her native German, and Eric will have his peace and calm. So why does it feel like a storm is brewing inside him, one that might break his heart?
Too stinking cute and warm and fuzzies all wrapped up in some 70 odd pages and I rather enjoyed this!
It's very well told, from both Eric and Mike's point of view, and they both have distinctive voices, mostly due to their earlier experiences in life. Eric's life has been handed to him on a platter, but Mike had a difficult childhood. Sending your child across the world because you prefer your drug dealer is bad enough but what happened to Mike as a teenager is truly shocking.
The attraction between Mike and Eric grows steadily and they come together just the once, which is why I gave it the contemporary tag I did but it's a sexy book!
I'm not usually one for the holiday stories but while this one is set around Christmas, it's not shoved in your face on every page! I'm a bit of a Scrooge really!
This is only the second book I've read of Speyer and they've both been on the short side. I'd like to read something longer, something with more bite. She can write a lot into a few pages, so I'm curious what would happen in a longer book.
4 solid stars
**same worded review will appear elsewhere**
Eric isn't having to best start to the college year. His mum showed up to live with him, and he's gotta share his office at work with the new guy in the English department. Now his mum wants Eric to immerse himself in all the Christmas traditions that she did as a child. But Eric is not a holiday person, Eric likes order and peace and calm so to appease his mother, and to get to know Mike, he invites Mike to dinner. His mum will be happy, Mike can talk to her in her native German, and Eric will have his peace and calm. So why does it feel like a storm is brewing inside him, one that might break his heart?
Too stinking cute and warm and fuzzies all wrapped up in some 70 odd pages and I rather enjoyed this!
It's very well told, from both Eric and Mike's point of view, and they both have distinctive voices, mostly due to their earlier experiences in life. Eric's life has been handed to him on a platter, but Mike had a difficult childhood. Sending your child across the world because you prefer your drug dealer is bad enough but what happened to Mike as a teenager is truly shocking.
The attraction between Mike and Eric grows steadily and they come together just the once, which is why I gave it the contemporary tag I did but it's a sexy book!
I'm not usually one for the holiday stories but while this one is set around Christmas, it's not shoved in your face on every page! I'm a bit of a Scrooge really!
This is only the second book I've read of Speyer and they've both been on the short side. I'd like to read something longer, something with more bite. She can write a lot into a few pages, so I'm curious what would happen in a longer book.
4 solid stars
**same worded review will appear elsewhere**
Goddess in the Stacks (553 KP) rated Our Endless Numbered Days in Books
Sep 26, 2018
I don't like unreliable narrators. I didn't realize, at first, that Peggy was one. Even though she mentions at the start of the book that a doctor said she had Korsakoff's syndrome - meaning malnutrition has messed with her memories - I assumed that it was just because her experiences were so unbelievable that the doctor thought she'd made things up. I also don't like unreliable narrators because the author obviously knows what truly happened. Leaving the reader in the dark about it seems rude.
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
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