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Point Blank (Badlands #6)
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Sexy psychic Simon Kincaide and skeptical homicide detective Vic D’Amato are getting married--if...
MM Fantasy Romance Urban Fantasy Opposites Attract Established Relationship
Heather Cranmer (2721 KP) created a post
Jul 7, 2022
Lyndsey Gollogly (2893 KP) rated Lock Every Door in Books
Apr 27, 2024
78 of 220
Kindle
Lock Every Door
By Riley Sager
⭐️⭐️⭐️
No visitors. No nights spent elsewhere. No disturbing the rich and famous residents. These are the rules for Jules Larsen’s new job apartment sitting at the Bartholomew, one of Manhattan’s most high-profile buildings. Recently heartbroken—and just plain broke—Jules is taken in by the splendor and accepts the terms, ready to leave her past life behind.
As she gets to know the occupants and staff, Jules is drawn to fellow apartment sitter Ingrid, who reminds her so much of the sister she lost eight years ago. When Ingrid confides that the Bartholomew has a dark history hidden beneath its gleaming façade, Jules brushes it off as a harmless ghost story—until the next day when Ingrid seemingly vanishes.
Searching for the truth, Jules digs deeper into the Bartholomew’s sordid past. But by uncovering the secrets within its walls, Jules exposes herself to untold terrors. Because once you’re in, the Bartholomew doesn’t want you to leave....
This was good and one of those that keeps you thinking is it supernatural or something more sinister and what’s more sinister than human beings being dark and twisted? All through this though I couldn’t help but feel I’d read something similar which did distract me a little. But it was a decent read.
Kindle
Lock Every Door
By Riley Sager
⭐️⭐️⭐️
No visitors. No nights spent elsewhere. No disturbing the rich and famous residents. These are the rules for Jules Larsen’s new job apartment sitting at the Bartholomew, one of Manhattan’s most high-profile buildings. Recently heartbroken—and just plain broke—Jules is taken in by the splendor and accepts the terms, ready to leave her past life behind.
As she gets to know the occupants and staff, Jules is drawn to fellow apartment sitter Ingrid, who reminds her so much of the sister she lost eight years ago. When Ingrid confides that the Bartholomew has a dark history hidden beneath its gleaming façade, Jules brushes it off as a harmless ghost story—until the next day when Ingrid seemingly vanishes.
Searching for the truth, Jules digs deeper into the Bartholomew’s sordid past. But by uncovering the secrets within its walls, Jules exposes herself to untold terrors. Because once you’re in, the Bartholomew doesn’t want you to leave....
This was good and one of those that keeps you thinking is it supernatural or something more sinister and what’s more sinister than human beings being dark and twisted? All through this though I couldn’t help but feel I’d read something similar which did distract me a little. But it was a decent read.
Light Over Liskeard
10.0
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Sometimes we must look to the past to survive the future. Q wants a simpler and safer life. His...
French Quarter Fright Night
9.0
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The third in the fabulous cozy mystery series with a vintage flair from USA Today bestselling and...
You Feta Watch Out
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Humbug! leads to Homicide! in the new Grilled Cheese Mystery by Linda Reilly . . . Christmas in...
Matthew Krueger (10051 KP) rated Frankenstein Meets the Wolf Man (1943) in Movies
Oct 15, 2020
Lon Chaney Jr. (1 more)
Bela Lugosi
Huge Disappointment
Contains spoilers, click to show
Frankenstien Meets The Wolf Man- was a huge disappointment but ill get to that later. First lets talk about the film.
The plot: Lawrence Stewart Talbot (Lon Chaney Jr.) is plagued by a physical oddity that turns him into a crazed werewolf after sundown. His desire to rid himself of this ailment leads him to the castle owned by mad scientist Dr. Frankenstein. Frankenstein, it turns out, is now dead, yet Talbot believes that the scientist's daughter, Baroness Elsa Frankenstein (Ilona Massey), can help him. However, his quest to right himself puts him on a collision course with Frankenstein's monster (Bela Lugosi).
This was the first of a series of "ensemble" monster films combining characters from several film series. This film, therefore, is both the fifth in the series of films based upon Mary Shelley's 1818 book Frankenstein; or, The Modern Prometheus, directly after The Ghost of Frankenstein, and a sequel to The Wolf Man.
As ultimately edited and released, Frankenstein Meets the Wolf Man is told in two almost equal parts. The opening scenes tell the story of Talbot's resurrection, killing spree, hospitalization, and escape across Europe. Much time is spent with a secondary policeman, Inspector Owen, and on scenes with a desperate Talbot hospitalized by Dr. Mannering. The discovery of the Monster and pursuit of Dr. Frankenstein's scientific notes do not begin until thirty-five minutes into the film. The second half introduces the Monster, Elsa, and the village of Vasaria and its inhabitants.
Immediately following his success in Dracula, Bela Lugosi had been the first choice to play the Monster in Universal's original Frankenstein film, but Lugosi famously turned down the nonspeaking, heavily made-up role: as conceived by the original director Robert Florey, the Monster was nothing more than a mindless killing machine and not suitable for Lugosi's rising stardom and career as a leading actor, and the original make-up for Lugosi's screen test was closely based on the doll-like clay robot in The Golem.
Eight years later, Lugosi joined the film as the Monster's twisted companion Ygor in Son of Frankenstein. He returned to the role in the sequel, The Ghost of Frankenstein, in which Ygor's brain is implanted into the Monster (now Chaney), causing the creature to take on Lugosi/Ygor's voice. After plans for Chaney to play both the Monster and the Wolf Man in the next film fell through for logistical reasons (Chaney demurred), the natural next step was for Lugosi, who turned 60 during the film's production, to take on the part that he once was slated to originate.
The original script — and indeed the film as originally filmed — had the Monster performing dialogue throughout the film, including references to the events of Ghost and indicating that the Monster is now blind (a side effect of the brain transplant as revealed at the end of the previous film, and the reason for his iconic stiff-armed "Frankenstein walk"). According to Siodmak, a studio screening audience reacted negatively to this, finding the idea of the Monster speaking with a Hungarian accent unintentionally funny (although the Monster spoke with Lugosi's voice at the end of Ghost, the audiences had been carefully prepared for it by the plot of the film). This has been generally accepted as the reason virtually all scenes in which Lugosi speaks were deleted (though two brief scenes remain in the film that show Lugosi's mouth moving without sound). All references to his being blind were also eliminated, rendering the Monster's groping gestures unmotivated for those unfamiliar with the ending of the previous film. Close-ups of Lugosi's eyes during the revitalization scene and his evil, knowing leer to Patric Knowles were supposed to indicate that his vision had been restored, but in the ultimate context of the film this means nothing. Consequently, Lugosi is onscreen literally for only a few minutes, leaving the Wolf Man as the film's primary focus.
Lugosi suffered exhaustion at some point during the filming, and his absence from the set, combined with his physical limitations at age 60, required the liberal use of stand-ins.
This would be the final Universal horror film in which the Monster played a major role; in the subsequent films The House of Frankenstein and House of Dracula, the Monster, played by Glenn Strange, is brought back to life only in the final scenes (in the 1948 Universal comedy Abbott and Costello Meet Frankenstein (the second and final film in which Lugosi plays Dracula), Strange has a larger role and the creature once again speaks, albeit with very limited dialogue, twice muttering, "Yes, Master."). It was also the last Universal horror film to feature an actual member of the Frankenstein family as a character.
A tribute to this meeting of two horror film legends happens near the beginning of the film Alien vs. Predator, when this film is seen playing on a television at the satellite receiving station. In the US version of the 1962 film King Kong vs. Godzilla (another pairing of prominent monsters), the music from the fight scene at the end of the film also plays during the final fight between Godzilla and Kong.
So the reason why this movie was a huge disappointments that it was universal first ensemble. A meet between two iconic monsters and boy did it disappointment. Their didnt meet until the last 5 minutes, no scratch that the last minute. Yes you read that right, the last minute their meet. Huge disappointment. It was also slow. I dont recordmend watching this one and skip it. The only reason im giving it a 5 is because of Lon Chaney Jr. and Bela Lugosi.
The plot: Lawrence Stewart Talbot (Lon Chaney Jr.) is plagued by a physical oddity that turns him into a crazed werewolf after sundown. His desire to rid himself of this ailment leads him to the castle owned by mad scientist Dr. Frankenstein. Frankenstein, it turns out, is now dead, yet Talbot believes that the scientist's daughter, Baroness Elsa Frankenstein (Ilona Massey), can help him. However, his quest to right himself puts him on a collision course with Frankenstein's monster (Bela Lugosi).
This was the first of a series of "ensemble" monster films combining characters from several film series. This film, therefore, is both the fifth in the series of films based upon Mary Shelley's 1818 book Frankenstein; or, The Modern Prometheus, directly after The Ghost of Frankenstein, and a sequel to The Wolf Man.
As ultimately edited and released, Frankenstein Meets the Wolf Man is told in two almost equal parts. The opening scenes tell the story of Talbot's resurrection, killing spree, hospitalization, and escape across Europe. Much time is spent with a secondary policeman, Inspector Owen, and on scenes with a desperate Talbot hospitalized by Dr. Mannering. The discovery of the Monster and pursuit of Dr. Frankenstein's scientific notes do not begin until thirty-five minutes into the film. The second half introduces the Monster, Elsa, and the village of Vasaria and its inhabitants.
Immediately following his success in Dracula, Bela Lugosi had been the first choice to play the Monster in Universal's original Frankenstein film, but Lugosi famously turned down the nonspeaking, heavily made-up role: as conceived by the original director Robert Florey, the Monster was nothing more than a mindless killing machine and not suitable for Lugosi's rising stardom and career as a leading actor, and the original make-up for Lugosi's screen test was closely based on the doll-like clay robot in The Golem.
Eight years later, Lugosi joined the film as the Monster's twisted companion Ygor in Son of Frankenstein. He returned to the role in the sequel, The Ghost of Frankenstein, in which Ygor's brain is implanted into the Monster (now Chaney), causing the creature to take on Lugosi/Ygor's voice. After plans for Chaney to play both the Monster and the Wolf Man in the next film fell through for logistical reasons (Chaney demurred), the natural next step was for Lugosi, who turned 60 during the film's production, to take on the part that he once was slated to originate.
The original script — and indeed the film as originally filmed — had the Monster performing dialogue throughout the film, including references to the events of Ghost and indicating that the Monster is now blind (a side effect of the brain transplant as revealed at the end of the previous film, and the reason for his iconic stiff-armed "Frankenstein walk"). According to Siodmak, a studio screening audience reacted negatively to this, finding the idea of the Monster speaking with a Hungarian accent unintentionally funny (although the Monster spoke with Lugosi's voice at the end of Ghost, the audiences had been carefully prepared for it by the plot of the film). This has been generally accepted as the reason virtually all scenes in which Lugosi speaks were deleted (though two brief scenes remain in the film that show Lugosi's mouth moving without sound). All references to his being blind were also eliminated, rendering the Monster's groping gestures unmotivated for those unfamiliar with the ending of the previous film. Close-ups of Lugosi's eyes during the revitalization scene and his evil, knowing leer to Patric Knowles were supposed to indicate that his vision had been restored, but in the ultimate context of the film this means nothing. Consequently, Lugosi is onscreen literally for only a few minutes, leaving the Wolf Man as the film's primary focus.
Lugosi suffered exhaustion at some point during the filming, and his absence from the set, combined with his physical limitations at age 60, required the liberal use of stand-ins.
This would be the final Universal horror film in which the Monster played a major role; in the subsequent films The House of Frankenstein and House of Dracula, the Monster, played by Glenn Strange, is brought back to life only in the final scenes (in the 1948 Universal comedy Abbott and Costello Meet Frankenstein (the second and final film in which Lugosi plays Dracula), Strange has a larger role and the creature once again speaks, albeit with very limited dialogue, twice muttering, "Yes, Master."). It was also the last Universal horror film to feature an actual member of the Frankenstein family as a character.
A tribute to this meeting of two horror film legends happens near the beginning of the film Alien vs. Predator, when this film is seen playing on a television at the satellite receiving station. In the US version of the 1962 film King Kong vs. Godzilla (another pairing of prominent monsters), the music from the fight scene at the end of the film also plays during the final fight between Godzilla and Kong.
So the reason why this movie was a huge disappointments that it was universal first ensemble. A meet between two iconic monsters and boy did it disappointment. Their didnt meet until the last 5 minutes, no scratch that the last minute. Yes you read that right, the last minute their meet. Huge disappointment. It was also slow. I dont recordmend watching this one and skip it. The only reason im giving it a 5 is because of Lon Chaney Jr. and Bela Lugosi.
Heather Cranmer (2721 KP) rated Hysteria in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
Night Reader Reviews (683 KP) rated A Warrior's Blush in Books
Jan 9, 2020
A Warriors Blush by Shannon Whittall is an action-adventure fantasy story with just a hit of romance. This book could z easily be the beginning of a very interesting series if the author wanted to go that route with it. The ending is also surprising, but I do not encourage any readers to skip ahead in the book to see what I mean.
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
https://www.facebook.com/nightreadersreviews
https://www.austinmacauley.com/book/warriors-blush
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
https://www.facebook.com/nightreadersreviews
https://www.austinmacauley.com/book/warriors-blush
Gareth von Kallenbach (980 KP) rated The Conjuring (2013) in Movies
Aug 6, 2019
It’s quite easy to think you have a ghost haunting your home. The creeks and cracks of settling foundation, leaky pipes, drafty windows or appliances can sound aerie. Why is it that our imaginations jump to that conclusion and not simply the truth. In some cases this causes people to essentially “cry wolf”, making it hard for us to believe in the true hauntings that have plagued families for generations. The Perron family was one of the many that had been terrorized by a malevolent spirit in their recently purchased farmhouse.
The story follows Ed and Lorraine Warren who’s lives have spent dealing with hundreds of cases of hauntings all around the US. From small hauntings to haunted items and more importantly exorcisms. The film begins with one of their possession cases that involves two young woman who were under the impression that they were being haunted by a little girl who took a likening to their Annabelle doll. They invited the girl to live inside of the doll not knowing that the entity was a daemon. (I do want to interject that the real Annabelle doll was a raggedy Anne doll but for the films sake they made the doll look like it was related to Chucky).
Annabelle is just an introduction to the audience of what Ed and Lorraine Warren do. One of their bigger cases is that of the Perron family. Roger (Ron Livingston), his wife Carolyn (Lili Taylor) and their five daughters move to an old farmhouse in a remote area not knowing the past of the land or the home itself. Ed and Lorraine agree to help the family exorcise their home, not realizing that the case was more dangerous than they had originally thought.
This film is by far the best true ghost story film that I have seen to date. Granted it has somewhat of a slow beginning, once the scares start happening it gets better and better. The acting was not the best nor the dialogue, however if you pay close attention to the story, those weaknesses of the film are easily forgotten. It is extremely refreshing to not see any CGI in a film like this and knowing that it can be as equally scary if not more with simple camera angles and excellent concepts. I also like the absence of blood and gore that has seen to be quite overdone with most horror films lately. The way that practical makeup was used to create such scary characters is only a small part of how much thought was put into this.
This film is scary and when I say that I really mean it. When I screened this, I was sitting in the middle of two big burley men who also jumped at every surprise. If you have been waiting for a film to scare you, this my friends will do it. It is definitely not for the faint of heart.
The story follows Ed and Lorraine Warren who’s lives have spent dealing with hundreds of cases of hauntings all around the US. From small hauntings to haunted items and more importantly exorcisms. The film begins with one of their possession cases that involves two young woman who were under the impression that they were being haunted by a little girl who took a likening to their Annabelle doll. They invited the girl to live inside of the doll not knowing that the entity was a daemon. (I do want to interject that the real Annabelle doll was a raggedy Anne doll but for the films sake they made the doll look like it was related to Chucky).
Annabelle is just an introduction to the audience of what Ed and Lorraine Warren do. One of their bigger cases is that of the Perron family. Roger (Ron Livingston), his wife Carolyn (Lili Taylor) and their five daughters move to an old farmhouse in a remote area not knowing the past of the land or the home itself. Ed and Lorraine agree to help the family exorcise their home, not realizing that the case was more dangerous than they had originally thought.
This film is by far the best true ghost story film that I have seen to date. Granted it has somewhat of a slow beginning, once the scares start happening it gets better and better. The acting was not the best nor the dialogue, however if you pay close attention to the story, those weaknesses of the film are easily forgotten. It is extremely refreshing to not see any CGI in a film like this and knowing that it can be as equally scary if not more with simple camera angles and excellent concepts. I also like the absence of blood and gore that has seen to be quite overdone with most horror films lately. The way that practical makeup was used to create such scary characters is only a small part of how much thought was put into this.
This film is scary and when I say that I really mean it. When I screened this, I was sitting in the middle of two big burley men who also jumped at every surprise. If you have been waiting for a film to scare you, this my friends will do it. It is definitely not for the faint of heart.