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Colette (2018)
Colette (2018)
2018 | Drama, History
Directed by Wash Westmoreland, “Colette” is a biographical drama based on Colette, the French novelist. This is a film that is truly worth watching at least once in a lifetime.

Movie goers may start off with an impression that this film will only attempt to lavish them with grandiosity and a dash of drama that may or may not really be all that thrilling. A pleasant surprise – it goes much deeper than visual decadence and a bit of tear jerking.

Keira Knightley’s performance as Gabrielle Colette is one that shares with audiences a riveting evolution of a repressed young woman and her transformation into a controversial force to be reckoned with in a rapidly transforming entertainment industry.

Knightley’s performance is perhaps her best yet, with captivating depictions of raw human emotion in all its complexities.

Dominic West plays the role of Henry Gauthier-Villars, Colette’s husband. Gauthier-Villars is portrayed as an opportunist who puts greed before the value of others. He employs ghost writers to make him fortunes while he engages in debauchery. His life is filled with great possessions, parties, and beautiful women.

The intertwining of his path with Colette’s demonstrates the ways that a woman can be ravaged by love, giving everything they are only to find out it may never be enough.

Themes of gender and sexuality play a strong role in this story. Denise Gough is captivating in her role as Colette’s lady lover, Mathilde de Morny. In a time when women could not even wear pants, these characters began to write new rules by rejecting the repression of high society.

‘Colette’ shows us that our journeys are never so simple. A person who may seem close to destruction or repressed domestication has the ability to rise like a phoenix above the ashes, into something new and more ravishing than before.

The film has a magical feel with cinematography that puts the viewer right in the moment. It draws the audience in with subtle detail and continues to develop into a real experience of a complex and winding story.
  
Death Stranding
Death Stranding
2019 | Action
I just finished Death Stranding and it was quite the incredible journey for me. I have been a long time fan of Kojima's work so I was intrigued by this game. So many people have made the jokes about Sam being a glorified postman, but the game is so much more than that. Once the game started going, I got hooked into the story and was fascinated by the connections Sam made with each person during his arduous deliveries and how he connected them to each other. Seeing how people connect and witnessing how those bonds drew them together created a powerful and beautiful story.
 One game mechanic I absolutely enjoyed was the fact that there is a multiplayer, but it's not multiplayer in the way you think. You never actually see the other players and they never see you. What you do see is what is left behind to help you on your journey and you can leave behind things to help other players. You can build roads, bridges, ziplines, or leave ladders and climbing ropes on steep cliffs to help others on their journey. There is also a shared locker function which allows you and other players to donate weapons and items for use on your travels. Again, it is a way we as people connect to each other from all over the world. You can also give likes to the helpful things people leave behind.
 Exploring the open world of Death Stranding is an adventure in itself with treacherous terrain, dangerous people trying to attack you,(known as mules) and scary ghost like monsters (known as beached things or BTS) it makes you take your time planning out your routes and how you want to get out of those situations. The performances by everyone in the game is fantastic. There are raw emotional moments in parts of the story that moved me to tears. There are beautiful moments that gave me cause to smile as well and I had such a wonderful time with this game. Death Stranding is more than just a delivery game. It is a story about the strength of our connections, bonds, and a promise of hope.
  
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JT (287 KP) rated Drive Angry (2011) in Movies

Mar 10, 2020  
Drive Angry (2011)
Drive Angry (2011)
2011 | Action, Mystery
4
5.6 (7 Ratings)
Movie Rating
The only thing going for this piece of red necked, muscle car mayhem was that it was shot in 3D, and maybe the inclusion of Amber Heard. Aside from that is was pretty poor and that is being nice. After Ghost Rider I thought Nicolas Cage might steer clear of the ‘escaped-from-hell- out-for-revenge’ type role, but he’s ventured straight back.

Cage plays Milton a father who is out for justice after escaping from hell (why he’s in there we’re not sure, all we know he’s a former criminal) to avenge the death of his daughter and save his granddaughter.

Hot on his heels is The Accountant played by William Fichtner, who was actually one of the shining lights of the film. Smartly dressed in a suit with a coin very reminiscent of Harvey Two Face for quick decision making or possible misdirection he ads some comedic presence and has some of the films’ best lines.

In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over

Amber Heard was there for pure sex appeal, and when she was sat in that muscle car every bloke would have been reaching for the bucket of cold water. But she doesn’t hold up the side-kick role at all well, instead she swears a bit, kicks some ex boyfriends’ ass and gets her nails painted by a random naked bloke in a hotel room.

The title Drive Angry should suggest just that, but fails. We get the odd car chase but its hardly anything to get excited about. How can you, when a muscle car as powerful as it is fails to keep up with a camper van full of sadistic Satan worshippers!

In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over. Cage looks bored practically all the way through it, and had he actually bothered to be awake it might have been a better vehicle.

Instead this one got a flat the moment the opening credits rolled.